"Jews," "Homosexuals," and the Inclusion of Sexual Orientation As a Forbidden Characteristic in Antidiscrimination Laws Marc A
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Making Shabbat at Home
MAKING SHABBAT AT HOME For December 25, 2015 and January 1, 2016 We don't like to ever close our doors on a Friday evening. However, these are Friday evenings, as part of the flow of American life and culture at this time of year, during which many regular Beth Shir Shalom Shabbat attendees are busy with other plans or out of town. We invite you to share Shabbat with family and friends with the help of this material. MUSIC: These prayers and songs can be accessed at our website, www.bethshirshalom.org Candle lighting Blessing of Children ("On This Day and All the Time" - a form of the Priestly Blessing for Children © Rabbi Neil Comess-Daniels) Kiddush Motzi Shema Adonai Sefatai Tiftach (Music and English lyrics © Rabbi Neil Comess-Daniels) THE FOLLOWING TEXTS: Shabbat Blessings V’ahavta (The best translation ever!) Some of our Reflective Translations (© Rabbi Neil Comess-Daniels) Respecting Symbols (© Rabbi Neil Comess-Daniels) Rabbi’s Ice Cream story - "American Pie" For use by Beth Shir Shalom only. Unauthorized duplication or use of these texts is a violation of both U.S. copyright laws and the Jewish prohibition against g’nevah, the stealing of (intellectual) property. LIGHTING THE SHABBAT CANDLES . . Ba-ruch ata Adonai Eloheynu Me-lech ha-olam a-sher kid'sha-nu b'mitz-vo-tav v'tzi-va-nu l'had-lik neyr shel Shabbat. We are filled with awe before and within Everything-There-Was-Is-and-Will-Be through the mindfulness of the mitzvot, the pathways of our lives. We become mindful of the Oneness when we kindle the flame of Shabbat. -
11-2018 Kehillah Layout.Psf
5779 Cheshvan-Kislev Kehillah November TBI's Monthly News Magazine 2018 In This Issue Page Page 14 Parashiyot 2 Calendar of Events 15 Memorials,Tributes, and Contributions, Beit Midrash 3 From the Rabbi, Presidential Perspective Minyan Shabbat Morning T'filah 4 Preschool News, Advocacy for Autism, Financial Markets 16 Shomrim Society After the Midterm Elections 17 Jewish Book Festival - Springfield Connection 5 Adult Jewish Learning Programs 18 Jewish Book Festival - Event Schedule 6 From the Archives, Get Acquainted Potluck BBQ, Life 19 Introduction to Judaism Cycle Events 20 Hadassah Musical Afternoon 7 Soles4Souls, Community Calendar, Thank You 21 Community Interfaith Thanksgiving Service 8 19th Annual High Holy Days Food Drive, Social Action 22 TBI Chanukah Dinner, Candle Lighting & T'filah Excellence Awards 23 Hanukkah Blessings 9 Shel Ner Tzedakah, Refugee Assistance News 24 Festival of Jewish Music 10 Serving the Homeless in Our Community, The Mid-term 25-26 TBI Scrip Order Form Elections 27 TBI Tribute Order Form 11 Mitzvah Network Spotlight, Art Lovers See Fabulous Judy 28-30 TBI Advertisers Chicago Exhibit 31 Leadership Roster, How to Contact TBI Staff 12 The Importance of Promoting Youth Engagement, Worship 32 Bunco! at TBI 13 Yahrzeits CALENDAR OF EVENTS Sundays are indicated as bold dates. Sundays: Beit Sefer and Library open at 9:00 a.m.* Thursdays: Library opens at 1:00 pm. Wednesdays: Beit Sefer begins at 4:00 p.m.* Saturdays: Torah Study begins at 9:30 am every Saturday *Unless otherwise noted in the calendar of the year -
The Creative Process
