Sickness in Plato, Nietzsche, Kierkegaard, and Heidegger
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Ecstatic Melancholic: Ambivalence, Electronic Music and Social Change Around the Fall of the Berlin Wall
Ecstatic Melancholic: Ambivalence, Electronic Music and Social Change around the Fall of the Berlin Wall Ben Gook The Cold War’s end infused electronic music in Berlin after 1989 with an ecstatic intensity. Enthused communities came together to live out that energy and experiment in conditions informed by past suffering and hope for the future. This techno-scene became an ‘intimate public’ (Berlant) within an emergent ‘structure of feeling’ (Williams). Techno parties held out a promise of freedom while Germany’s re-unification quickly broke into disputes and mutual suspicion. Tracing the historical movement during the first years of re-unified Germany, this article adds to accounts of ecstasy by considering it in conjunction with melancholy, arguing for an ambivalent description of ecstatic experience – and of emotional life more broadly. Keywords: German re-unification, electronic dance music, structure of feeling, intimate publics, ambivalence. Everybody was happy Ecstasy shining down on me ... I’m raving, I’m raving But do I really feel the way I feel?1 In Germany around 1989, techno music coursed through a population already energised by the Fall of the Berlin Wall. The years 1989 and 1990 were optimistic for many in Germany and elsewhere. The Cold War’s end heralded a conclusion to various deadlocks. Young Germans acutely felt this release from stasis and rushed to the techno-scene.2 Similar scenes also flourished in neighbouring European countries, the United States and Britain around the 1 ‘Raving I’m Raving,’ Shut up and Dance (UK: Shut Up and Dance Records, 1992), vinyl. Funding from the ARC Centre of Excellence for the History of Emotions Associate Investigator (CE110001011) scheme helped with this work. -
Faflak 5379 6208 0448F Final Pass.Indd
Marking Time Romanticism & Evolution EditEd by JoEl FaFlak MARKING TIME Romanticism and Evolution EDITED BY JOEL FAFLAK Marking Time Romanticism and Evolution UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press 2017 Toronto Buffalo London www.utorontopress.com ISBN 978-1-4426-4430-4 (cloth) Library and Archives Canada Cataloguing in Publication Marking time : Romanticism and evolution / edited by Joel Faflak. Includes bibliographical references and index. ISBN 978-1-4426-4430-4 (hardcover) 1. Romanticism. 2. Evolution (Biology) in literature. 3. Literature and science. I. Faflak, Joel, 1959–, editor PN603.M37 2017 809'.933609034 C2017-905010-9 CC-BY-NC-ND This work is published subject to a Creative Commons Attribution Non-commercial No Derivative License. For permission to publish commercial versions please contact University of Tor onto Press. This book has been published with the help of a grant from the Federation for the Humanities and Social Sciences, through the Awards to Scholarly Publications Program, using funds provided by the Social Sciences and Humanities Research Council of Canada. University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council, an agency of the Government of Ontario. Funded by the Financé par le Government gouvernement of Canada du Canada Contents List of Illustrations vii Acknowledgments ix Introduction – Marking Time: Romanticism and Evolution 3 joel faflak Part One: Romanticism’s Darwin 1 Plants, Analogy, and Perfection: Loose and Strict Analogies 29 gillian beer 2 Darwin and the Mobility of Species 45 alan bewell 3 Darwin’s Ideas 68 matthew rowlinson Part Two: Romantic Temporalities 4 Deep Time in the South Pacifi c: Scientifi c Voyaging and the Ancient/Primitive Analogy 95 noah heringman 5 Malthus Our Contemporary? Toward a Political Economy of Sex 122 maureen n. -
On Mourning Sickness
Missed Revolutions, Non-Revolutions, Revolutions to Come: On Mourning Sickness An Encounter with: Rebecca Comay. Mourning Sickness: Hegel and the French Revolution. Stanford: Stanford University Press, 2011. 224 pages. REBECCA COMAY in Conversation with JOSHUA NICHOLS Rebecca Comay’s new book Mourning Sickness sets its sights on Hegel’s response to the French Revolutionary Terror. In this respect it provides the reader with both a detailed examination of Hegel’s interpretation of the Terror and the historical and philosophical context of this interpretation. In and of itself this would be a valuable contribution to the history of philosophy in general and Hegel studies in particular, but Comay’s book extends beyond the confines of a historical study. It explores Hegel’s struggle with the meaning of the Terror and, as such, it explores the general relationship between event and meaning. By doing so this book forcefully draws Hegel into present-day discussions of politics, violence, trauma, witness, and memory. The following interview took place via email correspondence. The overall aim is twofold: to introduce the main themes of the book and to touch on some of its contemporary implications. JOSHUA NICHOLS: This text accomplishes the rare feat of revisiting what is, in many respects, familiar and well-worn philosophical terrain (i.e., Hegel’s Phenomenology) and brings the reader to see the text from a new angle, under a different light, almost as if for the first time. PhaenEx 7, no. 1 (spring/summer 2012): 309-346 © 2012 Rebecca Comay and Joshua Nichols - 310 - PhaenEx Your reading of Hegel’s notion of forgiveness as being “as hyperbolic as anything in Derrida, as asymmetrical as anything in Levinas, as disastrous as anything in Blanchot, as paradoxical as anything in Kierkegaard” is just one example of the surprising interpretive possibilities that this text opens (Comay, Mourning Sickness 135). -
