Sopranos Finale Pool a B C D E F G H I J K L M N O P Q R S T U V W X Y Z the Final Episode Airs This Sunday, June 10
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Sopranos Episode Guide Imdb
The sopranos episode guide imdb Continue Season: 1 2 3 4 5 6 OR Year: 1999 2000 2001 2002 2004 2006 2007 Season: 1 2 3 4 5 6 OR Year: 1999 2000 2001 200102 200204 2006 2007 Season: 1 2 3 3 4 5 6 OR Year: 1999 2000 2001 2002 2004 2006 2007 Edit It's time for the annual ecclera and, as usual, Pauley is responsible for the 5 day affair. It's always been a money maker for Pauley - Tony's father, Johnny Soprano, had control over him before him - but a new parish priest believes that the $10,000 Poly contributes as the church's share is too low and believes $50,000 would be more appropriate. Pauley shies away from that figure, at least in part, he says, because his own spending is rising. One thing he does to save money to hire a second course of carnival rides, something that comes back to haunt him when one of the rides breaks down and people get injured. Pauley is also under a lot of stress after his doctor dislikes the results of his PSA test and is planning a biopsy. When Christopher's girlfriend Kelly tells him he is pregnant, he asks her to marry him. He is still struggling with his addiction however and falls off the wagon. Written by GaryKmkd Plot Summary: Add a Summary Certificate: See All The Certificates of the Parents' Guide: Add Content Advisory for Parents Edit Vic Noto plays one of the bikies from the Vipers group that Tony and Chris steal wine from. -
8 Burnham Hegel FINAL.Docx
CONTINENTAL THOUGHT & THEORY: A JOURNAL OF INTELLECTUAL FREEDOM Emancipation after Hegel Volume 2 | Issue 4: Emancipation after Hegel 108-138 | ISSN: 2463-333X Hegel without Lacan: on Todd McGowan’s Emancipation after Hegel Clint Burnham 0. A note on method If Todd McGowan’s new book on Hegel didn’t exist, we would have to invent it. McGowan is the giant of Vermont, the Bernie Sanders of the academy, the Larry David of Lacanian theory. In my review I make the following argument: desire is algorithmic, and realized in clickbait (clickbait names Hegel’s dialectics). McGowan’s book finds in Hegel a philosopher for the “after theory” era, a philosopher who forbids us from remaining satisfied with particularisms of the left or the right, a philosopher whose theory of contradiction is both universalist and grounded in the singular, a Hegel for whom love and duty are the slamdance of emancipation. 1. Getting distracted with Hegel In her study of the colonial origins of Hegel’s master-slave dialectic, Susan Buck- Morss asks what happens when we think of Haiti “as an agent in Europe’s construction” asking her reader to approach this question “in the form of a rebus, a picture puzzle, composed of three images.” 1 The first image is a 1787 illustration for Voltaire’s Candide by Jean-Michel Moreau le Jeune, depicting a slave “who has been mutilated by his master”,2 losing a hand and his leg; the second is a dream of 108 CONTINENTAL THOUGHT & THEORY: A JOURNAL OF INTELLECTUAL FREEDOM Emancipation after Hegel Spinoza’s, of “a certain black and mangy Brazilian… [an] Ethiopian who kept appearing with the same vividness again and again”; 3 the third is an anecdote of Adam Smith’s inveterate snatching at lumps of sugar when at tea. -
Intersection of Gender and Italian/Americaness
THE INTERSECTION OF GENDER AND ITALIAN/AMERICANESS: HEGEMONY IN THE SOPRANOS by Niki Caputo Wilson A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL December 2010 ACKNOWLEDGEMENTS I could not have completed this dissertation without the guidance of my committee members, the help from my friends and colleagues, and the support of my family. I extend my deepest gratitude to my committee chair Dr. Jane Caputi for her patience, guidance, and encouragement. You are truly an inspiration. I would like to thank my committee members as well. Dr. Christine Scodari has been tireless in her willingness to read and comment on my writing, each