MOM, APPLE PIE & WRESTLING
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Spider-Girl (MC2) - Marvel Universe Wiki: the Definitive Online Source for Marvel Super Hero Bios
Spider-Girl (MC2) - Marvel Universe Wiki: The definitive online source for Marvel super hero bios. 5/20/13 11:00 PM Spider-Girl (MC2) In an alternate timeline, the child of Mary Jane and Peter Parker grew to become "May- day" Parker - a vivacious teenager with a talent for basketball. Her athletic prowess and bubbly personality made her a popular student with a hectic social life. May was un- aware of her father's heroic past until her own latent powers revealed themselves at a crucial point in a ballgame. Walking home afterwards, she was menaced by the Green Goblin - Norman Osborn, Jr. - who hungered for revenge on Peter Parker for the long- past battle that killed Norman's grandfather and crippled Spider-Man. Instead, it was Spider-Girl who faced the new Green Goblin, and twin legacies were born anew. Peter and Mary Jane Parker initially forbade May from adopting her new role, but they soon realized that their protests were in vain, and Peter chose to help teach his daughter the skills she would need to survive. As Spider- Girl, May encountered many new villains and allies in her war against crime. Most importantly, she convinced Nor- man Jr. to abandon his pointless feud, and they co-founded a loosely banded super-team of "New Warriors." In a battle with the super-villain Killerwatt, who controlled electricity, Spider-Girl was severely shocked. This apparently caused her to lose her powers, until, in a battle with the new Spider-Man, she fell into a generator, where she was, again, shocked severely. -
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
Grappling with Race: a Textual Analysis of Race Within the Wwe
GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg. -
Revue De Recherche En Civilisation Américaine, 4 | 2013 Professional Wrestling As Culturally Embedded Spectacles in Five Core Countri
Revue de recherche en civilisation américaine 4 | 2013 Le catch et... Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Édition électronique URL : http://journals.openedition.org/rrca/548 ISSN : 2101-048X Éditeur David Diallo Référence électronique Dan Glenday, « Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan », Revue de recherche en civilisation américaine [En ligne], 4 | 2013, mis en ligne le 12 janvier 2014, consulté le 19 avril 2019. URL : http:// journals.openedition.org/rrca/548 Ce document a été généré automatiquement le 19 April 2019. © Tous droits réservés Professional wrestling as culturally embedded spectacles in five core countri... 1 Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Introduction 1 This paper addresses a succession of complicated issues surrounding the cross-cultural popularity of professional wrestling. While boasting fans in several countries from across the globe, today, professional wrestling maintains a lasting presence in five territories - USA, Canada, United Kingdom, Japan and Mexico. ‘Culturally embedded spectacle’ is the unique conceptual framework developed for this paper to explain the longevity of professional wrestling in these five locations and includes the following factors: a continuous history of professional wrestling, national television exposure during the Old School era highlighting larger-than-life characters playing the face, an extensive group of independent professional wrestling federations and commemorative cultural experiences for young and old fans. 2 Granted, there may be other aspects not included here. -
November 19, 1987 in Troy, OH Hobart Arena Drawing ??? 1. NWA
November 19, 1987 in Troy, OH Hobart Arena drawing ??? 1. NWA U.S. Tag Champs The Midnight Express (Eaton & Lane) vs. The Rock-n-Roll Express. November 5, 1988 in Dayton, OH UD Arena drawing ??? ($20,000) 1. The Sheepherders vs. ???. 2. Al Perez & Larry Zbyszko vs. Ron Simmons & The Italian Stallion. 3. Rick Steiner vs. Russian Assassin #2. 4. Bam Bam Bigelow & Jimmy Garvin vs. Mike Rotunda & Kevin Sullivan. 5. Ivan Koloff vs. Russian Assassin #1. 6. NWA U.S. Champ Barry Windham vs. Nikita Koloff. 7. The Midnight Express (Eaton & Lane) Vs. The Fantastics (Fulton & Rogers). 8. Lex Luger beat NWA World Champ Ric Flair via DQ. February 22, 1989 in Centerville, OH Centerville High school drawing 600 1. Match results unavailable. April 24, 1989 in Dayton, OH UD Arena drawing ??? 