Dark Tourism
Dark Tourism: Understanding the Concept and Recognizing the Values Ramesh Raj Kunwar, PhD APF Command and Staff College, Nepal Email: [email protected] Neeru Karki Department of Conflict, Peace and Development Studies, TU Email: [email protected] „Man stands in his own shadow and wonders why it‟s dark‟ (Zen Proverb; in Stone, Hartmann, Seaton, Sharpley & White, 2018, preface). Abstract Dark tourism is a youngest subset of tourism, introduced only in 1990s. It is a multifaceted and diverse phenomenon. Dark tourism studies carried out in the Western countries succinctly portrays dark tourism as a study of history and heritage, tourism and tragedies. Dark tourism has been identified as niche or special interest tourism. This paper highlights how dark tourism has been theoretically conceptualized in previous studies. As an umbrella concept dark tourism includes than tourism, blackspot tourism, morbid tourism, disaster tourism, conflict tourism, dissonant heritage tourism and others. This paper examines how dark tourism as a distinct form of tourism came into existence in the tourism academia and how it could be understood as a separate subset of tourism in better way. Basically, this study focuses on deathscapes, repressed sadism, commercialization of grief, commoditization of death, dartainment, blackpackers, darsumers and deathseekers capitalism. This study generates curiosity among the readers and researchers to understand and explore the concepts and values of dark tourism in a better way. Keywords: Dark tourism, authenticity, supply and demand, emotion and experience Introduction Tourism is a complex phenomenon involving a wide range of people, increasingly seeking for new and unique experiences in order to satisfy the most diverse motives, reason why the world tourism landscape has been changing in the last decades (Seabra, Abrantes, & Karstenholz, 2014; in Fonseca, Seabra, & Silva, 2016, p. -
Negotiating Agendas, Ethics, and Consequences Regarding the Heritage Value of Human Remains
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses July 2016 A Conflict of Interest? Negotiating Agendas, Ethics, and Consequences Regarding the Heritage Value of Human Remains Heidi J. Bauer-Clapp University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Social and Cultural Anthropology Commons Recommended Citation Bauer-Clapp, Heidi J., "A Conflict of Interest? Negotiating Agendas, Ethics, and Consequences Regarding the Heritage Value of Human Remains" (2016). Doctoral Dissertations. 643. https://doi.org/10.7275/8431228.0 https://scholarworks.umass.edu/dissertations_2/643 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A CONFLICT OF INTEREST? NEGOTIATING AGENDAS, ETHICS, AND CONSEQUENCES REGARDING THE HERITAGE VALUE OF HUMAN REMAINS A Dissertation Presented by HEIDI J. BAUER-CLAPP Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2016 Anthropology © Copyright by Heidi J. Bauer-Clapp 2016 All Rights Reserved A CONFLICT OF INTEREST? NEGOTIATING AGENDAS, ETHICS, AND CONSEQUENCES REGARDING THE HERITAGE VALUE OF HUMAN REMAINS -
Health at Work – an Independent Review of Sickness Absence
Health at work – an independent review of sickness absence Dame Carol Black and David Frost CBE November 2011 HealthHealth atat workwork –– anan independentindependent reviewreview ofof sicknesssickness absenceabsence DameDame CarolCarol BlackBlack andand DavidDavid FrostFrost CBECBE November 2011 November 2011 Presented to Parliament by the Secretary of State forPresented Work and to Pensions Parliament by byCommand the Secretary of Her of Majesty State Novemberfor Work and 2011 Pensions. by Command of Her Majesty November 2011. Cm 8205 £20.50 Cm 8205 £20.50 CM8205 Dame Carol.indd 1 16/11/2011 13:36:54 © Crown Copyright 2011 You may re-use this information (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit http://www.nationalarchives.gov.uk/doc/open-government-licence/ or e-mail: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this publication should be sent to us at: Email: [email protected] This publication is available for download at www.official-documents.gov.uk and from our website at http://www.dwp.gov.uk/policy/welfare-reform/sickness- absence-review/ ISBN: 9780101820523 Printed in the UK by The Stationery Office Limited on behalf of the Controller of Her Majesty’s Stationery Office ID: 2456994 11/11 Printed on paper containing 75% recycled fibre content minimum. Contents. Foreword -
