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The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Grappling with Race: a Textual Analysis of Race Within the Wwe
GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg. -
The WWF Legend Has Become Renowned for His Hilarious Twitter
the WWF legend has become renoWned For his hilarious Twitter takedoWns oF celebrities noW, on the eve oF the release oF a documentary about his spectacular rise, Fall, and come by Steven Leckart photographs by Gregory Miller Says, “Go F Yourself!”**K (F**k the bieber!), rivals (F**k the hulk hogan!), and even countries (F**k the north korea!). back, We Went to the sheik’s house to get to knoW the man behind the snarling mustache. Gilbert Gottfried; he’ll sign hundreds of One day the phone rang—Takhti was head shots and pose for photos at two being rushed to the hospital. When VIP meetandgreets; he’ll shoot a spec Vaziri arrived, he was sent to the cem TV commercial for Bud Light in which etery. As Takhti’s body was washed on a he armwrestles a blonde actress in a stone altar, Vaziri stood there and wept. pizza parlor; he’ll film his final interview Takhti’s death was declared a suicide, for the documentary Iranian Legend: The but many suspected his democratic Iron Sheik Story, which premieres next leanings had put the wrestler in the month; he’ll storm Mayor Rob Ford’s of crosshairs of the SAVAK, Iran’s secret fice in Toronto and hijack a gaggle of TV police, who were infamous for torture news crews. Video of him insulting the and executions. “They tell me, ‘If you politician—“The man eats a cheeseburger don’t want to be like him,’ ” Vaziri and smokes crack!!!”—will go viral. recalls, “ ‘better don’t say nothing.’ ” Which brings us to the Sheik’s Twitter Vaziri hopped a plane to New York, “WAKE THE FUCK UP, JABRONI!” account. -
The Oral Poetics of Professional Wrestling, Or Laying the Smackdown on Homer
Oral Tradition, 29/1 (201X): 127-148 The Oral Poetics of Professional Wrestling, or Laying the Smackdown on Homer William Duffy Since its development in the first half of the twentieth century, Milman Parry and Albert Lord’s theory of “composition in performance” has been central to the study of oral poetry (J. M. Foley 1998:ix-x). This theory and others based on it have been used in the analysis of poetic traditions like those of the West African griots, the Viking skalds, and, most famously, the ancient Greek epics.1 However, scholars have rarely applied Parry-Lord theory to material other than oral poetry, with the notable exceptions of musical forms like jazz, African drumming, and freestyle rap.2 Parry and Lord themselves, on the other hand, referred to the works they catalogued as performances, making it possible to use their ideas beyond poetry and music. The usefulness of Parry-Lord theory in studies of different poetic traditions tempted me to view other genres of performance from this perspective. In this paper I offer up one such genre for analysis —professional wrestling—and show that interpreting the tropes of wrestling through the lens of composition in performance provides information that, in return, can help with analysis of materials more commonly addressed by this theory. Before beginning this effort, it will be useful to identify the qualities that a work must possess to be considered a “composition in performance,” in order to see if professional wrestling qualifies. The first, and probably most important and straightforward, criterion is that, as Lord (1960:13) says, “the moment of composition is the performance.” This disqualifies art forms like theater and ballet, works typically planned in advance and containing words and/or actions that must be performed at precise times and following a precise order. -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents. -
