DOCSLIB.ORG

Lili Anel Has Been Making Incredible Music for Years, but with Every Second in Between She Has a Recording That Finally Lands Her on the Big‐Time Map

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lili Anel Has Been Making Incredible Music for Years, but with Every Second in Between She Has a Recording That Finally Lands Her on the Big‐Time Map Lili Anel has been making incredible music for years, but with Every Second In Between she has a recording that finally lands her on the Big‐Time map. This is her breakthrough, a brilliant amalgam of jazz and pop vocals, songwriting and production. Anel, a New York singer‐songwriter now Philadelphia‐ based, grew up in Spanish Harlem soaking up the musical roots of her Cuban and African‐American heritage. Professionally, she grew up in the same Greenwich Village singer‐songwriter circle as Suzanne Vega, Shawn Colvin and Lucinda Williams. But unlike those singers who each had a distinct style that was easy to capitalize on, Anel’s approach was more complex and difficult to pinpoint. One set of ears would compare her to Joan Armatrading and Tracy Chapman; another Phoebe Snow. One listener would say Nina Simone; another, Roberta Flack. There were comparisons to Joni Mitchell, Paul Simon and even Pat Benatar. And you know what? They were all correct. But they were all wrong as well. Comparing her to all those greats proved a disservice. She was a fusion of them all, meaning simply, LIli Anel is an original—there is no comparison. With Every Second, Anel’s fifth recording, the singer‐songwriter has secured herself a place as a jazz‐pop artist to be reckoned with on the national scene. Let’s start with that incomparable voice. Alto‐deep, and as smooth as honey, her rich timbre is what makes her so distinctive and drives the deep emotion of her songs (she wrote all but one on this album). Her persuasive, percussive guitar playing is the perfect companion to a vocal that sways and slides through very expressive lyrics and jazz‐tinged melodies. Her superb vocalese is all about shadows, notes and phrasing standing outside and flitting between. Much kudos for the success of this recording goes to Grammy‐winning Glenn Barratt, who was smart enough to pull back the bells and whistles and allow the spotlight to shine on Anel’s main strength—her voice. The CD starts with a rousing “I Don’t Need You This Way,” with its themes of love, loss and empowerment, which permeate the album. The song displays such self‐control and self‐possession. While Anel can wail with the best (and she does on this and other tracks), she shows as much command over her vocal as she does over the situation she’s singing about. “One More Night” is a gorgeous bluesy‐jazz ballad, showcasing Anel’s stellar voice. The track is just killer. And again Barrett’s golden touch is evident through the top‐level musicality on this song—so clean, so complex, so perfect. The instrumentation is spot‐on, with the soulful organ adding just the right amount of groove. The centerpiece of the CD, “Supposed to Be,” could (and should) be a No. 1 pop hit. A stunningly elegant and lilting Latin‐tinged ballad, she sings without anger or regret: “I am who I am despite your plan for me.” It is the cornerstone of this album. The tell‐tale line, “It’s life it’s death and every second in between,” says it all: She covers all the nooks and corners of relationships, with every moment of the song—all her songs—filled with character. “Nina Simone’s” “That’s All I Want From You” is a simple ballad, expressing hope for what a relationship could be. The song is so pretty, and the piano accompaniment is heartfelt. A first‐class performance, showing how dynamic artists like Simone and Anel can display such vocal restraint when needed. Another magnificent performance. “So Far Away,” written with her identical twin sister Barbara (a terrific singer on her own) has another nice Latin groove, with Anel reaching deep to some of those low‐notes most other artists wouldn’t/couldn't even attempt. And then to prove what a pro she is, she soars heavenly high. She never shows off; she doesn’t need to. She just sings. “Can’t Fall Out of Love,” is the realist side of Anel. While she won’t take crap in a relationship, it’s still hard to leave someone she loves. It’s this kind of honesty, both lyrically and vocally that makes Anel a standout. In “Much to My Surprise” Anel gets a bit country at its start, digging back to those folk roots of hers. But it soon gets funky and proves that Anel has strong R&B and rock chops as well. “George Bailey’s Lament” is almost in narrative form, where Anel nimbly plays with song structure. It’s here where the best example of those vocal comparisons occur—in this one song you hear everyone from Armatrading, Mitchell, Chapman, Simone, and Flack, and you shake your head thinking, wow, this is one vocalist reminiscent of all those iconic, individual voices, resulting in a unique sound of her own. “Won’t You Stay” is one of those dazzling tracks that you can leave on "repeat" all day, and never tire of it. This is a classic—a striking, very coverable song that can anchor movies, TV shows and your iPod. Her voice just flies skyward on this one. The kiss‐off “Voyager,” is a poignant goodbye song, typical of Anel's theme of strength lying within, and not necessarily with another. A particular sweet sadness envelopes this one. You don’t want to hear the closer “Goodbye.” You just don’t want this CD to end. Just start it over again, and again. And then make sure you visit her equally good catalogue on iTunes, Amazon, MySpace or her own website. Page 2 Every Second In Between is pure genius. Lili Anel, after years of making fantastic music, has finally grabbed the gold ring with this, the best jazz album of the year, and a real contender for pop’s overall best of the year. IN OTHER WORDS: A Grammy‐worthy album for any mood, by one of the most distinctive contemporary artists around. RATING: 9.5/10 © 2010 REVIEWniverse.com http://www.examiner.com/x‐43585‐Entertainment‐Reviews‐Examiner~y2010m4d29‐Lili‐Anels‐ starmaking‐CD‐Every‐Second‐In‐Between –###– .
