Reading Group Discussion Questions – Gone Girl
1. Do you like Nick or Amy? Did you find yourself picking a side? Do you think the author intends for us to like them? Why or why not?
2. Does the author intend for us to think of Nick or Amy as the stronger writer? Do you perceive one or the other as a stronger writer, based on their narration/journal entries? Why?
3. Do you think Amy and Nick both believe in their marriage at the outset
4. Nick, ever conscious of the way he is being perceived, reflects on the images that people choose to portray in the world—constructed, sometimes plagiarized roles that we present as our personalities. Discuss the ways in which the characters—and their opinions of each other—are influenced by our culture’s avid consumption of TV shows, movies, and websites, and our need to fit each other into these roles.
5. Discuss Amy’s false diary, both as a narrative strategy by the author and as a device used by the character. How does the author use it to best effect? How does Amy use it?
6. What do you make of Nick’s seeming paranoia on the day of his fifth anniversary, when he wakes with a start and reports feeling, You have been seen
7. As experienced consumers of true crime and tragedy, modern “audiences” tend to expect each crime to fit a specific mold: a story, a villain, a heroine. How does this phenomenon influence the way we judge news stories? Does it have an impact on the criminal justice system? Consider the example of the North Carthage police, and also Tanner Bolt’s ongoing advice to Nick.
8. What is Go’s role in the book? Why do you think the author wrote her as Nick’s twin? Is she a likable character?
9. Discuss Amy’s description of the enduring myth of the “cool girl”—and her conviction that a male counterpart (seemingly flawless to women) does not exist. Do you agree? Why does she assume the role if she seems to despise it? What benefit do you think she derives from the act?
10. Is there some truth to Amy’s description of the “dancing monkeys”—her friends’ hapless partners who are forced to make sacrifices and perform “sweet” gestures to prove their love? How is this a counterpoint to the “cool girl”?
11. What do you think of Marybeth and Rand Elliott? Is the image they present sincere? What do you think they believe about Amy?
12. How does the book deal with the divide between perception and reality, or between public image and private lives? Which characters are most skillful at navigating this divide, and how? Gillian Flynn was born in Kansas City, Missouri to two community-college professors—her mother taught reading; her father, film. Thus she spent an inordinate amount of her youth nosing through books and watching movies. She has happy memories of having A Wrinkle in Time pried from her hands at the dinner table, and also of seeing Alien, Psycho and Bonnie and Clyde at a questionable age (like, seven). It was a good childhood.
In high-school, she worked strange jobs that required her to do things like wrap and unwrap hams, or dress up as a giant yoghurt cone. A yoghurt cone who wore a tuxedo. Why the tuxedo? It was a question that would haunt her for years.
For college, she headed to the University of Kansas (go Jayhawks), where she received her undergraduate degrees in English and journalism.
After a two-year stint writing about human resources for a trade magazine in California, Flynn moved to Chicago. There she earned her master’s degree in journalism from Northwestern University and discovered that she was way too wimpy to make it as a crime reporter.
On the other hand, she was a movie geek with a journalism degree—so she moved to New York City and joined Entertainment Weekly magazine, where she wrote happily for 10 years, visiting film sets around the world (to New Zealand for The Lord of the Rings, to Prague for The Brothers Grimm, to somewhere off the highway in Florida for Jackass: The Movie). During her last four years at EW, Flynn was the TV critic (all-time best TV show: The Wire).
Flynn’s 2006 debut novel, the literary mystery Sharp Objects, was an Edgar Award finalist and the winner of two of Britain’s Dagger Awards—the first book ever to win multiple Daggers in one year. Movie rights have been sold.
Flynn’s second novel, the 2009 New York Times bestseller Dark Places, was a New Yorker Reviewers’ Favorite, Weekend TODAY Top Summer Read, Publishers Weekly Best Book of 2009, and Chicago Tribune Favorite Fiction choice. Movie rights have been sold, with Gilles Paquet-Brenner (Sarah’s Key) to direct.
Flynn’s third novel, GONE GIRL, is out June 2012 and you should stop reading this now and buy it immediately.
Flynn’s work has been published in twenty-eight countries. She lives in Chicago with her husband, Brett Nolan, their son, and a giant black cat named Roy. In theory she is working on her next novel. In reality she is possibly playing Ms. Pac-Man in her basement lair.