Ancient Egypt Geography Worksheet
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Macedonian Kings, Egyptian Pharaohs the Ptolemaic Family In
Department of World Cultures University of Helsinki Helsinki Macedonian Kings, Egyptian Pharaohs The Ptolemaic Family in the Encomiastic Poems of Callimachus Iiro Laukola ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XV, University Main Building, on the 23rd of September, 2016 at 12 o’clock. Helsinki 2016 © Iiro Laukola 2016 ISBN 978-951-51-2383-1 (paperback.) ISBN 978-951-51-2384-8 (PDF) Unigrafia Helsinki 2016 Abstract The interaction between Greek and Egyptian cultural concepts has been an intense yet controversial topic in studies about Ptolemaic Egypt. The present study partakes in this discussion with an analysis of the encomiastic poems of Callimachus of Cyrene (c. 305 – c. 240 BC). The success of the Ptolemaic Dynasty is crystallized in the juxtaposing of the different roles of a Greek ǴdzȅǻǽǷȏȄ and of an Egyptian Pharaoh, and this study gives a glimpse of this political and ideological endeavour through the poetry of Callimachus. The contribution of the present work is to situate Callimachus in the core of the Ptolemaic court. Callimachus was a proponent of the Ptolemaic rule. By reappraising the traditional Greek beliefs, he examined the bicultural rule of the Ptolemies in his encomiastic poems. This work critically examines six Callimachean hymns, namely to Zeus, to Apollo, to Artemis, to Delos, to Athena and to Demeter together with the Victory of Berenice, the Lock of Berenice and the Ektheosis of Arsinoe. Characterized by ambiguous imagery, the hymns inspect the ruptures in Greek thought during the Hellenistic age. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
Joyful in Thebes Egyptological Studies in Honor of Betsy M
JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN MATERIAL AND VISUAL CULTURE OF ANCIENT EGYPT Editors X xxxxx, X xxxx NUMBER ONE JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN Edited by Richard Jasnow and Kathlyn M. Cooney With the assistance of Katherine E. Davis LOCKWOOD PRESS ATLANTA, GEORGIA JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN Copyright © 2015 by Lockwood Press All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permitted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to Lockwood Press, PO Box 133289, Atlanta, GA 30333 USA. Library of Congress Control Number: 2015944276 ISBN: 978-1-937040-40-6 Cover design by Deborah Shieh, adapted by Susanne Wilhelm. Cover image: Amenhotep III in the Blue Crown (detail), ca. 1390–1352 BCE. Quartzite, Ht. 35 cm. Face only: ht. 12.8 cm; w. 12.6 cm. Rogers Fund, 1956 (56.138). Image copyright © the Metropolitan Museum of Art. Image source: Art Resource, NY. is paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). CONTENTS Acknowledgments ix Introduction xi Abbreviations xvii Bibliography of Betsy M. Bryan xxiv Tabula Gratulatoria xxviii T A. BÁCS Some Aspects of Tomb Reuse during the Twentieth Dynasty 1 Y BARBASH e Lion-Headed Goddess and Her Lost Cat: Brooklyn Museum 37.1379E 11 H BASSIR On the Historical Implications of Payeftjauemawyneith’s Self-Presentation on Louvre A 93 21 L M. -
Ranke, the Art of Ancient Egypt and Breasted, Geschichte Aegyptens (1936), 41-2; Smith, Hist
NON-ROYAL STATUES PREDYNASTIC PERIOD Woman with child Ivory. 801-110-000 Woman with child on hip, late Predynastic, in Berlin, Ägyptisches Museum, 14441. Capart, Primitive Art in Egypt 168 fig. 131; Erman and Ranke, Aegypten und aegyptisches Leben im Altertum Taf. 12 [1]; Schäfer and Andrae, Kunst (1925), 574 Abb. 171 [5]; (1930), 606-7 Abb. 176 [4]; (1942), 626 Abb. 176 [4]; Scharff, Die Altertümer der Vor- und Frühzeit Ägyptens ii, 50-1 [79] Taf. 16; Ranke, The Art of Ancient Egypt and Breasted, Geschichte Aegyptens (1936), 41-2; Smith, Hist. Eg. Sculp. 1-2 fig. 4 [left]; Wolf, Kunst Abb. 18; Hornemann, Types v, pl. 1246; Wiesner, J. Ägyptische Kunst 26 Abb. 1; id. in Äg. Mus. (1991), No. 5 [b] fig. on 1; Vilímková, M. Starove9ký Egypt fig. 15; Priese, Das Ägyptische Museum. Wegleitung (1989), 11 Abb. 1; Wenig, Die Frau pl. 4; D. W[ildung] in Phillips, T. (ed.), Africa. The Art of a Continent Cat. 1.2 fig. 801-110-002 Mother with child, late Predynastic, in Berlin, Ägyptisches Museum, 17600. Schäfer and Andrae, Kunst (1925), 574 Abb. 171 [2, 3]; (1930), 606 Abb. 176 [2, 3]; (1942), 626 Abb. 176 [2, 3]; Scharff, Die Altertümer der Vor- und Frühzeit Ägyptens ii, 50 [78] Taf. 16; Ranke, The Art of Ancient Egypt and Breasted, Geschichte Aegyptens (1936), 45-6; Hamann, Äg. Kunst 76, 78 Abb. 83; Smith, Hist. Eg. Sculp. 1-2 fig. 4 [middle]; Wolf, Kunst 53 Abb. 17; id. Die Kultur Ägyptens 50 Abb. 48; id. Frühe Hochkulturen. Ägypten, Mesopotamien, Ägäis 22 Abb. -