Load more

Recommended publications
  • Sly & Robbie – Primary Wave Music
    SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound.
    [Show full text]
  • Robert Mapplethorpe Larry Hunt, 1978 Gelatin Silver Print Sheet: 50.5 × 40.7 Cm (19 7/8 × 16 In.) Image: 35.6 × 35.6 Cm (14 × 14 In.) Getty Research Institute
    Robert Mapplethorpe Larry Hunt, 1978 Gelatin silver print Sheet: 50.5 × 40.7 cm (19 7/8 × 16 in.) Image: 35.6 × 35.6 cm (14 × 14 in.) Getty Research Institute Robert Mapplethorpe Peter Klashorst and a man holding a video camera Gelatin silver print Sheet: 50.3 × 40.2 cm (19 13/16 × 15 13/16 in.) Image: 38.6 × 38.6 cm (15 3/16 × 15 3/16 in.) Getty Research Institute Robert Mapplethorpe Thomas in a tank shirt, 1986 Gelatin silver print Sheet: 60.1 × 50.5 cm (23 11/16 × 19 7/8 in.) Image: 48.9 × 49 cm (19 1/4 × 19 5/16 in.) Getty Research Institute Robert Mapplethorpe Polaroid Test Shot, circa 1980 Dye diffusion print Sheet: 8.6 × 10.8 cm (3 3/8 × 4 1/4 in.) Image: 7.3 × 9.5 cm (2 7/8 × 3 3/4 in.) Getty Research Institute Page 1 Robert Mapplethorpe Model release card for Colin Streeter Black ink on paper Sheet: 7.4 × 12.4 cm (2 15/16 × 4 7/8 in.) Getty Research Institute Robert Mapplethorpe Model release card for Dennis Speight, 1983 Blue ink on paper Sheet: 9 × 14 cm (3 9/16 × 5 1/2 in.) Getty Research Institute Robert Mapplethorpe Model release for Robert Sherman, 1979 Blue ink on paper Sheet: 7.4 × 12.4 cm (2 15/16 × 4 7/8 in.) Getty Research Institute Robert Mapplethorpe Model release card for Rory Bernal, 1982 Blue ink on paper Sheet: 9 × 14 cm (3 9/16 × 5 1/2 in.) Getty Research Institute Robert Mapplethorpe Polaroid Test Shot, circa 1975-1989 Dye diffusion transfer print Sheet: 8.6 × 10.8 cm (3 3/8 × 4 1/4 in.) Getty Research Institute Page 2 Robert Mapplethorpe Polaroid Test Shot, circa 1975-1989 Dye diffusion transfer print Sheet:
    [Show full text]
  • Georgie Fame
    Georgie Fame Born on 26th June 1943 in the industrial town of Leigh, Lancashire, his interest in music grew from family entertainment “sessions” at home and musical evenings in the church hall across the street, where his father played in an amateur dance band. Although he took piano lessons for a short time at the age of seven, it wasn’t until the advent of rock’n’roll on radio during the mid-fifties that young Georgie began to take the family piano seriously. Fats Domino, Jerry Lee Lewis and Little Richard were among his catalysts. Upon leaving school, shortly after his fifteenth birthday, he followed the family tradition and took a job as an apprentice cotton weaver in one of the many local mills. Leisure time, however, was spent playing piano in various pubs and with a local group, “The Dominoes”. In July 1959, at a summer holiday camp, Georgie was spotted by Rory Blackwell, the resident rock’n’roll bandleader, who offered the young singer/pianist a full time job. Goodbye, weaving shed. Rory and the Blackjacks departed for London, their hometown, when the summer season ended prematurely and Georgie went with them. The promised glamorous work did not materialise and the band broke up, but the determined young man from Leigh eventually took up a solo residency at The Essex Arms pub in London’s Dockland, where the kindly landlord provided a room to sleep in. In October of that year, the Marty Wilde Show was performing at the Lewisham Gaumont and Rory Blackwell arranged for Georgie to audition “live” for impressario Larry Parnes.
