Nolan Washington 0250O 19397
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ecstatic Melancholic: Ambivalence, Electronic Music and Social Change Around the Fall of the Berlin Wall
Ecstatic Melancholic: Ambivalence, Electronic Music and Social Change around the Fall of the Berlin Wall Ben Gook The Cold War’s end infused electronic music in Berlin after 1989 with an ecstatic intensity. Enthused communities came together to live out that energy and experiment in conditions informed by past suffering and hope for the future. This techno-scene became an ‘intimate public’ (Berlant) within an emergent ‘structure of feeling’ (Williams). Techno parties held out a promise of freedom while Germany’s re-unification quickly broke into disputes and mutual suspicion. Tracing the historical movement during the first years of re-unified Germany, this article adds to accounts of ecstasy by considering it in conjunction with melancholy, arguing for an ambivalent description of ecstatic experience – and of emotional life more broadly. Keywords: German re-unification, electronic dance music, structure of feeling, intimate publics, ambivalence. Everybody was happy Ecstasy shining down on me ... I’m raving, I’m raving But do I really feel the way I feel?1 In Germany around 1989, techno music coursed through a population already energised by the Fall of the Berlin Wall. The years 1989 and 1990 were optimistic for many in Germany and elsewhere. The Cold War’s end heralded a conclusion to various deadlocks. Young Germans acutely felt this release from stasis and rushed to the techno-scene.2 Similar scenes also flourished in neighbouring European countries, the United States and Britain around the 1 ‘Raving I’m Raving,’ Shut up and Dance (UK: Shut Up and Dance Records, 1992), vinyl. Funding from the ARC Centre of Excellence for the History of Emotions Associate Investigator (CE110001011) scheme helped with this work. -
Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing. -
Faflak 5379 6208 0448F Final Pass.Indd
Marking Time Romanticism & Evolution EditEd by JoEl FaFlak MARKING TIME Romanticism and Evolution EDITED BY JOEL FAFLAK Marking Time Romanticism and Evolution UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press 2017 Toronto Buffalo London www.utorontopress.com ISBN 978-1-4426-4430-4 (cloth) Library and Archives Canada Cataloguing in Publication Marking time : Romanticism and evolution / edited by Joel Faflak. Includes bibliographical references and index. ISBN 978-1-4426-4430-4 (hardcover) 1. Romanticism. 2. Evolution (Biology) in literature. 3. Literature and science. I. Faflak, Joel, 1959–, editor PN603.M37 2017 809'.933609034 C2017-905010-9 CC-BY-NC-ND This work is published subject to a Creative Commons Attribution Non-commercial No Derivative License. For permission to publish commercial versions please contact University of Tor onto Press. This book has been published with the help of a grant from the Federation for the Humanities and Social Sciences, through the Awards to Scholarly Publications Program, using funds provided by the Social Sciences and Humanities Research Council of Canada. University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council, an agency of the Government of Ontario. Funded by the Financé par le Government gouvernement of Canada du Canada Contents List of Illustrations vii Acknowledgments ix Introduction – Marking Time: Romanticism and Evolution 3 joel faflak Part One: Romanticism’s Darwin 1 Plants, Analogy, and Perfection: Loose and Strict Analogies 29 gillian beer 2 Darwin and the Mobility of Species 45 alan bewell 3 Darwin’s Ideas 68 matthew rowlinson Part Two: Romantic Temporalities 4 Deep Time in the South Pacifi c: Scientifi c Voyaging and the Ancient/Primitive Analogy 95 noah heringman 5 Malthus Our Contemporary? Toward a Political Economy of Sex 122 maureen n. -
Gonzo Weekly #165
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 gave it, when we said that it was his best album since Scary Monsters back in 1980. Yes, I think that it probably was, although the 2002 album Heathen gives it a run for its money, but with the benefit of hindsight, it still lacked the hallmarks of a classic David Bowie album, mainly because it didn't break new ground. Between 1969 and 1980 Bowie released thirteen studio albums which basically defined the decade. With the possible exception of Lodger which was basically bollocks, IMHO, each of these albums not only broke new ground, but was a significant advance upon the one that came before it. Bowie defined the concept of the rock star as artist, and where he led many others followed. Each of his stylistic changes spawned a hundred imitators. In the wake of Ziggy Stardust and Aladdin Sane came dozens of glam bands, most of them totally missing the point, and schoolboys across the United My dear friends, Kingdom sported Ziggy haircuts. His plastic soul period not only persuaded his loyal legions that Luther Vandross was where it was at, but also meant that the 2016 is only a couple of weeks old, but we already high street outfitters were full of Oxford Bags and have the first major cultural event of the year. -
On Mourning Sickness
