CHART #475 02 June 1985
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Top 40 Singles Top 40 Albums
08 March 1987 CHART #559 Top 40 Singles Top 40 Albums Funky Town Thorn In My Side Revenge Different Light 1 Pseudo Echo 21 Eurythmics 1 Eurythmics 21 The Bangles Last week 3 / 2 weeks EMI Last week 15 / 8 weeks RCA Last week 1 / 28 weeks Platinum / RCA Last week 19 / 19 weeks FESTIVAL Word Up Hungry Town Graceland True Colours 2 Cameo 22 Big Pig 2 Paul Simon 22 Cyndi Lauper Last week 1 / 3 weeks POLYGRAM Last week 38 / 2 weeks FESTIVAL Last week 5 / 20 weeks Platinum / WEA Last week 20 / 20 weeks Platinum / CBS Good Times Don't Give Up Genesis They Don't Make Them Like They Us... 3 Jimmy Barnes & INXS 23 Peter Gabriel & Kate Bush 3 Genesis 23 Kenny Rogers Last week 2 / 9 weeks FESTIVAL Last week 34 / 3 weeks VIRGIN Last week 2 / 104 weeks Platinum / POLYGRAM Last week - / 1 weeks RCA Shake You Down To Be A Lover The Whole Story So 4 Gregory Abbott 24 Billy Idol 4 Kate Bush 24 Peter Gabriel Last week 4 / 7 weeks CBS Last week 21 / 12 weeks FESTIVAL Last week 4 / 8 weeks EMI Last week 50 / 29 weeks Platinum / VIRGIN C'est La Vie Slice Of Heaven Dancing On The Ceiling The Autobiography Of Supertramp 5 Robbie Nevil 25 Dave Dobbyn 5 Lionel Richie 25 Supertramp Last week 8 / 2 weeks EMI Last week 23 / 23 weeks Gold / SONY Last week 3 / 19 weeks Platinum / RCA Last week 16 / 9 weeks Gold / FESTIVAL Greetings To The New Brunette Victory Invisible Touch Brothers In Arms 6 Billy Bragg 26 Kool & The Gang 6 Genesis 26 Dire Straits Last week 12 / 3 weeks FESTIVAL Last week 30 / 2 weeks POLYGRAM Last week 6 / 32 weeks Platinum / VIRGIN Last week 22 -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
Robert Mapplethorpe Larry Hunt, 1978 Gelatin Silver Print Sheet: 50.5 × 40.7 Cm (19 7/8 × 16 In.) Image: 35.6 × 35.6 Cm (14 × 14 In.) Getty Research Institute
Robert Mapplethorpe Larry Hunt, 1978 Gelatin silver print Sheet: 50.5 × 40.7 cm (19 7/8 × 16 in.) Image: 35.6 × 35.6 cm (14 × 14 in.) Getty Research Institute Robert Mapplethorpe Peter Klashorst and a man holding a video camera Gelatin silver print Sheet: 50.3 × 40.2 cm (19 13/16 × 15 13/16 in.) Image: 38.6 × 38.6 cm (15 3/16 × 15 3/16 in.) Getty Research Institute Robert Mapplethorpe Thomas in a tank shirt, 1986 Gelatin silver print Sheet: 60.1 × 50.5 cm (23 11/16 × 19 7/8 in.) Image: 48.9 × 49 cm (19 1/4 × 19 5/16 in.) Getty Research Institute Robert Mapplethorpe Polaroid Test Shot, circa 1980 Dye diffusion print Sheet: 8.6 × 10.8 cm (3 3/8 × 4 1/4 in.) Image: 7.3 × 9.5 cm (2 7/8 × 3 3/4 in.) Getty Research Institute Page 1 Robert Mapplethorpe Model release card for Colin Streeter Black ink on paper Sheet: 7.4 × 12.4 cm (2 15/16 × 4 7/8 in.) Getty Research Institute Robert Mapplethorpe Model release card for Dennis Speight, 1983 Blue ink on paper Sheet: 9 × 14 cm (3 9/16 × 5 1/2 in.) Getty Research Institute Robert Mapplethorpe Model release for Robert Sherman, 1979 Blue ink on paper Sheet: 7.4 × 12.4 cm (2 15/16 × 4 7/8 in.) Getty Research Institute Robert Mapplethorpe Model release card for Rory Bernal, 1982 Blue ink on paper Sheet: 9 × 14 cm (3 9/16 × 5 1/2 in.) Getty Research Institute Robert Mapplethorpe Polaroid Test Shot, circa 1975-1989 Dye diffusion transfer print Sheet: 8.6 × 10.8 cm (3 3/8 × 4 1/4 in.) Getty Research Institute Page 2 Robert Mapplethorpe Polaroid Test Shot, circa 1975-1989 Dye diffusion transfer print Sheet: -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
J. D. Thomas Accession
JD THOMAS CULTURAL CENTER, INC. PAST-PERFECT CONTENT INDEX Charles “Madhatter” Collection Series 1: Awards Exhibit/Display Artist: Award: 1. The Fat Boys - “Cruisin” Platinum Sales Award 2. Jodici -“Forever My Lady” Multi-Platinum Sales Award 3. Levert -“The Big Throwdown” Gold Sales Award 4. M.C. Hammer -“Let’s Get it Started” Platinum Sales Award 5. Southern M.U.S.I.C. “Butterball Friendship Award” 6. Charles “MadHatter” Merritt Framed charcoal portrait 7. Charles “MadHatter” Merritt Self Photo 8. Charles “MadHaatter” Merritt Self Photo 9. Blues & Soul Blues Summit Honorium Award 10. Jasmine Guy - Actress Photo to MadHatter *(autographed) Box 