The Creative Process THE SEARCH FOR AN AUDIO-VISUAL LANGUAGE AND STRUCTURE SECOND EDITION by John Howard Lawson Preface by Jay Leyda dol HILL AND WANG • NEW YORK www.johnhowardlawson.com Copyright © 1964, 1967 by John Howard Lawson All rights reserved Library of Congress catalog card number: 67-26852 Manufactured in the United States of America First edition September 1964 Second edition November 1967 www.johnhowardlawson.com To the Association of Film Makers of the U.S.S.R. and all its members, whose proud traditions and present achievements have been an inspiration in the preparation of this book www.johnhowardlawson.com Preface The masters of cinema moved at a leisurely pace, enjoyed giving generalized instruction, and loved to abandon themselves to reminis cence. They made it clear that they possessed certain magical secrets of their profession, but they mentioned them evasively. Now and then they made lofty artistic pronouncements, but they showed a more sincere interest in anecdotes about scenarios that were written on a cuff during a gay supper.... This might well be a description of Hollywood during any period of its cultivated silence on the matter of film-making. Actually, it is Leningrad in 1924, described by Grigori Kozintsev in his memoirs.1 It is so seldom that we are allowed to study the disclosures of a Hollywood film-maker about his medium that I cannot recall the last instance that preceded John Howard Lawson's book. There is no dearth of books about Hollywood, but when did any other book come from there that takes such articulate pride in the art that is-or was-made there? I have never understood exactly why the makers of American films felt it necessary to hide their methods and aims under blankets of coyness and anecdotes, the one as impenetrable as the other. -
Journal of Visual Culture
Journal of Visual Culture http://vcu.sagepub.com/ Just Joking? Chimps, Obama and Racial Stereotype Dora Apel Journal of Visual Culture 2009 8: 134 DOI: 10.1177/14704129090080020203 The online version of this article can be found at: http://vcu.sagepub.com/content/8/2/134 Published by: http://www.sagepublications.com Additional services and information for Journal of Visual Culture can be found at: Email Alerts: http://vcu.sagepub.com/cgi/alerts Subscriptions: http://vcu.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://vcu.sagepub.com/content/8/2/134.refs.html >> Version of Record - Nov 20, 2009 What is This? Downloaded from vcu.sagepub.com at WAYNE STATE UNIVERSITY on October 8, 2014 134 journal of visual culture 8(2) Just Joking? Chimps, Obama and Racial Stereotype We are decidedly not in a ‘post-racial’ America, whatever that may look like; indeed, many have been made more uneasy by the election of a black president and the accompanying euphoria, evoking a concomitant racial backlash in the form of allegedly satirical visual imagery. Such imagery attempts to dispel anxieties about race and ‘blackness’ by reifying the old racial stereotypes that suggest African Americans are really culturally and intellectually inferior and therefore not to be feared, that the threat of blackness can be neutralized or subverted through caricature and mockery. When the perpetrators and promulgators of such imagery are caught in the light of national media and accused of racial bias, whether blatant or implied, they always resort to the same ideological escape hatch: it was only ‘a joke’. -
Amending the Defense of Marriage Act: a Necessary Step Toward Gaining Full Legal Rights for Same-Sex Couples Nancy Kubasek
Journal of Gender, Social Policy & the Law Volume 19 | Issue 3 Article 8 2011 Amending the Defense of Marriage Act: A Necessary Step Toward Gaining Full Legal Rights for Same-Sex Couples Nancy Kubasek Christy Glass Kate Cook Follow this and additional works at: http://digitalcommons.wcl.american.edu/jgspl Part of the Sexuality and the Law Commons Recommended Citation Kubasek, Nancy, Christy Glass, and Kate Cook. "Amending the Defense of Marriage Act: A Necessary Step Toward Gaining Full Legal Rights for Same-Sex Couples." American University Journal of Gender Social Policy and Law 19, no. 3 (2011): 959-986. This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Journal of Gender, Social Policy & the Law by an authorized administrator of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. KUBASEK 4/30/11 9/1/2011 6:28 PM Kubasek et al.: Amending the Defense of Marriage Act: A Necessary Step Toward Gai AMENDING THE DEFENSE OF MARRIAGE ACT: A NECESSARY STEP TOWARD GAINING FULL LEGAL RIGHTS FOR SAME-SEX COUPLES NANCY KUBASEK, CHRISTY GLASS, AND KATE COOK I. Introduction ............................................................................................ 