Top 40 Singles Top 40 Albums
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Hothouse Flowers
MTM Checks Out Europe's Own MTV Unplugged. Also, GrooveMix Looks At French Club Charts. See page 10 & 12. Europe's Music Radio Newsweekly Volume 10 . Issue 11 . March 13, 1993 . £ 3, US$ 5, ECU 4 Radio Wins UK PolyGram Operating Copyright Battle Income Up 7% broadcasting revenue, including by Thom Duffy & income from sponsorship, barter Mike McGeever and contra deals for the first time, by Steve Wonsiewicz Record companies inthe UK as well as advertising revenue. Worldwide music and entertain- have been dealt a major setback The ratefor stations with net ment group PolyGram reported in their bid to boost the royalty broadcastingrevenuebetween a 7.3% increaseinoperating payments they receive from com- US$1.02 million and US$525.000 income to Dfl 789 million (app. mercial radio stations, under a will drop to 3% and 2% for those US$448 million) on a 4.6% rise ruling handed down March 2 by with net income below in sales to Dfl 6.62 billion last the Copyright Tribunal. US$525.000. The royaltiesare year, despite a severe recession DANISH GRAMMIES - Danish band Gangway (BMG/Genlyd Den- In an action brought by the retroactive to April 1, 1991. in several of its key European mark) received four prizes in this year's Danish Grammy Show while Association ofIndependent The total operating profit of markets. Lisa Nilsson (Diesel Music, Sweden) took two awards. Pictured (4) are: Radio Contractors (AIRC) to set the commercial UK radio indus- Net income for thefiscal Tonja Pedersen (musician, Lisa Nilsson), Lasse Illinton (Gangway), BMG new broadcast royalty rates for 79 try in 1990-91 was approximately year ended December 31 was up label manager Susanne Kier, Diesel Music MD Torbjorn Sten, Lisa Nils- commercialradiocompanies, US$11 millionwithCapital 13.5% to Dfl 506 million. -
MUSIC of IRELAND Fact Sheet PRESS FINAL
Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
Festival 30000 LP SERIES 1961-1989
AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR. -
Hawaii Hosts Pacific Rim Commandants Conference Commandant Proclaims 'The Era of Marines Is Back' and Accounts for Roughly 2.6 U.S
HAWAII MarineSamna MCAS Kaneohe Bay, MES, H.M. Smith and Marine Barracks. September Vol. 22 No. 37 lit Camp 23,1993 Hawaii hosts Pacific Rim Commandants Conference Commandant proclaims 'the era of Marines is back' and accounts for roughly 2.6 U.S. Commandant, "is an attitude Marine Forces Pacific million American jobs," stated of service to country and winning Public Affairs Office LtGen. Stackpole following the against all odds." conference. "But, despite the end The ROK, Thai and Philippine "The era of Marines is back!" of the Cold War, there are very Commandants concurred with declared the Commandant of the real security challenges in that Gen. Mundy's assessment that"the Marine Corps, Gen. Carl E. region. During the conference, era of Marines is back!" Each Mundy Jr., as he met with three the commandants worked to cited as proof that, within their of his Asian counterparts here last improve our abilities to operate respective nations, it is the Marines week for the 1993 Pacific Rim together to meet those challenges. who are considered the premier Commandants Conference. response force in time of crisis, The conference, which ran from and that "First to Fight" was the Sept. 15-17, was designed to allow reason for being for their Marine Pacific Rim Commandants the 'Being a Marine Corps. opportunity to exchange The first day of the conf6rence information and ideas how Marine is an attitude of was devoted to one-on-one forces in the Pacific Basin can discussions in Honolulu. The better operate together. service to coun- formal opening ceremony was At Gen. -
Just Great Irish Bands
