OUT WEST: LUMMIS DAY PROGRAM May 8, 2015 6:05 PM VERSION: 7
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KEY FILMS in Collaborazione Con Dania Film E Surf Film
MOSTRA INTERNAZIONALE D’ARTE CINEMATOGRAFICA DI VENEZIA FUORI CONCORSO KEY FILMS in collaborazione con Dania Film e Surf Film presenta un film di ROBERT RODRIGUEZ durata 105 min. uscita 6 maggio 2011 www.vivamachete.it Ufficio Stampa LUCKY RED Via Chinotto,16 (tel +39 06 3759441 - fax +39 06 37352310) Georgette Ranucci (+39 335 5943393 - [email protected]) Alessandra Tieri (+39 335 8480787 - [email protected]) 1 CAST TECNICO Diretto da ROBERT RODRIGUEZ ETHAN MANIQUIS Scritto da ROBERT RODRIGUEZ ALVARO RODRIGUEZ Direttore della fotografia JIMMY LINDSAY Montaggio ROBERT RODRIGUEZ REBECCA RODRIGUEZ Musiche CHINGON Casting MARY VERNIEU JC CANTU Prodotto da ROBERT RODRIGUEZ ELIZABETH AVELLAN RICK SCHWARTZ 2 CAST ARTISTICO Danny Trejo MACHETE Steven Seagal TORREZ Michelle Rodriguez LUZ Jeff Faehy BOOTH Cheech Marin PADRE Lindsay Lohan APRIL Don Johnson VON Jessica Alba SARTANA Robert De Niro SENATORE McLAUGHLIN 3 SINOSSI Sembrava un contadinotto qualsiasi venuto dalla strada, il tipo perfetto da usare per un falso omicidio politico. Invece era MACHETE, leggendario ex-Federale con un’inclinazione per gli omicidi e tutte le carte in regola per compierli. Dato per morto dopo uno scontro con il re della droga messicano Torrez, Machete fugge in Texas per cercare di far perdere le proprie tracce e per dimenticare un tragico passato. Ma ciò che vi trova è invece una fitta rete di corruzione e di disonestà, con il risultato che un senatore si becca un proiettile e Machete un mandato di cattura. Machete decide allora di dimostrare la sua innocenza e di smascherare la cospirazione. Ma dovrà vedersela con Booth, uno spietato uomo d’affari con un numero infinito di killers sul suo libro paga; con Von, un vigilante di frontiera fuori di testa a capo di un piccolo esercito privato; e con Sartana, una bellissima agente per l’immigrazione, combattuta tra il compito di far rispettare la legge e il desiderio di fare ciò che è giusto. -
Historic-Cultural Monument (HCM) List City Declared Monuments
Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No. CF No. Adopted Community Plan Area CD Notes 1 Leonis Adobe 23537 Calabasas Road 08/06/1962 Canoga Park - Winnetka - 3 Woodland Hills - West Hills 2 Bolton Hall 10116 Commerce Avenue & 7157 08/06/1962 Sunland - Tujunga - Lake View 7 Valmont Street Terrace - Shadow Hills - East La Tuna Canyon 3 Plaza Church 535 North Main Street and 100-110 08/06/1962 Central City 14 La Iglesia de Nuestra Cesar Chavez Avenue Señora la Reina de Los Angeles (The Church of Our Lady the Queen of Angels) 4 Angel's Flight 4th Street & Hill Street 08/06/1962 Central City 14 Dismantled May 1969; Moved to Hill Street between 3rd Street and 4th Street, February 1996 5 The Salt Box 339 South Bunker Hill Avenue (Now 08/06/1962 Central City 14 Moved from 339 Hope Street) South Bunker Hill Avenue (now Hope Street) to Heritage Square; destroyed by fire 1969 6 Bradbury Building 300-310 South Broadway and 216- 09/21/1962 Central City 14 224 West 3rd Street 7 Romulo Pico Adobe (Rancho 10940 North Sepulveda Boulevard 09/21/1962 Mission Hills - Panorama City - 7 Romulo) North Hills 8 Foy House 1335-1341 1/2 Carroll Avenue 09/21/1962 Silver Lake - Echo Park - 1 Elysian Valley 9 Shadow Ranch House 22633 Vanowen Street 11/02/1962 Canoga Park - Winnetka - 12 Woodland Hills - West Hills 10 Eagle Rock Eagle Rock View Drive, North 11/16/1962 Northeast Los Angeles 14 Figueroa (Terminus), 72-77 Patrician Way, and 7650-7694 Scholl Canyon Road 11 The Rochester (West Temple 1012 West Temple Street 01/04/1963 Westlake 1 Demolished February Apartments) 14, 1979 12 Hollyhock House 4800 Hollywood Boulevard 01/04/1963 Hollywood 13 13 Rocha House 2400 Shenandoah Street 01/28/1963 West Adams - Baldwin Hills - 10 Leimert City of Los Angeles May 5, 2021 Page 1 of 60 Department of City Planning No. -
Rock and Roll Rockandrollismyaddiction.Wordpress.Com
