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Gone Girl : a Novel / Gillian Flynn
ALSO BY GILLIAN FLYNN Dark Places Sharp Objects This author is available for select readings and lectures. To inquire about a possible appearance, please contact the Random House Speakers Bureau at [email protected] or (212) 572-2013. http://www.rhspeakers.com/ This book is a work of ction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used ctitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Copyright © 2012 by Gillian Flynn Excerpt from “Dark Places” copyright © 2009 by Gillian Flynn Excerpt from “Sharp Objects” copyright © 2006 by Gillian Flynn All rights reserved. Published in the United States by Crown Publishers, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York. www.crownpublishing.com CROWN and the Crown colophon are registered trademarks of Random House, Inc. Library of Congress Cataloging-in-Publication Data Flynn, Gillian, 1971– Gone girl : a novel / Gillian Flynn. p. cm. 1. Husbands—Fiction. 2. Married people—Fiction. 3. Wives—Crimes against—Fiction. I. Title. PS3606.L935G66 2012 813’.6—dc23 2011041525 eISBN: 978-0-307-58838-8 JACKET DESIGN BY DARREN HAGGAR JACKET PHOTOGRAPH BY BERND OTT v3.1_r5 To Brett: light of my life, senior and Flynn: light of my life, junior Love is the world’s innite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnicent rose smelling faintly of blood. -
Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
La Técnica Publicitaria Del Product Placement Aplicada Al Género Cinemátográfico De Suspense
LA TÉCNICA PUBLICITARIA DEL PRODUCT PLACEMENT APLICADA AL GÉNERO CINEMÁTOGRÁFICO DE SUSPENSE. CASO DE ESTUDIO: DAVID FINCHER Grado en Publicidad y Relaciones Públicas Curso 2020 – 2021 María Blanco Torres TRABAJO FIN DE GRADO LA TÉCNICA PUBLICITARIA DEL PRODUCT PLACEMENT APLICADA AL GÉNERO CINEMÁTOGRÁFICO DE SUSPENSE. CASO DE ESTUDIO: DAVID FINCHER Alejandro Buitrago Alonso Segovia, febrero 2021 1 Resumen: En este trabajo de fin de grado se ha realizado un análisis exhaustivo del uso de la técnica del product placement dentro de la filmografía del cineasta David Fincher, concretamente centrándose en su obra asociada al género de suspense. Una vez fijado el objetivo, los motivos por los que se ha elegido este tema y este objeto de estudio son, por una parte, el interés personal acerca de la utilización de esta técnica en el mundo cinematográfico y por otra, la capacidad narrativa de dicho director. Además, Fincher logra emplazar la publicidad de una manera tan sutil que en ocasiones pasa desapercibida. Para esta investigación, primero se ha llevado a cabo una aproximación teórica donde se han recogido los conceptos principales. En este caso han sido el origen del product placement y su importancia, además de su uso y los tipos de emplazamientos que se pueden emplear, y por otro lado se ha analizado la figura de David Fincher, desde sus inicios en la industria cinematográfica hasta sus últimos trabajos, examinando también su cine y su técnica narrativa. Después se ha escogido la metodología de la investigación, que se basa en un análisis exhaustivo de las cinco películas de su filmografía pertenecientes a la categoría de suspense. -
Female Anti-Heroes in Contemporary Literature, Film, and Television Sara A
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2016 Female Anti-Heroes in Contemporary Literature, Film, and Television Sara A. Amato Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Amato, Sara A., "Female Anti-Heroes in Contemporary Literature, Film, and Television" (2016). Masters Theses. 2481. https://thekeep.eiu.edu/theses/2481 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� f.AsTE�ILLINOIS UNIVERSITY" Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, andDistribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis. • The graduate candidate retains the copyright and intellectual property rights associated with the original research, creative activity, and intellectual or artistic content of the thesis. -
