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Reality, Realism and Fantasy: a Study of Ray's Children's Fiction Hirak
Reality, Realism and Fantasy: A Study of Ray’s Children’s fiction Hirak Rajar Deshe Arpita Sarker Research Scholar (M.Phil.) University of Delhi India Abstract In my paper I intend to first explain different form of realism by discussing Ian Watt‟s definition of realism, in The Rise of The Novel comparing and contrasting it with Brecht and Luckas‟s idea of realism as explained in Bertolt Brecht: Against George Luckas. Secondly I will discuss in brief the difference between reality and realism in a work of fiction. Thirdly, I will talk about the portrayal of reality and realism in children‟s literature, using socialist realism and Brecht‟s view on it. In order to discuss third part of my paper I will analyze film maker Satyajit Ray and his socialist- realist- fantasy film Hirak Rajar Deshe. The movie is adapted from Ray‟s father‟s collection of work for children name Goopy Gayen and Bagha Bayen. Keywords: Fantasy, Reality, Realism, Socialism, Brecht. www.ijellh.com 50 Children‟s literature is a genre that is vastly dependent on fantastic elements that make it appealing to children and adults. The fantastic elements, on the surface, act as a model for psychologically cushioning that protects the child from the harsh realities of life and bestow moral messages to the masses. But the fantastical element alone cannot reveal the social, political, or moral message the fiction intends to spread. The fantasy element is hence paradoxical complicated by the presence of realism in Children‟s Literature. The use of realism, in the façade of fantasy, and larger than life characters, has helped writers to adhere to the real intention of children‟s literature. -
Lions Film Awards 01/01/1993 at Gd Birla Sabhagarh
1ST YEAR - LIONS FILM AWARDS 01/01/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR TAPAS PAUL for RUPBAN BEST ACTRESS DEBASREE ROY for PREM BEST RISING ACTOR ABHISEKH CHATTERJEE for PURUSOTAM BEST RISING ACTRESS CHUMKI CHOUDHARY for ABHAGINI BEST FILM INDRAJIT BEST DIRECTOR BABLU SAMADDAR for ABHAGINI BEST UPCOMING DIRECTOR PRASENJIT for PURUSOTAM BEST MUSIC DIRECTOR MRINAL BANERJEE for CHETNA BEST PLAYBACK SINGER USHA UTHUP BEST PLAYBACK SINGER AMIT KUMAR BEST FILM NEWSPAPER CINE ADVANCE BEST P.R.O. NITA SARKAR for BAHADUR BEST PUBLICATION SUCHITRA FILM DIRECTORY SPECIAL AWARD FOR BEST FILM PREM TELEVISION BEST SERIAL NAGAR PARAY RUP NAGAR BEST DIRECTOR RAJA SEN for SUBARNALATA BEST ACTOR BHASKAR BANERJEE for STEPPING OUT BEST ACTRESS RUPA GANGULI for MUKTA BANDHA BEST NEWS READER RITA KAYRAL STAGE BEST ACTOR SOUMITRA CHATTERHEE for GHATAK BIDAI BEST ACTRESS APARNA SEN for BHALO KHARAB MAYE BEST DIRECTOR USHA GANGULI for COURT MARSHALL BEST DRAMA BECHARE JIJA JI BEST DANCER MAMATA SHANKER 2ND YEAR - LIONS FILM AWARDS 24/12/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR CHIRANJEET for GHAR SANSAR BEST ACTRESS INDRANI HALDER for TAPASHYA BEST RISING ACTOR SANKAR CHAKRABORTY for ANUBHAV BEST RISING ACTRESS SOMA SREE for SONAM RAJA BEST SUPPORTING ACTRESS RITUPARNA SENGUPTA for SHWET PATHARER THALA BEST FILM AGANTUK OF SATYAJIT ROY BEST DIRECTOR PRABHAT ROY for SHWET PATHARER THALA BEST MUSIC DIRECTOR BABUL BOSE for MON MANE NA BEST PLAYBACK SINGER INDRANI SEN for SHWET PATHARER THALA BEST PLAYBACK SINGER SAIKAT MITRA for MISTI MADHUR BEST CINEMA NEWSPAPER SCREEN BEST FILM CRITIC CHANDI MUKHERJEE for AAJKAAL BEST P.R.O. -
Speaking Through Troubled Times
