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Photographs New York | March 30, 2020
Photographs New York | March 30, 2020 Photographs New York I Monday March 30, 2020, at 2pm EST BONHAMS BIDS INQUIRIES 580 Madison Avenue +1 (212) 644 9001 Laura Paterson New York, New York 10022 +1 (212) 644 9009 fax Head of Photographs bonhams.com [email protected] +1 (917) 206 1653 [email protected] PREVIEW To bid via the internet please visit New York www.bonhams.com/25760 Amelia Wilson Photographs Cataloguer Thursday March 26, 10am to 5pm Please note that bids should be +1 (917) 206 1635 Friday March 27, 10am to 5pm summitted no later than 24 hours [email protected] Saturday March 28, 12pm to 5pm prior to the sale. New Bidders must Sunday March 29, 12pm to 5pm also provide proof of identity when Monday March 30, 10am to 12pm SALE INCLUDING submitting bids. Failure to do this COLLECTIONS OF may result in your bid not being 25760 • The Pritzker Organization, SALE NUMBER: processed. Lots 1 - 176 Chicago • The Collection of James (Jimmy) LIVE ONLINE BIDDING IS Fox CATALOG: $35 AVAILABLE FOR THIS SALE Please email bids.us@bonhams. REGISTRATION ILLUSTRATIONS com with “Live bidding” in the IMPORTANT NOTICE Front cover: lot 37 subject line 48 hours before the Please note that all customers, Inside front cover: lot 23 auction to register for this service. irrespective of any previous activity Session page: lot 24 with Bonhams, are required to Inside back cover: lot 45 Bidding by telephone will only be complete the Bidder Registration Back cover: lot 124 accepted on a lot with a lower Form in advance of the sale. -
Galerie Lelong & Co. Frank Horvat
13 rue de Téhéran 75008 Paris Galerie Lelong & Co. +33 (0)1 45 63 13 19 [email protected] www.galerie-lelong.com Frank Horvat Vraies Semblances, 1981-1986 18 June – 10 October 2020 38 avenue Matignon 75008 Paris Cinzia, Claude, 1983-1984, print on archival pigment paper, 132 x 109 cm « The idea of referring to famous master-pieces probably came to me from a thought that had often crossed my mind – on the subway, for instance – when glancing at some woman who struck me as particularly beautiful, but who didn’t seem conscious of her beauty, and whom a fashion editor would never have allowed me to photograph for a magazine, although I could easily imagine her in a painting by Leonardo da Vinci, Rubens or Ingres. I visualised them in the costume and with the hairstyle of one of those periods, or even naked in some mythological scene: partly because I like fantasising about bygone ages, but more because, as a photographer, I prefer discovering unexpected beauties, rather than celebrating those that, in my eyes, are somewhat devalued by general admiration. I have to admit that in the beginning I wasn’t a great connoisseur of classical painting. But little by little, as this game of associations went on and as the project took shape, I began to revisit museums and to assemble a small library of art books, which in turn helped to feed my phantasies. » Frank Horvat Frank Horvat was born in 1928 in Abbazia, Italy. He has lived in Switzerland, India, England, France and the United States. -
Occassional Papers: the New Photography 1920S–1940S
occasional papers DEPARTMENT OF INTERNATIONAL AND AUSTRALIAN PHOTOGRAPHY Introduction cover: UMBO Selbst (Self- The National Gallery of Australia began acquiring Over the years many substantial talks have been portrait) c 1930, printed 1980 gelatin silver photograph photographic art in 1972, and in 2012 current given by staff and guest speakers, and those papers National Gallery of Australia, holdings are over 25000 works, of which over half that were not published are now planned to be Canberra, purchased 1983 are Australian. This significant print collection is progressively placed on the Gallery’s website. above: Lev Levitsky complemented by the National Gallery of Australia Tsar Nicholas II of Russia and A number of specific strengths exist in the Gallery’s Tsarina Alexandra Research Library’s excellent and extensive catalogue with children, Peter Hof, collection, including holdings of modernist 16th August 1901 of photographic literature. National Gallery of Australia, photography of the 1920s to 1930s. This paper Canberra, purchased 2006 The story of the development of the Gallery’s addresses background