    [Show full text]
  • Music Culture in and Around Birmingham, Uk
    N Rob Halford Cozy Powell Lolly The Station The Gate Matt Everitt Credit To The Nation Mike Burney Joan Armatrading Livid Kid Biz Bizley Stevie Winwood Andy Cash The Moody Blues Fuzzbox Mike Pinder Mothers Johnny West And The Sunsets Lawrence Hayward The Barn Ozzy Osbourne Plaza Black Sabbath Cleopatra Bruce Springsteen Rod Stewart PCRL Blackfoot Sue Villa Lesiure Centre Benjamin Zephaniah Steel PulseB21Apache Indian Musical Youth Band Of Joy David Hinds Hollick & Taylor Studios Basil Gabbidon Ronald McQueen The Monte Carlo The Drum Swami Elbow Room BRMB Jeffrey Lynne Traffic The Astonaires The Andicaps The Bobcats Soweto Kinch Mad City Robannas Malcolm Stent The Ben JohnsonAston Uni Student Guild Cedar Club The Pot Of Beer The Triangle Simon White Stephen Duffy The Black Horse Brum Cavern West End BarHawkins Wine Bar Jam HouseAlex’s Pie Stand Actress and Bishop Plastic Factory Harvey Andrews City of Birmingham Choir Q Club The BeatPigeon Park OasisScruffy Murphy’sThe Railway Jamelia VirginTop Rank Hummingbird Second City Sounds Dave SwarbrickSwinging Sporan Reddingtons Rare RecordsTempestHole In The ThrashWall Bang Wallop King Adora Subside Costermongers NIAMagnumHighway 67Swordfish Boots DEP Studios Thimblemill Swimming Baths Fiddle And BoneDuran Duran Town Hall Trocadero Symphony Hall Golden EagleOdeon Roy Wood The Rum Runner Whiskey A Go-GoRotundaSunset Cinema Club Raymond Froggatt Henry’s Blues HouseThe Ship Ashore Tower Ballroom The KaleidoscopeEdwards No8Reddingtons Rare Records The Opposite Lock Club The FoundaryThe Victoria Ian
    [Show full text]
  • Lucky Break Music Credits
    composer Paul Grabowsky The Bands & The Party Singer Fred Cheah Drummer John Perri Guitarists Ross Spinello Pasquale Monea Accordianist (sic) Amanda Testro The Tropical Resort Singers Shelley Scown James Uluave Guitarist Doug DeVries The Wedding Victorian Boys Choir Original Music Performed by Victorian Philharmonic Orchestra Leader Rudi Osadnik Conductor Paul Grabowsky Orchestrations Ric Formosa Paul Grabowsky Soprano Amanda Colliver Solo Violin Susan Pierotti Tenor Xie Kun Bazoukie George Spiro Music Score Co-Ordinator Michael Grabowsky Publishing Warner Bros. Music Australia Pty. Ltd. Music Consultant Diana Manson "Love and Affection" performed by Joan Armatrading, Courtesy of A & M Records through PolyGram Pty Limited written by Joan Armatrading © Rondor Music (London) Ltd. used by permission of Rondor Music Australia Pty. Ltd. "Sweet Dreams are Made of This" performed by the Eurythmics, courtesy of RCA Records written by Annie Lennox and David A. Stewart, published by BMG Music Publishing Limited "Brazil" (Russell/Barrossa) published by Southern Music Publishing, performed by Fred Chia "Absolutely" performed by the Eurogliders, courtesy of Sony Music Australia Limited, written by Bernie Lynch used by permission of Warner Bros. Music Australia Pty. Ltd. "Gloria" performed by the Australian Boys Choir written by Antonio Vivaldi, arranged by Paul Grabowsky "We've Started a Fire" performed by Vika & Linda (Mushroom Records Pty. Ltd.) written by Paul Kelly (Mushroom Music Pty. Ltd.) Digital Recording at Cinesound Music Recording at Allan Eaton Sound Music in the film: Music appears in the film in a number of sequences. There’s an opera in the mall element to the slapstick set piece when Sophie breaks her leg by falling from a great height amongst tenors, and on their holiday junkets and at parties, Sophie and Eddie are entertained by assorted performers.
