Gavin Macarthur Focus Puller CV 2020
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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
Diapositive 1
From Body-space to Technospace: The Virtualization of Urban Experience in Music Videos Christophe Den Tandt Université Libre de Bruxelles Postcolonialism and Postmodernity Research Group January 2010 Music videos: expanding the realm of performance . Music videos transport performers “out of a musical context—into the everyday (the street, the home) [or] into the fantastic (the dream, the wilderness)” (Simon Frith, Performing Rites: On the Value of Popular Music, 1996, p. 225) The Cardigans: “For What It’s Worth” Placebo: “The Bitter End” The New Radicals. “You Get What You Give” Music videos: expanding the realm of performance Into the streets: Dancing in the streets (carnivalesque appropriation) Roaming the streets (alienated subjects in the asphalt Jungle) Dancing in the virtual streets (exploring virtualized urban space) Dancing in the streets Lavigne, Avril. “Sk8ter Boy.” Music video. Dir. Francis Lawrence. 2002. Dancing in the streets Appropriation of urban space Generational solidarity Subcultural channels Carnivalesque empowerment Roaming the streets Avril Lavigne: “I’m With You” Faithless: “Insomnia.” Dir. Lindy Heymann. (1996). Placebo: “The Bitter End” John Huston’s The Asphalt Jungle (1950) Dancing in the virtual streets The Red Hot Chili Peppers. Californication. Music video. Dirs. Jonathan Dayton and Valerie Faris. 2000. Dancing in the virtual streets Postmodern pastiche Computer graphics / virtual reality Cf. Cyberpunk SF: William Gibson’s Neuromancer (1984); Virtual Light (1993); Andy and Larry Wachowski. The Matrix. 1998 Jean Baudrillard. Simulation and Simulacra ? Body-space vs. technospace How can videos map the issues involved in the virtualization of urban experience? Music videos = performing artists transposed out of customary performance space to new locales Performance, agency (body-space) defined with regard to the technologies of the informational megalopolis (techno-space). -
MORGAN KENNEDY Production Designer
MORGAN KENNEDY Production Designer COMMERCIALS (partial list) Ford, *Ikea, Coca Cola, McDonald’s, Beats, Vodafone, Yves Saint Laurent, Philips, Kit Kat, Jagermeister, Nikon, Malibu, Orange, KVIFF, Suzuki, Hugo Boss, Davidoff, Google Chrome, O2, Orbis, Schwarma, Johnny Walker, HP, Pot Noodle, Bud Ice, Sainsbury’s, Boots, Adidas, Rimmel, Freesat, Activia, 3 Mobile, Samsung, Halifax, Deichmann Shoes, Heineken, AMD, Sudafed, British Gas, ESP, Baileys, Green Giant, Chivas Regal, H&M, Carmignac, Hugo Boss, Nike, Volvo, Head & Shoulders, Crunchy Nut, Capital FM, Kellogg’s, Cinzano, Grazia, Daygum, Dove, EA Games, TJ Maxx, Special K, Grancereale, Kronenbourg, Telefonia, Olay, Nintendo, Daks, RSPCA, Cadbury’s, WH Smith *2013 British Arrow Craft Awards Nomination – Best Production Design MUSIC VIDEOS (partial list) *Dua Lipa, Taylor Swift, 50 Cent & Justin Timberlake, Muse, Oasis, The Kooks, Alesha Dixon, Take That, Snow Patrol, **Biffy Clyro, Pete Doherty, Glas Vegas, Kasabian, Imogen Heap, Guillemots, Il Divo, Kings of Leon, Shania Twain, The Streets, Sugababes, Lucia Silvas, Funeral for a Friend, Candice, Agent Provocateur *2017 UK Music Video Awards Nomination – Best Pop Video “IDGAF” **2010 NME Awards Winner – Best Music Video “Captain” DIRECTORS (partial list) Chris Applebaum, Arni & Kinski, Casper Balslev, Katie Bell, Ben & Joe, Steve Bendelack, Big TV!, Sarah Chatflied, Simon Cole, Patrick Daughters, Es Devlin, Eden Diebel, Sara Dunlop, Steve Dunn, Sean Ellis, Zac Emerson, Scott, Fatima, Luke Forsythe, Romain Gavras, Paul Gore, Ben Gregor, -
La Técnica Publicitaria Del Product Placement Aplicada Al Género Cinemátográfico De Suspense