Introduction
Introduction When we study history from its beginning, one of the first civilizations we find is Ancient Egypt. While there are many other ancient peoples, Egypt is always listed as one of the most important. It endured longer than any of its neighbors, and in so doing, it estab- lished itself as a foundation that the story of ancient history could be built on. For century after century, the Egyptians built stone monuments and pyramids, carved countless pictures and hieroglyphs, recorded stories and important information on papyrus scrolls, and in the process preserved for future generations pieces of a story that would otherwise barely be remembered. The stability of their geographic location — surrounded by deserts but living along the fertile Nile River — allowed them to maintain their culture comparatively undisturbed for long periods of time. Here they farmed, built, and raised their families. They also, importantly, figured prominently in several stories from the Bible, making them an integral part of God’s divine plan as it was laid out in the Old Testament. For these reasons and many others, they are one of the most important civilizations we can take time to study. Each lesson in this Project Passport includes fact-filled, engaging text, created to be all you need for a compact assignment. Should you or your child wish to expound on a subject, a variety of books, videos, and further avenues of research are available in the “Additional Resources” section. This study can also act as an excellent accompaniment to any world history program. You will want to print out the “Travel Tips” teacher helps beforehand and brief yourself on the lessons and supplies needed. -
Iconoclasm in Ancient Egypt
Bowling Green State University ScholarWorks@BGSU 20th Annual Africana Studies Student Research Africana Studies Student Research Conference Conference and Luncheon Feb 23rd, 9:00 AM - 10:25 AM Iconoclasm in Ancient Egypt Micaela Deogracias Follow this and additional works at: https://scholarworks.bgsu.edu/africana_studies_conf Part of the African Languages and Societies Commons Deogracias, Micaela, "Iconoclasm in Ancient Egypt" (2018). Africana Studies Student Research Conference. 1. https://scholarworks.bgsu.edu/africana_studies_conf/2018/001/1 This Event is brought to you for free and open access by the Conferences and Events at ScholarWorks@BGSU. It has been accepted for inclusion in Africana Studies Student Research Conference by an authorized administrator of ScholarWorks@BGSU. Iconoclasm: Ancient Egypt Micaela Deogracias ARTH 1450H – 10:30 to 11:20 8 December 2017 Deogracias 1 Picture standing in front of the sarcophagus of Tutankhamen, the famous boy pharaoh whose tomb held the most grave goods to date. Now imagine humanity never finding his tomb, or at the most finding it mangled and empty. It is hypothesized that his tomb was saved because the Egyptians wanted to forget him—more specifically, they wanted to forget his father and his lineage. This led to the destruction of many works. In other words, an iconoclastic movement began. Iconoclasm, defined by Dario Gambodi, is the typically premeditated destruction of icons that are often religious in nature (The Destruction of Art, 191). However, Egyptian iconoclasm may have focused on much more than just religion when practicing iconoclasm. This study will specifically look at iconoclasm from Ancient Egypt and discuss the culture’s iconoclastic policy. -
Creativity and Innovation in the Reign of Hatshepsut