time providing me with insightful recommendations. I am indebted to Dr Art Evans, whose vast knowledge of both The Sopranos and ethnicity provided an invaluable resource. Friends, family members, and UCEW staff have provided much needed motivation, as well as critiques of my work; in particular, I thank Marc Fedderman, Rebecca Kuhn, my Aunt Nancy Mitchell, and my mom, Janie Caputo. I want to thank my dad, Randy Caputo, and brother, Sean Caputo, who are always there to offer their help and support. My tennis friends Kathy Fernandes, Lise Orr, Rachel Kuncman, and Nicola Snoep were instrumental in giving me an escape from my writing. Mike Orr of Minuteman Press and Stefanie Gapinski of WriteRight helped me immensely—thank you! Above all, I thank my husband, Mike Wilson, and my children, Madi and Cole Wilson, who have provided me with unconditional love and support throughout this process. -
Absent Presence: Women in American Gangster Narrative
Absent Presence: Women in American Gangster Narrative Carmela Coccimiglio Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfilment of the requirements for a doctoral degree in English Literature Department of English Faculty of Arts University of Ottawa © Carmela Coccimiglio, Ottawa, Canada, 2013 TABLE OF CONTENTS Abstract iii Acknowledgements v Introduction 1 Chapter One 27 “Senza Mamma”: Mothers, Stereotypes, and Self-Empowerment Chapter Two 57 “Three Corners Road”: Molls and Triangular Relationship Structures Chapter Three 90 “[M]arriage and our thing don’t jive”: Wives and the Precarious Balance of the Marital Union Chapter Four 126 “[Y]ou have to fucking deal with me”: Female Gangsters and Textual Outcomes Chapter Five 159 “I’m a bitch with a gun”: African-American Female Gangsters and the Intersection of Race, Sexual Orientation, and Gender Conclusion 186 Works Cited 193 iii ABSTRACT Absent Presence: Women in American Gangster Narrative investigates women characters in American gangster narratives through the principal roles accorded to them. It argues that women in these texts function as an “absent presence,” by which I mean that they are a convention of the patriarchal gangster landscape and often with little import while at the same time they cultivate resistant strategies from within this backgrounded positioning. Whereas previous scholarly work on gangster texts has identified how women are characterized as stereotypes, this dissertation argues that women characters frequently employ the marginal positions to which they are relegated for empowering effect. This dissertation begins by surveying existing gangster scholarship. There is a preoccupation with male characters in this work, as is the case in most gangster texts themselves. -
Commendatori
Commendatori "Commendatori" is the seventeenth episode of the HBO original series The Sopranos and the fourth of the show's second season. It was written by David Chase and directed by Tim Van Patten, and originally aired on February 6, 2000. James Gandolfini as Tony Soprano. Lorraine Bracco as Dr. Jennifer Melfi *. Edie Falco as Carmela Soprano. Michael Imperioli as Christopher Moltisanti. Dominic Chianese as Corrado Soprano, Jr. Vincent Pastore as Pussy Bonpensiero. Steven Van Zandt as Silvio Dante. Commendatore ┠Det italienske ord commendatore betegner oprindelig en standsperson som forvalter en ridderordens jordegods. Senere er ordet gået over til at være en ren ærestitel. Titlen svarer til tysk Komthur. Den nærmeste danske oversættelse er kommandør . I ⦠Danske encyklopædi. English examples for "Commendatore" - She was the recipient of many major awards including Commendatore of the Italian Republic. He was named Commendatore of the Order of the Crown of Italy. "How the devil can I guess who she is?" said the Commendatore. Commander (Italian: Commendatore, French: Commandeur, German: Komtur, Spanish: Comandante, Portuguese: Comendador), or Knight Commander, is a title of honor prevalent in chivalric order and fraternal orders. The title of Commander occurred in the medieval military orders, such as the Knights Hospitaller, for a member senior to a Knight. Variations include Knight Commander, notably in English, sometimes used to denote an even higher rank than Commander. In some orders of chivalry, Commander ranks above Commendatore definition is - a member of an Italian honorary order of chivalry who ranks next above an officer and next below a grand officer. : a member of an Italian honorary order of chivalry who ranks next above an officer and next below a grand officer. -