British Bulldogs, Behind SIGNATURE MOVE: F5 Rolled Into One Mass of Humanity
MEMBERS: David Heath (formerly known as Gangrel) BRODUS THE BROOD Edge & Christian, Matt & Jeff Hardy B BRITISH CLAY In 1998, a mystical force appeared in World Wrestling B HT: 6’7” WT: 375 lbs. Entertainment. Led by the David Heath, known in FROM: Planet Funk WWE as Gangrel, Edge & Christian BULLDOGS SIGNATURE MOVE: What the Funk? often entered into WWE events rising from underground surrounded by a circle of ames. They 1960 MEMBERS: Davey Boy Smith, Dynamite Kid As the only living, breathing, rompin’, crept to the ring as their leader sipped blood from his - COMBINED WT: 471 lbs. FROM: England stompin’, Funkasaurus in captivity, chalice and spit it out at the crowd. They often Brodus Clay brings a dangerous participated in bizarre rituals, intimidating and combination of domination and funk -69 frightening the weak. 2010 TITLE HISTORY with him each time he enters the ring. WORLD TAG TEAM Defeated Brutus Beefcake & Greg With the beautiful Naomi and Cameron Opponents were viewed as enemies from another CHAMPIONS Valentine on April 7, 1986 dancing at the big man’s side, it’s nearly world and often victims to their bloodbaths, which impossible not to smile when Clay occurred when the lights in the arena went out and a ▲ ▲ Behind the perfect combination of speed and power, the British makes his way to the ring. red light appeared. When the light came back the Bulldogs became one of the most popular tag teams of their time. victim was laying in the ring covered in blood. In early Clay’s opponents, however, have very Originally competing in promotions throughout Canada and Japan, 1999, they joined Undertaker’s Ministry of Darkness. -
Here Is a Printable
James Rosario is a film critic, punk rocker, librarian, and life-long wrestling mark. He grew up in Moorhead, Minnesota/Fargo, North Dakota going to as many punk shows as possible and trying to convince everyone he met to watch his Japanese Death Match and ECW tapes with him. He lives in Asheville, North Carolina with his wife and two kids where he writes his blog, The Daily Orca. His favorite wrestlers are “Nature Boy” Buddy Rogers, The Sheik, and Nick Bockwinkel. Art Fuentes lives in Orange County, Califonia and spends his days splashing ink behind the drawing board. One Punk’s Guide is a series of articles where Razorcake contributors share their love for a topic that is not traditionally considered punk. Previous Guides have explored everything from pinball, to African politics, to outlaw country music. Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. One Punk’s Guide to Professional Wrestling originally appeared in Razorcake #101, released in December 2017/January 2018. Illustrations by Art Fuentes. Original layout by Todd Taylor. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org ONE PUNK’S GUIDE TO PROFESSIONAL WRESTLING ’ve been watching and following professional wrestling for as long as I can remember. I grew up watching WWF (World Wrestling IFederation) Saturday mornings in my hometown of Moorhead, Minn. -
October 9, 1983 in Trotwood, OH Hara Arena Drawing ???
