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Ecstatic Melancholic: Ambivalence, Electronic Music and Social Change Around the Fall of the Berlin Wall
Ecstatic Melancholic: Ambivalence, Electronic Music and Social Change around the Fall of the Berlin Wall Ben Gook The Cold War’s end infused electronic music in Berlin after 1989 with an ecstatic intensity. Enthused communities came together to live out that energy and experiment in conditions informed by past suffering and hope for the future. This techno-scene became an ‘intimate public’ (Berlant) within an emergent ‘structure of feeling’ (Williams). Techno parties held out a promise of freedom while Germany’s re-unification quickly broke into disputes and mutual suspicion. Tracing the historical movement during the first years of re-unified Germany, this article adds to accounts of ecstasy by considering it in conjunction with melancholy, arguing for an ambivalent description of ecstatic experience – and of emotional life more broadly. Keywords: German re-unification, electronic dance music, structure of feeling, intimate publics, ambivalence. Everybody was happy Ecstasy shining down on me ... I’m raving, I’m raving But do I really feel the way I feel?1 In Germany around 1989, techno music coursed through a population already energised by the Fall of the Berlin Wall. The years 1989 and 1990 were optimistic for many in Germany and elsewhere. The Cold War’s end heralded a conclusion to various deadlocks. Young Germans acutely felt this release from stasis and rushed to the techno-scene.2 Similar scenes also flourished in neighbouring European countries, the United States and Britain around the 1 ‘Raving I’m Raving,’ Shut up and Dance (UK: Shut Up and Dance Records, 1992), vinyl. Funding from the ARC Centre of Excellence for the History of Emotions Associate Investigator (CE110001011) scheme helped with this work. -
Faflak 5379 6208 0448F Final Pass.Indd
Marking Time Romanticism & Evolution EditEd by JoEl FaFlak MARKING TIME Romanticism and Evolution EDITED BY JOEL FAFLAK Marking Time Romanticism and Evolution UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press 2017 Toronto Buffalo London www.utorontopress.com ISBN 978-1-4426-4430-4 (cloth) Library and Archives Canada Cataloguing in Publication Marking time : Romanticism and evolution / edited by Joel Faflak. Includes bibliographical references and index. ISBN 978-1-4426-4430-4 (hardcover) 1. Romanticism. 2. Evolution (Biology) in literature. 3. Literature and science. I. Faflak, Joel, 1959–, editor PN603.M37 2017 809'.933609034 C2017-905010-9 CC-BY-NC-ND This work is published subject to a Creative Commons Attribution Non-commercial No Derivative License. For permission to publish commercial versions please contact University of Tor onto Press. This book has been published with the help of a grant from the Federation for the Humanities and Social Sciences, through the Awards to Scholarly Publications Program, using funds provided by the Social Sciences and Humanities Research Council of Canada. University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council, an agency of the Government of Ontario. Funded by the Financé par le Government gouvernement of Canada du Canada Contents List of Illustrations vii Acknowledgments ix Introduction – Marking Time: Romanticism and Evolution 3 joel faflak Part One: Romanticism’s Darwin 1 Plants, Analogy, and Perfection: Loose and Strict Analogies 29 gillian beer 2 Darwin and the Mobility of Species 45 alan bewell 3 Darwin’s Ideas 68 matthew rowlinson Part Two: Romantic Temporalities 4 Deep Time in the South Pacifi c: Scientifi c Voyaging and the Ancient/Primitive Analogy 95 noah heringman 5 Malthus Our Contemporary? Toward a Political Economy of Sex 122 maureen n. -
The Sopranos Episode Guide Imdb
The sopranos episode guide imdb Continue Season: 1 2 3 4 5 6 OR Year: 1999 2000 2001 2002 2004 2006 2007 Season: 1 2 3 4 5 6 OR Year: 1999 2000 2001 200102 200204 2006 2007 Season: 1 2 3 3 4 5 6 OR Year: 1999 2000 2001 2002 2004 2006 2007 Edit It's time for the annual ecclera and, as usual, Pauley is responsible for the 5 day affair. It's always been a money maker for Pauley - Tony's father, Johnny Soprano, had control over him before him - but a new parish priest believes that the $10,000 Poly contributes as the church's share is too low and believes $50,000 would be more appropriate. Pauley shies away from that figure, at least in part, he says, because his own spending is rising. One thing he does to save money to hire a second course of carnival rides, something that comes back to haunt him when one of the rides breaks down and people get injured. Pauley is also under a lot of stress after his doctor dislikes the results of his PSA test and is planning a biopsy. When Christopher's girlfriend Kelly tells him he is pregnant, he asks her to marry him. He is still struggling with his addiction however and falls off the wagon. Written by GaryKmkd Plot Summary: Add a Summary Certificate: See All The Certificates of the Parents' Guide: Add Content Advisory for Parents Edit Vic Noto plays one of the bikies from the Vipers group that Tony and Chris steal wine from. -