iii OCCASIONAL PROCEEDINGS OF THE THEBAN WORKSHOP Creativity and Innovation in the Reign of Hatshepsut edited by José M. Galán, Betsy M. Bryan, and Peter F. Dorman Papers from the Theban Workshop 2010 2014 studies in ancient ORientaL civiLizatiOn • numbeR 69 THE ORIENTAL INSTITUTE of THE UNIVERSITY of CHICAgo chicagO • IllinOis v Table of Contents List of Abbreviations .............................................................................. vii Program of the Theban Workshop, 2010 Preface, José M. Galán, SCIC, Madrid ........................................................................... viii PAPERS FROM THE THEBAN WORKSHOP, 2010 1. Innovation at the Dawn of the New Kingdom. Peter F. Dorman, American University of Beirut...................................................... 1 2. The Paradigms of Innovation and Their Application to the Early New Kingdom of Egypt. Eberhard Dziobek, Heidelberg and Leverkusen....................................................... 7 3. Worldview and Royal Discourse in the Time of Hatshepsut. Susanne Bickel, University of Basel ............................................................... 21 4. Hatshepsut at Karnak: A Woman under God’s Commands. Luc Gabolde, CNRS (UMR 5140) .................................................................. 33 5. How and Why Did Hatshepsut Invent the Image of Her Royal Power? Dimitri Laboury, University of Liège .............................................................. 49 6. Hatshepsut and cultic Revelries in the new Kingdom. Betsy M. Bryan, The Johns Hopkins -
Of the Temple of Mentuhotep II at Deir Al-Bahari Luc Gabolde
The “Kernbau” of the Temple of Mentuhotep II at Deir al-Bahari Luc Gabolde To cite this version: Luc Gabolde. The “Kernbau” of the Temple of Mentuhotep II at Deir al-Bahari: A Monumental Sun Altar ?. Richard Jasnow (University of Chicago); Kathlyn M. Cooney (UCLA). Joyful in Thebes, Egyptological Studies in Honor of Betsy M. Bryan, 1, Lockwood Press, pp.145-154, 2015, Material and Visual Culture of Ancient Egypt, 9781937040406. hal-01895079 HAL Id: hal-01895079 https://hal.archives-ouvertes.fr/hal-01895079 Submitted on 13 Oct 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Copyright JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN MATERIAL AND VISUAL CULTURE OF ANCIENT EGYPT Editors X xxxxx, X xxxx NUMBER ONE JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN Edited by Richard Jasnow and Kathlyn M. Cooney With the assistance of Katherine E. Davis LOCKWOOD PRESS ATLANTA, GEORGIA JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN Copyright © 2015 by Lockwood Press All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permitted by the 1976 Copyright Act or in writing from the publisher. -
Deir El Bahri Project: the Lineage of Royal Legitimization
DEIR EL BAHRI PROJECT: THE LINEAGE OF ROYAL LEGITIMIZATION By, Cori Hoover Hoover 1 Introduction Narrative Project Purpose: Even before the creation of the Ancient Egyptian state, the rulers of this ancient region created strategies to validate their control. This concept of legitimacy came to define Egyptian kingship. Throughout the Dynastic Period (3,000-332 BCE), kings used religion, military campaigns, and even the prosperity of Egypt to portray themselves as the true rulers of their empire. In this project, I will expand on our understanding of the royal use of legitimacy. Because the king was thought to be the semi-divine son of the gods, many historians focus on how the kings depicted themselves as the rulers of Egypt through religion. For my own research, I examine this concept from a different perspective, investigating how these rulers used their earthly connections to validate their roles as king. To do this, my project considers familial legitimacy. While religion was an essential part of Egyptian kingship, in my research I will show how the kings of the New Kingdom justified their reign through their connection to their mortal family (past kings, actual family line). Project Parameters: In this project, I examined visual representations of legitimacy, showing how temple architecture and landscape were used by Egyptian kings to express the importance of their familial connections. For the parameters of this project, my research was centered around the reign of king Hatshepsut (1473-1458 BCE). Using 3D modeling, I created a historically accurate reconstruction of the Deir el Bahri complex, which includes the memorial temples of Hatshepsut and Mentuhotep II. -
The Ramesseum Dramatic Papyrus a New Edition, Translation, and Interpretation