Missed Revolutions, Non-Revolutions, Revolutions to Come: On Mourning Sickness An Encounter with: Rebecca Comay. Mourning Sickness: Hegel and the French Revolution. Stanford: Stanford University Press, 2011. 224 pages. REBECCA COMAY in Conversation with JOSHUA NICHOLS Rebecca Comay’s new book Mourning Sickness sets its sights on Hegel’s response to the French Revolutionary Terror. In this respect it provides the reader with both a detailed examination of Hegel’s interpretation of the Terror and the historical and philosophical context of this interpretation. In and of itself this would be a valuable contribution to the history of philosophy in general and Hegel studies in particular, but Comay’s book extends beyond the confines of a historical study. It explores Hegel’s struggle with the meaning of the Terror and, as such, it explores the general relationship between event and meaning. By doing so this book forcefully draws Hegel into present-day discussions of politics, violence, trauma, witness, and memory. The following interview took place via email correspondence. The overall aim is twofold: to introduce the main themes of the book and to touch on some of its contemporary implications. JOSHUA NICHOLS: This text accomplishes the rare feat of revisiting what is, in many respects, familiar and well-worn philosophical terrain (i.e., Hegel’s Phenomenology) and brings the reader to see the text from a new angle, under a different light, almost as if for the first time. PhaenEx 7, no. 1 (spring/summer 2012): 309-346 © 2012 Rebecca Comay and Joshua Nichols - 310 - PhaenEx Your reading of Hegel’s notion of forgiveness as being “as hyperbolic as anything in Derrida, as asymmetrical as anything in Levinas, as disastrous as anything in Blanchot, as paradoxical as anything in Kierkegaard” is just one example of the surprising interpretive possibilities that this text opens (Comay, Mourning Sickness 135). -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Dark Tourism
Dark Tourism: Understanding the Concept and Recognizing the Values Ramesh Raj Kunwar, PhD APF Command and Staff College, Nepal Email: [email protected] Neeru Karki Department of Conflict, Peace and Development Studies, TU Email: [email protected] „Man stands in his own shadow and wonders why it‟s dark‟ (Zen Proverb; in Stone, Hartmann, Seaton, Sharpley & White, 2018, preface). Abstract Dark tourism is a youngest subset of tourism, introduced only in 1990s. It is a multifaceted and diverse phenomenon. Dark tourism studies carried out in the Western countries succinctly portrays dark tourism as a study of history and heritage, tourism and tragedies. Dark tourism has been identified as niche or special interest tourism. This paper highlights how dark tourism has been theoretically conceptualized in previous studies. As an umbrella concept dark tourism includes than tourism, blackspot tourism, morbid tourism, disaster tourism, conflict tourism, dissonant heritage tourism and others. This paper examines how dark tourism as a distinct form of tourism came into existence in the tourism academia and how it could be understood as a separate subset of tourism in better way. Basically, this study focuses on deathscapes, repressed sadism, commercialization of grief, commoditization of death, dartainment, blackpackers, darsumers and deathseekers capitalism. This study generates curiosity among the readers and researchers to understand and explore the concepts and values of dark tourism in a better way. Keywords: Dark tourism, authenticity, supply and demand, emotion and experience Introduction Tourism is a complex phenomenon involving a wide range of people, increasingly seeking for new and unique experiences in order to satisfy the most diverse motives, reason why the world tourism landscape has been changing in the last decades (Seabra, Abrantes, & Karstenholz, 2014; in Fonseca, Seabra, & Silva, 2016, p. -
Negotiating Agendas, Ethics, and Consequences Regarding the Heritage Value of Human Remains
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses July 2016 A Conflict of Interest? Negotiating Agendas, Ethics, and Consequences Regarding the Heritage Value of Human Remains Heidi J. Bauer-Clapp University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Social and Cultural Anthropology Commons Recommended Citation Bauer-Clapp, Heidi J., "A Conflict of Interest? Negotiating Agendas, Ethics, and Consequences Regarding the Heritage Value of Human Remains" (2016). Doctoral Dissertations. 643. https://doi.org/10.7275/8431228.0 https://scholarworks.umass.edu/dissertations_2/643 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A CONFLICT OF INTEREST? NEGOTIATING AGENDAS, ETHICS, AND CONSEQUENCES REGARDING THE HERITAGE VALUE OF HUMAN REMAINS A Dissertation Presented by HEIDI J. BAUER-CLAPP Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2016 Anthropology © Copyright by Heidi J. Bauer-Clapp 2016 All Rights Reserved A CONFLICT OF INTEREST? NEGOTIATING AGENDAS, ETHICS, AND CONSEQUENCES REGARDING THE HERITAGE VALUE OF HUMAN REMAINS -
* Omslag Public Memorials
www.ssoar.info The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials Doss, Erika Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Doss, E. (2008). The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials. (Meertens Ethnology Cahiers). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/urn:nbn:de:0168- ssoar-321744 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de MEERTENS ETHNOLOGY CAHIER 3 The Emotional Life of Contemporary Public Memorials Towards a Theory of Temporary Memorials ERIKA DOSS Amsterdam University Press The Emotional Life of Contemporary Public Memorials The Emotional Life of Contemporary Public Memorials Towards a Theory of Temporary Memorials Erika Doss The Meertens Ethnology Cahiers are revised texts of the Meertens Ethnology Lectures. These lectures are presented by ground-breaking researchers in the field of ethnology and related disciplines at the Meertens Institute in Amsterdam, a research facility in language and culture in the Netherlands The Meertens Institute is a research institute of the Royal Netherlands Academy of Arts and Sciences Meertens Institute Department of Ethnology PO Box GG Amsterdam www.meertens.knaw.nl Meertens Ethnology Cahier iii Series Editor: Peter Jan Margry [email protected] Illustration front cover: Temporary memorial created in September featuring a teddy bear and flowers at the Pentagon, Arlington, VA. -