Speaking through Troubled Times Moinak Biswas I would like to talk about the encounter between cinema and a moment in our political history in this essay. Is it possible to identify the voices that cinema sifts out of a time, and make them narrate to us a story that was there in the films but not told? I would like to ask that question about the cusp of the nineteen sixties and seventies. 1. There now exists a sizeable literature on the relationship between history and cinema. Academic historians have looked at the relationship mainly in terms of representation of the past. The fragile status that facts attain in a popular medium was the starting point of historians’ serious engagement with film, the more sophisticated version of which took up the issue of concretization of the past on screen, the process of giving body to a time that is gone, and the necessary ambivalence that it brings on. The other focus of the discussion has been narrative of course, the relationship of the events in history as they appear on screen. Since the larger historians’ debate had narrative as the cardinal point of contention - narrativity as a category came to problematize the entire question of truth-telling in historiography in the wake of semiotic criticism - the filmic imperatives of sequencing of events from the past has been another cause of concern. Professional historians such as Natalie Davis and Robert Rosenstone have written on these questions quite extensively [1], as have Daniel Walkowitz, R. C. Raack and Robert Brent Toplin, all of whom have developed strong ties with film and television production, as advisors and screenwriters [2]. -
SEAGULL Theatre QUARTERLY 244 Theatrelog Issue 29/30 Jun 2001 Acknowledgements
2 Acknowledgements 3 Introduction 7 ‘My kind of theatre is for the people’ KUMAR ROY 37 ‘And through the poetry we found a new direction’ SHYAMAL GHO S H 59 Minority Culture, Universal Voice RUDRAPRA S AD SEN G UPTA 81 ‘A different kind of confidence and strength’ Editor AS IT MU K HERJEE Anjum Katyal Editorial Consultant Samik Bandyopadhyay 99 Assistants Falling in Love with Theatre Paramita Banerjee ARUN MU K HERJEE Sumita Banerjee Sudeshna Banerjee Sunandini Banerjee 109 Padmini Ray Chaudhury ‘Your own language, your own style’ Vikram Iyengar BI B HA S H CHA K RA B ORTY Design Sunandini Banerjee 149 Photograph used on cover © Nemai Ghosh ‘That tiny cube of space’ MANOJ MITRA 175 ‘A theatre idiom of my own’ AS IT BO S E 197 The Totality of Theatre NIL K ANTHA SEN G UPTA 223 Conversations Published by Naveen Kishore 232 for The Seagull Foundation for the Arts, Appendix I 26 Circus Avenue, Calcutta 700017 Notes on Classic Playtexts Printed at Laurens & Co. 9 Crooked Lane, Calcutta 700 069 234 Appendix II Notes on major Bengali Productions 1944 –-2000 S T Q SEAGULL THeatRE QUARTERLY 244 Theatrelog Issue 29/30 Jun 2001 Acknowledgements Most of the material collected for documentation in this issue of STQ, had already been gathered when work for STQ 27/28 was in progress. We would like to acknowledge with deep gratitude the cooperation we have received from all the theatre directors featured in this issue. We would especially like to thank Shyamal Ghosh and Nilkantha Sengupta for providing a very interesting and rare set of photographs; Mohit Chattopadhyay, Bibhash Chakraborty and Asit Bose for patiently answering our queries; Alok Deb of Pratikriti for providing us the production details of Kenaram Becharam; Abhijit Kar Gupta of Chokh, who has readily answered/ provided the correct sources. -
Strengthening Bonds Indian Prime Minister Narendra Modi’S Visit to Bangladesh Potpourri
