Defense Intelligence Reference Document Warp Drive, Dark
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Physicality of the Analogue by Duncan Robinson BFA(Hons)
Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player. -
The Pentagon's UAP Task Force
The Pentagon’s UAP Task Force Franc Milburn Mideast Security and Policy Studies No. 183 THE BEGIN-SADAT CENTER FOR STRATEGIC STUDIES BAR-ILAN UNIVERSITY Mideast Security and Policy Studies No. 183 The Pentagon’s UAP Task Force Franc Milburn The Pentagon’s UAP Task Force Franc Milburn © The Begin-Sadat Center for Strategic Studies Bar-Ilan University Ramat Gan 5290002 Israel Tel. 972-3-5318959 Fax. 972-3-5359195 [email protected] www.besacenter.org ISSN 0793-1042 November 2020 Cover image: Screen capture of US Navy footage of an Unidentified Aerial Phenomenon, US Department of Defense The Begin-Sadat (BESA) Center for Strategic Studies The Begin-Sadat Center for Strategic Studies is an independent, non-partisan think tank conducting policy-relevant research on Middle Eastern and global strategic affairs, particularly as they relate to the national security and foreign policy of Israel and regional peace and stability. It is named in memory of Menachem Begin and Anwar Sadat, whose efforts in pursuing peace laid the cornerstone for conflict resolution in the Middle East. Mideast Security and Policy Studies serve as a forum for publication or re-publication of research conducted by BESA associates. Publication of a work by BESA signifies that it is deemed worthy of public consideration but does not imply endorsement of the author’s views or conclusions. Colloquia on Strategy and Diplomacy summarize the papers delivered at conferences and seminars held by the Center for the academic, military, official and general publics. In sponsoring these discussions, the BESA Center aims to stimulate public debate on, and consideration of, contending approaches to problems of peace and war in the Middle East. -
Star Trek.” Let’S Explore the Science of Space!
Newspapers In Education and the Washington State Fair present BIG in the Future: STAR TREK AND SPACE “Star Trek: The Exhibition” is The Washington State Fair’s special exhibit featuring the science and technology behind the popular TV series, “Star Trek.” Let’s explore the science of space! SPEED: REALITY VS. FICTION If you’ve ever watched a video of a rocket launch, you’ll remember seeing enormous clouds of smoke and flmes as the spacecraft lifted off. The vessels in Star Trek, on the other hand, don’t have rocket engines and don’t shoot out hot exhaust gases. This is because in the show’s imagined future, scientists have made major breakthroughs in physics and propulsion. These advances—unknown to present science—allow a starship to “push” against something other than rocket exhaust. Known as warp drive, these fictional engines give starships the ability to travel at many times the speed of light. With warp drive, distances that would take tens of thousands of years to cover with today’s technology can be reached in just a few hours or days. A Star Trek-like propulsion system would make a lot of people very happy! IS ANYONE OUT THERE? When it comes to space, you’ll often encounter numbers so big that they give people headaches. It’s estimated that the visible universe has about 170,000,000,000 galaxies (the Milky Way being one of them) with a total of 300,000,000,000,000,000,000,000 stars between them (the sun being one of What qualities them). -
Pyramid Volume 3 in These Issues (A Compilation of Tables of Contents and in This Issue Sections) Contents Name # Month Tools Of
Pyramid Volume 3 In These Issues (A compilation of tables of contents and In This Issue sections) Contents Name # Month Name # Month Tools of the Trade: Wizards 1 2008-11 Noir 42 2012-04 Looks Like a Job for… Superheroes 2 2008-12 Thaumatology III 43 2012-05 Venturing into the Badlands: Post- Alternate GURPS II 44 2012-06 3 2009-01 Apocalypse Monsters 45 2012-07 Magic on the Battlefield 4 2009-02 Weird Science 46 2012-08 Horror & Spies 5 2009-03 The Rogue's Life 47 2012-09 Space Colony Alpha 6 2009-04 Secret Magic 48 2012-10 Urban Fantasy [I] 7 2009-05 World-Hopping 49 2012-11 Cliffhangers 8 2009-06 Dungeon Fantasy II 50 2012-12 Space Opera 9 2009-07 Tech and Toys III 51 2013-01 Crime and Grime 10 2009-08 Low-Tech II 52 2013-02 Cinematic Locations 11 2009-09 Action [I] 53 2013-03 Tech and Toys [I] 12 2009-10 Social Engineering 54 2013-04 Thaumatology [I] 13 2009-11 Military Sci-Fi 55 2013-05 Martial Arts 14 2009-12 Prehistory 56 2013-06 Transhuman Space [I] 15 2010-01 Gunplay 57 2013-07 Historical Exploration 16 2010-02 Urban Fantasy II 58 2013-08 Modern Exploration 17 2010-03 Conspiracies 59 2013-09 Space Exploration 18 2010-04 Dungeon Fantasy III 60 2013-10 Tools of the Trade: Clerics 19 2010-05 Way of the Warrior 61 2013-11 Infinite Worlds [I] 20 2010-06 Transhuman Space II 62 2013-12 Cyberpunk 21 2010-07 Infinite Worlds II 63 2014-01 Banestorm 22 2010-08 Pirates and Swashbucklers 64 2014-02 Action Adventures 23 2010-09 Alternate GURPS III 65 2014-03 Bio-Tech 24 2010-10 The Laws of Magic 66 2014-04 Epic Magic 25 2010-11 Tools of the -
I. Introduction