1. Shane Douglas beat Doug Gilbert. 2. The Great Muta beat George South. 3. The Samoan Swat Team beat Bob Emory & Mike Justice. 4. Ranger Ross beat The Iron Sheik. 5. NWA TV Champ Sting beat Mike Rotunda. 6. Ricky Steamboat & Lex Luger beat Ric Flair & Michael Hayes. Great American Bash 1989 July 21, 1989 in Dayton, OH UD Arena drawing ??? 1. Brian Pillman beat Bill Irwin. 2. Sid Vicious & Dan Spivey beat Johnny & Davey Rich. 3. Norman beat Scott Casey. 4. Scott Steiner beat Mike Rotunda via DQ. 5. Steve Williams beat ???. 6. Sid Vicious and Dan Spivey won a “two ring battle royal.” 7. The Midnight Express (Eaton & Lane) beat Rip Morgan & Jack Victory. 8. The Road Warriors beat The Samoan Swat Team. 9. NWA TV Champ Sting beat Norman. -
INTRODUCTION: BLUE NOTES TOWARD a NEW JAZZ DISCOURSE I. Authority and Authenticity in Jazz Historiography Most Books and Article
INTRODUCTION: BLUE NOTES TOWARD A NEW JAZZ DISCOURSE MARK OSTEEN, LOYOLA COLLEGE I. Authority and Authenticity in Jazz Historiography Most books and articles with "jazz" in the title are not simply about music. Instead, their authors generally use jazz music to investigate or promulgate ideas about politics or race (e.g., that jazz exemplifies democratic or American values,* or that jazz epitomizes the history of twentieth-century African Americans); to illustrate a philosophy of art (either a Modernist one or a Romantic one); or to celebrate the music as an expression of broader human traits such as conversa- tion, flexibility, and hybridity (here "improvisation" is generally the touchstone). These explorations of the broader cultural meanings of jazz constitute what is being touted as the New Jazz Studies. This proliferation of the meanings of "jazz" is not a bad thing, and in any case it is probably inevitable, for jazz has been employed as an emblem of every- thing but mere music almost since its inception. As Lawrence Levine demon- strates, in its formative years jazz—with its vitality, its sexual charge, its use of new technologies of reproduction, its sheer noisiness—was for many Americans a symbol of modernity itself (433). It was scandalous, lowdown, classless, obscene, but it was also joyous, irrepressible, and unpretentious. The music was a battlefield on which the forces seeking to preserve European high culture met the upstarts of popular culture who celebrated innovation, speed, and novelty. It 'Crouch writes: "the demands on and respect for the individual in the jazz band put democracy into aesthetic action" (161). -
Brisson Couceiro Gandini
4 BRISSON COUCEIRO GANDINI RATED T+ | $3.99 US 0 0 4 1 1 7 59606 09704 3 BONUS DIGITAL EDITION – DETAILS INSIDE! Mr. Fantastic. The Invisible Woman. The Human Torch. Doctor Strange. Luke Cage. Cloak. Dagger. All fell victim to a deadly fungus from K’un-Lun that appeared in the subway tunnels beneath Yancy Street. The fungus--called the Urchin--absorbed the heroes’ powers, making itself stronger and leaving them in comatose states. The rest of the Avengers were advised to stay away for fear of what the Urchin could do if it possessed their powers as well. Iron Man briefly visited the Sanctum Sanctorum, where the infected were being held for observation, to take samples of the fungus in hopes of finding a way to defeat the Urchin. He flew back to Avengers HQ, not knowing that spores had attached to the outside of his armor. WRITER: ED BRISSON ARTIST: DAMIAN COUCEIRO COVER ARTISTS: JUAN JOSÉ RYP & JESUS ABURTOV PRODUCTION DESIGN: NICK RUSSELL CONTAGION No. 4, December 2019. Published Monthly except in October by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2019 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $3.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537. -
2010 Burley Fest Results