material to the modern photography collection has been told in the Gallery’s photography collection and has been contributed publication Building the collection, released in 2003. by Robert Deane, former Assistant Director Significant new directions began in 2006 with a (Administration), currently a volunteer and new focus on the representation of the history of Honorary Researcher. photography in the Asia-Pacific region, announced in October 2005 by Director Ron Radford in his Gael Newton Senior Curator, Photography A vision for the National Gallery of Australia. June 2012 (That document and further information can be found on the Gallery’s website: nga.gov.au, see tabs for ‘information’ and ‘collections’.) The New Photography 1920s–1940s ‘Photography is the art of the revolution’1 The Great War saw the annihilation of an entire societies through the fields of advertising, left: Cover of Das Deutsche Lichtbild 1927. -
Galerie Lelong &
Galerie Lelong & Co. Paris – New York Frank Horvat Frank Horvat, né le 28 avril 1928 à Abbazia (Italie, aujourd'hui Opatija en Croatie) et mort le 21 octobre 2020 à Paris, est un photographe français. Il vit et travaille à Boulogne-sur-Seine. Sa rencontre avec Henri Cartier-Bresson en 1950 est déterminante pour la suite de son travail. En 1955, il participe à l'exposition "The Family of Man" organisée au MoMa par Edward Steichen. Dans les années 1960, il acquiert une renommée internationale par ses photos de mode, considérées comme renouvelant le genre. Son œuvre est éclectique, allant du photojournalisme au paysage et au portrait, en passant par la photographie de rue et des essais sur la nature et la sculpture. Expositions Expositions personnelles 2020 Vraies Semblances, 1981 - 1986, Galerie Lelong & Co., espace Matignon, Paris , France 2019 House with Fifteen Keys, Multimedia Art Museum - Moscow House of Photography, Moscou, Fédération de Russie 2018 Frank Horvat et ses contemporains, Vieille Eglise Saint-Vincent, Mérignac, France Frank Horvat et ses contemporains, Musée de la Photographie, Lille, France Please don’t smile, Museo Palau Solterra, Torroella de Montgrí, Espagne Frank Horvat. Storia di un fotografo, Musei Reali Torino - Sale Chiablese, Turin, Italie Un moment d’une femme, Nexus Hall Chanel, Tokyo, Japon 2015 House with Fifteen keys, Helmut Newton Foundation, Berlin, Allemagne 2014 House with Fifteen keys, Théâtre de la Photographie et de l'Image, Nice, France 2012 Retrospective, Brucie Collections, Kiev, Ukraine 2011 No repeat, CRAF - Centro di Ricerca e Archiviazione della Fotografia, Spilimbergo, Italie 13 rue de Téhéran, 75008 Paris – France / +33 1 45 63 13 19 / [email protected] / www.galerie-lelong.com 1 Galerie Lelong & Co. -
TPG Exhibition List
Exhibition History 1971 - present The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and a selection of other activities and events organised by the Print Sales, the Education Department and the Digital Programme (including the Media Wall) are listed. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited worKs and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exist they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of worKs by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development worKs – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive at the Photographers' Gallery. For more information, please contact the Archive at [email protected] -
P Ho T O a U C T Io N
VIENNA, OCTOBER 2ND 2020 PHOTO AUCTION 77, ALFRED EISENSTAEDT EXPERTEN SPECIALISTS PROF. JOHANNES FABER 22. Gründer der Galerie Johannes Faber in Wien, OSTLICHT Kunsthändler und Experte für klassische PHOTO AUCTION Fotografie; zahlreiche Ausstellungen, Preise, Freitag, 2. Oktober 2020, Stipendien und Publikationen. 17 Uhr (MESZ) Founder and director of Galerie Johannes Faber in Vienna, art dealer and expert for classic VORBESICHTIGUNG photography; numerous exhibitions, awards, ab Mittwoch, 23. September scholarships and publications. nach persönlicher Vereinbarung: PHOTO [email protected], Tel.: +43 1 996 20 66 17 ND AUCTION 22 OSTLICHT ANNA ZIMM PHOTO AUCTION Kunsthistorikerin, Expertin für Fotografie, Researcher. Friday, October 2nd 2020, Seit 2008 bei OstLicht (früher WestLicht) Photo Auction. 