STROKES OF HERITAGE Odisha’s indigenous art of pattachitra Volume 35 | Issue 02 | 2021 TRAVELLING WITH THE BUDDHA Buddhist linkages across Southeast Asia STRENGTHENING BONDS Indian Prime Minister Narendra Modi’s visit to Bangladesh POTPOURRI Potpourri Events of the season MAY, 2021 ID-UL- FITR One of the most important festivals in the Muslim calendar, Id-ul- 14 Fitr, also called Eid al-Fitr, marks the end of Ramadan, the Muslim holy month of fasting. The day is celebrated by offering prayers, exchanging gifts and wishes, and donning new clothes. A special sweet dish called sivayyan (roasted vermicelli cooked in milk and garnished with dry fruits) is prepared on this occasion. WHERE: Across the country 14-16 MAY, 2021 26 MAY, 2021 BUDDHA PURNIMA Celebrated on the full moon day of the Hindu month of Vaisakh (April/May), Buddha Purnima, also known as Buddha Jayanti and Vesak, marks the birth of Lord Gautama Buddha or the Enlightened One. Devotees visit temples, light candles and incense sticks, and offer prayers and sweets. Devotees also dress in white on this day. WHERE: Across the country DHUNGRI MELA Held in the premises of the revered Hadimba Temple in Himachal Pradesh’s picturesque town of Manali, the annual Dhungri Mela is celebrated to honour the birth of Goddess Hadimba. The three-day mela or fair features several stalls offering local delicacies and handcrafted products. The main attraction is the arrival of local deities, decked in ornate jewellery, from the surrounding villages in decorated palanquins. WHERE: Manali, Himachal Pradesh INDIA PERSPECTIVES | 2 | 21 JUNE, 2021 21 JUNE, 2021 INTERNATIONAL DAY OF YOGA HEMIS TSECHU Observed annually by people across the country, Touted to be one of the most vibrant festivals of Leh, the and the globe, the International Day of Yoga (IDY) annual Hemis Tsechu or Hemis Festival marks the birth of is a celebration of the ancient Indian practice of Guru Padmasambhava, the Indian Buddhist mystic. -
FESTA DEL CINEMA DI ROMA | ROME FILM FEST 15Th Edition | October 15 – 25, 2020
FESTA DEL CINEMA DI ROMA | ROME FILM FEST 15th edition | October 15 – 25, 2020 PRESS CONFERENCE October 5, 2020 12 pm | Sala Petrassi | Auditorium Parco della Musica, Rome Streaming on https://www.facebook.com/romacinemafest https://www.youtube.com/user/romacinemafest PRESS KIT CONTENT o Minister of Cultural Heritage and Activities and Tourism, Dario Franceschini o Mayor of Roma Capitale, Virginia Raggi o Governor of Regione Lazio, Nicola Zingaretti o President of Rome Chamber of Commerce, Industry, Handicrafts, and Agriculture, Lorenzo Tagliavanti o President of Fondazione Musica per Roma, Claudia Mazzola, and CEO of Fondazione Musica per Roma, Daniele Pitteri o President of Istituto Luce-Cinecittà, Maria Pia Ammirati o President of Fondazione Cinema per Roma, Laura Delli Colli o General Director of Fondazione Cinema per Roma, Francesca Via o Artistic Director of Rome Film Fest, Antonio Monda th o 15 Rome Film Fest o Official Selection o In co-production with Alice nella città o Everybody’s talking about it o Special Events o Close Encounters o Duel – Loyalty/Betrayals o “Pre-opening” screenings – October with the Rome Film Fest o Retrospectives o Restored Films and Tributes o Riflessi o Films of our Lives o Rome Film Fest – social and environmental commitment o Other events at the Rome Film Fest o Alice nella città – the lineup o General Information o How to attend the Rome Film Fest – Tickets, advance sales, prices, accreditations o How to get here o Guide to the venue o Venues and services for the press Sede Operativa: Piazzale Cardinal Consalvi 9, 00196 Roma | Sede legale Viale Pietro de Coubertin 10, 00196 Roma | ph. -
Satyajit Ray Season Reveals the Enduring Versatility and Masterly Satyajit Ray: Part Two Style of the Indian Director
