Issue 18 Vol. 1 Spring 2021 18.1 | Spring 2021
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The Goosegoose
TheThe GooseGoose ISSUE 4.1 SPRING 2008 TABLE OF CONTENTS EDITOR’S NOTEBOOK: PAUL HUEBENER NEWS FROM THE EXECUTIVE: RICHARD PICKARD EDGE EFFECTS: JAN ZWICKY REGIONAL FEATURE: LAKE MASSAWIPPI, QUÉBEC with an INTRODUCTION by FENN STEWART BOOK REVIEWS by ALANNA F. BONDAR; NICK BRADLEY; AFRA KAVANAGH; JENNIFER BOWERING DELISLE; SONNET L’ABBÉ; JOSÉ CARLOS REDONDO-OLMEDILLA; ROBYN READ; MARYANN MARTIN; JENNY KERBER; OWEN PERCY GRAD NETWORK: UNIVERSITY OF VICTORIA NEW/UPCOMING PUBLICATIONS ACKNOWLEDGEMENTS EDITOR’S NOTEBOOK With spring comes another issue of The Goose, and our contributors have provided some wonderful features. Richard Pickard gives an update about the ASLE 2009 conference in Victoria. In Edge Effect, Jan Zwicky offers three poems: “Small Song: Blue,” “Song for the breeze before dawn,” and “Small Song: December Light.” The Regional Feature puts the spotlight on Québec, where Fenn Stewart takes us under the surface of Lake Massawippi, and Tom Berryman reflects on Québec and ecocriticism. And the Grad Network highlights the University of Victoria’s West Coast Literature program. Book reviews in this issue present Alanna F. Bondar’s review of Don Domanksi’s and Tom Wayman’s latest poetry collections. Jenny Kerber reviews Other Selves: Animals in the Canadian Literary Imagination; Robyn Read reviews Tim Bowling’s memoir The Lost Coast; Nick Bradley reviews Dennis Lee’s YesNo, as well as the essay collection Coming into Contact: Explorations in Ecocritical Theory and Practice; José Carlos Redondo- Olmedilla reviews Intent for a Nation: What is Canada for? by Michael Byers; Sonnet L’Abbé reviews A Gathering of Flowers from Shakespeare by Gerard Brender à Brandis (with F. -
Poetry, Place, and Spiritual Practices by Katharine Bubel BA, Trinity
Edge Effects: Poetry, Place, and Spiritual Practices by Katharine Bubel B.A., Trinity Western University, 2004 M.A., Trinity Western University, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Katharine Bubel, 2018 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Edge Effects: Poetry, Place, and Spiritual Practices by Katharine Bubel B.A., Trinity Western University, 2004 M.A., Trinity Western University, 2009 Supervisory Committee Dr. Nicholas Bradley, Department of English Supervisor Dr. Magdalena Kay, Department of English Departmental Member Dr. Iain Higgins, Department of English Departmental Member Dr. Tim Lilburn, Department of Writing Outside Member iii Abstract "Edge Effects: Poetry, Place, and Spiritual Practices” focusses on the intersection of the environmental and religious imaginations in the work of five West Coast poets: Robinson Jeffers, Theodore Roethke, Robert Hass, Denise Levertov, and Jan Zwicky. My research examines the selected poems for their reimagination of the sacred perceived through attachments to particular places. For these writers, poetry is a constitutive practice, part of a way of life that includes desire for wise participation in the more-than-human community. Taking into account the poets’ critical reflections and historical-cultural contexts, along with a range of critical and philosophical sources, the poetry is examined as a discursive spiritual exercise. It is seen as conjoined with other focal practices of place, notably meditative walking and attentive looking and listening under the influence of ecospiritual eros. -
Zwicky 2012: What Is Ineffable?
