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The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
The WWF Legend Has Become Renowned for His Hilarious Twitter
the WWF legend has become renoWned For his hilarious Twitter takedoWns oF celebrities noW, on the eve oF the release oF a documentary about his spectacular rise, Fall, and come by Steven Leckart photographs by Gregory Miller Says, “Go F Yourself!”**K (F**k the bieber!), rivals (F**k the hulk hogan!), and even countries (F**k the north korea!). back, We Went to the sheik’s house to get to knoW the man behind the snarling mustache. Gilbert Gottfried; he’ll sign hundreds of One day the phone rang—Takhti was head shots and pose for photos at two being rushed to the hospital. When VIP meetandgreets; he’ll shoot a spec Vaziri arrived, he was sent to the cem TV commercial for Bud Light in which etery. As Takhti’s body was washed on a he armwrestles a blonde actress in a stone altar, Vaziri stood there and wept. pizza parlor; he’ll film his final interview Takhti’s death was declared a suicide, for the documentary Iranian Legend: The but many suspected his democratic Iron Sheik Story, which premieres next leanings had put the wrestler in the month; he’ll storm Mayor Rob Ford’s of crosshairs of the SAVAK, Iran’s secret fice in Toronto and hijack a gaggle of TV police, who were infamous for torture news crews. Video of him insulting the and executions. “They tell me, ‘If you politician—“The man eats a cheeseburger don’t want to be like him,’ ” Vaziri and smokes crack!!!”—will go viral. recalls, “ ‘better don’t say nothing.’ ” Which brings us to the Sheik’s Twitter Vaziri hopped a plane to New York, “WAKE THE FUCK UP, JABRONI!” account. -
The Oral Poetics of Professional Wrestling, Or Laying the Smackdown on Homer
Oral Tradition, 29/1 (201X): 127-148 The Oral Poetics of Professional Wrestling, or Laying the Smackdown on Homer William Duffy Since its development in the first half of the twentieth century, Milman Parry and Albert Lord’s theory of “composition in performance” has been central to the study of oral poetry (J. M. Foley 1998:ix-x). This theory and others based on it have been used in the analysis of poetic traditions like those of the West African griots, the Viking skalds, and, most famously, the ancient Greek epics.1 However, scholars have rarely applied Parry-Lord theory to material other than oral poetry, with the notable exceptions of musical forms like jazz, African drumming, and freestyle rap.2 Parry and Lord themselves, on the other hand, referred to the works they catalogued as performances, making it possible to use their ideas beyond poetry and music. The usefulness of Parry-Lord theory in studies of different poetic traditions tempted me to view other genres of performance from this perspective. In this paper I offer up one such genre for analysis —professional wrestling—and show that interpreting the tropes of wrestling through the lens of composition in performance provides information that, in return, can help with analysis of materials more commonly addressed by this theory. Before beginning this effort, it will be useful to identify the qualities that a work must possess to be considered a “composition in performance,” in order to see if professional wrestling qualifies. The first, and probably most important and straightforward, criterion is that, as Lord (1960:13) says, “the moment of composition is the performance.” This disqualifies art forms like theater and ballet, works typically planned in advance and containing words and/or actions that must be performed at precise times and following a precise order. -
The Sheik Directed by Igal Hecht