The Reification of Celebrity : Global Newspaper Coverage of the Death of David Bowie
The reification of celebrity : global newspaper coverage of the death of David Bowie BLACK, Jack <http://orcid.org/0000-0002-1595-5083> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/13788/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version BLACK, Jack (2016). The reification of celebrity : global newspaper coverage of the death of David Bowie. International Review of Sociology, 27 (1), 202-224. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk This is an author’s accepted manuscript for ‘International Review of Sociology’, online November 2016, copyright Taylor & Francis Online. To link to this article: http://www.tandfonline.com/doi/full/10.1080/03906701.2016.1254393 The Reification of Celebrity: Global Newspaper Coverage of the Death of David Bowie Dr. Jack Black, Academy of Sport and Physical Activity, Faculty of Health and Wellbeing, Sheffield Hallam University, Collegiate Hall, Collegiate Crescent, Sheffield, S10 2BP 1 The Reification of Celebrity: Global Newspaper Coverage of the Death of David Bowie Jack Black, PhD Academy of Sport and Physical Activity, Sheffield Hallam University, Sheffield, UK Abstract This paper examines global English language newspaper coverage of the death of David Bowie. Drawing upon the concept of reification, it is argued that the notion of celebrity is discursively (re)produced and configured through a ‘public face’ that is defined, maintained and shaped via media reports and public responses that aim to know and reflect upon celebrity. -
Work After Death: an Examination of the Relationship Between Grief
Work after Death: An Examination of the Relationship Between Grief, Emotional Labour, and the Lived Experience of Returning to Work after a Bereavement Natalie Pitimson School of Applied Social Sciences, Brighton University, Brighton, United Kingdom [email protected] Abstract The lived experience of returning to work after a bereavement remains relatively under researched. Within sociology the notion of emotional labour has been explored at length but the place and experience of grief in the workplace is less well understood. This research, framed by Hochschild’s work on feeling rules, focuses on professional individuals working in UK companies who agreed to discuss their experiences of returning to work after a bereavement, in terms of dealing with their own emotions and those of their colleagues, as well as navigating company policy in the area of compassionate leave. Qualitative data from seven semi-structured interviews were analysed, exposing key common emotional and experiential themes, particularly regarding disenfranchised grief, comfort in the familiarity of the work environment and the impact of silent or awkward responses from colleagues. The emergent themes from the data were used to address the research objective of examining the relationship between grief, emotional labour, and the lived experience of returning to work after a bereavement. Keywords Bereavement, work, disenfranchisement, grief, emotional labour, compassionate leave Introduction People often return to work having only had a few days off after a bereavement yet relatively little is known about how grief affects the workplace (Hazen, 2008). Death is often considered one of the last remaining taboos in society (McGuiness and Williams, 2014), however, as Hall (2014) reminds us, loss and grief are fundamental to human life, grief is “the price we pay for love” (p.7). -
Sentimental Arcs from Grief to Mourning in an Unnecessary Woman and Koolaids: the Art of War by Rabih Alameddine Carl D
Bates College SCARAB Honors Theses Capstone Projects 5-2019 Sentimental Arcs From Grief to Mourning in An Unnecessary Woman and Koolaids: The Art of War by Rabih Alameddine Carl D. Deakins Mx [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Deakins, Carl D. Mx, "Sentimental Arcs From Grief to Mourning in An Unnecessary Woman and Koolaids: The Art of War by Rabih Alameddine" (2019). Honors Theses. 297. https://scarab.bates.edu/honorstheses/297 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Sentimental Arcs From Grief to Mourning in An Unnecessary Woman and Koolaids: The Art of War by Rabih Alameddine An Honors Thesis Presented to The Faculty of the English Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Carl Denys Deakins Lewiston, Maine March 20, 2019 Acknowledgements Thank you to my thesis advisor Therí A. Pickens for offering me thoughtful guidance and consideration as a full person. Especially thankful for making the thesis process intellectually rewarding, truly accessible, and enjoyable throughout. Finally, thanks for being a grounding presence throughout my time at Bates, particularly during my senior year. Thank you to Erica Rand for offering honest and direct feedback about my work as a student, researcher, and person. Particular thanks for helping me take responsibility for my ideas and aiding my growth as an independent thinker.