International Studies in the Philosophy of Science ISSN: 0269-8595 (Print) 1469-9281 (Online) Journal homepage: https://www.tandfonline.com/loi/cisp20 What Is Ineffable? Jan Zwicky To cite this article: Jan Zwicky (2012) What Is Ineffable?, International Studies in the Philosophy of Science, 26:2, 197-217, DOI: 10.1080/02698595.2012.703480 To link to this article: https://doi.org/10.1080/02698595.2012.703480 Published online: 05 Oct 2012. Submit your article to this journal Article views: 332 View related articles Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=cisp20 International Studies in the Philosophy of Science Vol. 26, No. 2, June 2012, pp. 197–217 What Is Ineffable? Jan Zwicky In this essay, I argue, via a revision of Freud’s notions of primary and secondary process, that experiences of resonant form lie at the root of many serious ineffability claims. I suggest further that Western European culture’s resistance to the perception of resonant form underlies some of its present crises. Is there anything that is genuinely ineffable? If so, how is it possible to think about it or to understand it? It is fashionable in some philosophical circles to express impatience with these ques- tions. The word ‘ineffable’, some will urge, is itself a predicate—one that obviously cannot be predicated of anything on pain of self-contradiction.1 Others, content to dismiss the paradox as a minor metalinguistic knot, nonetheless assert -
ROBERT BURNS and FRIENDS Essays by W. Ormiston Roy Fellows Presented to G
University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy Patrick G. Scott University of South Carolina - Columbia, [email protected] Kenneth Simpson See next page for additional authors Publication Info 2012, pages 1-192. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Book - Full Text is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Author(s) Patrick G. Scott, Kenneth Simpson, Carol Mcguirk, Corey E. Andrews, R. D. S. Jack, Gerard Carruthers, Kirsteen McCue, Fred Freeman, Valentina Bold, David Robb, Douglas S. Mack, Edward J. Cowan, Marco Fazzini, Thomas Keith, and Justin Mellette This book - full text is available at Scholar Commons: https://scholarcommons.sc.edu/burns_friends/1 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy G. Ross Roy as Doctor of Letters, honoris causa June 17, 2009 “The rank is but the guinea’s stamp, The Man’s the gowd for a’ that._” ROBERT BURNS AND FRIENDS essays by W. -
Burns-CV 2020
STEVEN A. M. BURNS BRIEF CURRICULUM VITAE Professor (retired in 2006); Adjunct Professor (continuing) 2020 Dept. of Philosophy, Dalhousie University, Halifax, N.S. B3H 3J5, Canada Personal: Born in Canada, 1941; married to Janet F. Ross; three adult children; three grandchildren. Study: Acadia University (Wolfville, N.S.) B.A.(Hons.) (Philosophy) 1962 University of Western Australia (Perth) (Visiting Fellowship) 1964 University of Alberta (Edmonton) M.A. (Philosophy) 1966 University of London (Birkbeck College) D.Phil. (Philosophy) 1970 Employment: Dalhousie University, Dept. of Philosophy, 1969-2006; one-third-time cross-appointed to University of King’s College, Contemporary Studies Programme, 1993-2006 Visiting Professor, Dept. of Philosophy, University of Vienna, Autumn Term 2006 Professor (part-time), Contemporary Studies Programme, University of King’s College (2007-2013) Research: 1 book (translation and commentary); 1 co-edited book; 54 articles, book chapters, critical notices, etc.; 34 book reviews. [Main areas of publication: Political Phil., Aesthetics, Phil. of Mind, Feminist Phil., Environmental Ethics; Wittgenstein, Plato, History of Canadian Phil., Simone Weil] 133 papers and lectures read to professional audiences in Canada, Europe and U.S.A., including invited lectures at the universities of Vienna, London, Wales (Swansea), Acadia, Carleton, Guelph, King’s College, Memorial (Grenfell College), Mt. Allison, NSCAD, P.E.I., St. Francis Xavier, Cape Breton, Victoria , Western Ontario, and St. Mary’s Refereeing for 7 journals and various academic presses, the SSHRCC, the CFH, the CPA, inter alia Canada Council Leave Grant (held at University of London: full year, 1973-74) Co-holder of SSHRC Strategic Grant of $125,000 for research in agricultural ethics (1991–94) Teaching: Besides Introductions, classes in Ancient and Modern Western Philosophy, Contemporary Continental and British Philosophy, Epistemology, Metaphysics, Political Philosophy, Aesthetics, Philosophy of Mind, Philosophy of Religion and Philosophy of Education Supervisor of 32 M.A. -
What Is Lyric Philosophy? Warren Heiti