October 9, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Tiger Chung Lee beat Bob Boyer. 2. Pat Patterson beat Dr. X. 3. Tony Garea beat Jerry Valiant. 4. Susan Starr & Penny Mitchell beat The Fabulous Moolah & Judy Martin. 5. Tito Santana beat Mike Sharpe. 6. Rocky Johnson beat Wild Samoan Samula. 7. Andre the Giant & Ivan Putski beat WWF Tag Champs Wild Samoans Afa & Sika. Note: This was the first WWF card in the Trotwood area. It was promoted off of their Saturday at noon show on WKEF Channel 22 which had recently replaced the syndicated Georgia Championhip Wrestling show in the same time slot. November 14, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Steve Regal beat Bob Colt. 2. Eddie Gilbert beat Jerry Valiant. 3. Tiger Chung Lee beat Bob Bradley. 4. Sgt. Slaughter beat Steve Pardee. 5. Jimmy Snuka beat Mr. Fuji. 6. Pat Patterson beat Don Muraco via DQ. 7. Bob Backlund beat Ivan Koloff. December 12, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Steve Regal drew Jerry Valiant 2. SD Jones beat Bobby Colt. 3. Tony Atlas beat Mr. Fuji via countout. 4. The Iron Sheik beat Jay Strongbow 5. The Masked Superstar beat Tony Garea. 6. WWF I-C Champion Don Muraco beat Ivan Putski via countout. 7. Jimmy Snuka beat Ivan Koloff. Last Updated: May 24, 2021 Page 1 of 16 February 1, 1984 in Trotwood, OH August 17, 1984 in Trotwood, OH Hara Arena drawing ??? Hara Arena drawing ??? 1. Battle royal. Scheduled for the match were Andre the Giant, Tony Atlas, 1. -
Wwe Legends of Wrestlemania
BECOME A LEGEND The time has come to enter the ring once again… IT’S WRESTLEMANIA TIME! COMPREHENSIVE MOVE LISTS WWE ™ CAREER HIGHLIGHTS OVERALL: 84 HEIGHT 6’3” AWA CHAMPION WEIGHT 260 LBS. GROUND CHAIN STRUGGLE ROBBINSDALE, STRIKE ATTA CKS POWER COMPARISON AWA TAG TEAM CHAMPION FROM MR. PERFECT MN 360 PS3 MOVE NAME NOTES 360 PS3 MOVE NAME NOTES WCW TAG TEAM CHAMPION WWE DEBUT 1982 x I ELBOW DROP 2 a, b, x, OR y (RANDOM) K, L, I, OR J (RANDOM) DROPKICK 3 UNITED STAT ES CHAMPION ATTRIBUTES HOLD x HOLD I KNEE DROP 4 LOCK UP STR 81 INTERCONTINENTA L CHAMPION 360 PS3 MOVE NAME NOTES GRA 83 GRAPPLE MOVES a, b, x, OR y (RANDOM) K, L, I, OR J (RANDOM) BELLY TO BELLY 1 INDUCTED INTO WWE HALL OF FAME DUR 84 360 PS3 MOVE NAME NOTES IN 2007 TEC 90 a K RUNNING NECK HEAD LOCK (NEAR UPPER BODY) (NEAR UPPER BODY) TWIST 2 SPD 84 360 PS3 MOVE NAME NOTES L a L K TOWARD OPPONENT + (NEAR TOWARD OPPONENT + (NEAR REVERSE CHIN LOCK K L I J UPPER BODY) UPPER BODY) a, b, x, OR y (RANDOM) , , , OR (RANDOM) PILEDRIVER 1 BLOOD a (NEAR LOWER BODY) K (NEAR LOWER BODY) LEG BREAKER FRONT NECK LOCK 360 PS3 MOVE NAME NOTES L TOWARD OPPONENT + a (NEAR L TOWARD OPPONENT + K (NEAR LEG STRETCH 2 ™ STANDING LOWER BODY) LOWER BODY) a, b, x, OR y (RANDOM) K, L, I, OR J (RANDOM) DOUBLE ARM SUPLEX 1 STRIKE ATTA CKS SIDE ARM BAR 360 PS3 MOVE NAME NOTES 360 PS3 MOVE NAME NOTES K L I J LEGENDS OF WRESTLEMANIA HOLD x HOLD I OUTLAW PUNCH CORNER a, b, x, OR y (RANDOM) , , , OR (RANDOM) FISHERMAN SUPLEX RUNNING STRIKES L TOWARD OPPONENT + HOLD x L TOWARD OPPONENT + HOLD I BACK CHOP 3 HAMMER LOCK 360 PS3 MOVE NAME NOTES MR. -
The Democrat
THE ANN ARBOR DEMOCRAT. SIXTH YEAR. *ANN ARBOR, MICHIGAN, FRIDAY, OCTOBER 26, 1883. NUMBER 267. his farm near the state line south of Monroe, TOPICS OF THE TIMES. MICHIGAN NEWS. aud stopping the engine, as the passengers say his head upon a small roll of carpeting, sent a J C. Charoth, mayor of Baton Rouge, who drove to Monroe, and exchanged it for a $325 NEWS OF THE WEEK. he could have done, he reversed the brakes and ball through his brain. A note was found stat- rig belonging to J. M. Sterling. They ar leaped off, letting tbe engine go crashing started the first daily paper in Louieiana out AW ARBOR DEMOCRAT A. V. Monroe, a well-to-do farmer of Coop- ing that he (deceased) was all ready for bis of New Orleans, the Baton Rouge Reporter in THE King of Siam, who is