LA TÉCNICA PUBLICITARIA DEL PRODUCT PLACEMENT APLICADA AL GÉNERO CINEMÁTOGRÁFICO DE SUSPENSE. CASO DE ESTUDIO: DAVID FINCHER Grado en Publicidad y Relaciones Públicas Curso 2020 – 2021 María Blanco Torres TRABAJO FIN DE GRADO LA TÉCNICA PUBLICITARIA DEL PRODUCT PLACEMENT APLICADA AL GÉNERO CINEMÁTOGRÁFICO DE SUSPENSE. CASO DE ESTUDIO: DAVID FINCHER Alejandro Buitrago Alonso Segovia, febrero 2021 1 Resumen: En este trabajo de fin de grado se ha realizado un análisis exhaustivo del uso de la técnica del product placement dentro de la filmografía del cineasta David Fincher, concretamente centrándose en su obra asociada al género de suspense. Una vez fijado el objetivo, los motivos por los que se ha elegido este tema y este objeto de estudio son, por una parte, el interés personal acerca de la utilización de esta técnica en el mundo cinematográfico y por otra, la capacidad narrativa de dicho director. Además, Fincher logra emplazar la publicidad de una manera tan sutil que en ocasiones pasa desapercibida. Para esta investigación, primero se ha llevado a cabo una aproximación teórica donde se han recogido los conceptos principales. En este caso han sido el origen del product placement y su importancia, además de su uso y los tipos de emplazamientos que se pueden emplear, y por otro lado se ha analizado la figura de David Fincher, desde sus inicios en la industria cinematográfica hasta sus últimos trabajos, examinando también su cine y su técnica narrativa. Después se ha escogido la metodología de la investigación, que se basa en un análisis exhaustivo de las cinco películas de su filmografía pertenecientes a la categoría de suspense. -
Maital Sabban Make-Up Artist
6356 W. 6th Street • Los Angeles, CA 90048 • Phone 323.935.8455 • Fax 323.935.3143 MAITAL SABBAN MAKE-UP ARTIST DIRECTORS & PHOTOGRAPHERS: Alberto Tolot David La Chapelle Kevin Kerslake Allan Fis David Steinberg Kieran Walsh Anastacia & Ian David Tsay Kinka Usher Andrew McPherson Davis Factor Larson & Talbert Andrew Southam Dick Buckley Lauren Greenfield Andy Morahan Dominique Guillemont Lita Wilson Angela Alvarado Rosa Eika Aoshima Lorenzo Agius Angelina Venturella Emily Shur Mark Anderson Anghel Decca Fatima Mark Seliger Annie Leibovitz Francis Lawrence Martin Scholler Anouk Besson Frank Samuels Mary Ellen Mark Anthea Benton Gavin Bond Matthew Rolston Anthony Mandler Geoff Moore Meirt Avis Arnold Turner Giuliano Bekor Memo del Bosque Art Streiber Graham Michael Martin Blake Little Gustavo Garzon Michael Muller Bob Giraldi Helmut Newton Michel Gondry Brian Bowen Smith Henman Mike Ruiz Cam Archer Herb Ritts Miranda Penn Turin Carl Rinsch Jack Guy Moshe Brakha Charles Jensen James Houston Nancy Bardawil Chris Applebaum Jeff Berlin Nigel Dick Chris Floyd Jeff Katz Noriyuki Tanaka Chris Fortuna Jeff Lipsky Norman Jean Roy Chris McPherson Jeremy Goldberg Omar Cruz Christopher Beyer Jerry Avenaim Pablo Alfaro Christy Bush Jim Gable Patrick Anderson Craid De Cristo Jim Wright Patrick Demarchelier Craig Cutler John Russo Paul Hunter Danny Ducovny Joseph Kahn Randall Mesdon David Hogan Joseph Murray Randee St. Nicholas David Kellogg Joseph Pluchino Rankin 6356 W. 6th Street • Los Angeles, CA 90048 • Phone 323.935.8455 • Fax 323.935.3143 MAITAL SABBAN MAKE-UP ARTIST (CONT’D.) DIRECTORS & PHOTOGRAPHERS (CONT’D.): Rent Sidon Stephan Kyndt Tom Gatsoulis Richard McLaren Steve Ramser Tony Duran Robert Ascroft Steve Shaw Traktor Robert Fleischauer Steven Lippman Wayne Isham Robert Rodriguez Steven Ziegler Walter Iooss Roger Erickson Stylewar Willie Maldonado Sheryl Nield The Malloy Bros. -
AXS TV Canada Schedule for Mon. September 28, 2015 to Sun
AXS TV Canada Schedule for Mon. September 28, 2015 to Sun. October 4, 2015 Monday September 28, 2015 6:30 PM ET / 3:30 PM PT 8:00 AM ET / 5:00 AM PT I’ll Do Anything Jackson Browne Live In Concert The Big Interview Jackson Browne has written and performed some of the most literate and moving songs in Frankie Valli - Frankie Valli, the man responsible for dozens of hits as the lead singer for the Four popular music and has defined a genre of songwriting charged with honesty, emotion and Seasons, sits down with Dan Rather. personal politics. For this intimate acoustic performance, playing both guitar and piano, Jackson will perform songs from his entire body