The Band, Ten Years After , Keef Hartley Band , Doris Troy, John Lennon ,George Harrison, Leslie West, Grant Green, Eagles, Paul Pena, Bruce Springsteen, Peter Green, Rory Gallagher, Stephen Stills, KGB, Fenton Robinson, Jesse “Ed” Davis, Chicken Shack, Alan Haynes,Stone The Crows, Buffalo Springfield, Jimmy Johnson Band, The Outlaws, Jerry Lee Lewis, The Byrds , Willie Dixon, Free, Herbie Mann, Grateful Dead, Buddy Guy & Junior Wells, Colosseum, Bo Diddley, Taste Iron Butterfly, Buddy Miles, Nirvana, Grand Funk Railroad, Jimi Hendrix, The Allman Brothers, Delaney & Bonnie & Friends Rolling Stones , Pink Floyd, J.J. Cale, Doors, Jefferson Airplane, Humble Pie, Otis Spann Freddie King, Mike Fleetwood Mac, Aretha Bloomfield, Al Kooper Franklin , ZZ Top, Steve Stills, Johnny Cash The Charlie Daniels Band Wilson Pickett, Scorpions Black Sabbath, Iron Butterfly, Buddy Bachman-Turner Overdrive Miles, Nirvana, Son Seals, Jeff Beck, Eric Clapton John Mayall, Neil Young Cream, Elliott Murphy, Años Creedence Clearwater Bob Dylan Thin Lizzy Albert King 2 Deep Purple B.B. King Años Blodwyn Pig The Faces De Rock And Roll rockandrollismyaddiction.wordpress.com 1 2012 - 2013 Cuando decidimos dedicar varios meses de nuestras vidas a escribir este segundo libro recopilatorio de más de 100 páginas, en realidad no pensamos que tendríamos que dar las gracias a tantas personas. En primer lugar, es de justicia que agradezcamos a toda la gente que sigue nuestro blog, la paciencia que han tenido con nosotros a lo largo de estos dos años. En segundo lugar, agradecer a todos los que en determinados momentos nos han criticado, ya que de ellas se aprende. Quizás, en ocasiones pecamos de pasión desmedida por un arte al que llaman rock and roll. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
A Capacity Survey of California's Cultural Heritage Organizations
A Capacity Survey of California’s Cultural Heritage Organizations and Recommendations for Financing by Mimi Morris Executive Officer California Cultural and Historical Endowment November 2012 www.endowment.library.ca.gov www.californiastreasures.org (916) 653-1330 A Capacity Survey of California’s Cultural Heritage Organizations and Financing Recommendations TABLE OF CONTENTS Introduction ........................................................................................................................... 3 Executive Summary .............................................................................................................. 5 Acknowledgements .............................................................................................................. 7 The Capacity of Cultural Heritage Organizations in California ........................................ 9 Methodology for the Survey of California’s Cultural Organizations .............................. 11 Survey Transmittal Letter ........................................................................................... 13 Survey Introduction .................................................................................................... 15 Survey Questions ....................................................................................................... 17 Survey Results ........................................................................................................... 19 Table 1: Response Totals for Structural Integrity Improvement Funding Needs .. 20 -
Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4. -
A Comparative Analysis of Punk in Spain and Mexico
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2018-07-01 El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico Rex Richard Wilkins Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Spanish and Portuguese Language and Literature Commons BYU ScholarsArchive Citation Wilkins, Rex Richard, "El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico" (2018). Theses and Dissertations. 6997. https://scholarsarchive.byu.edu/etd/6997 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brian Price, Chair Erik Larson Alvin Sherman Department of Spanish and Portuguese Brigham Young University Copyright © 2018 Rex Richard Wilkins All Rights Reserved ABSTRACT El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins Department of Spanish and Portuguese, BYU Master of Arts This thesis examines the punk genre’s evolution into commercial mainstream music in Spain and Mexico. It looks at how this evolution altered both the aesthetic and gesture of the genre. This evolution can be seen by examining four bands that followed similar musical and commercial trajectories. -