5 pm (CEST) Art historian, Photographs Specialist, Researcher. Working for OstLicht (former WestLicht) Photo Auction VIEWING since 2008. from Wednesday, September 23rd [email protected] only by appointment: [email protected], Tel.: +43 1 996 20 66 17 MICHAEL KOLLMANN Kurator Fotobuch WestLicht / OstLicht, Begründer vom Vienna Photo Book Festival, Fotobuch- UPDATED BUYER’S Herausgeber und Experte für seltene Fotobücher. PREMIUM Photo book curator WestLicht / OstLicht, founder The total purchase price for of the Vienna Photo Book Festival, editor of photo all lots consists of the hammer books and expert for rare photo books. price plus the premium of Absberggasse 27, 26 % (incl. 5 % VAT) for lots [email protected] 1100 Vienna, Austria remaining in the EU. Tel.: +43 1 996 20 66 17 For lots that are exported to For general enquiries third countries or purchased about this auction, email with a valid VAT number the should be addressed to premium is 20 %. -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
Charity Art Auction in Favor of the CS Hospiz Rennweg in Cooperation with the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hofgarten
Rotary Club Wien-West, Vienna-International, Our Auction Charity art Köln-Ville and München-Hofgarten in cooperation with That‘s how it‘s done: Due to auction 1. Register: the current, Corona- related situation, BenefizAuktion in favor of the CS Hospiz Rennweg restrictions and changes 22. February 2021 Go to www.cs.at/ charityauction and register there; may occur at any time. please register up to 24 hours before the start of the auction. Tell us the All new Information at numbers of the works for which you want to bid. www.cs.at/kunstauktion Alternatively, send us the buying order on page 128. 2. Bidding: Bidding live by phone: We will call you shortly before your lots are called up in the auction. You can bid live and directly as if you were there. Live via WhatsApp: When registering, mark with a cross that you want to use this option and enter your mobile number. You‘re in. We‘ll get in touch with you just before the auction. Written bid: Simply enter your maximum bid in the form for the works of art that you want to increase. This means that you can already bid up to this amount, but of course you can also get the bid for a lower value. Just fill out the form. L ive stream: at www.cs.at/kunstauktion you will find the link for the auction, which will broadcast it directly to your home. 3. Payment: You were able to purchase your work of art, we congratulate you very much and wish you a lot of pleasure with it. -
Frank Horvat Sale Artnet Auctions Is Pleased to Feature the Frank Horvat Sale, Live for Bidding from July 12 to July 19, 2012
PRESS RELEASE For Immediate Release July 12, 2012 Florence Alexandre +33 (0)1 42 86 67 16 [email protected] artnet Auctions presents the Frank Horvat Sale artnet Auctions is pleased to feature the Frank Horvat sale, live for bidding from July 12 to July 19, 2012. The sale includes 17 photographs by Horvat with a total estimated value of US$104,500 to US$131,000. Frank Horvat At the Crazy Horse D, Paris, 1962 Vintage silver print 37.5 x 26 cm, paper size 30 x 40 cm, printed at the time Est. US$8,000−10,000 New York / Berlin / Paris, July 12, 2012—artnet Auctions presents its second single-artist sale of Frank Horvat artworks. After the great success of the first Horvat sale, which took place last March, this new sale presents a total of 17 lots that contextualize the different periods of Horvat's work. The sale provides an opportunity to acquire some of the celebrated French photographer’s unique prints, known as “rough prints,” as well as his vintage and digital photographs. The ensemble of 17 photographs has a total estimated value of US$104,500 to US$131,000. Each of the photographs was selected by Horvat, and focused on some of his favorite subjects, such as sensuality, mystery, suggestion, and form. The first eight lots, all from 2012, are digital prints of shots taken for fashion magazines or during fashion. Two of these digitial prints come in large sizes: Stripper at Crazy Horse Saloon, Paris, 1962, 33.07 x 46.77 in. -
Page 1 EYES WIDE OPEN: 100 YEARS of LEICA PHOTOGRAPHY