Family Disfunction Prime Time Real Estate Online Exclusives
arts and entertainment weekly entertainment and arts THE FINAL HIT THE END OF A MOB ERA primeprice tags time of TV’s real rich andestate famous households more family disfunction ABC’s escapades with crazy kin online exclusives Tyrone Wells in Fullerton and red carpet in Westminister, only online 2 BUZZ 04.05.07 daily.titan THE FINAL HIT pg.5 The saga of the Soprano’s is in it’s final act. In homage to the head honcho himself, The Buzz takes a look back at Tony’s best moments. PRIME TIME REAL EState pg.4 ENTERTAINMENT EDITOR Jickie Torres Ever wonder about Bree’s Wisteria lane mortgage pay- ment? What about the Cohen’s household commodity? A EXECUTIVE EDITOR new Web site estimates these TV dream homes and more. Adam Levy DIRECTOR OF ADVERTISING NOT YOUR TYPICAL FAMILY pg.4 Emily Alford ABC found a hit drama in Brothers and Sisters. The Buzz ASSISTANT DIRECTOR OF ADVERTISING catches up with its stars and its creators. Beth Stirnaman PRODUCTION Jickie Torres WHAT’S THE BUZZ p.7 ACCOUNT EXECUTIVES Read about who wow’d us and who bored us in the lastest Sarah Oak, Ailin Buguis releases in music, movies and more The Daily Titan 714.278.3373 The Buzz Editorial 714.278.5426 [email protected] Editorial Fax 714.278.4473 The Buzz Advertising 714.278.3373 [email protected] ONLINE EXCLUSIVES Advertising Fax 714.278.2702 The Buzz , a student publication, is a supplemental insert for the Cal State Fullerton Daily Titan. It is printed every Thursday. -
The God-Father Is Dead from the Corleones to the Sopranos
Master’s Degree programme (D.M. 270/2004) in European, American and Postcolonial Language and Literature Final Thesis The God-Father is Dead From the Corleones to the Sopranos Supervisor Prof.ssa Francesca Bisutti Co-Supervisor Prof.ssa Pia Masiero Graduand Lisa Benetti Matriculation Number 826568 Academic Year 2015 / 2016 1 The God-Father is Dead From the Corleones to the Sopranos Master’s Thesis European, American and Postcolonial Language and Literature Focus on American Literary Studies March 2017, Università Ca’ Foscari, Venezia Graduand: Lisa Benetti Supervisor: Francesca Bisutti Co-Supervisor: Pia Masiero 2 Table of Contents Acknowledgements ............................................................................................................3 Introduction ..........................................................................................................................4 I. The Mafia Phenomenon ..................................................................................5 1.1. Italian Mafia in the United States ......................................................................6 II. The Mafia Family ...........................................................................................11 2.1. The Godfather: An Ordinary Family Belonging to the Same Tradition .........13 2.2. Early American Experience and Family Assimilation.....................................20 2.3. The Impact of Capitalism on the Family System.............................................25 2.4. The Sopranos: Sons of Our Time.....................................................................29 -
The Sopranos ~ Green (Rev
