Rosicrucian Egyptian Museum Teacher's Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Functions and Uses of Egyptian Myth Fonctions Et Usages Du Mythe Égyptien
Revue de l’histoire des religions 4 | 2018 Qu’est-ce qu’un mythe égyptien ? Functions and Uses of Egyptian Myth Fonctions et usages du mythe égyptien Katja Goebs and John Baines Electronic version URL: http://journals.openedition.org/rhr/9334 DOI: 10.4000/rhr.9334 ISSN: 2105-2573 Publisher Armand Colin Printed version Date of publication: 1 December 2018 Number of pages: 645-681 ISBN: 978-2-200-93200-8 ISSN: 0035-1423 Electronic reference Katja Goebs and John Baines, “Functions and Uses of Egyptian Myth”, Revue de l’histoire des religions [Online], 4 | 2018, Online since 01 December 2020, connection on 13 January 2021. URL: http:// journals.openedition.org/rhr/9334 ; DOI: https://doi.org/10.4000/rhr.9334 Tous droits réservés KATJA GOEBS / JOHN BAINES University of Toronto / University of Oxford Functions and Uses of Egyptian Myth* This article discusses functions and uses of myth in ancient Egypt as a contribution to comparative research. Applications of myth are reviewed in order to present a basic general typology of usages: from political, scholarly, ritual, and medical applications, through incorporation in images, to linguistic and literary exploitations. In its range of function and use, Egyptian myth is similar to that of other civilizations, except that written narratives appear to have developed relatively late. The many attested forms and uses underscore its flexibility, which has entailed many interpretations starting with assessments of the Osiris myth reported by Plutarch (2nd century AD). Myths conceptualize, describe, explain, and control the world, and they were adapted to an ever-changing reality. Fonctions et usages du mythe égyptien Cet article discute les fonctions et les usages du mythe en Égypte ancienne dans une perspective comparatiste et passe en revue ses applications, afin de proposer une typologie générale de ses usages – applications politiques, érudites, rituelles et médicales, incorporation dans des images, exploitation linguistique et littéraire. -
Macedonian Kings, Egyptian Pharaohs the Ptolemaic Family In
Department of World Cultures University of Helsinki Helsinki Macedonian Kings, Egyptian Pharaohs The Ptolemaic Family in the Encomiastic Poems of Callimachus Iiro Laukola ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XV, University Main Building, on the 23rd of September, 2016 at 12 o’clock. Helsinki 2016 © Iiro Laukola 2016 ISBN 978-951-51-2383-1 (paperback.) ISBN 978-951-51-2384-8 (PDF) Unigrafia Helsinki 2016 Abstract The interaction between Greek and Egyptian cultural concepts has been an intense yet controversial topic in studies about Ptolemaic Egypt. The present study partakes in this discussion with an analysis of the encomiastic poems of Callimachus of Cyrene (c. 305 – c. 240 BC). The success of the Ptolemaic Dynasty is crystallized in the juxtaposing of the different roles of a Greek ǴdzȅǻǽǷȏȄ and of an Egyptian Pharaoh, and this study gives a glimpse of this political and ideological endeavour through the poetry of Callimachus. The contribution of the present work is to situate Callimachus in the core of the Ptolemaic court. Callimachus was a proponent of the Ptolemaic rule. By reappraising the traditional Greek beliefs, he examined the bicultural rule of the Ptolemies in his encomiastic poems. This work critically examines six Callimachean hymns, namely to Zeus, to Apollo, to Artemis, to Delos, to Athena and to Demeter together with the Victory of Berenice, the Lock of Berenice and the Ektheosis of Arsinoe. Characterized by ambiguous imagery, the hymns inspect the ruptures in Greek thought during the Hellenistic age. -
Ancient Egyptian Royal Circumcision from the Pyramid Complex of Djedkare
Ancient Egyptian Royal Circumcision from the Pyramid Complex of Djedkare • XLIX/2 • pp. 155–164 • 2011 mohAmED mEGAhED, hAnA VYmAZALoVÁ ANCIENT EGYPTIAN ROYAL CIRCUMCISION FROM THE PYRAMID COMPLEX OF DJEDKARE ABSTRACT: Male circumcision in ancient Egypt is well documented in representative scenes in tombs, as well as in physical remains of Egyptian people from various periods. Scenes showing the operation of circumcision are however very rare and only a few examples have been preserved from the millennia of Egyptian history. This paper presents another example of such a scene, which was found on a relief fragment discovered in the pyramid complex of the Fifth Dynasty king Djedkare. At the moment, it is the oldest preserved depiction of this operation known so far, and it