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The Pentagon's UAP Task Force
The Pentagon’s UAP Task Force Franc Milburn Mideast Security and Policy Studies No. 183 THE BEGIN-SADAT CENTER FOR STRATEGIC STUDIES BAR-ILAN UNIVERSITY Mideast Security and Policy Studies No. 183 The Pentagon’s UAP Task Force Franc Milburn The Pentagon’s UAP Task Force Franc Milburn © The Begin-Sadat Center for Strategic Studies Bar-Ilan University Ramat Gan 5290002 Israel Tel. 972-3-5318959 Fax. 972-3-5359195 [email protected] www.besacenter.org ISSN 0793-1042 November 2020 Cover image: Screen capture of US Navy footage of an Unidentified Aerial Phenomenon, US Department of Defense The Begin-Sadat (BESA) Center for Strategic Studies The Begin-Sadat Center for Strategic Studies is an independent, non-partisan think tank conducting policy-relevant research on Middle Eastern and global strategic affairs, particularly as they relate to the national security and foreign policy of Israel and regional peace and stability. It is named in memory of Menachem Begin and Anwar Sadat, whose efforts in pursuing peace laid the cornerstone for conflict resolution in the Middle East. Mideast Security and Policy Studies serve as a forum for publication or re-publication of research conducted by BESA associates. Publication of a work by BESA signifies that it is deemed worthy of public consideration but does not imply endorsement of the author’s views or conclusions. Colloquia on Strategy and Diplomacy summarize the papers delivered at conferences and seminars held by the Center for the academic, military, official and general publics. In sponsoring these discussions, the BESA Center aims to stimulate public debate on, and consideration of, contending approaches to problems of peace and war in the Middle East. -
Star Trek.” Let’S Explore the Science of Space!
Newspapers In Education and the Washington State Fair present BIG in the Future: STAR TREK AND SPACE “Star Trek: The Exhibition” is The Washington State Fair’s special exhibit featuring the science and technology behind the popular TV series, “Star Trek.” Let’s explore the science of space! SPEED: REALITY VS. FICTION If you’ve ever watched a video of a rocket launch, you’ll remember seeing enormous clouds of smoke and flmes as the spacecraft lifted off. The vessels in Star Trek, on the other hand, don’t have rocket engines and don’t shoot out hot exhaust gases. This is because in the show’s imagined future, scientists have made major breakthroughs in physics and propulsion. These advances—unknown to present science—allow a starship to “push” against something other than rocket exhaust. Known as warp drive, these fictional engines give starships the ability to travel at many times the speed of light. With warp drive, distances that would take tens of thousands of years to cover with today’s technology can be reached in just a few hours or days. A Star Trek-like propulsion system would make a lot of people very happy! IS ANYONE OUT THERE? When it comes to space, you’ll often encounter numbers so big that they give people headaches. It’s estimated that the visible universe has about 170,000,000,000 galaxies (the Milky Way being one of them) with a total of 300,000,000,000,000,000,000,000 stars between them (the sun being one of What qualities them). -
Pyramid Volume 3 in These Issues (A Compilation of Tables of Contents and in This Issue Sections) Contents Name # Month Tools Of
Pyramid Volume 3 In These Issues (A compilation of tables of contents and In This Issue sections) Contents Name # Month Name # Month Tools of the Trade: Wizards 1 2008-11 Noir 42 2012-04 Looks Like a Job for… Superheroes 2 2008-12 Thaumatology III 43 2012-05 Venturing into the Badlands: Post- Alternate GURPS II 44 2012-06 3 2009-01 Apocalypse Monsters 45 2012-07 Magic on the Battlefield 4 2009-02 Weird Science 46 2012-08 Horror & Spies 5 2009-03 The Rogue's Life 47 2012-09 Space Colony Alpha 6 2009-04 Secret Magic 48 2012-10 Urban Fantasy [I] 7 2009-05 World-Hopping 49 2012-11 Cliffhangers 8 2009-06 Dungeon Fantasy II 50 2012-12 Space Opera 9 2009-07 Tech and Toys III 51 2013-01 Crime and Grime 10 