THE SOPRANOS ~ GREEN (REV. 8/07/97) LOCATIONS INTERIOR EXTERIOR DR. MELFI' S WAITING ROOM DR. MEL SOPRANO SOPRANOHO KITCHEN SOPRANO - POOL - .FAMILYROOM STREE} - * SOPRANOHOUSE PARK,INGLOT / SOPRANOHOUSE - Tlla PORK STORE ll F . SOPRANOHOUSE - ROOM ·=~ ./ ~ucco~s VESUVIO SOPRANOHOUSE - BEDR M / ELM PARKWAY/LIVIA'SHOUSE BUCCO'S VESUVIO I BUCCO'S VESUVIO - LIVIA'S HOUSE CONSTRUCTIONSITE CHRIS' CAR STATE PARK MRI CENTER- MRI MACHINE PITCH '! ·!' PUTT THE PORK STORE. BARONESANITATION THE PORK STORE - BUTCHERING~= MANHATTAN AIRPORT AREA TOPLESS BAR L GRANAIO GREENGROVE RETIREMENT ca MARINA R CITY PAROCHIALSCHOOL IL GRANAIO CABIN CRUISER BALL COURT* CABIN CRUISER - TOP APARTMENTBEDROOM * .\ CATHEDRAL \ JUNIOR'S LINCO~ SOPRANOHOUSE - GARAGE * 1'- THE SOPRANOS GOLDENROD(REV. 8/19/97) 1 .. THE SOPRANOS FADE IN: 1 INT. DR. MELFI'S WAITINGROOM_- DAY 1 THOMAS-SOPRANO,40, sits and waits. Uneasily. Staring confusedly at a vaguely erotic Klimpt reproduction. Inner door opens. DR. JENNIFER MELFI (attractive, 35) appears. MELFI Mr. Soprano? 2 INT. DR. MELFI'S OFFICE - DAY 2 Melfi gestures Tommy to a choice of seating. * MELFI * Have a seat. * She seats herself in a facing armchair. She looks at him with a * polite, expectant gaze. He stares back, waiting. There is utter silence. Nothing happens. Such is psychotherapy. Finally.-- MELFI My understanding from your :amily physician, Dr. Cusamano, is you collapsed? Were unable to breathe? Possibly a panic attack? TOMMY They said it was a panic attack - because all the neurological work and blood came back negative. They sent me here. MELFI You don't agree you had a panic attack? He laughs -- too loud. MELFI How are you feeling now? TOMMY Now? Fine. -
The Sopranos
BLOOD IS THICKER THAN WATER AN ANALYSIS OF FAMILY, FAMIGLIA AND ITALIAN IDENTITY IN THE SOPRANOS Aantal woorden: 23.505 Han Vandepoele Studentennummer: 01506075 Promotor(en): Prof. dr. Gert Buelens Masterproef voorgelegd voor het behalen van de graad master in de Taal- en Letterkunde Engels-Zweeds Academiejaar: 2018 – 2019 ACKNOWLEDGEMENTS Writing a master thesis is no easy feat, and could certainly not have been done without the help of some wonderful individuals. First of alI I would like to take this opportunity to thank prof. dr. Gert Buelens for his guidance and patience, but most of all for giving me the freedom to discover this topic on my own pace. Furthermore I would like to thank my parents for handing me the opportunity to study, my friends for providing me with distractions when necessary, and my sister for helping me clean up that pesky table of contents. TABLE OF CONTENTS ACKNOWLEDGEMENTS ........................................................................................................................................... 2 TABLE OF CONTENTS .............................................................................................................................................. 3 LIST OF FIGURES ..................................................................................................................................................... 4 INTRODUCTION ...................................................................................................................................................... 5 PART -
Transatlantica, 2 | 2012 “Lemme Tell You a Couple of Three Things” : La Littérature Selon Les Sopranos
Transatlantica Revue d’études américaines. American Studies Journal 2 | 2012 Cartographies de l'Amérique / Histoires d'esclaves “Lemme tell you a couple of three things” : la littérature selon Les Sopranos (1999-2007) Bernard Genton Édition électronique URL : http://journals.openedition.org/transatlantica/6182 DOI : 10.4000/transatlantica.6182 ISSN : 1765-2766 Éditeur AFEA Référence électronique Bernard Genton, « “Lemme tell you a couple of three things” : la littérature selon Les Sopranos (1999-2007) », Transatlantica [En ligne], 2 | 2012, mis en ligne le 13 mai 2013, consulté le 29 avril 2021. URL : http://journals.openedition.org/transatlantica/6182 ; DOI : https://doi.org/10.4000/ transatlantica.6182 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “Lemme tell you a couple of three things” : la littérature selon Les Sopranos... 1 “Lemme tell you a couple of three things” : la littérature selon Les Sopranos (1999-2007) Bernard Genton 1 La série Les Sopranos baigne dans une atmosphère littéraire créée et entretenue par une succession de références au corpus traditionnel des œuvres enseignées dans les lycées et les premières années des universités. Il est donc intéressant d’explorer plus avant un thème qui n’a pas semblé retenir l’attention des commentateurs, à savoir celui des rapports qu’entretient et que manifeste cette série « de qualité » avec la littérature et le livre, envisagés ici comme objets culturels extérieurs au genre télévisuel, revêtus du prestige de la légitimité et de l’autorité sociale. -