probably played a ritual function within the king's pyramid complex decoration program. KEY WORDS: Ancient Egypt – Djedkare – Relief – Circumcision INTRODUCTION numerous fragments of reliefs have been found in the late Fifth Dynasty pyramid complex of Djedkare in As well as the other old Kingdom pyramid complexes, South Saqqara (Figure 1) by the Egyptian archaeological Djedkare's pyramid complex was badly damaged over missions between the 1940s and 1980s, when limited and time, and as a result of the reuse of its building materials unsystematic excavations were carried out in the funerary throughout succeeding generations. modern excavation temple under the direction of Abdel Salam mohamed of the monuments have however begun to reveal the hussain, Ahmed Fakhry, and mahmoud Abdel Razek. architectural plan of the sites and have brought to light Results of this work were never fully published and the fragments of decoration programs of the individual fragments of relief decoration have not been available complexes; these provide us with partial information about for the scientific public (see Fakhry 1959: 10, 30, Leclant the kings and their reigns. -
Legends of the Nile Featuring Cairo, Luxor, a Nile Cruise & Abu Simbel
ACTIVE TRAVEL for Cultural Explorers RIVER SMALL GROUP JO URNEY Ma xi mum of 24 Travele rs Legends of the Nile featuring Cairo, Luxor, a Nile Cruise & Abu Simbel Inspiring Moments > Discuss what you are most curious about with your Egyptologist while exploring together at ancient sites. > Gaze in wonder at the colossal statues of Ramses II at the Great Temple in INCLUDED FEATURES Abu Simbel. Accommodations (with baggage handling) Itinerary > Stand in awe of towering monuments – 4 nights in Cairo, Egypt, at the deluxe Day 1 Depart gateway city and dazzling treasures in the new Four Seasons Hotel Cairo at Nile Plaza. Day 2 Arrive in Cairo and transfer Grand Egyptian Museum. – 1 night in Luxor at the first-class to hotel > Contemplate the Great Pyramid in Sonesta St. George Luxor Hotel. Day 3 Cairo Giza, the only remaining Wonder of the – 4 nights aboard the deluxe Sonesta Day 4 Sakkara | Giza Ancient World. St. George I. Day 5 Cairo > Revel in the delightful hubbub of Cairo’s – 1 night in Cairo at the first-class Day 6 Cairo | Fly to Luxor old bazaar, where bargaining is elevated InterContinental City Stars Cairo. Day 7 Luxor | Embark ship to sport. Day 8 Karnak | Cruising the Nile > Delight in the natural beauty along Transfers (with baggage handling) – All transfers in the Land | Cruise Program: Day 9 Edfu | Kom Ombo the Nile’s banks, a contrast of fertile flights and deluxe motor coaches. Day 10 Aswan | Fly to Abu Simbel | green valleys and desert beyond. Fly back to Aswan > Experience four UNESCO World Extensive Meal Program Day 11 Disembark ship | Aswan | Heritage sites. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
Joyful in Thebes Egyptological Studies in Honor of Betsy M
JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN MATERIAL AND VISUAL CULTURE OF ANCIENT EGYPT Editors X xxxxx, X xxxx NUMBER ONE JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN Edited by Richard Jasnow and Kathlyn M. Cooney With the assistance of Katherine E. Davis LOCKWOOD PRESS ATLANTA, GEORGIA JOYFUL IN THEBES EGYPTOLOGICAL STUDIES IN HONOR OF BETSY M. BRYAN Copyright © 2015 by Lockwood Press All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permitted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to Lockwood Press, PO Box 133289, Atlanta, GA 30333 USA. Library of Congress Control Number: 2015944276 ISBN: 978-1-937040-40-6 Cover design by Deborah Shieh, adapted by Susanne Wilhelm. Cover image: Amenhotep III in the Blue Crown (detail), ca. 1390–1352 BCE. Quartzite, Ht. 35 cm. Face only: ht. 12.8 cm; w. 12.6 cm. Rogers Fund, 1956 (56.138). Image copyright © the Metropolitan Museum of Art. Image source: Art Resource, NY. is paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). CONTENTS Acknowledgments ix Introduction xi Abbreviations xvii Bibliography of Betsy M. Bryan xxiv Tabula Gratulatoria xxviii T A. BÁCS Some Aspects of Tomb Reuse during the Twentieth Dynasty 1 Y BARBASH e Lion-Headed Goddess and Her Lost Cat: Brooklyn Museum 37.1379E 11 H BASSIR On the Historical Implications of Payeftjauemawyneith’s Self-Presentation on Louvre A 93 21 L M. -