of work. From the dazzling Paramount Theatre in 9:00 AM ET / 6:00 AM PT Denver, join Jackson Browne for a once in a lifetime event. The Big Interview Paul Haggis - Academy Award winning writer, producer and director Paul Haggis discusses his 7:45 PM ET / 4:45 PM PT break from the Church of Scientology. KT Tunstall With a powerful voice and a bit of an edge, KT Tunstall has won fans, awards and nominations 10:00 AM ET / 7:00 AM PT since her debut album in 2004. KT mixes blues, country and a little rock in this special perfor- Alps From Above mance. Catch the ever popular “Black Horse and the Cherry Tree” as well as “Suddenly I See” and Luscious Pastures - As the helicopter leaves the Allgau region, take in breathtaking views of wa- “Under the Weather”. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Billboard-1987-11-21.Pdf
ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. -
How Mark Zuckerberg Turned Facebook Into the Web's Hottest Platform by Fred Vogelstein 09.06.07 He Didn't Have Much Choice but to Sell
1 COLUMBIA PICTURES Presenta in Associazione con RELATIVITY MEDIA una Produzione SCOTT RUDIN, MICHAEL DE LUCA, TRIGGER STREET un film di DAVID FINCHER (id.) JESSE EISENBERG ANDREW GARFIELD JUSTIN TIMBERLAKE ARMIE HAMMER MAX MINGHELLA Musiche di TRENT REZNOR & ATTICUS ROSS Costumi di JACQUELINE WEST Montaggio di ANGUS WALL, KIRK BAXTER Scenografie di DONALD GRAHAM BURT Direttore della fotografia JEFF CRONENWETH Executive Producers KEVIN SPACEY Tratto dal libro “The Accidental Billionaires” di BEN MEZRICH Sceneggiatura di AARON SORKIN Prodotto da SCOTT RUDIN, DANA BRUNETTI, MICHAEL DE LUCA, CEÁN CHAFFAIN Regia di DAVID FINCHER Data di uscita: 12 novembre 2010 Durata: 120 minuti sonypictures.it Distribuito da Sony Pictures Releasing Italia 2 CARTELLO DOPPIATORI - THE SOCIAL NETWORK UFFICIO STAMPA Cristiana Caimmi Dialoghi Italiani Valerio Piccolo Direzione del Doppiaggio Alessandro Rossi Voci MARK ZUCKERBERG – Davide Perino EDUARDO SAVERIN – Lorenzo de Angelis SEAN PARKER – Gabriele Lopez CAMERON e TYLER WINKEL VOSS – Marco Vivio DIVYA NARENDRA – Gianfranco Miranda ARICA ALBRIGHT – Chiara Gioncardi Fonico di Mix Alessandro Checcacci Fonico di Doppiaggio Stefano Sala Assistente al Doppiaggio Silvia Alpi Doppiaggio eseguito presso CDC SEFIT GROUP 3 Note di Produzione Ogni epoca ha i suoi visionari, che sulla scia del loro genio, lasciano un mondo cambiato. Ma tutto ciò raramente avviene senza che ci siano contrasti. Nel film The Social Network, il regista David Fincher e lo sceneggiatore Aaron Sorkin raccontano il momento in cui è stato creato Facebook, il fenomeno sociale più rivoluzionario del nuovo secolo, attraverso lo scontro di alcuni giovani brillanti che affermano di aver preso ognuno parte alla nascita del progetto. Il risultato è il racconto di un dramma che alterna la creatività alla distruzione, in cui non c'è un solo punto di vista ma un duello narrativo che rispecchia perfettamente la realtà delle relazioni sociali dei nostri giorni. -
AXS TV Canada Schedule for Mon. March 20, 2017 to Sun. March 26, 2017
AXS TV Canada Schedule for Mon. March 20, 2017 to Sun. March 26, 2017 Monday March 20, 2017 6:10 PM ET / 3:10 PM PT 8:00 AM ET / 5:00 AM PT Rock Legends Nothing But Videos Billy Idol - English rock musician, Billy Idol first achieved fame in the punk rock era as a member Nothing But Videos is a collection of some of the biggest artists today. Catch some of the best of the band Generation X as well as creating a successful name for himself as a solo artist. Using music videos during this special presentation. interviews, news archive and performance this episode reveals the unique aspect of this iconic artist. 8:30 AM ET / 5:30 AM PT The Big Interview 7:00 PM ET / 4:00 PM PT Oliver Stone - Dan Rather sits down with Academy Award winning director Oliver Stone. From his Nothing But Trailers service in Vietnam, to his brief time behind bars in an American prison, Stone talks about how Sometimes the best part of the movie is the preview! So AXS TV presents Nothing But Trailers. his personal experiences shaped his legendary film making career. See the best trailers, old and new, in AXS TV’s collection. 9:30 AM ET / 6:30 AM PT 9:00 PM ET / 6:00 PM PT The Big Interview The Musical Mojo Of Dr. John - Celebrating Mac & His Music Gregg Allman - A conversation with the music legend known as one of the architects of southern Equal parts musician, singer, songwriter, hustler, and shaman, Dr. -