1: Artist: Album: 1. Bobby Brown My Prerogative 2. New Edition Christmas All Over the World 3. Bobby Brown Every Little Hit 4. New Edition Heart Break 5. Lou Rawls Let Me Be Good To You 6. Lou Rawls At Last 7. Lou Rawls Live at the Mark Hellinger Theatre, NYC 8. Commodores Caught in the Act 9. Commorores Brick House 10. Commodores Rock Solid Box 2: Artist: Album: 1. L.L. Cool J I’m That Type of Guy 2. Nancy Wilson A Lady With A Song 3. ‘LaBelle & The Bluebells Merry Christmas From LaBelle 4. Myrna Summers/Rev. Wright We’re Going To Make It 5. Shirley Caesar I Remember Mama 6. Hannibal Visions of a New World 7. Manhattans Love Talk 8. St. Augustine’s College Choir The Divine Service 9. Lou Rawls Family Reunion 10. Hall & Oates Live at the Apollo (with David Ruffin & Eddie Kendricks) Box 3: Artist: Album: 1. Glady’s Knight LIFE 2. -
Georgie Fame
Georgie Fame Born on 26th June 1943 in the industrial town of Leigh, Lancashire, his interest in music grew from family entertainment “sessions” at home and musical evenings in the church hall across the street, where his father played in an amateur dance band. Although he took piano lessons for a short time at the age of seven, it wasn’t until the advent of rock’n’roll on radio during the mid-fifties that young Georgie began to take the family piano seriously. Fats Domino, Jerry Lee Lewis and Little Richard were among his catalysts. Upon leaving school, shortly after his fifteenth birthday, he followed the family tradition and took a job as an apprentice cotton weaver in one of the many local mills. Leisure time, however, was spent playing piano in various pubs and with a local group, “The Dominoes”. In July 1959, at a summer holiday camp, Georgie was spotted by Rory Blackwell, the resident rock’n’roll bandleader, who offered the young singer/pianist a full time job. Goodbye, weaving shed. Rory and the Blackjacks departed for London, their hometown, when the summer season ended prematurely and Georgie went with them. The promised glamorous work did not materialise and the band broke up, but the determined young man from Leigh eventually took up a solo residency at The Essex Arms pub in London’s Dockland, where the kindly landlord provided a room to sleep in. In October of that year, the Marty Wilde Show was performing at the Lewisham Gaumont and Rory Blackwell arranged for Georgie to audition “live” for impressario Larry Parnes. -
The Docket, Issue 4, December 1984
The Docket Historical Archives 12-1-1984 The Docket, Issue 4, December 1984 Follow this and additional works at: https://digitalcommons.law.villanova.edu/docket Recommended Citation "The Docket, Issue 4, December 1984" (1984). The Docket. 110. https://digitalcommons.law.villanova.edu/docket/110 This 1984-1985 is brought to you for free and open access by the Historical Archives at Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in The Docket by an authorized administrator of Villanova University Charles Widger School of Law Digital Repository. drcetingij THE Vol. XXI, No. 4 DOCKETTHE VILLANOVA SCHOOL OF LAW December, 1984 Placement Stats PAULING: END ARMS INSANITY Improve Nobel Laureate Blasts Reagan Administration by Jill Aline Cheilik by Michael McGrath Looking for a job? The new Board of Con- Students, faculty, and members of the suitors survey for 1983-1984 has come out, community packed rooms 29 and 30 on and the VLS Placement Office statistics are Monday, November 12 to listen to two time very impressive. 75% of the graduates from Nobel Laureate Linus Pauling deliver a the class of 1984 had legal jobs at the time of speech entitled "Nuclear Arms Control and graduation. Of this 75%, obtained their World Peace: What the Future Holds." The jobs through the Placement Office, from International Law Society sponsored Paul on-campus and 4-in-l interviews, and from ing's appearance in conjunction with the jobs listed in the Office. Law School. The number of on-campus interviewers In his speech, Pauling sharply criticized has risen considerably over just the past the participation of the United States in the three years alone. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