Patterns of Damage in Egyptian Mummies Ellen Salter-Pedersen Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2004 The ym th of eternal preservation: patterns of damage in Egyptian mummies Ellen Salter-Pedersen Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Salter-Pedersen, Ellen, "The ym th of eternal preservation: patterns of damage in Egyptian mummies" (2004). LSU Master's Theses. 967. https://digitalcommons.lsu.edu/gradschool_theses/967 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE MYTH OF ETERNAL PRESERVATION: PATTERNS OF DAMAGE IN EGYPTIAN MUMMIES A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Geography and Anthropology by Ellen Salter-Pedersen B.Sc., University of Alberta, Edmonton, 1999 B.A., Concordia University College, Edmonton, 1996 May 2004 ACKNOWLEDGEMENTS I would like to thank the members of my committee, Dr. Heather McKillop, Dr. Andrew Curtis and my advisor, Ms. Mary Manhein. Their guidance and encouragement not only helped with my thesis but also in my pursuit of future studies. Working in the LSU FACES laboratory was an amazing learning experience, and I am truly grateful to Mary for sharing her expertise. -
“Conservation Review” Seasonal Publication Volume -0 Nummber 1 (2012) Grand Egyptian Museum Conssrvation Center
“Conservation Review” Seasonal publication Volume -0 Nummber 1 (2012) Grand Egyptian Museum Conssrvation Center Dr. Hussein Bassir General Supervisor of GEM Review in Conservation” is a journal that will be published four times per year by the Grand Egyptian Museum, Conservation Center GEM - CC, Focuses on Osama Abou El-khier conservation and technical study of Egyptian materials, Ececutive manager of GEM CC including material identification, conservation literature deals with their specific problems,technical examination Dr. Hussien Kamal Conservation Treatment, practical treatment, methods Technical manager of GEM CC of documentation, Data management, Standardization, History of materials and techniques, technology and manufacturing processes, Methods of scientific Research, conservation ethics, conservation Management, Science Mohamed AbdelRohman (chemistry, physics, biology, mineralogy, color theory director of Library & scientific up blishing ),Identification and study of deterioration processes, GEM CC preventive conservation and restoration. Design and editing: -Noor Mohamed abdelHamed [email protected] -Ibrahim AbdelFattah Language review: -Karim Salah Cover photo: Bronze Statuettes at the Grand Egyptian Museum, Egypt. dates back to the 3rd intermediat/ late period. Photo By: Ibrahim Abdel-Fattah. s Editorial nt Articles e Susanna Gänsicke’s, “Artifact Conservation and Egyptology”,in nt “Egyptology Today.” Edited by: Richard H. Wilkinson, University of Arizona: Cambridge University Press, 2008. o Reviewed by, Mohamed Abdel -
Domestic Religious Practices
UCLA UCLA Encyclopedia of Egyptology Title Domestic religious practices Permalink https://escholarship.org/uc/item/7s07628w Journal UCLA Encyclopedia of Egyptology, 1(1) Author Stevens, Anna Publication Date 2009-12-21 Peer reviewed eScholarship.org Powered by the California Digital Library University of California DOMESTIC RELIGIOUS PRACTICES الممارسات الدينية المنزلية Anna Stevens EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Stevens 2009, Domestic Religious Practices. UEE. Full Citation: Stevens, Anna, 2009, Domestic Religious Practices. In Willeke Wendrich and Jacco Dieleman (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf63v 1010 Version 1, December 2009 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf63v DOMESTIC RELIGIOUS PRACTICES الممارسات الدينية المنزلية Anna Stevens Religion im Alltag Pratiques religieuses privées Domestic religious practices—that is, religious conduct within a household setting—provided an outlet especially for expressing and addressing the concerns of everyday life. They can be traced throughout Egyptian dynastic history, in textual sources such as spells of healing and protection, offering and dedicatory texts, and private letters, and in cult emplacements and objects from settlement sites. Protective divinities such as Bes, Taweret, and Hathor were favored, along with ancestors who could be deceased kin, local elite, or royalty. State-level deities were also supplicated. Central practices were offering and libation, and conducting rites of protection and healing, while there was also strong recourse to protective imagery. -
The Seated Cleopatra in Nineteenth Century American Sculpture