A Simplified Guide To Rocket Science and Beyond – Understanding The Technologies of The Future Deep Bhattacharjee * , Sanjeevan Singha Roy Abstract : Rocket science has always been fairly complex. Its not because, it deals only the properties of rocket dynamics, attitude control, propulsion systems but the complexity arises mostly as a result of its payload, whether its manned or unmanned, how to make that payload reaches to orbit? How to a ssemble them in orbit to make giant structures like space stations? And most importantly, the mechanisms and aerodynamics of the shu t- tle associated with the lifting of the rocket. This paper , not only helps to make ease out the complex terminology, rigorou s mathematics, pain stro k- ing equations into a simplified norms, like a non - fiction for the general readers but also, no pre - requisite knowledge in the fi eld is needed to study this paper . However, every possible attempt have been make to simplify the dynam ics of rocket sciences and control mechanisms to the most easier way that one can imagine, still, there are some complex terminologies but pictures are provided deliberately with facts and h istories to boost up the way of understanding the subject much mor e better than before. It has been deliberately proved in this paper that rockets along with orbital m e- chanics, Kessler’s syndrome, Lunar and Martial landing of the Apollo and the Curiosity rovers, is not the future of the humanity to reach out to the stars . Therefore, to eliminate time completely, to warp the space in a new way, to make the gravity constant at 1g Earth gravity, physics of Ele c- trohydrodynamics – Or, the physics beyond the rocket propulsion by harnessing the Anti - Gravity is discussed in detai ls with various types of engines and experiments carried out throughout the globe. -
Easter Eggs: Hidden Tracks and Messages in Musical Mediums
Proceedings ICMC|SMC|2014 14-20 September 2014, Athens, Greece Easter Eggs: Hidden Tracks and Messages in Musical Mediums Jonathan Weinel, Darryl Griffiths and Stuart Cunningham Creative & Applied Research for the Digital Society (CARDS) Glyndŵr University Plas Coch Campus, Mold Road, Wrexham, LL11 2AW, Wales +44 1978 293070 {j.weinel | Griffiths.d | s.cunningham}@glyndwr.ac.uk ABSTRACT the programmers’ office, in the style of the video game Doom [2]. The hidden game features credits and digital ‘Easter eggs’ are hidden components that can be found in images of the programmers. It is accessed by carrying computer software and various other media including out a particular series of actions on the 95th row of a music. In this paper the concept is explained, and various blank spreadsheet upon opening Excel. examples are discussed from a variety of mediums in- cluding analogue and digital audio formats. Through this discussion, the purpose of including easter eggs in musi- cal mediums is considered. We propose that easter eggs can serve to provide comic amusement within a work, but can also serve to support the artistic message of the art- work. Concealing easter eggs in music is partly depend- ent on the properties of the chosen medium; vinyl records Figure 1. Screenshots from the ‘hall of tortured souls’, in Mi- may use techniques such as double grooves, while digital crosoft Excel 95. formats such as CD may feature hidden tracks that follow long periods of empty space. Approaches such as these This paper will consider the purpose and realisation of and others are discussed. -
Artificial Intelligence, Ovvero Suonare Il Corpo Della Macchina O Farsi Suonare? La Costruzione Dell’Identità Audiovisiva Della Warp Records
Philomusica on-line 13/2 (2014) Artificial Intelligence, ovvero suonare il corpo della macchina o farsi suonare? La costruzione dell’identità audiovisiva della Warp Records Alessandro Bratus Dipartimento di Musicologia e Beni Culturali Università di Pavia [email protected] § A partire dai tardi anni Ottanta la § Starting from the late 1980s Warp Records di Sheffield (e in seguito Sheffield (then London) based Warp Londra) ha avuto un ruolo propulsivo Records pushed forward the extent nel mutamento della musica elettronica and scope of electronic dance music popular come genere di musica che well beyond its exclusive focus on fun non si limita all’accompagna-mento del and physical enjoinment. One of the ballo e delle occasioni sociali a esso key factors in the success of the label correlate. Uno dei fattori chiave nel was the creative use of the artistic successo dell’etichetta è stato l’uso possibilities provided by technology, creativo delle possibilità artistiche which fostered the birth of a di- offerte dalla tecnologia, favorendo la stinctive audiovisual identity. In this formazione di un’identità ben ca- respect a crucial role was played by ratterizzata, in primo luogo dal punto the increasing blurred boundaries di vista audiovisivo. Sotto questo profilo between video and audio data, su- un ruolo fondamentale ha giocato la bjected to shared processes of digital possibilità di transcodifica tra dati transformation, transcoding, elabora- audio e video nell’era digitale, poten- tion and manipulation. zialmente soggetti agli stessi processi di Although Warp Records repeatedly trasformazione, elaborazione e mani- resisted the attempts to frame its polazione. artistic project within predictable Nonostante la Warp Records abbia lines, its production –especially mu- ripetutamente resistito a ogni tentativo sic videos and compilations– suggests di inquadrare il proprio progetto arti- the retrospective construction of a stico entro coordinate prevedibili, i suoi consistent imagery. -