Download the Gone Girl Screenplay PDF for Personal, Private
SCRIPT TITLE Written by Name of First Writer Based on, If Any Address Phone Number BLACK SCREEN NICK (V.O.) When I think of my wife, I always think of her head. FADE IN: INT. BEDROOM-SOMETIME We see the back of AMY DUNNE’S HEAD, resting on a pillow. NICK (V.O.) I picture cracking her lovely skull, unspooling her brain, Nick runs his fingers into Amy’s hair. NICK (V.O.) Trying to get answers. He twirls and twirls a lock, a screw tightening. NICK (V.O.) The primal questions of a marriage: What are you thinking? How are you feeling? What have we done to each other? AMY wakes, turns, gives a look of anger...or alarm. NICK (V.O.) What will we do? BLACK SCREEN EXT. CARTHAGE - MORNING The sun rises on the small town of Carthage, Missouri. We see in flashes: A giant decrepit MEGAMALL, boarded up, a series of downtown buildings with CLOSED or FOR SALE signs. A carved marble entry—reading FOREST GLEN—ushers us into a ruined HOUSING DEVELOPMENT. The majority of McMansions are empty. FORECLOSED, FOR SALE signs everywhere. The place has an almost bucolic air: swaying grasses, stray wildlife. EXT.- NICK DUNNE’S BACKYARD - DAWN TITLE CARD: THE MORNING OF 2. Nick Dunne, 30s, handsome, is watching bits of trash float along the Mississippi River; a McMansion behind him. His yard is the only one mowed—all around him wilderness encroaches. The SUN rises over the treeline and blares its FIRST-DEGREE SPOTLIGHT in his face. He looks, fearful, ill. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Taylor Muller Honors Thesis
CONTEMPORARY REPRESENTATIONS OF MARRIAGE IN LITERATURE AND POP CULTURE by Taylor Muller Submitted in partial fulfillment of the requirements for Departmental Honors in the Department of English Texas Christian University Fort Worth, Texas May 2, 2014 ii CONTEMPORARY REPRESENTATIONS OF MARRIAGE IN LITERATURE AND POP CULTURE Project Approved: Supervising Professor: Ariane Balizet, Ph.D. Department of English Carrie Leverenz, Ph.D. Department of English Sharon Fairchild, Ph.D. Department of Modern Language Studies iii ABSTRACT This research examines the representations of marriage in the novels The Marriage Plot and Gone Girl, reality television shows including Say Yes to the Dress, Four Weddings, and The Bachelor, and social media websites such as Pinterest. The analysis focuses on how these contemporary representations demonstrate normative gender roles, and what claims they make about marriage today. Several patterns emerged when using in particular the theories of Judith Butler and Frances Dolan as a framework for understanding the portrayals of marriage. The depictions of marriage included individuals adopting some sort of role-performance, often gender specific, and reiterated the conflict for power in marriage between the two parties. These were magnified in the dramatization of real life, such as reality television shows, and frequently reiterated traditional understandings of marriage within a modern context. iv TABLE OF CONTENTS INTRODUCTION...............................................................................................................1 -
How Mark Zuckerberg Turned Facebook Into the Web's Hottest Platform by Fred Vogelstein 09.06.07 He Didn't Have Much Choice but to Sell
1 COLUMBIA PICTURES Presenta in Associazione con RELATIVITY MEDIA una Produzione SCOTT RUDIN, MICHAEL DE LUCA, TRIGGER STREET un film di DAVID FINCHER (id.) JESSE EISENBERG ANDREW GARFIELD JUSTIN TIMBERLAKE ARMIE HAMMER MAX MINGHELLA Musiche di TRENT REZNOR & ATTICUS ROSS Costumi di JACQUELINE WEST Montaggio di ANGUS WALL, KIRK BAXTER Scenografie di DONALD GRAHAM BURT Direttore della fotografia JEFF CRONENWETH Executive Producers KEVIN SPACEY Tratto dal libro “The Accidental Billionaires” di BEN MEZRICH Sceneggiatura di AARON SORKIN Prodotto da SCOTT RUDIN, DANA BRUNETTI, MICHAEL DE LUCA, CEÁN CHAFFAIN Regia di DAVID FINCHER