“Every once in a while a documentary comes down the pike that pretty much knocks you on your ass. This is one of those documentaries!" Dwayne Johnson, Actor and WWE Superstar. The Touching Story of Wrestling’s Greatest Villain The Sheik Directed by Igal Hecht A World Premiere at Hot Docs Bloor Hot Docs Cinema Saturday | April 26, 2014 | 9:00pm http://sheikmovie.com #sheikmovie THE SHEIK (95min, Feature): The Unfiltered and Shockingly Entertaining story about the Iron Sheik (KhosroW Vaziri). “I respect my fans I love my fans. World premiere of my movie in the #1 film festival Hot Doc. Now I give my fans my movie on the download to see how I become a legend and the real Iron Sheik. “ (TORONTO, CANADA - April 14, 2014) Once the most outlandish of professional wrestlers, Khosrow Vaziri – a.k.a. The Iron Sheik - is now, at 72, the most outrageous personality on Twitter, a man who routinely shocks even Howard Stern. But the story behind the oversized personality is raw, touching, emotional and almost unbelievable. The Sheik is a labour of love by two Iranian-Canadian twins – Page and Jian Magen - who grew up idolizing him, and ended up pointing him towards redemption and a second chance at stardom. Featuring Dwayne Johnson, Mick Foley, Seth Green, Jim Ross and over 25 celebrities and entertainment superstars; The Sheik will make its World Premiere at Hot Docs International Film Festival in Toronto Canada on April 26th at 9pm. The Sheik was selected as Hot Doc’s 2014 Special Presentations collection. Meanwhile, adding impact to the event, at the same day and time as the gala World Premiere at Hot Docs, the film will be available for an official pre-sale to the world with a Download To Own from http://sheikmovie.com . -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents. -
Here Is a Printable
James Rosario is a film critic, punk rocker, librarian, and life-long wrestling mark. He grew up in Moorhead, Minnesota/Fargo, North Dakota going to as many punk shows as possible and trying to convince everyone he met to watch his Japanese Death Match and ECW tapes with him. He lives in Asheville, North Carolina with his wife and two kids where he writes his blog, The Daily Orca. His favorite wrestlers are “Nature Boy” Buddy Rogers, The Sheik, and Nick Bockwinkel. Art Fuentes lives in Orange County, Califonia and spends his days splashing ink behind the drawing board. One Punk’s Guide is a series of articles where Razorcake contributors share their love for a topic that is not traditionally considered punk. Previous Guides have explored everything from pinball, to African politics, to outlaw country music. Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. One Punk’s Guide to Professional Wrestling originally appeared in Razorcake #101, released in December 2017/January 2018. Illustrations by Art Fuentes. Original layout by Todd Taylor. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org ONE PUNK’S GUIDE TO PROFESSIONAL WRESTLING ’ve been watching and following professional wrestling for as long as I can remember. I grew up watching WWF (World Wrestling IFederation) Saturday mornings in my hometown of Moorhead, Minn. -
TK Ali Vs. Inoki
TK Ali vs. Inoki Ali vs. Inoki The Forgotten Fight That Inspired Mixed Martial Arts and Launched Sports Entertainment By Josh Gross BenBella Books Dallas, TX Copyright © 2015 by Josh Gross All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles or reviews. BenBella Books, Inc. 10300 N. Central Expressway Suite #530 Dallas, TX 75231 www.benbellabooks.com Send feedback to [email protected] Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data: TK Editing by Erin Kelley Copyediting by Scott Calamar Proofreading by TK and TK Indexing by TKCover design by TKText design and composition by TKPrinted by TK Distributed by Perseus Distribution perseusdistribution.com To place orders through Perseus Distribution: Tel: (800) 343-4499 Fax: (800) 351-5073 E-mail: [email protected] Significant discounts for bulk sales are available. Please contact Glenn Yeffeth at [email protected] or (214) 750-3628. 4 TK Contents Foreword Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Acknowledgements About the Author 5 Foreword CHAPTER ONE The southern coast of Honshu, the largest and most populous of Japan’s four main islands, trembled at 10:19 P.M. local time, Friday, June 18, 1976. Thirty-eight miles away in Tokyo, the most famous man on the planet and some of the troop that followed him everywhere he went had just settled into their rooms on the forty-fourth floor at the upscale Keio Plaza Hotel. -