Nolan Washington 0250O 19397
A thesis submitted in partial fulfillment of the requirements for the degree of University of Washington Committee: Program Authorized to Offer Degree: ©Copyright 2018 Daniel A. Nolan IV University of Washington Abstract Souvenirs and Travel Guides: The Cognitive Sociology of Grieving Public Figures Daniel A. Nolan IV Chair of the Supervisory Committee: Sarah Quinn Department of Sociology The deaths of public figures can produce a variety of emotional reactions. While bereavement research has explored mourning family or close friends, this literature does little to address the experience of grief for public figures. Similarly, research on how people relate to public figures provides an incomplete picture of the symbolic associations people can form with those figures. This study relies on interviews with individuals who had a memorable reaction to the death of a public figure to explore how these individuals related to that figure. Results suggest two ideal type reactions: Grief, characterized by disruption and sharp pain, and Melancholy, characterized by distraction and dull ache. Respondents reported symbolic associations between the figure and some meaning they had incorporated into their cognitive framework. I argue that emotional reactions to the death of a public figure are an affective signal of disruption to the individual’s cognitive functioning caused by the loss of meaning maintained by the figure. The key difference in kind and intensity of reaction is related to the cognitive salience of the lost meaning. This research highlights how individuals use internalized cultural objects in their sense-making process. More broadly, by revealing symbolically meaningful relationships that shape cognitive frameworks, this analysis offers cognitive sociological insights into research about the function of role models, collective memories, and other cultural objects on the individual’s understanding of their world. -
* Omslag Public Memorials
www.ssoar.info The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials Doss, Erika Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Doss, E. (2008). The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials. (Meertens Ethnology Cahiers). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/urn:nbn:de:0168- ssoar-321744 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de MEERTENS ETHNOLOGY CAHIER 3 The Emotional Life of Contemporary Public Memorials Towards a Theory of Temporary Memorials ERIKA DOSS Amsterdam University Press The Emotional Life of Contemporary Public Memorials The Emotional Life of Contemporary Public Memorials Towards a Theory of Temporary Memorials Erika Doss The Meertens Ethnology Cahiers are revised texts of the Meertens Ethnology Lectures. These lectures are presented by ground-breaking researchers in the field of ethnology and related disciplines at the Meertens Institute in Amsterdam, a research facility in language and culture in the Netherlands The Meertens Institute is a research institute of the Royal Netherlands Academy of Arts and Sciences Meertens Institute Department of Ethnology PO Box GG Amsterdam www.meertens.knaw.nl Meertens Ethnology Cahier iii Series Editor: Peter Jan Margry [email protected] Illustration front cover: Temporary memorial created in September featuring a teddy bear and flowers at the Pentagon, Arlington, VA. -
Work After Death: an Examination of the Relationship Between Grief
Work after Death: An Examination of the Relationship Between Grief, Emotional Labour, and the Lived Experience of Returning to Work after a Bereavement Natalie Pitimson School of Applied Social Sciences, Brighton University, Brighton, United Kingdom [email protected] Abstract The lived experience of returning to work after a bereavement remains relatively under researched. Within sociology the notion of emotional labour has been explored at length but the place and experience of grief in the workplace is less well understood. This research, framed by Hochschild’s work on feeling rules, focuses on professional individuals working in UK companies who agreed to discuss their experiences of returning to work after a bereavement, in terms of dealing with their own emotions and those of their colleagues, as well as navigating company policy in the area of compassionate leave. Qualitative data from seven semi-structured interviews were analysed, exposing key common emotional and experiential themes, particularly regarding disenfranchised grief, comfort in the familiarity of the work environment and the impact of silent or awkward responses from colleagues. The emergent themes from the data were used to address the research objective of examining the relationship between grief, emotional labour, and the lived experience of returning to work after a bereavement. Keywords Bereavement, work, disenfranchisement, grief, emotional labour, compassionate leave Introduction People often return to work having only had a few days off after a bereavement yet relatively little is known about how grief affects the workplace (Hazen, 2008). Death is often considered one of the last remaining taboos in society (McGuiness and Williams, 2014), however, as Hall (2014) reminds us, loss and grief are fundamental to human life, grief is “the price we pay for love” (p.7). -