Data di uscita: 12 novembre 2010 Durata: 120 minuti sonypictures.it Distribuito da Sony Pictures Releasing Italia 2 CARTELLO DOPPIATORI - THE SOCIAL NETWORK UFFICIO STAMPA Cristiana Caimmi Dialoghi Italiani Valerio Piccolo Direzione del Doppiaggio Alessandro Rossi Voci MARK ZUCKERBERG – Davide Perino EDUARDO SAVERIN – Lorenzo de Angelis SEAN PARKER – Gabriele Lopez CAMERON e TYLER WINKEL VOSS – Marco Vivio DIVYA NARENDRA – Gianfranco Miranda ARICA ALBRIGHT – Chiara Gioncardi Fonico di Mix Alessandro Checcacci Fonico di Doppiaggio Stefano Sala Assistente al Doppiaggio Silvia Alpi Doppiaggio eseguito presso CDC SEFIT GROUP 3 Note di Produzione Ogni epoca ha i suoi visionari, che sulla scia del loro genio, lasciano un mondo cambiato. Ma tutto ciò raramente avviene senza che ci siano contrasti. Nel film The Social Network, il regista David Fincher e lo sceneggiatore Aaron Sorkin raccontano il momento in cui è stato creato Facebook, il fenomeno sociale più rivoluzionario del nuovo secolo, attraverso lo scontro di alcuni giovani brillanti che affermano di aver preso ognuno parte alla nascita del progetto. Il risultato è il racconto di un dramma che alterna la creatività alla distruzione, in cui non c'è un solo punto di vista ma un duello narrativo che rispecchia perfettamente la realtà delle relazioni sociali dei nostri giorni. -
Personality Disorder of Amy Dunne in Gone Girl by Gillian Flynn
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PERSONALITY DISORDER OF AMY DUNNE IN GONE GIRL BY GILLIAN FLYNN AN UNDERGRADUATE THESIS Presented as Partial Fullfilment of the Requirements For the Degree of Sarjana Sastra in English Letters By PATRICIA NADIA RAHMA PRATIWI Student Number: 144214075 DEPARTEMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2019 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PERSONALITY DISORDER OF AMY DUNNE IN GONE GIRL BY GILLIAN FLYNN AN UNDERGRADUATE THESIS Presented as Partial Fullfilment of the Requirements For the Degree of Sarjana Sastra in English Letters By PATRICIA NADIA RAHMA PRATIWI Student Number: 144214075 DEPARTEMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2019 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI GOOD THINGS TAKE TIME vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI This page is dedicated for: MY FATHER IN HEAVEN, MY LOVELY MOTHER, AND MY BIG SISTER. viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS First of all, I would like to express my gratitude towards Jesus Christ for His grace and endless blessings so that I could finish my undergraduate thesis. For so many things that I have faced make me even stronger. Second of all, I would like to say thank you to my thesis advisor, Dr. Ga- briel Fajar Sasmita Aji M.Hum., who patiently help me to finish this undergradu- ate thesis and also always give the positive vibes and the spirit. I would like to thank my co-advisor, Sri Mulyani, Ph,D. -
Osher at JHU Course Catalog Baltimore/Columbia Fall 2021
Osher at JHU COURSE SCHEDULE Baltimore/Columbia Fall 2021 Dedicated to lifelong learning, the Osher at JHU program was created in 1986 with a mission of enhancing the leisure time of semi-retired and retired individuals by providing stimulating learning experiences and the opportunity for new friendships. The Osher at JHU program builds on the rich resources of an internationally renowned university to offer members an array of educational and social opportunities, including the following: • Courses and discussion groups • Access to the university library system • Field trips to cultural events • Preferred participation in university-sponsored events Fall 2021 courses will be offered online via Zoom. When in-person programs resume, they will be offered at two convenient locations. On Tuesdays and Thursdays, courses are conducted at the Grace United Methodist Church, 5407 North Charles Street, Baltimore, Maryland 21210. On Mondays and Wednesdays, courses are conducted at the First Presbyterian Church