959 II. History of the Treatment of Same-Sex Relationships in the United States ............................................................................................... 962 III. Losses Imposed on Same-Sex Couples by Federal DOMA ................ 965 A. Federal Welfare Benefits .......................................................... 968 B. Tax Benefits .............................................................................. 969 C. Additional Benefits ................................................................... 970 IV. Alternative Approaches to Remedying the Problem .......................... -
Marriage Equality Comes to the Fourth Circuit Carl Tobias University of Richmond School of Law, [email protected]
Washington and Lee Law Review Volume 75 | Issue 4 Article 6 2-19-2019 Marriage Equality Comes to the Fourth Circuit Carl Tobias University of Richmond School of Law, [email protected] Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Constitutional Law Commons, Family Law Commons, Jurisprudence Commons, Law and Gender Commons, Sexuality and the Law Commons, and the Supreme Court of the United States Commons Recommended Citation Carl Tobias, Marriage Equality Comes to the Fourth Circuit, 75 Wash. & Lee L. Rev. 2005 (2018), https://scholarlycommons.law.wlu.edu/wlulr/vol75/iss4/6 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. Marriage Equality Comes to the Fourth Circuit Carl Tobias Table of Contents I. Introduction .................................................................... 2006 II. A Brief History of Marriage Equality ........................... 2006 III. Marriage Equality Litigation and Marriage Equality’s Implementation .............................................................. 2013 A. The Fourth Circuit ................................................... 2013 1. Virginia Litigation ............................................. 2014 a. Eastern District Opinion ............................. -
Untersuchungen Zur Polysystemtheorie Nach Itamar Even-Zohar in Der Musik Am Beispiel Von „Bei Mir Bist Du Schön“
Untersuchungen zur Polysystemtheorie nach Itamar Even-Zohar in der Musik am Beispiel von „Bei mir bist du schön“ Inhalt 1.0 Einleitung ........................................................................................................................ 1 2.0 Die Polysystemtheorie ............................................................................................... 1 3.0 Entstehung und Verbreitung von „Bei mir bist du schön“ ........................... 4 4.0 Analyse von „Bei mir bist du schoen“ ................................................................... 6 4.1 Analyse des Andrews Sisters Arrangements ..................................................... 8 4.2. Analyse des Ella Fitzgerald Arrangements........................................................ 9 4.3 Analyse des Benny Goodman Arrangements ................................................. 10 5.0 Fazit ................................................................................................................................ 13 6.0 Literatur- und Quellenverzeichniss ................................................................... 15 Fragen und Anregungen: ............................................................................................... 16 1.0 Einleitung Der Kulturwissenschaftler Itamar Even-Zohar übertrug das politisch- ökonomische Zentrum-Peripherie-Modell auf soziologische Systeme und kulturelle Erzeugnisse.1 Bei diesem Modell können kulturelle Erzeugnisse einer Subkultur von der Peripherie eines Systems in dessen Zentrum wandern. Dieser -