On Mourning Sickness
Missed Revolutions, Non-Revolutions, Revolutions to Come: On Mourning Sickness An Encounter with: Rebecca Comay. Mourning Sickness: Hegel and the French Revolution. Stanford: Stanford University Press, 2011. 224 pages. REBECCA COMAY in Conversation with JOSHUA NICHOLS Rebecca Comay’s new book Mourning Sickness sets its sights on Hegel’s response to the French Revolutionary Terror. In this respect it provides the reader with both a detailed examination of Hegel’s interpretation of the Terror and the historical and philosophical context of this interpretation. In and of itself this would be a valuable contribution to the history of philosophy in general and Hegel studies in particular, but Comay’s book extends beyond the confines of a historical study. It explores Hegel’s struggle with the meaning of the Terror and, as such, it explores the general relationship between event and meaning. By doing so this book forcefully draws Hegel into present-day discussions of politics, violence, trauma, witness, and memory. The following interview took place via email correspondence. The overall aim is twofold: to introduce the main themes of the book and to touch on some of its contemporary implications. JOSHUA NICHOLS: This text accomplishes the rare feat of revisiting what is, in many respects, familiar and well-worn philosophical terrain (i.e., Hegel’s Phenomenology) and brings the reader to see the text from a new angle, under a different light, almost as if for the first time. PhaenEx 7, no. 1 (spring/summer 2012): 309-346 © 2012 Rebecca Comay and Joshua Nichols - 310 - PhaenEx Your reading of Hegel’s notion of forgiveness as being “as hyperbolic as anything in Derrida, as asymmetrical as anything in Levinas, as disastrous as anything in Blanchot, as paradoxical as anything in Kierkegaard” is just one example of the surprising interpretive possibilities that this text opens (Comay, Mourning Sickness 135). -
Dark Tourism
Dark Tourism: Understanding the Concept and Recognizing the Values Ramesh Raj Kunwar, PhD APF Command and Staff College, Nepal Email: [email protected] Neeru Karki Department of Conflict, Peace and Development Studies, TU Email: [email protected] „Man stands in his own shadow and wonders why it‟s dark‟ (Zen Proverb; in Stone, Hartmann, Seaton, Sharpley & White, 2018, preface). Abstract Dark tourism is a youngest subset of tourism, introduced only in 1990s. It is a multifaceted and diverse phenomenon. Dark tourism studies carried out in the Western countries succinctly portrays dark tourism as a study of history and heritage, tourism and tragedies. Dark tourism has been identified as niche or special interest tourism. This paper highlights how dark tourism has been theoretically conceptualized in previous studies. As an umbrella concept dark tourism includes than tourism, blackspot tourism, morbid tourism, disaster tourism, conflict tourism, dissonant heritage tourism and others. This paper examines how dark tourism as a distinct form of tourism came into existence in the tourism academia and how it could be understood as a separate subset of tourism in better way. Basically, this study focuses on deathscapes, repressed sadism, commercialization of grief, commoditization of death, dartainment, blackpackers, darsumers and deathseekers capitalism. This study generates curiosity among the readers and researchers to understand and explore the concepts and values of dark tourism in a better way. Keywords: Dark tourism, authenticity, supply and demand, emotion and experience Introduction Tourism is a complex phenomenon involving a wide range of people, increasingly seeking for new and unique experiences in order to satisfy the most diverse motives, reason why the world tourism landscape has been changing in the last decades (Seabra, Abrantes, & Karstenholz, 2014; in Fonseca, Seabra, & Silva, 2016, p. -
Negotiating Agendas, Ethics, and Consequences Regarding the Heritage Value of Human Remains
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses July 2016 A Conflict of Interest? Negotiating Agendas, Ethics, and Consequences Regarding the Heritage Value of Human Remains Heidi J. Bauer-Clapp University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Social and Cultural Anthropology Commons Recommended Citation Bauer-Clapp, Heidi J., "A Conflict of Interest? Negotiating Agendas, Ethics, and Consequences Regarding the Heritage Value of Human Remains" (2016). Doctoral Dissertations. 643. https://doi.org/10.7275/8431228.0 https://scholarworks.umass.edu/dissertations_2/643 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A CONFLICT OF INTEREST? NEGOTIATING AGENDAS, ETHICS, AND CONSEQUENCES REGARDING THE HERITAGE VALUE OF HUMAN REMAINS A Dissertation Presented by HEIDI J. BAUER-CLAPP Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2016 Anthropology © Copyright by Heidi J. Bauer-Clapp 2016 All Rights Reserved A CONFLICT OF INTEREST? NEGOTIATING AGENDAS, ETHICS, AND CONSEQUENCES REGARDING THE HERITAGE VALUE OF HUMAN REMAINS -