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 1997 The Seated Cleopatra in Nineteenth Century American Sculpture Kelly J. Gotschalk Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the History of Art, Architecture, and Archaeology Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4350 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. APPROVAL CERTIFICATE The Seated Cleopatra in Nineteenth Century AmericanSculpture by Kelly J. Gotschalk Director of Graduate Studies � Dean, School of the Arts Dean, School of Graduate Studies �////PP? Date THE SEATED CLEOPATRA INNINETEENTH CENTURY AMERICAN SCULPTURE by Kelly J. Gotschalk B.F.A., Virginia Commonwealth University, 1990 Submitted to the Faculty of the School of the Arts of Virginia Commonwealth University in Partial Fulfillment of the Requirements forthe Degree Master of Arts Richmond, Virginia November, 1997 ACKNOWLEDGMENTS I would like to thank Dr. Fredrika Jacobs and Dr. Charles Brownell fortheir invaluable guidance andendless encouragement in the preparation of this thesis. I would also like to thank my husband, Tom Richards, and my family for their constant support and understanding. In addition, my sincere thanks to my co-workers, Amanda Wilson, Christin Jones and Laurel Hayward fortheir friendship, proofreadingand accommodating a few spur-of-the-moment research trips. ii CONTENTS ACKNOWLEDGMENTS.. .. .. .. .. .. .. 11 LIST OF ILLUSTRATIONS. iv ABSTRACT ......................................... V JNTRODUCTION. -
Pharaohs in Egypt Fathi Habashi
Laval University From the SelectedWorks of Fathi Habashi July, 2019 Pharaohs in Egypt Fathi Habashi Available at: https://works.bepress.com/fathi_habashi/416/ Pharaohs of Egypt Introduction Pharaohs were the mighty political and religious leaders who reigned over ancient Egypt for more than 3,000 years. Also known as the god-kings of ancient Egypt, made the laws, and owned all the land. Warfare was an important part of their rule. In accordance to their status as gods on earth, the Pharaohs built monuments and temples in honor of themselves and the gods of the land. Egypt was conquered by the Kingdom of Kush in 656 BC, whose rulers adopted the pharaonic titles. Following the Kushite conquest, Egypt would first see another period of independent native rule before being conquered by the Persian Empire, whose rulers also adopted the title of Pharaoh. Persian rule over Egypt came to an end through the conquests of Alexander the Great in 332 BC, after which it was ruled by the Hellenic Pharaohs of the Ptolemaic Dynasty. They also built temples such as the one at Edfu and Dendara. Their rule, and the independence of Egypt, came to an end when Egypt became a province of Rome in 30 BC. The Pharaohs who ruled Egypt are large in number - - here is a selection. Narmer King Narmer is believed to be the same person as Menes around 3100 BC. He unified Upper and Lower Egypt and combined the crown of Lower Egypt with that of Upper Egypt. Narmer or Mena with the crown of Lower Egypt The crown of Lower Egypt Narmer combined crown of Upper and Lower Egypt Djeser Djeser of the third dynasty around 2670 BC commissioned the first Step Pyramid in Saqqara created by chief architect and scribe Imhotep. -
The Allure of Ancient Egyptian Jewelry
Aegyptiaca. Journal of the History of Reception of Ancient Egypt The Allure of Ancient Egyptian Jewelry Yvonne J. Markowitz Rita J. Kaplan and Susan B. Kaplan Curator Emerita of Jewelry, Museum of Fine Arts, Boston For centuries, the West has been attracted to the exotic lands of the East and the cultures of the ancient world. One of the most intriguing is ancient Egypt, an African civilization that flourished during the third through the first millennium BC. In its prime, it was respected, revered, and sometimes feared. Neighboring lands were in awe of its powerful leadership, majestic architectural wonders, imposing statuary, and sophisticated decorative arts with its curious iconography and even stranger hieroglyphics. For many, Egypt held the key to understanding the world’s deepest mysteries. It was the Phoenicians (ca. 1500-300 BC), a seafaring people who lived along the Mediterranean coast in city-states now part of Lebanon, Syria, and northern Israel, who first capitalized on the fascination with all things Egyptian, especially those small objects that were easily shipped and traded. Early entrepreneurs, they served as middlemen stopping at ports in North Africa, Cyprus, Crete, the Cyclades, mainland Greece, and parts of Mesopotamia. Among the goods they bartered were raw materials, Phoenician-made glass, and an array of Egyptian adornments composed of beads and amulets fabricated from metal, stone, faience, and glass. Amuletic forms that especially resonated with Phoenician trading partners were representations of household gods, the healing (sacred) eye of Horus, and the scarab. The latter was a potent symbol of rebirth and rejuvenation based on the life-cycle of the dung beetle (scarabaeus sacer) whose activities the Egyptians associated with the life-giving sun.