PEGODA-DISSERTATION-2016.Pdf (3.234Mb)
© Copyright by Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS ____________________________ Andrew Joseph Pegoda APPROVED: ____________________________ Linda Reed, Ph.D. Committee Chair ____________________________ Nancy Beck Young, Ph.D. ____________________________ Richard Mizelle, Ph.D. ____________________________ Barbara Hales, Ph.D. University of Houston-Clear Lake ____________________________ Steven G. Craig, Ph.D. Interim Dean, College of Liberal Arts and Social Sciences Department of Economics ii “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ An Abstract of A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 ABSTRACT Historians have continued to expand the available literature on the Civil Rights Revolution, an unprecedented social movement during the 1940s, 1950s, and 1960s that aimed to codify basic human and civil rights for individuals racialized as Black, by further developing its cast of characters, challenging its geographical and temporal boundaries, and by comparing it to other social movements both inside and outside of the United States. -
Volume 6, Number 2
JOURNAL OF SYNAGOGUE MUSIC OCTOBER 1975 / HESHVAN 5736 VOLUME VI NUMBER 2 CONTENTS SYNAGOGUE MUSIC Is DEAD Michael Isaacson 3 THE CHALLENGE OF SYNAGOGUE MUSIC : A PERSONAL STATEMENT Elliot B. Gertel 6 AMERICA IN EAST EUROPEAN YIDDISH FOLKSONG Eleanor Gordon Mlotek 20 ARTICULATING MUSIC WITH FOREIGN LANGUAGE STUDY Dr. Daniel Chazanoff 37 THE SUBJECT OF JEWISH MUSIC : A REVIEW OF NULMAN’S, “CONCISE ENCYCLOPEDIA OF JEWISH MUSIC” Max Wohlberg 44 DEPARTMENTS MUSIC SECTION Compositions by Schlosberg, Bernstein and Eisenstadt 51 FROM OUR READERS Exchange of letters between Professors Weiser and Wohlberg 61 JOURNAL OF SYNAGOGUE MUSIC, Volume VI, Number 2 October 1975 / Heshvan 5736 EDITOR : Morton Shames MANAGING EDITOR : Samuel Rosenbaum EDITORIAL BOARD: Saul Meisels, Marshall Portnoy, David J. Putter- man, Moses J. Silverman, Pinchas Spiro, David Tilman, Dr. Max Wohlberg. BUSINESS MANAGER: Yehuda Mandel OFFICERS OF THE CANTORS ASSEMBLY: Michal Hammerman, Pres- ident; Kurt Silberman, Vice President; Zvan Perlman, Treasurer; Jacob Barkin, Secretary; Samuel Rosenbaum, Executive Vice President. JOURNAL OF SYNAGOGUE MUSIC is a quarterly publication. The sub- scription fee is $12.50 per year. Second-class postage paid at New York, New York. All articles, communications and subscriptions should be addressed to Journal of Synagogue Music, Cantors Assem- bly, 150 Fifth Avenue, New York 10011. Copyright @ 1975, Cantors Assembly 3 SYNAGOGUE MUSIC IS DEAD MICHAEL ISAACSON Several years ago when I first became involved with synagogue music on a professional basis, I believed that the music which I had grown up hearing was about to go through real change. I was certain that the 19th Century romanticism of Sulzer, Lewandowski and Dunajewsky had had its day and newer music that spoke to 20th Century needs was to replace it. -
In Touch Editors: July Jubilee, Please Enjoy What Would We Do? If the Sure It Is There for An- Susan Shimer Uri Taenzer’S Trip Report
I S S N : 1 5 5 9 - 4 8 6 6 The Newsletter of the American Friends Volume 12 of the Jewish Museum Hohenems, Inc. September 2011 I N T OUCH S EPTEMBER 2 0 1 1 L ETTER FROM THE PRESIDENT F RANCESCA B RUNNER - K ENNEDY Dear Friends, and tell us that the mu- seum saved their life. This newsletter marks two Yet few people have the Stephan Rollin significant milestones in opportunity to do any- Founder the history of the Jewish thing as dramatic as Museum Hohenems. save a life. Still, we Francesca Brunner-Kennedy First, Otto Amann, foun- must do what we can, [email protected] President der of the Jewish Museum where we can. While Hohenems and former anti-Semitism, racism, Claude Rollin, Esq. mayor of Hohenems, died religious persecution, Vice-President on 18 February. It was sexism, and intolerance Uri Taenzer, Esq. his