2009-08 Low-Tech II 52 2013-02 Cinematic Locations 11 2009-09 Action [I] 53 2013-03 Tech and Toys [I] 12 2009-10 Social Engineering 54 2013-04 Thaumatology [I] 13 2009-11 Military Sci-Fi 55 2013-05 Martial Arts 14 2009-12 Prehistory 56 2013-06 Transhuman Space [I] 15 2010-01 Gunplay 57 2013-07 Historical Exploration 16 2010-02 Urban Fantasy II 58 2013-08 Modern Exploration 17 2010-03 Conspiracies 59 2013-09 Space Exploration 18 2010-04 Dungeon Fantasy III 60 2013-10 Tools of the Trade: Clerics 19 2010-05 Way of the Warrior 61 2013-11 Infinite Worlds [I] 20 2010-06 Transhuman Space II 62 2013-12 Cyberpunk 21 2010-07 Infinite Worlds II 63 2014-01 Banestorm 22 2010-08 Pirates and Swashbucklers 64 2014-02 Action Adventures 23 2010-09 Alternate GURPS III 65 2014-03 Bio-Tech 24 2010-10 The Laws of Magic 66 2014-04 Epic Magic 25 2010-11 Tools of the -
Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org
ISSN: 2342-2009 Fafnir vol 3, iss 4, pages 7–227–23 Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org Speculative Architectures in Comics Francesco-Alessio Ursini Abstract: The present article offers an analysis on how comics authors can employ architecture as a narrative trope, by focusing on the works of Tsutomu Nihei (Blame!, Sidonia no Kishi), and the duo of Francois Schuiten and Benoit Peeters (Le cités obscures). The article investigates how these authors use architectural tropes to create speculative fictions that develop renditions of cities as complex narrative environments, and “places” with a distinctive role and profile in stories. It is argued that these authors exploit the multimodal nature of comics and the potential of architecture to construct complex worlds and narrative structures. Keywords: architectural tropes, comics, narrative structure, speculative fiction, world-building, multimodality Biography and contact info: Francesco-Alessio Ursini is currently a lecturer in English linguistics and literature at Jönköping University. His works on comics include a special issue on Grant Morrison for the journal ImageTexT, and the forthcoming Visions of the Future in Comics (McFarland Press), both co-edited with Frank Bramlett and Adnan Mahmutović. Speculative fiction and comics have always been tightly connected across different cultural traditions. It has been argued that the “golden era” of manga (Japanese comics) in the 70’s and 80’s is based on the preponderance of works using science/speculative fiction settings (e.g. Akira, Ohsawa 9–26). Similarly, classic works in the “Latin” comic traditions (i.e. Latin American historietas, Italian fumetti, and French/Belgian bande desineés) have long represented an ideal nexus between the speculative fiction genre and the Comics medium, one example being El Eternauta (Page 46–50). -
I. Introduction
A Simplified Guide To Rocket Science and Beyond – Understanding The Technologies of The Future Deep Bhattacharjee * , Sanjeevan Singha Roy Abstract : Rocket science has always been fairly complex. Its not because, it deals only the properties of rocket dynamics, attitude control, propulsion systems but the complexity arises mostly as a result of its payload, whether its manned or unmanned, how to make that payload reaches to orbit? How to a ssemble them in orbit to make giant structures like space stations? And most importantly, the mechanisms and aerodynamics of the shu t- tle associated with the lifting of the rocket. This paper , not only helps to make ease out the complex terminology, rigorou s mathematics, pain stro k- ing equations into a simplified norms, like a non - fiction for the general readers but also, no pre - requisite knowledge in the fi eld is needed to study this paper . However, every possible attempt have been make to simplify the dynam ics of rocket sciences and control mechanisms to the most easier way that one can imagine, still, there are some complex terminologies but pictures are provided deliberately with facts and h istories to boost up the way of understanding the subject much mor e better than before. It has been deliberately proved in this paper that rockets along with orbital m e- chanics, Kessler’s syndrome, Lunar and Martial landing of the Apollo and the Curiosity rovers, is not the future of the humanity to reach out to the stars . Therefore, to eliminate time completely, to warp the space in a new way, to make the gravity constant at 1g Earth gravity, physics of Ele c- trohydrodynamics – Or, the physics beyond the rocket propulsion by harnessing the Anti - Gravity is discussed in detai ls with various types of engines and experiments carried out throughout the globe. -