West Adams Matters
WAHA Number 241 West Adams Heritage Association June 2007 West Adams Matters A Landmark Victorian Cottage Needs New Home by Laura Meyers The little 1890 Queen Anne cottage on Washington Boulevard is battered and beaten up, but not bowed. And now the Henry Obee Cottage, boarded up for more than a year, has passed one hurdle in the effort to save this little piece of West Adams history. In May, eight months after Anna Marie Brooks took the initiative and nominated the property for landmark status, the Los Angeles Cultural Heritage Commission voted to declare the Henry Obee Cottage ,^y^ > f , a Cultural-Historic Monument (HCM). But that vote came with a caveat: the Victorian cottage I has lost its original context and should be moved to a more compatible site, near residences of similar character. Brooks, WAHA, and several other preservation activists, including Ben Davis and Mitzi Mogul, played a seminal role in having this home's historic status recognized and made official. Indeed, the City's staff had recommended against an HCM determination, saying that the cottage wasn't "distinguished" enough. But we rallied to the cause, attending the May hearing and arguing, in part, that in fact vernacular cottages are as much a fabric of Los Angeles history - telling the story of Southern California's development from pueblo to cosmopolitan metropolis — as are mansions designed by famous architects. Located at 1408 West Washington Blvd. near the corner of New England Street (between Henry Obee Cottage's Hoover and Vermont), the Obee Cottage sits on a lot that is slated for the development of new nortli gable detail (continued on page 10) WAHA's Star Spangled 4th of July Wednesday, July 4,1 - 4 p.m. -
History Department List of Internship and Volunteer Opportunities We
History Department List of Internship and Volunteer Opportunities We have attempted to compile a list of internships and volunteer opportunities at local museums, historical residences, and historical societies. All information should be confirmed with the specific institution. Thanks to Nathaniel Salvini (History ’21) for compiling this list. Institution Opportunity Description American Military Museum Volunteering Has a collection of 178 military vehicles on 1918 Rosemead Boulevard display from World War 1, World War 2, South El Monte, CA 91733 the Korean and Vietnam Wars, as well as (626) 442-1776 Operation Desert Storm. [email protected] Automobile Driving Museum Volunteering Preservation of historic automobiles and 610 Lairport Street the history of automobiles themselves, as El Segundo, CA 90245 well as interpreting historical trends of (310) 909-0950 automobiles and how they impacted society. Autry Museum of the American West Internships (incl. possibility of This museum has a focus on the history of 4700 Western Heritage Way paid internships) California, Native American culture, the Griffith Park Volunteering life of cowboys and of ranching, as well as Los Angeles, CA 90027 the environment of the American West (323) 495-4237 and the Western influence on popular culture. Banning Residence Museum Volunteering The house of Phineas Banning, who 401 East M Street founded the city of Wilmington. The Wilmington, CA 90744 museum specializes in telling the lifestyle (310) 548-7777 of Phineas Banning, his family, and those who lived during the 19th century. Battleship USS Iowa Museum Volunteering Located on the USS Iowa battleship, 250 South Harbor Boulevard Part-time employment which served during World War II, this Los Angeles, CA 90731 museum focuses on preserving the (877) 446-9261 battleship and telling its history. -
Targ Fashion Sskaka Jeff’Sjeff’S Hi-Fives:Hi-Fives: Growing Up, Every Morning I Would Eat My Bowl of Cereal While Reading the Daily Comics in the Ottawa Citizen