    [Show full text]
  • Recordings by Women Table of Contents
    '• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem­ CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September.
    [Show full text]
  • Hugh Padgham Discography
    JDManagement.com 914.777.7677 Hugh Padgham - Discography updated 09.01.13 P=Produce / E=Engineer / M=Mix / RM=Remix GRAMMYS (4) MOVIE STUDIO / RECORD LABEL ARTIST / COMPOSER / PROGRAM FILM SCORE / ALBUM / TV SHOW CREDIT / NETWORK Sting Ten Summoner's Tales E/M/P A&M Best Engineered Album Phil Collins "Another Day In Paradise" E/M/P Atlantic Record Of The Year Phil Collins No Jacket Required E/M/P Atlantic Album Of The Year Hugh Padgham and Phil Collins No Jacket Required E/M/P Atlantic Producer Of The Year ARTIST ALBUM CREDIT LABEL 2013 Hall and Oates Threads and Grooves M RCA 2012 Adam Ant Playlist: The Very Best of Adam Ant P Epic/Legacy Dominic Miller 5th House M Ais / Q-Rious Music Clannad The Essential Clannad P RCA McFly Memory Lane: The Best of McFly M/P Island 2011 Sting The Best of 25 Years P/E/M Polydor/A&M Records Melissa Etheridge Icon P Island Van der Graaf Generator A Grounding in Numbers M Esoteric Records Various Artists Grandmaster II Project P/E/M Extreme 2010 The Bee Gees Ultimate Bee Gees: The 50th Anniversary Collections P/E/M Rhino Youssou N'Dour/Peter Gabriel Shakin' The Tree M Virgin Van der Graff Generator A Grounding In Numbers M Virgin Tina Turner Platinum Collection P/E/M Virgin Hall & Oates Collection: H2O, Private Eyes, Voices M RCA Tim Finn Anthology: North South East West P/E/M EMI Music Dist. Mummy Calls Mummy Calls P/E/M Geffen 311 Playlist: The Very Best of 311 P Legacy Various Artists Ashes to Ashes, Series 2 P/E/M Sony Various Artists Rock For Amnesty P/E/M Mercury 2009 Tina Turner The Platinum Collection P Virgin Hall & Oates The Collection: H20/Private Eyes/Voices M RCA Bee Gees The Ultimate Bee Gees: The 50th Anniversary Collection P Rhino Dominic Miller In A Dream P/E/M Independent Lo-Star Closer To The Sun P/E/M Independent Danielle Harmer Superheroes P/E/M EMI Original Soundtrack Ashes to Ashes, Series 2 P Sony Music Various Artists Grandmaster Project P/E/M Extreme Various Artists Now, Vol.