Transhumanity's Fate
ECLIPSE PHASE: TRANSHUMANITY’S FATE The Fate Conversion Guide for Eclipse Phase RYAN JACK MACKLIN GRAHAM ECLIPSE PHASE: TRANSHUMANITY’S FATE Transhumanity’s Fate: ■ Brings technothriller espionage and horror in a world of upgraded humans to Fate Core. ■ Join Firewall, and defend transhumanity in the aftermath of near annihilation by arti cial intelligence. ■ Requires Fate Core to play. Eclipse Phase created by Posthuman Studios Eclipse Phase is a trademark of Posthuman Studios LLC. Transhumanity’s Fate is © 2016. Some content licensed under a Creative Commons License. Fate™ is a trademark of Evil Hat Productions, LLC. The Powered by Fate logo is © Evil Hat Productions, LLC and is used with permission. eclipsephase.com TRANSHUMANITY'S FATE WRITING DEDICATION Jack Graham, Ryan Macklin The Posthumans dedicate this book to Jef Smith, our ADDITIONAL MATERIAL companion of many days & nights around the table. Jef was a tireless organizer in Chicago's science-fiction/ Rob Boyle, Caleb Stokes fantasy fandom, including the Think Galactic reading EDITING group and spin-off convention, Think Galacticon. In Rob Boyle, Jack Graham 2015, he co-published the Sisters of the Revolution: A GRAPHIC DESIGN Feminist Speculative Fiction Anthology with PM Press. Adam Jury We will miss Jef's encouragement, wit, and bottomless COVER ART generosity. The person who lives large in the lives of their friends is not soon forgotten. Stephan Martiniere A portion of profits from Transhumanity's Fate will be INTERIOR ART donated to Jef's family. Rich Anderson, Nic Boone, Leanne Buckley, Anna Christenson, Daniel Clarke, Paul Davies, SPECIAL THANKS Alex Drummond, Danijel Firak, Nathan Geppert, Ryan thanks his wife, Lillian, for her support and Zachary Graves, Tariq Hassan, Josu Hernaiz, octomorph shenanigans, and blackcoat for being a font Jason Juta, Sergey Kondratovich, Ian Llanas, of feedback. -
The Tragedy of the Megastructure
105 Megastructures 3 | 2018 | 1 The Tragedy of the Megastructure Valentin Bourdon PhD Candidate École Polytechnique Fédérale de Lausanne [email protected] Valentin Bourdon is a PhD student at the Laboratory of Construction and Conservation (LCC) EPFL since 2017. His research explores the architectural challenges of the common space. In support of significant historical experiences, and contemporary subjects, such a project aims to help overcome the delay taken by architecture comparing to other disciplines in the appropriation of the notion of ‘common’. ABSTRACT Relating the megastructure to the issue of the commons is a useful exercise to understand the success and the disappearance of what Peter Reyner Banham called the “dinosaurs of the Modern Movement”. All these large-scale constructions suffered the same fate: a conflict between the promise of a large shared space and the temptation of its fragmentation. This quantitative quandary is also raised in another field by Garrett Hardin in 1968 as the ‘enclosure dilemma’. The publication of his article “The Tragedy of the Commons” sparked a broad controversy coinciding with the megastructure’s momentum. By assessing a number of theoretical correspondences, the article reexamines the impact of megastructures on the interdisciplinary debates of the time. It also considers the relationship between architecture and property as one of the possible–and tragically coincident–reasons for their success and dissolution. https://doi.org/10.6092/issn.2611-0075/8523 ISSN 2611-0075 Copyright © 2018 Valentin Bourdon 4.0 KEYWORDS Megastructure; Commons; Ownership; Enclosure; Anti-enclosure. Valentin Bourdon The Tragedy of the Megastructure 106 When the American ecologist Garrett Hardin publishes his famous article entitled “The Tragedy of the Commons”1 in Science, the architectural 1. -