EYES WIDE OPEN: 100 YEARS OF LEICA PHOTOGRAPHY OCTOBER 24, 2014 – JANUARY 11, 2015 DEICHTORHALLEN HAMBURG / HOUSE OF PHOTOGRAPHY The exhibition EYES WIDE OPEN: 100 YEARS OF LEICA PHOTOGRAPHY curated by Hans-Michael Koetzle, illuminates various aspects of recent small-format photography, from journalistic strategies to documentary approaches and free artistic positions, spanning fourteen chapters. Among the artists whose work will be shown are Alexander Rodchenko, Henri Cartier-Bresson, Robert Capa, Christer Strömholm, Robert Frank, Bruce Davidson, William Klein, William Eggleston, René Burri, Thomas Hoepker and Bruce Gilden. Following its premiere in the House of Photography at the Deichtorhallen Hamburg, the exhibition will travel to Berlin, Frankfurt and Vienna, among other locations. According to an entry in the workshop records, by March 1914 at the latest, Oskar Barnack, who worked as an industrial designer at Ernst Leitz in Wetzlar, completed the first functional model of a small-format camera for 35mm cinema film. The introduction of the Leica (a combination of »Leitz« and »Camera«) which was delayed until 1925 due to the war, was not merely the invention of a new camera; the small, reliable and always-ready Leica, equipped with a high-performance lens specially engineered by Max Berek, marked a paradigm shift in photography. Not only did it offer amateur photographers, newcomers and emancipated women greater access to photography; the Leica, which could be easily carried in a coat pocket, also became a ubiquitous part of everyday life. The comparatively affordable small-format camera stimulated photographic experimentation and opened up new perspectives. In general, visual strategies for representing the world became more innovative, bold and dynamic. -
Nir Avissar University of Virginia July, 2016
PHOTOACTIVISM: POLITICAL ICONOGRAPHY IN FRANCE, 1944-1968 Nir Avissar Tel Aviv, Israel Master of Arts, Tel Aviv University, 2008 Bachelor of Arts. Tel Aviv University, 2005 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia July, 2016 © 2016 Nir Avissar Abstract The aim of this dissertation is to provide a critical history of French reportage photography in the decades following the Second World War, beginning with the Liberation in 1944 and ending in May ’68. During the Trente Glorieuses, reportage photography became an integral part of the media, which operated as the central platform for engaging the public in political discourse. My research explores how, during this era of mass communication, the photographic medium participated in the nation’s political life in concrete historical circumstances. In the course of this investigation, I inspect both the material, thematic, and formal strategies photographers employed to produce images in different political contexts, and the publication history of their works (who published their images, in what format, and for what purposes). The dissertation thus examines the role reportage photography played in promoting political discourse in France by visually engaging the most critical historical processes the nation was undergoing: modernization, democratization, and decolonization. At the same time, it also analyzes the reciprocal impact that changing political climate had on reportage photography. Specifically, it provides an historical account of the multiple causes that effected during the 1960s the displacement of humanist photography by photojournalism as the medium’s prominent current. -
A Postcard View of Hell One Doughboy’S Souvenir Album of the First World War
A Postcard View of Hell One Doughboy’s Souvenir Album of the First World War Frank Jacob Nord University, Norway Mark D. Van Ells Queensborough Community College (CUNY) Series in Critical Media Studies Copyright © 2019 Vernon Press, an imprint of Vernon Art and Science Inc, on behalf of the author. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Critical Media Studies Library of Congress Control Number: 2018953599 ISBN: 978-1-62273-451-1 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover image by Frank Marhefka, "Firing a Heavy C.A.C." Cover design by Vernon Press using elements designed by aopsan / Freepik. Table of Contents Preface v Introduction: The Postcard and the Great War ix Chapter 1 The World of Frank Marhefka 1 Chapter 2 Frank Marhefka’s Postcard Collection 17 Epilogue 127 Works Cited 131 Index 141 Preface Picture postcards are such common things in today’s world that most people rarely think about them.