2013 Rack-N-Roll Horse Show - August 17 Judge: Keith Ailshie, White Pine, Tn. Class Horse's Name Rider Owner Address (1) Leadline (13 entries) 1st Al-Mar Apollo Elijah Penniman Elijah Penniman Coeburn, Va. 1st Sons Little Sadie Girl Estella Beavers Estella Beavers 1st Rowdy's Little Rascal Kamden Beavers Triple J Stables Honaker, Va. 1st Johnny Cash Rhyder Sibley Triple D Stables Dungannon, Va. 1st Johnny Cash Lacey Collins Triple D Stables Dungannon, Va. 1st Talon Sykes Hope Sykes Hope Sykes Coeburn, Va. 1st Nature Boy Becca Ward Drema Musick Lebanon, Va. 1st Firecracker Kimmie Floyd Kimmie & Karesa Charles 1st Supreme Rapture Jenna Ball Kim Osborne Castlewood, Va. 1st Nico Arabella Gillenwater Arabella Gillenwater Dungannon, Va. 1st Julie Ethan Royal Kaitlin Boyd Lebanon, Va. 1st I'm All Man Easton Pruitt Chelsi Akers Honaker, Va. 1st Jasper Jackson Sykes Lebanon, Va. (2) Model Class (7 entries) 1st Cash Blaster Mary Kathryn Deaton Mary Kathryn Deaton 2nd Zippity Do Dah Josie Smith Josie Smith Fall Branch, Tn. 3rd Another Little Princess Ginger Bartlett Joyce Gilmer Nickelsville, Va. 4th Wise Man Supreme Daysie Rich Virginia Snodgrass 5th Busteds Playboy Kassandra Boyd Kassandra Boyd Lebanon, Va. (3) Country Saddle (4 entries) 1st Gold's Rowdy Moon Karen Smith Rebel Pride Farm Church Hill, Tn. 2nd Jungle Man Tracy Jessee Scott Long Castlewood, Va. 3rd Rowdy's Rebel Hope Ashley Jarnigan Ashley Jarnigan Rogersville, Tn. 4th Magic Man Bryan Fugate Bryan Fugate Rogersville, Tn. (4) Spotted Country Pleasure (7 entries) 1st Gen-N-Ice Josie Smith Josie Smith Fall Branch, Tn. 2nd Nature Boy Drema Musick Clayton Musick Lebanon, Va. -
The WWF Legend Has Become Renowned for His Hilarious Twitter
the WWF legend has become renoWned For his hilarious Twitter takedoWns oF celebrities noW, on the eve oF the release oF a documentary about his spectacular rise, Fall, and come by Steven Leckart photographs by Gregory Miller Says, “Go F Yourself!”**K (F**k the bieber!), rivals (F**k the hulk hogan!), and even countries (F**k the north korea!). back, We Went to the sheik’s house to get to knoW the man behind the snarling mustache. Gilbert Gottfried; he’ll sign hundreds of One day the phone rang—Takhti was head shots and pose for photos at two being rushed to the hospital. When VIP meetandgreets; he’ll shoot a spec Vaziri arrived, he was sent to the cem TV commercial for Bud Light in which etery. As Takhti’s body was washed on a he armwrestles a blonde actress in a stone altar, Vaziri stood there and wept. pizza parlor; he’ll film his final interview Takhti’s death was declared a suicide, for the documentary Iranian Legend: The but many suspected his democratic Iron Sheik Story, which premieres next leanings had put the wrestler in the month; he’ll storm Mayor Rob Ford’s of crosshairs of the SAVAK, Iran’s secret fice in Toronto and hijack a gaggle of TV police, who were infamous for torture news crews. Video of him insulting the and executions. “They tell me, ‘If you politician—“The man eats a cheeseburger don’t want to be like him,’ ” Vaziri and smokes crack!!!”—will go viral. recalls, “ ‘better don’t say nothing.’ ” Which brings us to the Sheik’s Twitter Vaziri hopped a plane to New York, “WAKE THE FUCK UP, JABRONI!” account. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
For the Love of Gulf Branch: Arlington's Hidden Symbol of Smart Growth by CHARLES S
For the Love of Gulf Branch: Arlington's Hidden Symbol of Smart Growth BY CHARLES s. CLARK What The Devil Is AN ature Center? That was the prevailing view in Arlington of the early 1960s, according to proto-environmentalist and county board alumnae Dorothy Grotos, recalling her leading role in creation of the Gulf Branch Nature Center. Half a century later, the question is answered by the center's 16,600 annual visitors to the leafy Military Road site, its popular dugout canoe, its live "Ms. Owl" and its busy observational beehive. Not to mention the center's meditative tree arbors, hiking trails and active blacksmith shed. Toss in its status as an away-from-the-neon monument to smart growth and the past presence of a Hollywood legend, and Arlingtonians have a retreat and education site that commands a ferocious army of protectors. Current park naturalist Jennifer Soles, who has frequented Gulf Branch since 1980, has watched the center grow to offer 290 programs for school chil dren and the public in 2015, its quarterly events calendar ballooning from 1 page to 14, including those at the cross-town Long Branch Nature Center, she says. To commemorate the 50th anniversary of Gulf Branch's opening on June 12, 1966, an array of exhibits, a symposium and an outdoor party was staged by center staff, the Arlington Central Library and the nonprofit Friends of the Gulf Branch Nature Center. Among the impresarios was Duke Banks, the Friends' vice president and parks activist who has been taking his family to Gulf Branch since they "fell in love" with the idyll at a Christmas event in 1985.