Introduction: What Is Lyric Philosophy? Warren Heiti Philosophy and Literature, Volume 39, Number 1, April 2015, pp. 188-201 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/phl.2015.0000 For additional information about this article https://muse.jhu.edu/article/593935 Accessed 27 Nov 2017 14:31 GMT In Focus: Reflections on Lyric Philosophy Warren Heiti INTRODUCTION: WHAT IS LYRIC PHILOSOPHY? Abstract. What is lyric philosophy? The clearest response to that ques- tion is the book-length investigation by Canadian philosopher and poet Jan Zwicky. If philosophy can be defined as thinking in love with clarity, then lyric philosophy might be roughly understood as such thinking in which clarity assumes the form of resonance. Among her paradigmatic lyric philosophers, Zwicky includes (inter alia) the aphorists Herakleitos and Ludwig Wittgenstein. Lyric is distinguished by its deep structure, which is polydimensional and integrative. Epistemically, this structure responds to the gestural root of meaning, which is ineffably manifest in the physical world. hat is lyric philosophy? The clearest response to that question Wconsists in roughly six hundred pages: a book-length meditation that incorporates the philosophical forms of aphorism and dialogue and the musical form of polyphony in an integrative effort to show what it means: namely Lyric Philosophy, by the Canadian philosopher, poet, and musician Jan Zwicky.1 Importantly, criteria for the concept of lyric philosophy are never stipulated in that book, and refraining from such stipulation is connected with the very nature of the investigation. “Lyric meaning,” writes Zwicky, “is proto-linguistic. It underlies and informs linguistic meaning but is, at the same time, broader in scope. -
Lyric Scholarship in Controversy: Jan Zwicky and Anne Carson Tina Northrup
Document généré le 24 sept. 2021 14:51 Studies in Canadian Literature / Études en littérature canadienne Lyric Scholarship in Controversy: Jan Zwicky and Anne Carson Tina Northrup Volume 37, numéro 1, 2012 Résumé de l'article Counted among Canada’s most influential poet-scholars of the late twentieth URI : https://id.erudit.org/iderudit/scl37_1art11 and early twenty-first centuries, Jan Zwicky and Anne Carson challenge the conventional distinctions that separate classical scholarship, art criticism, Aller au sommaire du numéro philosophy, and poetry. Although seldom paired by criticis, their scholarly and creative methods are comparable, serving as examples of lyric – a term that, through Zwicky’s work especially, signifies a contemporary movement in Éditeur(s) which poets and scholars resist what they see as prescriptive and unethical programs for academic pursuit. By allowing diverse genres of research and University of New Brunswick, Dept. of English writing to infiltrate their writings, Carson and Zwicky have helped bring the political assumptions and cultural ramifications of certain academic ISSN conventions to light. Notably, in two controversial critiques of these writers and their work, David Solway and Zach Wells implicitly attribute the lyric 0380-6995 (imprimé) approach to a markedly feminine and naive intellectual stance. Particularly in 1718-7850 (numérique) the contexts provided by Carson’s and Zwicky’s writings, such perspectives betray deep-seated gender prejudices that hinder Canada’s artistic and Découvrir la revue intellectual future. Citer cet article Northrup, T. (2012). Lyric Scholarship in Controversy:. Studies in Canadian Literature / Études en littérature canadienne, 37(1), 192–214. All Rights Reserved ©, 2016 Studies in Canadian Literature / Études en Ce document est protégé par la loi sur le droit d’auteur. -
“The Wreck of the Julie Plante” and Its Offspring
Fall–Winter 2016 Volume 42: 3–4 The Journal of New York Folklore “The Wreck of the Julie Plante” and Its Offspring What’s Your Watershed? Folklore and the Environment Hello, Hannah! NYFS’ Upstate Regional Rep Puerto Rican & Garifuna Drums Democratizing the Folk Arts Workplace American Public Folklore In Nanjing From the Director From the Editor According to New “Save the Date,” and join us at the Castellani Thirty years ago I began York State’s Office of Art Museum of Niagara University. Details my first consultant job New Americans, one will be posted on our website, www.nyfolklore. as a folklorist in upstate in four New York State org. New York. adults of working age The New York Folklore Society, in col- Crandall Library want- are foreign born and laboration with Green Worker Cooperatives ed to expand their bud- almost one-third of (GWC), hosted the second in a series of ding Folk Arts Program New York’s business workshops on October 23, in Brooklyn, on and agreed with the folks owners are immigrants. Our state’s diversity “Democratizing the Folk Arts Workplace: at the New York State Council on the Arts provides a tapestry of colors and patterns of Forming a Worker-Owned Cooperative” that a young folklorist working and studying culture, language, and arts that enriches us all. with GWC’s Ileia Burgos. You can read in Washington, DC, could breathe new life Although New York City has been histori- about both workshops in this issue in a into their program. cally the destination for immigrants, Upstate report from NYFS’s NYC Regional Repre- I was to conduct a Folk Arts Survey of New York has most recently benefitted from sentative Eileen Condon. -
Lorne Pierce, Ryerson Press, and the Lmakters of Canadian Literature Series