Disturbed | Primary Wave Music
DISTURBED facebook.com/Disturbed disturbed.lnk.to/instagram twitter.com/disturbed Imageyoutube.com/user/DisturbedTV not found or type unknown disturbed1.com en.wikipedia.org/wiki/Disturbed_(band) open.spotify.com/artist/3TOqt5oJwL9BE2NG9MEwDa Disturbed is an American hard rock band from Chicago, Illinois, formed in 1994. The band includes vocalist David Draiman, bassist John Moyer, guitarist/keyboardist Dan Donegan, and drummer Mike Wengren. Former band members are vocalist Erich Awalt and bassist Steve Kmak. The band has released six studio albums, five of which have consecutively debuted at number one on the Billboard 200. Disturbed went into hiatus in October 2011, during which the band’s members focused on various side projects, and returned in June 2015, releasing their first album in four years, Immortalized, on August 21, 2015. They also recorded and released one live album, Disturbed: Live at Red Rocks on November 18, 2016, which was recorded on August 18, 2016 at Red Rocks Amphitheater in Morrison, Colorado, located about 10 miles west of Denver, Colorado. Their seventh studio album, Evolution, was released on October 19, 2018. Before David Draiman joined Disturbed, guitarist Dan Donegan, drummer Mike Wengren, and bassist Steve “Fuzz” Kmak were in a band called Brawl with vocalist Erich Awalt. Before changing their name to “Brawl”, however, Donegan mentioned in the band’s DVD, Decade of Disturbed, that the name was originally going to be “Crawl”; they switched it to “Brawl”, due to the name already being used by another band. Awalt left the band shortly after the recording of a demo tape; the other three members advertised for a singer. -
Sentimental Arcs from Grief to Mourning in an Unnecessary Woman and Koolaids: the Art of War by Rabih Alameddine Carl D
Bates College SCARAB Honors Theses Capstone Projects 5-2019 Sentimental Arcs From Grief to Mourning in An Unnecessary Woman and Koolaids: The Art of War by Rabih Alameddine Carl D. Deakins Mx [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Deakins, Carl D. Mx, "Sentimental Arcs From Grief to Mourning in An Unnecessary Woman and Koolaids: The Art of War by Rabih Alameddine" (2019). Honors Theses. 297. https://scarab.bates.edu/honorstheses/297 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Sentimental Arcs From Grief to Mourning in An Unnecessary Woman and Koolaids: The Art of War by Rabih Alameddine An Honors Thesis Presented to The Faculty of the English Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Carl Denys Deakins Lewiston, Maine March 20, 2019 Acknowledgements Thank you to my thesis advisor Therí A. Pickens for offering me thoughtful guidance and consideration as a full person. Especially thankful for making the thesis process intellectually rewarding, truly accessible, and enjoyable throughout. Finally, thanks for being a grounding presence throughout my time at Bates, particularly during my senior year. Thank you to Erica Rand for offering honest and direct feedback about my work as a student, researcher, and person. Particular thanks for helping me take responsibility for my ideas and aiding my growth as an independent thinker. -
Time's the Revelator
Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music Ashley Denise Melzer A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of American Studies (Folklore). Chapel Hill 2009 Approved by: Dr. William Ferris Dr. Robert Cantwell Dr. Patricia Sawin © 2009 Ashley Denise Melzer ALL RIGHTS RESERVED ii ABSTRACT ASHLEY MELZER: Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music (Under the directions of Dr. William Ferris, Dr. Robert Cantwell, and Dr. Patricia Sawin) This thesis investigates the relationship between the modern old-time and alt.country movements through the comparison of four different female musicians: Abigail Washburn, Rayna Gellert, Gillian Welch, and Neko Case. These four women often pull from the same wellspring of old-time songs/structures/sounds, but their instincts come from exceptionally different places. The disparity between the ways they approach their music, reveals how the push toward modern capitalist industrialism has affected how different artists and communities access and transmit those old-world icons and sounds. Furthermore, their engagement specifically with the topic of gender exposes key tactical differences. Old-time musicians, Washburn and Gellert, work within the strictures of tradition so as to remain in dialogue with their community. Welch and Case play into the experimental bent of alt.country to emotionally affect listeners in order to create discreet, personal connections between themselves and their audience. iii To the ones who listen and love me anyway iv PREFACE In the summer, Florida is so hot the home becomes some dark prison of necessary air conditioning.