22 The second part of our major Satyajit Ray season reveals the enduring versatility and masterly Satyajit Ray: Part Two style of the Indian director. But his later output is marked by a darkening mood that reflects Ray’s This second part of Ray’s career begins And his exquisite historical drama about on a sunny note. The Adventures of the British military takeover of Lucknow ambivalence towards the society he lived in, Goopy and Bagha was his most popular in 1856, The Chess Players, was equally argues Andrew Robinson. film in Bengal, with children and adults concerned with individual morality singing its Bengali songs on the streets as with political systems. But his two for months. ‘Maharaja, We Salute You’ detective films, The Golden Fortress was spontaneously sung by the crowds and The Elephant God, based on his at Ray’s funeral in 1992. own Holmes-and-Watson-style Bengali But then his mood darkened, first into the duo, betrayed a declining belief in official wincing irony of Days and Nights in the justice. In Deliverance, a stark attack on Forest, afterwards into a political trilogy: the cruelty of Untouchability, Ray moved The Adversary, Company Limited about as far from the hopefulness of and The Middleman. From 1969, the Pather Panchali as it was possible to go. Naxalite movement inspired by Maoism Ray’s last three films, though not without rocked Bengal through terrorist acts his trademark comedy, were urgent by young Bengalis, followed by horrific warnings to his fellow citizens against police and army reprisals, and a period religious fundamentalism and social of national Emergency declared by Indira corruption. -
Satyajit Ray
MARLÈNE DIETRICH JACQUES RIVETTE SATYAJIT RAY Document de communication du Festival d'Automne à Paris - tous droits réservés MARLENE DIETRICH Ange et Impératrice Il y aeu la mythique Lola en jarretel- les et chapeau claque, et auparavant Hommage la fille des années folles, ensuite la glamoureuse de Hollywood, puis la scandaleuse de Berlin, et encore la vamp ironique autant que désabusée. Il y a eu, il y a, Il y aura toujours Marlène, la femme selon Sternberg, à qui le festival rend hommage. Sur les photos des films qu'elle tourna, en Allemagne, de 1923 à 1929 il y en eut seize, mais qui peut se vanter d'avoir vu la Tragédie de l'amour, Manon Lescaut, Une Du Barry moderne, Tête haute, Charlie, Café Elektric, Princesse Olala, Ce n'est que votre main madame, la Femme que l'on désire, le Navire des hommes perdus, pour ne citer que ceux-là? Marlène Dietrich a des che- veux châtain foncé, crantés ou bouclés au fer à friser, un visage rond qui tend à s'allonger du côté du menton, des sour- cils épilés, une bouche fardée à la diable et un nez retroussé. Elle fait très «petite femme» émancipée des années folles. Cette jeune actrice née dans une bonne famille prussienne, élevée selon des principes de rigueur morale dont elle se souviendra toujours, avait cherché à percer au théâtre, était devenue, après avoir épousé un assistant réalisateur, Rudolf Sieber. Demi-étoile de music-hall et de cinéma, elle se livrait volontiers à des extravagances vestimentaires, aimait les folies nocturnes de Berlin enfiévré. -
Statelessness, Politics of Self and Other, Gender Battle, Issue of Species Superiority, International Politics, Marginalized
International Journal of English Literature and Social Sciences (IJELS) Vol-4, Issue-1, Jan - Feb, 2019 https://dx.doi.org/10.22161/ijels.4.1.36 ISSN: 2456-7620 Statelessness, Politics of Self and Other, Gender Battle, Issue of Species Superiority, International Politics, Marginalized Voices and A Comparative Analysis of Al-Hakim’s Egypt and Today’s Egypt in Fate of a Cockroach Partha Sarathi Mandal Research Scholar, Raiganj University, West Bengal, India Email: [email protected] Abstract— Fate of a Cockroach (1973) brilliantly value. This play is an inspired, thoughtful and portrays statelessness, policy paralysis, lethargy in taking vigorous denunciation of Egyptian (and Arab) effective decision, overpowering clutches of a self- politics and policies as he saw them in the years