attend fest for every self-respecting WORDS FROM THE weirdo,whether ya be a crusty, a metalhead, or a pogo lovin’ party punk. Bleak Life is all about forgetting about the existential nightmare of WIZARD existence and having a good time, TARG YEAR 3 BEGINS & I and for this reason they showcase COULDN’T BE MORE GRATEFUL some of the best Ottawa bands (POK to all the people who support our dream GAI, ASILE, OCCULT BURIAL, C.H.U.D.S) along with the best in by attending live shows, ordering our world international punk & metal tunage famous handmade perogies and enjoying our ever (MIDNIGHT, WKSJ, METALIAN). changing lineup of classic arcade games and pinball tables – One of the bands I was most thank you Ottawa!! Years of underground work at the original excited for when this year’s lineup TARG/MEATLOCKER has led us to a wider community of was announced was Halifax’s crust overlords NAPALM RAID. It is for this kind and generous people who challenge us on a daily basis reason I decided to review their EP with creative ideas, imaginative proposals and constructive STORM for this edition of the Targ advice – as our wizard family changes and grows I feel proud zine! and confi dent while always being pleasantly surprised by the passion that exists in this city - never a dull moment at This EP kicks off with Disfi gured the House of TARG!! This dream exists because we all work which begins with a doomy, evil riff that’s really reminiscent of Confusion together. -
Lummis Day Program May 8, 2014 9:25 PM VERSION
take metro to Lummis Day! OUT WEST: LUmmiS Day PrOgram version: 6 May 8, 2014 9:25 PM Festival schedule Who’s On and When LUMMis hOMe aNd GaRdeN STagE Two famiLy acTiviTiES SPacE 200 East avenue 43 1:30 PM Arya Movement Project: Various Times gates open at 10:00am Sambasalsa! Urban Science Corps “EcoVoices” 10:30 AM Musical interlude by 2:45 PM Lineage Dance Company Navjot Sandhu 4:00 PM Danza Teocalt and Neel agrawal STagE fOUr 5:30 PM Chester Whitmore 11:00 AM Introduction and poem by 1:30 PM Michelle Rodriguez Suzanne Lummis STagE THrEE 2:15 PM Dead End Poets: Christopher Buckley, 1:00 PM Sweet DizPosition 3:00 PM BMC liz gonzaléz, and Mary Fitzpatrick 2:00 PM Banna Baeg Mall 4:00 PM The Slightlys Noon-5:00 PM Crafts and art exhibits 3:15 PM Smithfield Bargain 5:00 PM The Dead Sea Crows 4:30 PM Alarma heRITAGe sQUARe MuseuM 5:30 PM Somos Mysteriosos OtheR FaMily activities 3800 Homer Street (various locations at Heritage Square) gates open at noon OtheR PeRFORMaNce aReas Tongva Clapper Sticks staGe ONe LincOLn avEnUE cHUrcH 12:45 PM Ted Garcia, PErfOrmancE SPacE Home Depot/Color Spot Native america Blessing Transplanting Booth 2:40 PM, 4:00 PM Teatro arroyo’s 1:00 PM Timur and The Dime Museum “Dr. Madcap’s Theatricum” audubon Display and activity (plus 2:00 PM Blue Rhythm Jazz Orchestra andasol Elementary School Display) 3:20 PM Little Faith Puppets & PLayErS STagE Highland Park Heritage Trust 4:30 PM Orquesta Mar De ashe 1:20 PM, 3:00: PM, 4:30PM with La Sirena Puppets & Players: Living Museum Tour 6:00 PM La Chamba Scooter’s Circus -
Los Angeles Department of City Planning RECOMMENDATION REPORT
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC -2011 -2206 -HCM ENV-2011-2207-HCM HEARING DATE: October 20, 2011 Location: 3800 Homer St and 3504 Pasadena TIME: 10:00 AM Ave PLACE : City Hall, Room 1010 Council District: 1 200 N. Spring Street Community Plan Area: Northeast Los Angeles Los Angeles, CA Area Planning Commission: East Los Angeles Neighborhood Council: Arroyo Seco, Lincoln Heights Legal Description: City Lands of Los Angeles PROJECT: Historic-Cultural Monument Application for the HERITAGE SQUARE MUSEUM REQUEST: Declare the property a Historic-Cultural Monument APPLICANT: Mitzi March Mogul Heritage Square Museum 3800 Homer Street Los Angeles, CA 90031 OWNER: City of Los Angeles Department of Recreation and Parks 1200 W. 7th Street Suite 748 Los Angeles, CA 90017 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7 2. Adopt the report findings. MICHAEL J. LOGRANDE Director of Planning [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources Prepared by: [SIGNED ORIGINAL IN FILE] ________________________ Edgar Garcia, Preservation Planner Office of Historic Resources Attachments: Historic-Cultural Monument Application ZIMAS Report Heritage Square CHC-2011-2206-HCM Page 2 of 5 FINDINGS 1. The property “embodies the distinguishing characteristics of an architectural type specimen, inherently valuable for a study of a period style or method of construction” as an example of an open air house museum.