Nolan Washington 0250O 19397
A thesis submitted in partial fulfillment of the requirements for the degree of University of Washington Committee: Program Authorized to Offer Degree: ©Copyright 2018 Daniel A. Nolan IV University of Washington Abstract Souvenirs and Travel Guides: The Cognitive Sociology of Grieving Public Figures Daniel A. Nolan IV Chair of the Supervisory Committee: Sarah Quinn Department of Sociology The deaths of public figures can produce a variety of emotional reactions. While bereavement research has explored mourning family or close friends, this literature does little to address the experience of grief for public figures. Similarly, research on how people relate to public figures provides an incomplete picture of the symbolic associations people can form with those figures. This study relies on interviews with individuals who had a memorable reaction to the death of a public figure to explore how these individuals related to that figure. Results suggest two ideal type reactions: Grief, characterized by disruption and sharp pain, and Melancholy, characterized by distraction and dull ache. Respondents reported symbolic associations between the figure and some meaning they had incorporated into their cognitive framework. I argue that emotional reactions to the death of a public figure are an affective signal of disruption to the individual’s cognitive functioning caused by the loss of meaning maintained by the figure. The key difference in kind and intensity of reaction is related to the cognitive salience of the lost meaning. This research highlights how individuals use internalized cultural objects in their sense-making process. More broadly, by revealing symbolically meaningful relationships that shape cognitive frameworks, this analysis offers cognitive sociological insights into research about the function of role models, collective memories, and other cultural objects on the individual’s understanding of their world. -
* Omslag Public Memorials
www.ssoar.info The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials Doss, Erika Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Doss, E. (2008). The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials. (Meertens Ethnology Cahiers). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/urn:nbn:de:0168- ssoar-321744 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de MEERTENS ETHNOLOGY CAHIER 3 The Emotional Life of Contemporary Public Memorials Towards a Theory of Temporary Memorials ERIKA DOSS Amsterdam University Press The Emotional Life of Contemporary Public Memorials The Emotional Life of Contemporary Public Memorials Towards a Theory of Temporary Memorials Erika Doss The Meertens Ethnology Cahiers are revised texts of the Meertens Ethnology Lectures. These lectures are presented by ground-breaking researchers in the field of ethnology and related disciplines at the Meertens Institute in Amsterdam, a research facility in language and culture in the Netherlands The Meertens Institute is a research institute of the Royal Netherlands Academy of Arts and Sciences Meertens Institute Department of Ethnology PO Box GG Amsterdam www.meertens.knaw.nl Meertens Ethnology Cahier iii Series Editor: Peter Jan Margry [email protected] Illustration front cover: Temporary memorial created in September featuring a teddy bear and flowers at the Pentagon, Arlington, VA. -
Sopranos Finale Pool a B C D E F G H I J K L M N O P Q R S T U V W X Y Z the Final Episode Airs This Sunday, June 10
Sopranos Finale Pool A B C D E F G H I J K L M N O P Q R S T U V W X Y Z The final episode airs this Sunday, June 10. Don’t just predict who will live and who will die… How many more plot details can you predict? Murdered Dies Suicide Arrested/Jail Kills Injured Severely Illness Breakdown/Crazy Prospers Leaves/Quits Betrayed Betrays Disappears / Missing Returns Flashbacks Hallucinations Dreams Torture Time Travel own! Add your own! Add your own! Add your own! Add your own! Add your own! Add your own! Add your 1 Tony Soprano 2 Carmela Soprano 3 Meadow Soprano 4 AJ Soprano 5 Janice Soprano 6 Christopher Moltisanti 7 Kelli Lombardo Moltisanti 8 Adriana La Cerva 9 Dr. Jennifer Melfi 10 "Big Pussy" Bonpensiero 11 Silvio Dante 12 Gabrielle Dante 13 Michele "Feech" La Manna 14 Phil Leotardo 15 Furio Giunta 16 Little Carmine Lupertazzi 17 Uncle Junior Soprano 18 Paulie Walnuts 19 Artie Bucco 20 Charmaine Bucco 21 Richie Aprile 22 Rosalie Aprile 23 Hesh Rabkin 24 Dr. Elliot Kupferberg 25 Eugene Pontecorvo 26 Patsy Parisi 27 Benny Fazio 28 Little Paulie Germani 29 Bobby Bacala 30 Johnny "Sack" 31 Vito Spatafore 32 Agent Dwight Harris 33 Hugh DeAngelis 34 Add your own! 35 Add your own! 36 Add your own! 37 Add your own! 38 Add your own! 39 Add your own! 40 Add your own! Grid by Christopher Fahey graphpaper.com behaviordesign.com Sopranos Finale Pool Rules 1. Choose any number of combinations of characters (along the left side) and fates (along the top), then initial each of your predictions in the corresponding cell. -