of Howard County, 9325 Presbyterian Circle, Columbia, MD 21045. For additional information on membership, please call the program’s administrative office at 607-208-8693. Osher at JHU Home Page COLUMBIA Monday MORNING SESSION From Tribes to Monarchy: The Book of Judges The Book of Judges, the seventh (out of 24) book of the Hebrew Bible, describes the transition time between the conquest of Canaan (the Book of Joshua) and the beginning of monarchy (in the early Book of I Samuel). In the interim, warriors who were called Judges emerged as the leaders when needed. In the book of Judges, one finds the first attempt to explain history through Deuteronomist glasses, and therefore this and the rest of the history books are assumed to be written by “the Deuteronomic Historians.” Some stories are very short while others are long with many details. -
EDWARD D. MORRISON Hair Dept
EDWARD D. MORRISON Hair Dept. Head/ Hair Stylist IATSE local #706 www.edwarddmorrison.com Edward Morrison hails from Compton, California. He graduated from Flavio Beauty College with a degree in Cosmetology. He also studied at: International Hair, an academy specializing in wigs, falls and hair extensions; Goldwell Advanced Hair Color, concentrating in color techniques; and UCLA Extension Program, focusing on theatrical and prosthetic Makeup. As Journeyman Hair Stylist, Edward has been the Personal Hair Stylist for award winning artists including Angela Bassett, Jada Pinkett-Smith, Holly Hunter, Matt Damon, Nicole Kidman, Iman and more. In addition to the above talents, Mr. Morrison’s other credits include Producer, Contractor and Interior and Exterior Design. Edward’s future vision is to collaborate with local lenders to empower disenfranchised communities with practical tools to utilize in the entertainment and design industries. In his spare time, Edward enjoys traveling, tennis, cycling and spending time with his dog Grace. Edward is Los Angeles based and happy to travel if needed. Television as Department Head (unless otherwise noted): Production Director/ Producer /Production Company HUNTERS (Season 2) Various / Jordan Peele, David Rosen / Amazon BLACK MONDAY (Seasons 1 - 3, Don Cheadle, Regina Hall) Various / Seth Rogen, Evan Goldberg / Showtime LOVECRAFT COUNTRY (Pilot) Yann Demange / J.J. Abrams / Bad Robot / HBO HERE AND NOW (Lone season, Holly Hunter & Tim Robbins) Various / Alan Ball, David Knoller / HBO ROSEWOOD (One Season, -
BACHELORARBEIT Verblendung
BACHELORARBEIT Herr Gerrit Magnus Beduhn Verblendung - ein Fincher-Thriller? David Finchers Kino zwischen Genre und Autorenfilm 2016 Fakultät: Medien BACHELORARBEIT Verblendung - ein Fincher-Thriller? David Finchers Kino zwischen Genre und Autorenfilm Autor: Gerrit Magnus Beduhn Studiengang: Film und Fernsehen, Regie Seminargruppe: FF12wR3-B Erstprüfer: Prof. Dr. Detlef Gwosc Zweitprüfer: Christian Maintz, M. A. Einreichung: Ort, Datum Faculty of Media BACHELOR THESIS The Girl with the Dragon Tattoo - a Fincher thriller? The cinema of David Fincher in between genre and auteur film author: Gerrit Magnus Beduhn course of studies: Film director seminar group: FF12wR3-B first examiner: Prof. Dr. Detlef Gwosc second examiner: Christian Maintz, M. A. I Bibliografische Angaben Nachname, Vorname: Beduhn, Gerrit Magnus Verblendung - ein Fincher-Thriller? David Finchers Kino zwischen Genre und Autorenfilm The Girl with the Dragon Tattoo - a Fincher thriller? The cinema of David Fincher in between genre and auteur film 84 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2016 Abstract Im Rahmen dieser Arbeit wird der Thriller Verblendung (2011) analysiert und mit dem Schaffen des Regisseurs David Fincher in Beziehung gesetzt. Ziel ist es darzustellen, ob es sich bei Verblendung um einen typischen "Fincher-Thriller" handelt. Einer Be- schreibung der theoretischen Grundlage zur Geschichte des Thrillers und dessen Merkmalen folgt eine Vertiefung zum Film noir sowie dem Neo Noir. Aufbauend darauf wird zur