    [Show full text]
  • 11469 Songs, 35.2 Days, 75.18 GB
    Page 1 of 54 Music 11469 songs, 35.2 days, 75.18 GB Artist Album # Items Total Time Bryan Adams So Far So Good 13 59:05 Ryan Adams Easy Tiger 13 38:58 Adele 21 12 51:40 Aerosmith Aerosmith 8 35:51 Aerosmith Draw The Line 9 35:18 Aerosmith Get Your Wings 8 38:04 Aerosmith Honkin' On Bobo 12 43:55 Aerosmith Just Push Play 12 50:49 Aerosmith Pump 10 47:46 Aerosmith Toys In The Attic 9 37:11 Jan Akkerman Blues Root 1 3:03 Alice Cooper Welcome To My Nightmare 11 43:24 Luther Allison Blue Streak 12 53:32 Mose Allison Seventh Son 1 2:50 The Allman Brothers Band The Allman Brothers Band 6 33:23 The Allman Brothers Band Brothers And Sisters 7 38:24 The Allman Brothers Band Dreams [Disc 2] 10 1:16:00 The Allman Brothers Band Eat A Peach 9 1:09:56 The Allman Brothers Band An Evening With The Allman Brothers Band [1st Set] 9 1:14:08 The Allman Brothers Band An Evening With The Allman Brothers Band [2nd Set] 8 1:11:55 The Allman Brothers Band The Fillmore Concerts 2 41:36 The Allman Brothers Band Hittin' The Note 11 1:15:01 Music Page 2 of 54 Artist Album # Items Total Time The Allman Brothers Band Idlewild South 7 30:54 The Allman Brothers Band Live at the Fillmore East 10 1:32:44 The Allman Brothers Band Shades Of Two Worlds 8 52:36 The Allman Brothers Band Where It All Begins 10 56:02 Gregg Allman Laid Back 8 36:01 America Here & Now [Disc 1] 12 44:16 America Here & Now [Disc 2] 12 40:38 Tori Amos Crucify 1 3:11 Trey Anastasio Trey Anastasio 12 1:00:07 Eric Andersen Blue River 11 46:54 Ian Anderson The Secret Language Of Birds [Bonus Tracks] 18
    [Show full text]
  • V.51#3V.51#3
    Instructions for printing your CD Booklet & Tray Card (photo quality inkjet paper recommended): 1. Set your printer properties to the highest possible resolution, with *NO* size, margin or “fit to page” adjustment! 2. Print page 1. Flip the page, re-insert into your printer’s feed tray, print page 2 on the reverse. 3. Cut *just* inside the dotted line and fold in half, and place in the top of your jewel box. 4. Print page 3, score the page along the fold marks. 5. Cut *just* inside the dotted line, finish the folds and place in the bottom of the jewel box. SONGS FROM SING OUT! 16 Breathe by Dan Bern (© 2007 Kababa Music / ASCAP, admin by PEN Music Group, Inc) 4:16 from Dan Bern’s album Breathe (Messenger #25) available from (P.O. Box 1607, New York, NY 10113; Ph: 212-675-6164; Web: <www.messengerrecords.com>). See page 98. v.51#3v.51#3 17 Gung Ho by Terre Roche (© 2006 Nabithius/ASCAP) 3:12 from The Roches’ album Moonswept (429 #17636) available from (Savoy Label Group, 429 Santa Monica Featuring music from: Blvd., Ste. 330, Santa Monica, CA 90405; Web: <www.429records.com>). See page 120. Ry Cooder 18 Sneakers by Gideon Freudmann (© CelloBop Music) 3:10 from Caravan Gogh’s album Caravan Gogh (Go Gogh) available from (P.O. Box 71, Fairview, OR 97024; Carolina Chocolate Drops Web: <www.caravangogh.com>). See page 80. Joan Armatrading 19 Twenty-Four Hours A Day by Elana James (© 2006 Snarf Records) 3:14 from Elana James’ self-titled solo debut (Snarf #8203) available from (P.O.
    [Show full text]
  • Top 40 Singles Top 40 Albums
    13 November 1988 CHART #642 Top 40 Singles Top 40 Albums Desire Superfly Guy Rattle & Hum Take A Chance 1 U2 21 S-Express 1 U2 21 Ardijah Last week 1 / 5 weeks Gold / FESTIVAL Last week 13 / 6 weeks BMG Last week 1 / 2 weeks Platinum / ISLAND/POLYGRAM Last week 16 / 11 weeks Gold / WEA Don't Worry Be Happy I Want Your Love Money For Nothing Open Up And Say . Aah! 2 Bobby McFerrin 22 Transvision Vamp 2 Dire Straits 22 Poison Last week 2 / 3 weeks EMI Last week 25 / 7 weeks WEA Last week 2 / 3 weeks Platinum / POLYGRAM Last week 36 / 16 weeks FESTIVAL The Only Way Is Up After Midnight Tour Of Duty OST Ub40 3 Yazz & The Plastic Population 23 Eric Clapton 3 Various 23 UB40 Last week 10 / 2 weeks CBS Last week 18 / 5 weeks