NO “DANNY BOY" NO “ROSE OF TRALEE" PLUS BONUS DVD!! “SIGHTINGS OF BONO," JUST GREAT THE MUCH TALKED ABOUT SHORT FILM IRISH BANDS FEATURING BONO! PERFORMING THE SONGS AVAILABLE FOR THE FIRST TIME EVER! THAT MADE THEM FAMOUS AND ONLY WITH GREATEST IRISH BANDS! A MUST HAVE Featuring signature songs from FOR ANY U2 FAN! U2, Sinéad O’Connor, The Pogues, Van Morrison, Thin Lizzy, The Corrs, Stiff Little Fingers, Hothouse Flowers, The Undertones, Boomtown Rats, The Cranberries, Rory Gallagher, and Clannad featuring Bono. GREATEST IRISH BANDS www.hip-o.com PLUS BONUS DVD!! TRACK LISTING (Subject to Change) “SIGHTINGS OF BONO," THE MUCH TALKED ABOUT U2 Where The Streets Have No Name SHORT FILM FEATURING BONO! RORY GALLAGHER Tattooed Lady AVAILABLE FOR THE FIRST TIME EVER! AND ONLY WITH GREATEST IRISH BANDS! A MUST HAVE FOR ANY U2 FAN! THE CRANBERRIES Linger CLANNAD (WITH BONO) In A Lifetime BOOMTOWN RATS I Don’t Like Mondays THE UNDERTONES Teenage Kicks HOTHOUSE FLOWERS Don’t Go THE POGUES Fairytale Of New York THE CORRS Breathless STIFF LITTLE FINGERS Alternative Ulster SINÉAD O’CONNOR Nothing Compares 2 U THIN LIZZY Whiskey In The Jar VAN MORRISON Brown Eyed Girl RADIO/PRESS DIRECT RESPONSE TV On-air mentions via campaigns and giveaways Direct television campaign to begin in in all major and secondary markets, including webtags with cover image and direct link to January, approximately 4 weeks prior to online retail for additional impressions. retail in-store date to create project Campaigns to be pitched to MJI Broadcasting — awareness and drive retail sales. -
Central Florida Future, Vol. 21 No. 37, January 26, 1989
University of Central Florida STARS Central Florida Future University Archives 1-26-1989 Central Florida Future, Vol. 21 No. 37, January 26, 1989 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 21 No. 37, January 26, 1989" (1989). Central Florida Future. 898. https://stars.library.ucf.edu/centralfloridafuture/898 he Central Florida Future @ 1988 The Central Florida Future Volume 21, Number 37 University of Central .Florida/Orlando Thursday January 26, 1989 Hundreds attend rally Students debate fee increase pros and cons by Lance Turner rally was not meant as a confronta ASSISTANT NEWS ~DITOR tional forum to address the groups, or the student's opinions. Instead, it was The Student Organization Against meant to inform the student body, to Paying (SOAP) rally drew student and draw support by informing those stu Student Government attention on dents, and to show student opposition Tuesday with a crowd that swelled to to the athletic fee increase by the sign more than 250 at the peak of the anti ing of the group's petition. fee-increase demonstrations. The crowd pulled in toward the stage The U CF athletic fee committee first and appeared to be lassoing in a num voted to increase the athletic fee to ber of passing students. -
Robert Mapplethorpe Larry Hunt, 1978 Gelatin Silver Print Sheet: 50.5 × 40.7 Cm (19 7/8 × 16 In.) Image: 35.6 × 35.6 Cm (14 × 14 In.) Getty Research Institute
Robert Mapplethorpe Larry Hunt, 1978 Gelatin silver print Sheet: 50.5 × 40.7 cm (19 7/8 × 16 in.) Image: 35.6 × 35.6 cm (14 × 14 in.) Getty Research Institute Robert Mapplethorpe Peter Klashorst and a man holding a video camera Gelatin silver print Sheet: 50.3 × 40.2 cm (19 13/16 × 15 13/16 in.) Image: 38.6 × 38.6 cm (15 3/16 × 15 3/16 in.) Getty Research Institute Robert Mapplethorpe Thomas in a tank shirt, 1986 Gelatin silver print Sheet: 60.1 × 50.5 cm (23 11/16 × 19 7/8 in.) Image: 48.9 × 49 cm (19 1/4 × 19 5/16 in.) Getty Research Institute Robert Mapplethorpe Polaroid Test Shot, circa 1980 Dye diffusion print Sheet: 8.6 × 10.8 cm (3 3/8 × 4 1/4 in.) Image: 7.3 × 9.5 cm (2 7/8 × 3 3/4 in.) Getty Research Institute Page 1 Robert Mapplethorpe Model release card for Colin Streeter Black ink