Work After Death: an Examination of the Relationship Between Grief
Work after Death: An Examination of the Relationship Between Grief, Emotional Labour, and the Lived Experience of Returning to Work after a Bereavement Natalie Pitimson School of Applied Social Sciences, Brighton University, Brighton, United Kingdom [email protected] Abstract The lived experience of returning to work after a bereavement remains relatively under researched. Within sociology the notion of emotional labour has been explored at length but the place and experience of grief in the workplace is less well understood. This research, framed by Hochschild’s work on feeling rules, focuses on professional individuals working in UK companies who agreed to discuss their experiences of returning to work after a bereavement, in terms of dealing with their own emotions and those of their colleagues, as well as navigating company policy in the area of compassionate leave. Qualitative data from seven semi-structured interviews were analysed, exposing key common emotional and experiential themes, particularly regarding disenfranchised grief, comfort in the familiarity of the work environment and the impact of silent or awkward responses from colleagues. The emergent themes from the data were used to address the research objective of examining the relationship between grief, emotional labour, and the lived experience of returning to work after a bereavement. Keywords Bereavement, work, disenfranchisement, grief, emotional labour, compassionate leave Introduction People often return to work having only had a few days off after a bereavement yet relatively little is known about how grief affects the workplace (Hazen, 2008). Death is often considered one of the last remaining taboos in society (McGuiness and Williams, 2014), however, as Hall (2014) reminds us, loss and grief are fundamental to human life, grief is “the price we pay for love” (p.7). -
Sentimental Arcs from Grief to Mourning in an Unnecessary Woman and Koolaids: the Art of War by Rabih Alameddine Carl D
Bates College SCARAB Honors Theses Capstone Projects 5-2019 Sentimental Arcs From Grief to Mourning in An Unnecessary Woman and Koolaids: The Art of War by Rabih Alameddine Carl D. Deakins Mx [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Deakins, Carl D. Mx, "Sentimental Arcs From Grief to Mourning in An Unnecessary Woman and Koolaids: The Art of War by Rabih Alameddine" (2019). Honors Theses. 297. https://scarab.bates.edu/honorstheses/297 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Sentimental Arcs From Grief to Mourning in An Unnecessary Woman and Koolaids: The Art of War by Rabih Alameddine An Honors Thesis Presented to The Faculty of the English Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Carl Denys Deakins Lewiston, Maine March 20, 2019 Acknowledgements Thank you to my thesis advisor Therí A. Pickens for offering me thoughtful guidance and consideration as a full person. Especially thankful for making the thesis process intellectually rewarding, truly accessible, and enjoyable throughout. Finally, thanks for being a grounding presence throughout my time at Bates, particularly during my senior year. Thank you to Erica Rand for offering honest and direct feedback about my work as a student, researcher, and person. Particular thanks for helping me take responsibility for my ideas and aiding my growth as an independent thinker. -
Sickness in Plato, Nietzsche, Kierkegaard, and Heidegger
Bard College Bard Digital Commons Senior Projects Fall 2014 Bard Undergraduate Senior Projects Fall 2014 The Philosopher's Diagnosis: Sickness in Plato, Nietzsche, Kierkegaard, and Heidegger Anna Menaker Daniszewski Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_f2014 Part of the Continental Philosophy Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Daniszewski, Anna Menaker, "The Philosopher's Diagnosis: Sickness in Plato, Nietzsche, Kierkegaard, and Heidegger" (2014). Senior Projects Fall 2014. 23. https://digitalcommons.bard.edu/senproj_f2014/23 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. The Philosopher’s Diagnosis: Sickness in Plato, Nietzsche, Kierkegaard, and Heidegger Senior Project submitted to The Division of Social Studies of Bard College by Anna Daniszewski Annandale-on-Hudson, New York December 2014 Acknowledgements Dedicated to Professor Ruth Zisman for guidance, friendship, and instilling in me a love of wisdom I also thank Professor Daniel Berthold for being endlessly generous with his intellect and his support. Thank you to my many other inspirational professors: Norton Batkin, Cole Heinowitz, Melanie Nicholson, Barbara Ess, An-My Lê, and David Bush.