POLYGRAM Last week 3 / 14 weeks CBS Last week 25 / 8 weeks VIRGIN A Groovy Kind Of Love Drop The Boy New Jersey The Lonesome Jubilee 4 Phil Collins 24 Bros 4 Bon Jovi 24 John Mellencamp Last week 6 / 4 weeks WEA Last week 17 / 15 weeks CBS Last week 4 / 5 weeks Platinum / POLYGRAM Last week 29 / 46 weeks Platinum / POLYGRAM I Owe You Nothing Megablast/Don't Make Me Wait Appetite For Destruction Popped In Souled Out 5 Bros 25 Bomb The Bass 5 Guns N' Roses 25 Wet Wet Wet Last week 7 / 3 weeks CBS Last week 39 / 2 weeks BMG Last week 5 / 9 weeks UNIVERSAL Last week 26 / 21 weeks Gold / POLYGRAM Sweet Child O' Mine Batman Theme Don't Be Afraid Of The Dark Good Morning Vietnam OST 6 Guns N' Roses 26 Neil Hefti 6 The Robert Cray Band 26 Various Last week 11 / 10 weeks WEA Last week 14 / 3 weeks BMG Last week 7 / 7 weeks Gold /
    [Show full text]
  • Sweetdreams 391 Titel, 1 Tag, 2,29 GB
    Seite 1 von 16 -SweetDreams 391 Titel, 1 Tag, 2,29 GB Name Dauer Album Künstler 1 I'm ready (Live) 4:25 The Best Of Me - Bryan Adams - Comp 1999 (CD-VBR) Adams Bryan 2 All for love (ft Steward Rod & Sting) 4:40 The Best Of Me - Bryan Adams - Comp 1999 (CD-VBR) Adams Bryan 3 When you love someone 3:39 Hope Floats - Soundtrack - Comp 1998 (RS) Adams Bryan 4 (Everything i do) i do it for you 6:34 Waking Up The Neighbours - Bryan Adams - 1991 (CD) Adams Bryan 5 I finally found someone 3:42 Kuschelrock SE Movie-Songs - 1999 (RS) Adams Bryan & Streisand Barbra 6 Beautiful 3:59 Stripped - Christina Aguilera - 2002 (RS) Aguilera Christina 7 All out of love 4:02 Kuschelrock 07 CD1 - 1993 (RS) Air Supply 8 Come what may 3:58 Now And Forever - Air Supply - 1982 (LP) Air Supply 9 Lady down on love 3:57 For the Record: 41 Number One Hits Alabama 10 Canyon prayer 4:24 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 11 Tom Traubert's Blues 6:01 Ambros Singt Waits - Wolfgang Ambros - 2000 (RS) Ambros Wolfgang 12 I belong to you (Duet Ramazotti Eros) 4:27 Pieces Of A Dream - Anastacia - Comp 2005 (CD-VBR) Anastacia 13 In these times 3:13 Lovers Speak - Joan Armatrading - 2003 (RS) Armatrading Joan 14 Baby I 4:53 To The Limit - Joan Armatrading - 1978 (RS) Armatrading Joan 15 What a wonderful world 2:22 What A Wonderful World - Louis Armstrong - 1968 (IE) Armstrong Louis 16 Hopelessly 3:36 Body & Soul Astley Rick 17 Cry for help 4:50 Free Astley Rick 18 After the rain 3:05 The Performance - Shirley Bassey - 2009 (RS) Bassey Shirley 19 Masculine
    [Show full text]
  • Bobbies Summer Series
    Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Bobbie’s Summer Series Four Evenings of Entertaining Performers Ranging From Folk Rock To Fiddle Tunes Susan Werner Diverse Songs and Charming Performance Michael Fabrizio Mixture of Americana and Folk Rock Mike Wartella Broadway Favorites Reimagined And Original Folk/Rock Music Jay Ungar & Molly Mason Original Fiddle Tunes and Favorites From The Golden Age of Country Click Here To Download Press Photos Pittsfield, MA - Bobbie’s Summer Series returns this summer with concerts just outside the beautiful Unicorn Theatre patio (6 East Street) at BTG’s Stockbridge Campus. A collection of talented musicians will entertain with a variety of genres ranging from folk-rock to fiddle tunes to country and more. Patrons are encouraged to bring a lawn chair or blanket for use on the grass. The grounds will open at 6pm and the performances will begin at 7pm. Tickets are $30 for adults and $20 for children 16 and under and BTG is offering a 25% discount for all healthcare workers. Food/beverage provided by KJ Nosh is an additional $20 per person and will be available for purchase in advance and on site. Bobbie’s Summer Series is generously sponsored by Bobbie Hallig. Tickets can be purchased online at www.BerkshireTheatreGroup.org or by calling (413) 997-4444. Ticket office hours are every day from 12pm–5pm, or on any performance day from 12pm until curtain.
    [Show full text]