Conformal Gravity and the Alcubierre Warp Drive Metric
Physics Faculty Works Seaver College of Science and Engineering 2013 Conformal Gravity and the Alcubierre Warp Drive Metric Gabriele U. Varieschi Loyola Marymount University, [email protected] Zily Burstein Loyola Marymount University Follow this and additional works at: https://digitalcommons.lmu.edu/phys_fac Part of the Physics Commons Recommended Citation Gabriele U. Varieschi and Zily Burstein, “Conformal Gravity and the Alcubierre Warp Drive Metric,” ISRN Astronomy and Astrophysics, vol. 2013, Article ID 482734, 13 pages, 2013. doi: 10.1155/2013/482734 This Article is brought to you for free and open access by the Seaver College of Science and Engineering at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Physics Faculty Works by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Hindawi Publishing Corporation ISRN Astronomy and Astrophysics Volume 2013, Article ID 482734, 13 pages http://dx.doi.org/10.1155/2013/482734 Research Article Conformal Gravity and the Alcubierre Warp Drive Metric Gabriele U. Varieschi and Zily Burstein Department of Physics, Loyola Marymount University, Los Angeles, CA 90045, USA Correspondence should be addressed to Gabriele U. Varieschi; [email protected] Received 7 November 2012; Accepted 24 November 2012 Academic Editors: P. P. Avelino, R. N. Henriksen, and P. A. Hughes Copyright © 2013 G. U. Varieschi and Z. Burstein. is is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. -
Strangest of All
Strangest of All 1 Strangest of All TRANGEST OF LL AnthologyS of astrobiological science A fiction ed. Julie Nov!"o ! Euro#ean Astrobiology $nstitute Features G. %avid Nordley& Geoffrey Landis& Gregory 'enford& Tobias S. 'uc"ell& (eter Watts and %. A. *iaolin S#ires. + Strangest of All , Strangest of All Edited originally for the #ur#oses of 'EACON +.+.& a/conference of the Euro#ean Astrobiology $nstitute 0EA$1. -o#yright 0-- 'Y-N--N% 4..1 +.+. Julie No !"o ! 2ou are free to share this 5or" as a 5hole as long as you gi e the ap#ro#riate credit to its creators. 6o5ever& you are #rohibited fro7 using it for co77ercial #ur#oses or sharing any 7odified or deri ed ersions of it. 8ore about this #articular license at creati eco77ons.org9licenses9by3nc3nd94.0/legalcode. While this 5or" as a 5hole is under the -reati eCo77ons Attribution3 NonCo77ercial3No%eri ati es 4.0 $nternational license, note that all authors retain usual co#yright for the indi idual wor"s. :$ntroduction; < +.+. by Julie No !"o ! :)ar& $ce& Egg& =ni erse; < +..+ by G. %a id Nordley :$nto The 'lue Abyss; < 1>>> by Geoffrey A. Landis :'ac"scatter; < +.1, by Gregory 'enford :A Jar of Good5ill; < +.1. by Tobias S. 'uc"ell :The $sland; < +..> by (eter )atts :SET$ for (rofit; < +..? by Gregory 'enford :'ut& Still& $ S7ile; < +.1> by %. A. Xiaolin S#ires :After5ord; < +.+. by Julie No !"o ! :8artian Fe er; < +.1> by Julie No !"o ! 4 Strangest of All :@this strangest of all things that ever ca7e to earth fro7 outer space 7ust ha e fallen 5hile $ 5as sitting there, isible to 7e had $ only loo"ed u# as it #assed.; A H. -
Strategy and Spell Art As Infrastructural Change
Strategy and Spell Art as Infrastructural Change Luiza Crosman, MA in Art and Culture Researcher at The Terraforming Strelka Institute The essay “Strategy and Spell: Art as Infrastructural Change” is an investi- gation of the performative force art spaces have on the field of art and on various infrastructures at large. It is also a strategic proposition on how to envision a position for action and from which to gain leverage within the current neoliberal global context. Drawing from contemporary art, design and media theory on systemic thinking, and the post-contemporary time complex, the essay reflects on two personal projects: the exhibition space casamata (2014–2017), and the project TRAMA, developed for the 33rd São Paulo Biennial – Affective Affinities (2018). Favoring a speculative approach that tackles large-scale problematics and collective organization, it