idea to save the dilapi- exist, we must fight them is one of only three Jew- Secretary-Treasurer dated villa in the narrow with what tools we have. ish museums in Austria. old Jewish street that now It carries an enormous T RUSTEES Dr. Robert Amler houses the museum so In Kurt Greussing’s pres- responsibility. Because Nicole M. Angiel beautifully. He will be entation at the jubilee, he we descendants are often Ronald Bernell missed by his family, the talked about five Jewish the only reason it garners museum staff, and de- Doris Billes residents of Hohenems in international attention, scendants alike. On a 1940 making one of we have a responsibility Nadia Follman happier note, a glorious those fateful walks to the as well. -
Adam Sandler, the Chanukah Song II
Adam Sandler, The Chanukah song II Put on your yarmulke Its time for Chanukah So much funnaka To celebrate Chanukah Chanukah is the festival of lights Instead of one day of presents We get eight crazy nights When you feel like the only kid in town Without a Christmas tree Here's a new list of people who are Jewish Just like you and me Winona Ryder, Drinks Manischewitz wine Then spins a draydle with Ralph Lauren and Calvin Klein Guess who gives and receives Loads of Chanukah toys The girls from Veruca Salt and all three Beastie Boys Lenny Kravitz is half Jewish, Courtney Love is half too Put them together What a funky bad ass Jew We got Harvey Keitel And flash dancer Jennifer Beals Yasmine Bleeth from Baywatch is Jewish And yes her boobs are real Put on your yarmulka Its time for Chanukah 2 time Ocsar winning Dustin Hoffmanaka celebrates Chanukah O.J. Simpson Still not a Jew But guess who is, The guy who does the voice for Scooby Doo Bob Dylan was born a Jew Then he wasn't but now he's back, Mary Tyler Moore's husband is Jewish 'Cause we're pretty good in the sack. Guess who got bar-mitzvahed On the PGA tour No I'm not talking about Tiger Woods I'm talkin' about Mr. Happy Gilmore. So many Jews are in the show biz Bruce Springsteen isn't But my mother thinks he is. Tell the world-amanaka It's time for Chanukah It's not pronounced Ch-nakah The C is silent in Chanukah So get your hooked on phonica Get drunk in Tijuanaka If you really really wannaka Have a happy happy happy happy Chanukah! Adam Sandler - The Chanukah song II w Teksciory.pl. -
Download Printer Friendly .Pdf
Yay, It's Chanukah!!! By Lisa Gitelson Made with CUSTOMANDCRAFT.ORG Table of Contents Table of Contents 2 INTRODUCTION 3 How to Light the Menorah 3 Miracles Quote 4 Hanukkah, Oh Hanukkah 5 Svivon, Sov Sov Sov! 7 Light The Candles 8 Adam Sandler's "The Chanukah Song" 9 Ma'oz Tzur / Rock of Ages 11 The Chanukah Story, Two Ways 13 How to Recite the Chanukah Blessings 15 Lighting the Menorah 17 A Chanukah Writing Meditation 19 Dreidel Rules 21 Miracles Quote 23 Spreading Light Quote 24 Eight - Matisyahu Quote 25 INTRODUCTION How to Light the Menorah Contributed by Custom & Craft Source: Custom & Craft A menorah is also called a “Hanukkiyah” Each night of Chanukah, we light an additional candle to indicate the growing miracle of each successive night. On the first night, we light the shamash (helper) and use it to light one additional candle. On night two, we light the shamash, plus two candles, and so on until the final night when we have a hanukkiyah full of light. It is traditional to place the hanukkiyah on or near a window, so it can be seen from the street. INTRODUCTION Miracles Quote Contributed by Custom & Craft Source: Custom & Craft INTRODUCTION Hanukkah, Oh Hanukkah Contributed by Irving Lebow Source: Oh, Hanukkah, Oh, Hanukkah Come light the menorah Let's have a party We'll all dance the hora Gather round the table, we'll give you a treat Sevivonim to play with and lakes to eat And while we are playing The candles are burning low One for each night, they shed a sweet light To remind us of days long ago One for each night, they