BACHELORARBEIT Verblendung
BACHELORARBEIT Herr Gerrit Magnus Beduhn Verblendung - ein Fincher-Thriller? David Finchers Kino zwischen Genre und Autorenfilm 2016 Fakultät: Medien BACHELORARBEIT Verblendung - ein Fincher-Thriller? David Finchers Kino zwischen Genre und Autorenfilm Autor: Gerrit Magnus Beduhn Studiengang: Film und Fernsehen, Regie Seminargruppe: FF12wR3-B Erstprüfer: Prof. Dr. Detlef Gwosc Zweitprüfer: Christian Maintz, M. A. Einreichung: Ort, Datum Faculty of Media BACHELOR THESIS The Girl with the Dragon Tattoo - a Fincher thriller? The cinema of David Fincher in between genre and auteur film author: Gerrit Magnus Beduhn course of studies: Film director seminar group: FF12wR3-B first examiner: Prof. Dr. Detlef Gwosc second examiner: Christian Maintz, M. A. I Bibliografische Angaben Nachname, Vorname: Beduhn, Gerrit Magnus Verblendung - ein Fincher-Thriller? David Finchers Kino zwischen Genre und Autorenfilm The Girl with the Dragon Tattoo - a Fincher thriller? The cinema of David Fincher in between genre and auteur film 84 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2016 Abstract Im Rahmen dieser Arbeit wird der Thriller Verblendung (2011) analysiert und mit dem Schaffen des Regisseurs David Fincher in Beziehung gesetzt. Ziel ist es darzustellen, ob es sich bei Verblendung um einen typischen "Fincher-Thriller" handelt. Einer Be- schreibung der theoretischen Grundlage zur Geschichte des Thrillers und dessen Merkmalen folgt eine Vertiefung zum Film noir sowie dem Neo Noir. Aufbauend darauf wird zur -
ERIK MESSERSCHMIDT, ASC Director of Photography
ERIK MESSERSCHMIDT, ASC Director of Photography official website TELEVISION (partial list) RAISED BY WOLVES HBO Max EP: Ridley Scott (Episodes 105, 106, 109) FARGO (Season 5, 1 Episode) FX Dir: Dana Gonzales *MINDHUNTER (Seasons 1-2) Netflix Creator: David Fincher Trailer LEGION (Episodes 209, 308) FX Dir: Dana Gonzales *2020 Emmy Award Nominee – Outstanding Cinematography for a Single-Camera Series (One Hour) – Ep. 206 FEATURES (partial list) DEVOTION Black Label Media Dir: J.D. Dillard *MANK Netflix Dir: David Fincher **IN A DREAM (Documentary) IFC Dir: Jeremiah Zagar *2021 Academy Award Winner – Best Achievement in Cinematography *2021 ASC Award Winner – Outstanding Cinematography in a Feature Film *2021 BSC Award Winner – Best Cinematography in a Theatrical Feature Release *2021 BAFTA Award Nominee – Best Cinematography *2021 San Francisco Bay Area Film Critics Circle Award Nominee – Best Cinematography *2021 Broadcast Film Critics Association - Critics Choice Award Nominee – Best Cinematography *2021 Alliance of Women Film Journalists - EDA Award Nominee – Best Cinematography **2009 Camerimage Award Nominee – Golden Frog BIO Director of photography Erik Messerschmidt, ASC has a natural eye for arresting and spellbinding images, thriving in a role that allows him to combine his love of art, craft and science. He shot David Fincher’s passion project Mank in black and white, chronicling the screenwriter Herman Mankiewicz’s turbulent journey to write Citizen Kane alongside Orson Welles. Messerschmidt’s meticulous and striking recreation of the period’s aesthetic earned him the Academy Award for Best Cinematography, an ASC Award for Outstanding Cinematography in a Feature Film, a BSC Award for Best Cinematography in a Theatrical Feature Release, a BAFTA Award nomination for Best Cinematography, as well as Best Cinematography award nominations from the San Francisco Bay Area Film Critics Circle, the Broadcast Film Critics Association Critics Choice, and the Alliance of Women Film Journalists.