Legdropping the Iron Sheikh: an Autoethnographic Performance Selection from Burnt City: a Dystopian Bilingual One-Persian Show
Legdropping the Iron Sheikh: An AutoEthnographic Performance Selection from Burnt City: A Dystopian Bilingual One-Persian Show Josh Hamzehee4 University of Northern Iowa [email protected] Legdropping the Iron Sheikh is an autoethnographic performance selection from is a ( شهر سوخته Burnt City: A Dystopian Bilingual One-Persian Show. Burnt City (or solo performance about United States-Iran relations. This performance uses poetry, humor, video, and the Farsi language to excavate how domestic abuse at home is congruous to violence inflicted by governments on citizens. In Legdropping the Iron Sheikh, the fifth scene from the production, Hamzehee juxtaposes parallels between his father’s U.S. arrival during the 1979 Iranian Revolution with the Iron Sheik’s 1980s’ battles with the All-American Hulk Hogan. This autoethnographic performance is backgrounded by an edited and x-ray’d video of the January 23, 1984 Madison Square Garden telecast of Hogan-Sheik’s WWF World Championship title match. This creative essay, script, and performance provides insight into this match as a critique of 1980’s U.S.-Iran relations, as well as Hamzehee’s relationship with his Persian father, arguing that the impacts of domestic abuse felt at home have parallels to those inflicted by homelands. A video of the performance is included as a hyperlink. Keywords: Iron Sheik, Wrestling, Autoethnography, Performance, Iran Please click the following link to access a video of Josh Hamzehee performing Burnt City: A Dystopian Bilingual One-Persian Show! In Legdropping the Iron Sheikh, Khosrow Vaziri’s infamous 1980s professional wrestling character becomes an entry point for me to performatively interrogate how presentations of United States-Iran relations reflected and impacted my relationships with my Iranian-born father and the cultures I was born into. -
January 4, 1982 in Trotwood, OH Hara Arena
January 4, 1982 in Trotwood, OH July 16, 1982 in Trotwood, OH Hara Arena drawing ??? Hara Arena drawing ??? 1. Jimmy Garvin beat The Angel. 1. Match results unavailable. 2. Brad Armstrong drew Buzz Sawyer. 3. Bob Armstrong beat Ron Bass. 4. Tommy Rich beat The Masked Superstar. 5. Terry Gordy & The Super Destroyer beat Mr. Wrestling II & Michael Hayes when Gordy pinned Hayes. July 30, 1982 in Trotwood, OH Hara Arena drawing ??? 1. Andre the Giant vs. Harley Race. January 21, 1982 in Trotwood, OH Hara Arena drawing ??? 1. Brad Armstrong beat Ricky Harris. August 13, 1982 in Trotwood, OH 2. Buzz Sawyer beat Jim Garvin. Hara Arena drawing ??? 3. Dusty Rhodes beat The Great Kabuki. 4. The Masked Superstar & The Super Destroyer DDQ Bob Armstrong & Terry 1. Tito Santana beat Terry Gibbs. Taylor. 2. Roddy Piper beat Brad Armstrong. 5. Tommy Rich beat NWA World Champ Ric Flair via DQ. 3. Paul Orndorff beat Don Muraco via DQ. 4. Tommy Rich & Dusty Rhodes beat Ole Anderson & Stan Hansen via DQ. 5. Andre the Giant beat The Masked Superstar. 6. Andre the Giant won a “battle royal.” February 21, 1982 in Trotwood, OH Hara Arena drawing ??? 1. Tom Pritchard beat Angel. September 14, 1982 in Trotwood, OH 2. Terry Taylor beat Rick Harris. Hara Arena drawing ??? 3. The Masked Superstar & The Super Destroyer beat Mr. Wrestling II & Brad Armstrong. 1. Tom Pritchard beat Chick Donovan. 4. Andre the Giant DCO Harley Race. 2. Tito Santana & Johnny Rich beat The Iron Sheik & Matt Borne. 5. Tommy Rich beat The Great Kabuki via DQ. -
Madman by Jen Farhat Photos Courtesy of the Farhat Family