demon- strates how there are many potentialities contained in exhibition spaces and how such potentialities could, through an understanding of a contemporary art megastructure and art practice as infrastructural change, operate new experiments for the art system. Introduction Why is contemporary art’s internal operational system still one of power inequality and economic precarity despite its visual and discursive pro- duction being critical of political injustices and social stratification? This essay will argue that there is an overpowering system in place, which is not affected by the current visual or discursive production, and which can actually benefit from it. Because of that, the question becomes, how can art production engage with the world not only as a symbolic or visual system, but also through its potent infrastructure? PASSEPARTOUT—NEW INFRASTRUCTURES 29 This essay will think through transformative action propositions by way of two personal reflections derived from my own artistic practice, and extricate from these instructable examples that can be used, in abstract terms, as a way to propose a base model from which to work upon as an artist. -
Defense Intelligence Reference Document Warp Drive, Dark
UNCLASSIFIED/ / FOR OFFICIAL USE ONLY Defense Intelligence Reference Document Acquisition Threat Support 2 2010 1 December 2009 DiA-08-1004-001 '------ Warp Drive, Dark Energy1 a11d the Manipulation of Dimensions UNCLASSIFIED//FOR OFFICIAL USE ONLY UNCLASSIFIED//FOR OFFICIAL USE ONLY Drive, Dark Energy, and the Manipulation of 1 Dimensions Prepared Acquisition Support Division (DW0-3) · Defense Warning Office Directorate for Analysis Defense Intelligence Agency Authors: Richard Obousy, Ph.D. President, Richard Obousy Consulting, LLC Eric W . Davis, Ph.D. Senior Research Physicist EarthTech International, Inc. Administrative Note COPYRIGHT WARNING: Further dissemination of the photogra.phs in tl1is is not authbrized. This product is one in series of advanced technology reports produced in FY 2009 under the Defense Intelligence Agency, Defense Warning Office's Advanced Aerospace Weapon System Applications (AAWSA) Program. Comments questions pertaining to th.is document should addressed to James Lacatski, D.Eng., AAWSA Program Manager, Defense Agency, CLAR/DW0-3, Bldg 6000, Washington, 20340-5100. ii UNCLASSIFIED/ /FOR OFFICIAL USE ONLY - --··--""·---·-·-""" .. UNCLASSIFIED/ /FOR OFFICIAL USE ONLY Contents Introduction .••..... " ...•........•••........•.•...•......•.......•......••., ....•.....•.•....•.••....• , ....•.•• •••..... v \ . 2. General Relativistic Warp Drives ....•. ;•·•············••··"'··" .• " .....•....: ..•.. ".".. " ·• ...• ). •..... 1 2.1 Warp Drive Requirements ..•.... ".""" •. """" •.•.• " .. " ..• "" •• " .•• ""."." -
The Jeremiad in American Science Fiction Literature, 1890-1970
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2019 The eJ remiad in American Science Fiction Literature, 1890-1970 Matthew chneideS r University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, English Language and Literature Commons, and the United States History Commons Recommended Citation Schneider, Matthew, "The eJ remiad in American Science Fiction Literature, 1890-1970" (2019). Theses and Dissertations. 2119. https://dc.uwm.edu/etd/2119 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE JEREMIAD IN AMERICAN SCIENCE FICTION LITERATURE, 1890-1970 by Matthew J. Schneider A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2019 ABSTRACT THE JEREMIAD IN AMERICAN SCIENCE FICTION LITERATURE, 1890-1970 by Matthew J. Schneider The University of Wisconsin-Milwaukee, 2019 Under the Supervision of Professor Peter V. Sands Scholarship on the form of sermon known as the American jeremiad—a prophetic warning of national decline and the terms of promised renewal for a select remnant—draws heavily on the work of Perry Miller and Sacvan Bercovitch. A wealth of scholarship has critiqued Bercovitch’s formulation of the jeremiad, which he argues is a rhetorical form that holds sway in American culture by forcing political discourse to hold onto an “America” as its frame of reference.