declared cockroach King who is unable to take any immediately prior to the June War and his last direct decision in order to eliminate the threats coming from the dramatic word on Abd an Nasir. ants vis-à-vis this play also showcases a struggle for survival. The cockroach’s tireless fight for freedom is —Richard Long inspiring for us because life is not a bed of roses; it is full Turning and turning in the widening gyre of challenges and pricks. If a ruler fails to lead his nation The falcon cannot hear the falconer; he is not eligible for the post. Individualistic cockroaches Things fall apart; the centre cannot hold; stand in complete opposite to the ants who believe in the Mere anarchy is loosed upon the world, mantra of collective efforts. Today’s Egypt also under the presidency of Sisi desperately needs peace and stability —William Butler Yeats because Sisi is accused of his authoritarian and QUEEN Don’t apologize! My position is like yours. -
Modernity and Material Culture in Bengali Cinema, 1947-1975
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-20-2011 12:00 AM Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975 Suvadip Sinha University of Western Ontario Supervisor Nandi Bhatia The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Suvadip Sinha 2011 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons, Other English Language and Literature Commons, Other Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, South and Southeast Asian Languages and Societies Commons, and the Visual Studies Commons Recommended Citation Sinha, Suvadip, "Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975" (2011). Electronic Thesis and Dissertation Repository. 137. https://ir.lib.uwo.ca/etd/137 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975 (Spine Title: Alternative Be/longing) (Thesis format: Monograph) by Suvadip Sinha Graduate Program in English A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Suvadip Sinha 2011 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners _____________________ _ ________________________ Dr. -
Retrospektive Oktober 1999
Retrospektive Viennale 1999 *•"? >t ■'■ S--Ä •• > g. • • ' Ä'S * •!-V , •: ,'i >. '• ? V >\ "..-f. •• ■ ■' { •' • -?v*|llf •liSlfli'?' • f- pH Ii' CESTERREICHISCHES FILMMUSEUM 1 ■ :)/wn Oktober 1999 i |j* RETROSPEKTIVE Unter dem Ehrenschutz des indischen Botschafters S.E. Yogesh Mohan Diwari und in Anwesenheit von Bijoya Ray und Sandip Ray IN ZUSAMMENARBEIT MIT ADITI NATH SARKAR R.D BANSAL DILIP BASU • <AMAL BASU • KETTY BEUNEL SARBANI BHATTACHARYA • D.B. BISWAS N, CHOÜDOURY KITTY COOPER • CHRISTIAN DIMITRIU SJE. YOGESH MOHAN DIWARI HERVE DUMONT ANDY ENGEL MICHAEL FRIEND - CAT HERINE C.AUTIEF SUBIR GUHA WINFRIED GÜNTHER ■ SURESH JINDAL • ERIC LIKNAITZKY • DAN NISSEN BHARAT RANA SANDIP RAY PARTHA SATPATHY HIMACHAL SOM BERNARD UHLMANN GERARD VAUGEOIS ACADEMY FILM ARCHIVE, BEVERLY HILLS ARTIFICIAL EYE COMPANY. L< )NDON ASSOCIATED ENTERPRISES. CALCUTTA AURORA FILM CORP. PRIVATE LTD., CALCUTTA BALAKA MOVIES, CALC.UTTA • CHITRANJALI PROPRIETORS, CALCUTTA CINEMATHEQUE SUISSE, LAUSANNE CONTEMPORARY FILMS, ijoNDON DANISH FILMINSTITUTE. THE, KOPENHAGEN • DEVKI CHI! RA PRODUCTJONS INDISCHE BOTSCHAFT, WIEN FLAF SEKRETARIAT, BRÜSSEL FILMS DE LA GOUTTE D'OR. PARIS LES FILMS DE L'ATALANTE, PARIS • FREUNDE DER DEU rSCHEN K1NEMAIHEK. BERLIN GOVERNMENT ÖF IND1A. FILM DIVISION GOVERNMENT ÖF WEST BENGAL INDIAN COUNCIL FOR CULTURAL RELATIONS (K'CR), NEW DELHI INDUS FILMS LITTLE CINEMA CALCUTTA PVT LTD.. CALCUTTA NANDAN WEST-BENC.AL FTLM-CENTER. CALCUTTA NATIONAL CENTRE FOR THE PERFORMING ARTS. BOMBAY • NATIONAL FILM DEVELOPMENT CORPORATION LTD.. BOMBAY PIYALI -
Gupi Gayen Bagha Bayen Hd Full Movie Free 14
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