In This House It's 1954: the Representation of Women In
“IN THIS HOUSE IT’S 1954: THE REPRESENTATION OF WOMEN IN THE SOPRANOS by SUSAN ALEXANDRA KAHRS (Under the Direction of Peggy J. Kreshel) ABSTRACT The Sopranos, an HBO Original Series, is one of the most popular programs on television. This thesis will examine the representations of women in The Sopranos. Grounded in cultural studies, feminist theory, and feminist media studies, this research was based on a number of assumptions. First among these is the belief that meaning is socially constructed and never fixed, but constantly produced and reproduced. Second, culture can only be understood in relation to issues of power. Third, popular culture is a site of struggle, and fourth, that it is essential to understand how media help shape the values, norms, and beliefs that reinforce gender inequities. Finally, research is a political act. A textual analysis of seasons 1 and 4 uncovered how patriarchy is the dominant ideology on the show. The Sopranos presents a rigid, regressive form of patriarchy where traditional roles, including the mother figure, were fractured and dysfunctional. INDEX WORDS: Patriarchy, Gender roles, Cultural studies, Feminism, Feminist theory, Circuit of Culture. “IN THIS HOUSE IT’S 1954:” THE REPRESENTATION OF WOMEN IN THE SOPRANOS by SUSAN ALEXANDRA KAHRS B.A., Erskine College, 2000 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Susan Alexandra Kahrs All Rights Reserved “IN THIS HOUSE IT’S 1954:” THE REPRESENTATION OF WOMEN IN THE SOPRANOS by SUSAN ALEXANDRA KAHRS Major Professor: Peggy J. -
REPRESENTING 9/11 in the SOPRANOS a Thesis by VITO V
“SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS A Thesis by VITO V. PETRUZZELLI Submitted to the Cratis D. Williams School of Graduate Studies Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2015 Department of English “SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS A Thesis by VITO V. PETRUZZELLI December 2015 APPROVED BY: Craig Fischer, Ph.D. Chairperson, Thesis Committee Germán Campos-Muñoz, Ph.D. Member, Thesis Committee Başak Çandar, Ph.D. Member, Thesis Committee Carl Eby, Ph.D. Chairperson, Department of English Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Vito V. Petruzzelli 2015 All Rights Reserved Abstract “SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS Vito V. Petruzzelli B.A., Rutgers University M.A., Appalachian State University Chairperson: Craig Fischer Broadly definable as an interdisciplinary study of televisual texts, literature, and history, this thesis analyses David Chase’s The Sopranos (1999-2007) and its engagement of the September 11, 2001 terror attacks. Tracing the show’s narrative and aesthetic roots to its pilot episode, I explore how narrative and aesthetic elements contained in 9/11 television newscasts elicited both an alteration and an exaggeration of the show’s structural and symbolic elements. Furthermore, I illustrate the impact of televisual mediation on the act of viewership, demonstrating the manner in which The Sopranos and 9/11 newscasts employed authoritative narrative perspectives as a means of disseminating vital information to viewers. Methodologically, I employ a narratological approach to show through close textual analysis how elements of location and sequential ordering inform the creation of unique story worlds, and how these story worlds operate symbiotically with viewers in creating meanings beyond the texts.