Lorne Pierce, Ryerson Press, and The lMakters of Canadian Literature Series Margery Fee Probably every university library in Canada has, scattered through its Cana- dian Literatuire section, most of the thirteen blue and gold volumes of Ryer- son Press's Makers of Canadian Literature series.' It is just as probable that some of these volumes rarely leave the shelves: who is likely to want a book on Robert Norwood, Arthur Stringer, or Peter McArthur today? Charles G.D. Roberts, Isabella Valancy Crawford, and Stephen Leacock are still widely taught, but the canon has shifted away from William Henry Drum- mond, Thomas Haliburton, William Kirby, and even John Richardson. Louis Fréchette, Frangois-Xavier Garneau, and Antoine G6rin-Lajoie are all impor- tant figures in Quebec history, but none is now claimed as a great poet or novelist. Still, the history of the series is of interest to bibliographers, anti- qluarian book dealers, and literary historians. Lately, critical attention has turned to such matters as the economics of literary production, the history of the audience's 'reception' of particular works, the formation of national canons, and the description of the institutions connected with any special- ized discourse. The history of the Makers of Canadian Literature series touches on all these matters. The series can by no means be described as an unequivocal success: it failed financially, and some of its volumes are uncritical and badly written. Still, other volumes are readable and makte good critical sense. And the mere process of preparing the series generated, uncovered, and preserved a great deal of information about Canada's early literary history that, while it remains to be fully exploited, will undoubtedly be useful to both scholars and critics. -
Smutty Alchemy
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2021-01-18 Smutty Alchemy Smith, Mallory E. Land Smith, M. E. L. (2021). Smutty Alchemy (Unpublished doctoral thesis). University of Calgary, Calgary, AB. http://hdl.handle.net/1880/113019 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Smutty Alchemy by Mallory E. Land Smith A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH CALGARY, ALBERTA JANUARY, 2021 © Mallory E. Land Smith 2021 MELS ii Abstract Sina Queyras, in the essay “Lyric Conceptualism: A Manifesto in Progress,” describes the Lyric Conceptualist as a poet capable of recognizing the effects of disparate movements and employing a variety of lyric, conceptual, and language poetry techniques to continue to innovate in poetry without dismissing the work of other schools of poetic thought. Queyras sees the lyric conceptualist as an artistic curator who collects, modifies, selects, synthesizes, and adapts, to create verse that is both conceptual and accessible, using relevant materials and techniques from the past and present. This dissertation responds to Queyras’s idea with a collection of original poems in the lyric conceptualist mode, supported by a critical exegesis of that work. -
The Left Atrium
The Left Atrium Room for a view Atteindre la centaine: William Henry Drummond he centenary of a poet’s death is a fit occasion for a reconsidera- T tion of his poetry and achieve- ments. William Henry Drummond (né William Henry Drumm) was born 13 April 1854, in County Leitrim, Ireland, and died 6 April 1907 in the mining community of Cobalt, Ont. With his parents, George Drumm and Elizabeth Morris Soden, he immi- grated to Canada in 1864 and settled in Montréal. After the death of his father in 1866, Drummond dropped out of school to support his mother. He worked as a telegraphist in the winters in Montréal, and in the summers he worked in the lumber town of Bord-à- Plouffe, Que., where he first witnessed the habitants and voyageurs who were Ernest Sawford-Dye. Private collection of G.O. Taylor. to become the subjects and narrators of his poems. Eventually, he completed Watercolour of Dr. William Henry Drummond’s house at Kerr Lake. When William his schooling at the High School of Henry Drummond first arrived in Cobalt, Ont., in 1904, it was a “tent city” in the middle Montreal and attended McGill College of the forest. Rather than live in a tent, he built a 2-storey log house overlooking Kerr and Bishop’s College in Montréal, Lake, the site of his mining claim. He hand-picked its chimney stones and built graduating with an MD in 1884. He porches where he could sit and hear his miners sing (it is said that he only hired miners spent the next 23 years in his medical who could sing). -
A Dissertation Submitted to the Faculty of Arts of Ottawa University in Partial Fulfillment of the Requirements for the Degree of Master of Arts
"POET OF THE MIST" A CRITICAL ESTIMATION OF THE POSITION OF WILLIAM WILFRED CAMPBELL IN CANADIAN LITERATURE. by MARGARET EVELYN COULBY A dissertation submitted to the Faculty of Arts of Ottawa University in partial fulfillment of the requirements for the degree of Master of Arts. March 1, 1950. Ottawa, Ontario, Canada. " Ottawa UMI Number: EC56059 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform EC56059 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 "POET OF THE MIST" A CRITICAL ESTIMATION OF THE POSITION OF WILLIAM WILFRED CAMPBELL IN CANADIAN LITERATURE. i PREFACE I wish to acknowledge the very great assistance given to me in this work by Mrs. Faith Malloch, of Rockliffe, daughter of the late William Wilfred Campbell, who lent me her unpublished manuscript, eighty-nine pages in length, containing biographical material on the poet's life, letters back and forth between England and Canada and Scotland from Campbell, his friends and daughters, and it also con tained much information about his friends and their influence upon him, I profited also by talking with Colonel Basil Campbell of Ottawa, Campbell's only son.