on paper Sheet: 7.4 × 12.4 cm (2 15/16 × 4 7/8 in.) Getty Research Institute Robert Mapplethorpe Model release card for Dennis Speight, 1983 Blue ink on paper Sheet: 9 × 14 cm (3 9/16 × 5 1/2 in.) Getty Research Institute Robert Mapplethorpe Model release for Robert Sherman, 1979 Blue ink on paper Sheet: 7.4 × 12.4 cm (2 15/16 × 4 7/8 in.) Getty Research Institute Robert Mapplethorpe Model release card for Rory Bernal, 1982 Blue ink on paper Sheet: 9 × 14 cm (3 9/16 × 5 1/2 in.) Getty Research Institute Robert Mapplethorpe Polaroid Test Shot, circa 1975-1989 Dye diffusion transfer print Sheet: 8.6 × 10.8 cm (3 3/8 × 4 1/4 in.) Getty Research Institute Page 2 Robert Mapplethorpe Polaroid Test Shot, circa 1975-1989 Dye diffusion transfer print Sheet: -
Port Na Bpúcaí Title Code 1 Altan 25Th Anniversary Celebration with The
Port na bPúcaí Title Code Aberlour's Save the last drop 9,95 1 Abbey Ceili Band Bruach at StSuiain 9,95 1 Afro Celt Sound System POD (CD & DVD) CDRW 116 18,95 Afro Celt Sound System Vol 1 - Sound Magic CDRW61 14,95 Afro Celt Sound System Vol 2 - Release CDRW76 14,95 1 Afro Celt Sound System Vol 3 - Further in time CDRW96 14,95 Afro Celt Sound System Anatomic CDRW133 16,95 Afro Celt Sound System Seed CDRWG111 Altan 25th Anniversary Celebration with the ALT001 16,95 2 RTE concert orchestra Altan Altan ( Frankie & Mairead ) GLCD 1078 16,95 Altan another sky... 724384883829 12,95 Altan Best of, The (2CDs) GLCD 1177 16,95 1 Altan The best of Altan - The Songs 7, 24354E+11 9,95 Altan Blackwater CDV2796 12,95 Altan Blue Idol, The CDVE961/ 8119552 16,95 Altan Finest, The CCCD100 8,95 Altan First ten years 1986-1995, The GLCD 1153 14,95 Altan Glen Nimhe - The Poison Glen COM4571 16,95 Altan harvest storm GLCD 1117 16,95 Altan horse with a heart GLCD 1095 16,95 Altan island angel GLCD 1137 16,95 1 Altan Local ground VERTCD069 19,95 Altan Runaway sunday CDV2836 12,95 Altan Red crow, The GLCD 1109 16,95 Altan The widening gyre 16,95 1 Ancient voice of Ireland Haunting Irish melodies 9,95 2 Anúna Anúna DANU21 9,95 1 Anúna Deep dead blue DANU020 14,95 Anúna Illumination DANU029 Anúna Invocation DANU015 14,95 Anúna Sanctus DANU025 14,95 Anúna Winter Songs DANU 16 14,95 Arcade Fire The subburbs 6,95 5 Arcady After the ball.. -
Georgie Fame
Georgie Fame Born on 26th June 1943 in the industrial town of Leigh, Lancashire, his interest in music grew from family entertainment “sessions” at home and musical evenings in the church hall across the street, where his father played in an amateur dance band. Although he took piano lessons for a short time at the age of seven, it wasn’t until the advent of rock’n’roll on radio during the mid-fifties that young Georgie began to take the family piano seriously. Fats Domino, Jerry Lee Lewis and Little Richard were among his catalysts. Upon leaving school, shortly after his fifteenth birthday, he followed the family tradition and took a job as an apprentice cotton weaver in one of the many local mills. Leisure time, however, was spent playing piano in various pubs and with a local group, “The Dominoes”. In July 1959, at a summer holiday camp, Georgie was spotted by Rory Blackwell, the resident rock’n’roll bandleader, who offered the young singer/pianist a full time job. Goodbye, weaving shed. Rory and the Blackjacks departed for London, their hometown, when the summer season ended prematurely and Georgie went with them. The promised glamorous work did not materialise and the band broke up, but the determined young man from Leigh eventually took up a solo residency at The Essex Arms pub in London’s Dockland, where the kindly landlord provided a room to sleep in. In October of that year, the Marty Wilde Show was performing at the Lewisham Gaumont and Rory Blackwell arranged for Georgie to audition “live” for impressario Larry Parnes.