Label ARTIST Piece Tracks/Notes Format Quantity
Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes -
A Study of Microtones in Pop Music
University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion. -
Conformal Gravity and the Alcubierre Warp Drive Metric
Physics Faculty Works Seaver College of Science and Engineering 2013 Conformal Gravity and the Alcubierre Warp Drive Metric Gabriele U. Varieschi Loyola Marymount University, [email protected] Zily Burstein Loyola Marymount University Follow this and additional works at: https://digitalcommons.lmu.edu/phys_fac Part of the Physics Commons Recommended Citation Gabriele U. Varieschi and Zily Burstein, “Conformal Gravity and the Alcubierre Warp Drive Metric,” ISRN Astronomy and Astrophysics, vol. 2013, Article ID 482734, 13 pages, 2013. doi: 10.1155/2013/482734 This Article is brought to you for free and open access by the Seaver College of Science and Engineering at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Physics Faculty Works by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Hindawi Publishing Corporation ISRN Astronomy and Astrophysics Volume 2013, Article ID 482734, 13 pages http://dx.doi.org/10.1155/2013/482734 Research Article Conformal Gravity and the Alcubierre Warp Drive Metric Gabriele U. Varieschi and Zily Burstein Department of Physics, Loyola Marymount University, Los Angeles, CA 90045, USA Correspondence should be addressed to Gabriele U. Varieschi; [email protected] Received 7 November 2012; Accepted 24 November 2012 Academic Editors: P. P. Avelino, R. N. Henriksen, and P. A. Hughes Copyright © 2013 G. U. Varieschi and Z. Burstein. is is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. -
Xix Share Anticipated Debut Video for Viral Track “Kismet” on Masked Records / Warner Records
XIX SHARE ANTICIPATED DEBUT VIDEO FOR VIRAL TRACK “KISMET” ON MASKED RECORDS / WARNER RECORDS FEATURING TIKTOK STARS XOWIEJONES & BENKRO_TV WATCH HERE October 22, 2020 (Los Angeles, CA) – XIX are the next wave of musicians in the genre bending hyper-pop scene to make their own lane with their viral earworm “Kismet.” The song has been exploding on TikTok and has already amassed 7.8 million streams. Today, the duo comprised of Yung Skayda and Karm the Tool share the eagerly-awaited video on Masked Records / Warner Records with cameo appearances from alt-TikTok superstars Xowiejones and Benkro_TV. The video is a major statement for XIX, who are blazing a trail behind them in the Ramez Silyan- directed (Lil Peep) video as they wreak havoc on high school property in the night hours. The manic energy is unavoidably reminiscent of iconic teenage rebellion movies and soundtracks this aesthetic to a tee. The track's hook “Molly rocks in my green tea,” is becoming its own brand with more than 3 million TikTok videos created and over a dozen sounds supported by the likes of social media maven Charli D'Amelio, super producer Marshmello and renowned comedian Sacha Baron Cohen as Borat while promoting the new Borat 2 movie. The aforementioned lyric was intentionally isolated as the repeating phrase on the song by XIX with the premonition that it could spark a movement. As fate would have it, they were right. Now with millions of streams under their belt and an incredible video for “Kismet,” the future is bright for Yung Skayda and Karm, who are deeply inspired by punk rock, rap and metal and cite XXXTentacion as their biggest influence. -
The Jeremiad in American Science Fiction Literature, 1890-1970
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2019 The eJ remiad in American Science Fiction Literature, 1890-1970 Matthew chneideS r University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, English Language and Literature Commons, and the United States History Commons Recommended Citation Schneider, Matthew, "The eJ remiad in American Science Fiction Literature, 1890-1970" (2019). Theses and Dissertations. 2119. https://dc.uwm.edu/etd/2119 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE JEREMIAD IN AMERICAN SCIENCE FICTION LITERATURE, 1890-1970 by Matthew J. Schneider A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2019 ABSTRACT THE JEREMIAD IN AMERICAN SCIENCE FICTION LITERATURE, 1890-1970 by Matthew J. Schneider The University of Wisconsin-Milwaukee, 2019 Under the Supervision of Professor Peter V. Sands Scholarship on the form of sermon known as the American jeremiad—a prophetic warning of national decline and the terms of promised renewal for a select remnant—draws heavily on the work of Perry Miller and Sacvan Bercovitch. A wealth of scholarship has critiqued Bercovitch’s formulation of the jeremiad, which he argues is a rhetorical form that holds sway in American culture by forcing political discourse to hold onto an “America” as its frame of reference.