only a boy of believed to be Toledo thieves en route for De WASHINGTON. broadside into the middle of the passenger coffin. When the news was carried to his 1849, has jast died aged 57. er township, Kalamazoo county, recently train There were eighteen persons in the car, PUBLISHED EVERY 1KIDAY twenty years, has allowed his finger committed suicide by cutting his throat witi trolt. A CLERK'S INVENTION. parents the ecene was heartrending The cause —AT— The Pontiac asylum is overcrowded and ther and the scene was frightful. Men, women and of the rash act is unknown. e was a young Fr the pension list just published it is a razor at his residence in the presence of his A. -
TK Ali Vs. Inoki
TK Ali vs. Inoki Ali vs. Inoki The Forgotten Fight That Inspired Mixed Martial Arts and Launched Sports Entertainment By Josh Gross BenBella Books Dallas, TX Copyright © 2015 by Josh Gross All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles or reviews. BenBella Books, Inc. 10300 N. Central Expressway Suite #530 Dallas, TX 75231 www.benbellabooks.com Send feedback to [email protected] Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data: TK Editing by Erin Kelley Copyediting by Scott Calamar Proofreading by TK and TK Indexing by TKCover design by TKText design and composition by TKPrinted by TK Distributed by Perseus Distribution perseusdistribution.com To place orders through Perseus Distribution: Tel: (800) 343-4499 Fax: (800) 351-5073 E-mail: [email protected] Significant discounts for bulk sales are available. Please contact Glenn Yeffeth at [email protected] or (214) 750-3628. 4 TK Contents Foreword Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Acknowledgements About the Author 5 Foreword CHAPTER ONE The southern coast of Honshu, the largest and most populous of Japan’s four main islands, trembled at 10:19 P.M. local time, Friday, June 18, 1976. Thirty-eight miles away in Tokyo, the most famous man on the planet and some of the troop that followed him everywhere he went had just settled into their rooms on the forty-fourth floor at the upscale Keio Plaza Hotel. -
January 5, 1982 in Canton, OH Civic Center Drawing 2,000 1. Brad
January 5, 1982 in Canton, OH August 27, 1982 in Canton, OH Civic Center drawing 2,000 Civic Center drawing ??? 1. Brad Armstrong drew Buzz Sawyer. 1. Brad Armstrong beat Pete Martin. 2. Bob Armstrong beat The Angel. 2. Les Thornton beat Terry Gibbs. 3. Jimmy Garvin beat Ron Bass. 3. The Masked Superstar beat Mr. Wrestling II. 4. Michael Hayes beat Terry Gordy via DQ. 4. Ernie Ladd & Tommy Rich beat The Super Destroyer & Buzz Sawyer via 5. Mr. Wrestling II & Tommy Rich beat The Masked Superstar & The Super DQ. Destroyer. 5. Paul Orndorff beat Don Muraco. Note: The GCW shows were promoted by Vince Risko. September 22, 1982 in Canton, OH Civic Center drawing ??? April 13, 1982 in Canton, OH 1. Johnny Rich beat Chick Donovan. Civic Center drawing 1,980 2. Matt Borne beat Tom Pritchard. 3. Tito Santana & Paul Orndorff beat The Iron Sheik & Ivan Koloff via DQ. 1. Kevin Sullivan drew Brad Armstrong. 4. Roddy Piper beat The Super Destroyer. 2. Buzz Sawyer beat Tom Pritchard. 5. Buzz Sawyer pinned Tommy Rich. 3. John Studd & The Super Destroyer beat Bob Armstrong & Leroy Brown. 4. Dusty Rhodes beat The Great Kanuki via DQ. 5. Tommy Rich beat Ron Bass via DQ. October 18, 1982 in Canton, OH Civic Center drawing ??? 1. Iron Sheik pinned Brad Armstrong (5:50). April 27, 1982 in Canton, OH 2. Ivan Koloff pinned Johnny Rich (12:35). Civic Center drawing 2,000 3. The Wild Samoans DDQ Stan Hansen & Tito Santana (15:00). 4. Roddy Piper pinned Ole Anderson (15:00).