LIFE WITH A MADMAN BY JEN FARHAT PHOTOS COURTESY OF THE FARHAT FAMILY is story starts like many the flow, Farhat went on to emerge as others. In 1926, Edward The Sheik, professional wrestling’s god- Farhat Sr. was born to Leb- father of hardcore. Everyone in wres- anese parents in the heart tling knew him, filled arenas all over of mid-Michigan. One of the world to see him and helped him elevenH children, he had big dreams and become one of the most recognized per- little opportunity. So he made his own. sonas in professional wrestling for over A bit of a rule-breaker from the start, he four decades. used his older brother’s birth certificate Along with the likes of Dick the Bruis- to enlist in the United States Army dur- er, Abdullah the Butcher and Bull Curry, ing World War II, since he wasn’t old he was known as an uncontrollable wild enough at the time. After the war, Far- man in the ring. He made most people hat worked as a laborer while he trav- wonder if the mayhem was for real — eled to Detroit to train for what would was he really like that outside the arena? become his eventual career. I’d like to tell you he was. I’d like to tell And that’s where his story gets inter- you he was ruthless to those he encoun- esting. I can assure you his career didn’t tered on the street and vicious to the take place in a machine shop, on an au- core. -
The Relationship Between Wrestling, Television and American Culture
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2001 The Squared Circle and that Household Box: The Relationship between Wrestling, Television and American Culture Brian Stewart College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Mass Communication Commons Recommended Citation Stewart, Brian, "The Squared Circle and that Household Box: The Relationship between Wrestling, Television and American Culture" (2001). Dissertations, Theses, and Masters Projects. Paper 1539626288. https://dx.doi.org/doi:10.21220/s2-ac4d-fy14 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Squared Circle and That Household Box: The Relationship Between Wrestling, Television and American Culture A Thesis Presented to The Faculty of the Department of American Studies In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Brian Stewart 2001 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, May 2001 TABLE OF CONTENTS ABSTRACT I. HOW I GOT INTO THIS MESS AND THE MESS ITSELF: AN INTODUCTION II. TRADITIONAL WRESTLING: THE WAY THINGS WERE III. CONTEMPORARY WRESTLING: THE LENGTHS TO WHICH SOME PEOPLE WILL GO TO ESCAPE A CAGE IV. THE PHONE, THE MAT AND THE TV; OR THE REASON FOR THE CHANGE V. -
Name/Title ID # Date Image Type Image Size Region Or Nationality
Name/Title ID # Date Image Type Image Size Region or Gimmick Description Photographer Promotion Nationality [Unidentified masked A Montreal 9 Black and white photograph 25 x 20 cm Canadian Standing pose by an identified masked Unknown Unknown wrestler] wrestler dressed in his ring costume. This is one of 15 early wrestling photographs acquired on Ebay in spring 2008. They seem to document professional wrestling in Montreal and/or other Quebec centres. To keep them together they have been given the ID - A Montreal Pat Patterson and Billy A Funk- Black and white photograph 25 x 20 Canadian Action shot of Terry Funk attempting Machalek, Unknown Robinson Patterson 1 to slam Pat Patterson’s head onto the Terrance outside ring apron. (Winnipeg) Dory Funk Jr. vs. The Sheik A Funk-Sheik 1 Printed black and white 25 x 20 cm American Arab, Action shot of Dory Funk Jr. and the Unknown Unknown photograph Cowboy original Sheik beyond the ring apron. Hiro Matsuda vs. Amazing A Matsuda-Zuma Printed black and white 28 x 21 cm Japanese In ring action shot of Hiro Matsuda Unknown Unknown Zuma 1 photograph published in applying a nerve hold to the neck of wrestling magazine the Amazing Zuma. [Larry Raymond] A Montreal 1 Black and white photograph 25 x 20 cm Canadian Standing pose by wrestler Larry Unknown Unknown Raymond wearing ring attire and a championship belt. This is one of 15 early wrestling photographs acquired on Ebay in spring 2008. They seem to document professional wrestling in Montreal and/or other Quebec centres. To keep them together they have been given the ID - A Montreal [Ring Action Shot] A Montreal 10 Black and white photograph 20 x 25 cm Canadian Action shot of two wrestlers battling Unknown Unknown in a ring corner with a referee attempting to break up eye gouch by the bearded heel.