THE RAMESSEUM DRAMATIC PAPYRUS A NEW EDITION, TRANSLATION, AND INTERPRETATION by Christina Geisen A thesis submitted in conformity with the requirements for the degree of PhD Graduate Department of Near and Middle Eastern Civilizations University of Toronto © Copyright by Christina Geisen (2012) Abstract Thesis Title: The Ramesseum Dramatic Papyrus. A new edition, translation, and interpretation Degree: PhD Year of Convocation: 2012 Name: Christina Geisen Graduate Department: Department of Near and Middle Eastern Civilizations University: University of Toronto The topic of the dissertation is a study of the Ramesseum Dramatic Papyrus, a document that was discovered together with other papyri and funerary objects in a late Middle Kingdom tomb in the necropolis later associated with Ramses II’s funerary temple on the West bank of Luxor. The thesis will cover an analysis of the complete find, providing information on the provenance of the collection, the circumstances of its discovery, the dating of the papyri, and the identity of the tomb owner. The focus of the dissertation, however, is the Ramesseum Dramatic Papyrus itself, which features the guideline for the performance of a ritual. The fabrication and preservation of the manuscript is described as well as the layout of the text. Based on a copy of the original text made with the help of a tablet PC, an up-dated transliteration and translation of the text is provided, accompanied by a commentary. The text has been studied by several scholars, but a convincing interpretation of the manuscript is lacking. Thus, the dissertation will analyse the previous works on the papyrus, and will compare the activities described in the text of the manuscript with other attested rituals from ii ancient Egypt. -
Textual Evidence for the Function of the “Botanical Garden” of Karnak in the Initiation Ritual
oi.uchicago.edu i ORIENTAL INSTITUTE, THE UNIVERSITY OF CHICAGO STUDIES IN ANCIENT ORIENTAL CIVILIZATION • NUMBER 61 CHICAGO • ILLINOIS Series Editors Leslie Schramer and Thomas G. Urban oi.uchicago.edu oi.uchicago.edu iii OCCASIONAL PROCEEDINGS OF THE THEBAN WORKSHOP SACRED SPACE AND SACRED FUNCTION IN ANCIENT THEBES edited by PETER F. DORMAN and BETSY M. BRYAN STUDIES IN ANCIENT ORIENTAL CIVILIZATION • VOLUME 61 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO CHICAGO • ILLINOIS oi.uchicago.edu Library of Congress Control Number: 2006941012 ISBN: 978-1-885923-46-2 ISSN: 0081-7554 The Oriental Institute, Chicago © 2007 by The University of Chicago. All rights reserved. Published 2007. Printed in the United States of America. Series Editors’ Acknowledgments Lindsay DeCarlo and Katie L. Johnson assisted in the produc- tion of this volume. Cover Illustration Watercolor by David Roberts Showing Columns Decorated by Ramesses IV at the Great Hypostyle Hall, Karnak. See herein page 53 and figure 5.4. Printed by McNaughton & Gunn, Saline, Michigan The paper used in this publication meets the minimum requirements of American National Standard for Information Services — Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. oi.uchicago.edu v TABLE OF CONTENTS List of Abbreviations .................................................................................................................................. vii List of Figures ............................................................................................................................................ -
Without Royal Names 201
Without royal names 201 803-030-322 Lower part of stela, man before woman at table (only lower parts), with ‘his wife Pesesh Psš who made his name to live’ seated below, probably late Dyn. XII, in London, Petrie Museum, 14451. Stewart, Eg. Stelae ii, 27 [114] pl. 28 [4]. 803-030-323 Round-topped stela of woman Iu(het)ib Jw(h. t)-jb , dedicated by daughter Nubemwadj Nbw-m-w3d , daughter of Renefres Rn.f-rs , with names of relatives, lower right corner lost, late Dyn. XII or Dyn. XIII, in London, Petrie Museum, 14452. Stewart, Eg. Stelae ii, 25 [105] pl. 25 [4] (as Wennibu). Name Iu(het)ib, see De Meulenaere, H. in Chron. d’Ég. lv (1980), 162 [105]. 803-030-325 Round-topped stela, Ibiau Jb(.j)-jaw , Keeper of Nekhen, and mother Ti Tj , with son(?) Ramosi Ra-ms , Keeper of Nekhen, and a daughter(?) before them, and Ibiau’s aunt and his father Senebrau Snb-r-3w in register below, Dyn. XII or XIII, in London, Petrie Museum, 14455. Stewart, Eg. Stelae ii, 26 [110] pl. 27 [2] (as probably from Abydos). Title of Ibiau, see De Meulenaere, H. in Chron. d’Ég. lv (1980), 162 [110]. 803-030-326 Round-topped stela, Senebsuma Snb-sw-(m-)a(.j) and mother Ibeb Jbb , daughter of woman Peseshet Psšt , Dyn. XIII or 2nd Int. Period, in London, Petrie Museum, 14456. Stewart, Eg. Stelae ii, 32 [136] pl. 34 [1]. 803-030-327 Round-topped stela, Deduneshmet Ddw-nšmt , wab priest of Khons, and wife Nebsumenut Nb-swmnwt , with two sons and two daughters behind Nebsumenut, and names and titles of other people below, Dyn.