Music Culture in and Around Birmingham, Uk
N Rob Halford Cozy Powell Lolly The Station The Gate Matt Everitt Credit To The Nation Mike Burney Joan Armatrading Livid Kid Biz Bizley Stevie Winwood Andy Cash The Moody Blues Fuzzbox Mike Pinder Mothers Johnny West And The Sunsets Lawrence Hayward The Barn Ozzy Osbourne Plaza Black Sabbath Cleopatra Bruce Springsteen Rod Stewart PCRL Blackfoot Sue Villa Lesiure Centre Benjamin Zephaniah Steel PulseB21Apache Indian Musical Youth Band Of Joy David Hinds Hollick & Taylor Studios Basil Gabbidon Ronald McQueen The Monte Carlo The Drum Swami Elbow Room BRMB Jeffrey Lynne Traffic The Astonaires The Andicaps The Bobcats Soweto Kinch Mad City Robannas Malcolm Stent The Ben JohnsonAston Uni Student Guild Cedar Club The Pot Of Beer The Triangle Simon White Stephen Duffy The Black Horse Brum Cavern West End BarHawkins Wine Bar Jam HouseAlex’s Pie Stand Actress and Bishop Plastic Factory Harvey Andrews City of Birmingham Choir Q Club The BeatPigeon Park OasisScruffy Murphy’sThe Railway Jamelia VirginTop Rank Hummingbird Second City Sounds Dave SwarbrickSwinging Sporan Reddingtons Rare RecordsTempestHole In The ThrashWall Bang Wallop King Adora Subside Costermongers NIAMagnumHighway 67Swordfish Boots DEP Studios Thimblemill Swimming Baths Fiddle And BoneDuran Duran Town Hall Trocadero Symphony Hall Golden EagleOdeon Roy Wood The Rum Runner Whiskey A Go-GoRotundaSunset Cinema Club Raymond Froggatt Henry’s Blues HouseThe Ship Ashore Tower Ballroom The KaleidoscopeEdwards No8Reddingtons Rare Records The Opposite Lock Club The FoundaryThe Victoria Ian -
Mp3tag File Overview 2011-02-08
Mp3tag File Overview 2011-02-08 Title: You'll Loose A Good Thing Artist: Barbara Lynn Album: You'll Loose a Good Thing Year: 1962 Track: Genre: Oldies Comment: #8 on Billboard Hot 100 Title: Jobriath Artist: David Bowie Album: Unreleased Album (2000) Year: 2000 Track: Genre: Classic Rock Comment: Title: Freelove [Flood remix] Artist: Depeche Mode Album: Freelove Year: Track: Genre: Comment: Title: Jobriath Artist: Scott Walker & David Sylvian Album: Unreleased Album (2000) Year: 2000 Track: Genre: Classic Rock Comment: Title: La Femme D'Argent Artist: Air Album: Q - 1998-BEST Year: 1998 Track: 01 Genre: Rock Comment: Encoded by FLAC v1.1.2a with FLAC Frontend v1.7.1. Ripped by TCM Title: The State I Am In Artist: Belle And Sebastian Album: Tigermilk Year: 1996 Track: 01 Genre: Pop Comment: Track 1 Title: Lovely Day Artist: Bill Withers Album: Menagerie Year: 1977 Track: 01 Genre: Soul Comment: Title: Upp, Upp, Upp, Ner Artist: bob hund Album: bob hund Sover Aldrig [live] Year: 1999 Track: 01 Genre: Rock Comment: Encoded by FLAC v1.1.2a with FLAC Frontend v1.7.1. Ripped by TCM Title: Lloyd, I'm Ready To Be Heartbroken Artist: Camera Obscura Album: Sonically Speaking - vol. 29 Year: 2006 Track: 01 Genre: Pop Comment: Track 1 Title: Hands On The Wheel Artist: China Crisis Album: Warped By Success Year: 1994 Track: 01 Genre: Pop Comment: Track 1 Title: Geno Artist: Dexy's Midnight Runners Album: Let's Make This Precious [The Best Of] Year: 2003 Track: 01 Genre: Pop Comment: Track 1 Title: Walk On By Artist: Dionne Warwick Album: Dionne Sings Dionne Year: Track: 1 Genre: Comment: Title: Protection Artist: Massive Attack Album: Protection Year: 1994 Track: 01 Genre: Trip-Hop Comment: Encoded by FLAC v1.1.2a with FLAC Frontend v1.7.1. -
Lili Anel Has Been Making Incredible Music for Years, but with Every Second in Between She Has a Recording That Finally Lands Her on the Big‐Time Map
Lili Anel has been making incredible music for years, but with Every Second In Between she has a recording that finally lands her on the Big‐Time map. This is her breakthrough, a brilliant amalgam of jazz and pop vocals, songwriting and production. Anel, a New York singer‐songwriter now Philadelphia‐ based, grew up in Spanish Harlem soaking up the musical roots of her Cuban and African‐American heritage. Professionally, she grew up in the same Greenwich Village singer‐songwriter circle as Suzanne Vega, Shawn Colvin and Lucinda Williams. But unlike those singers who each had a distinct style that was easy to capitalize on, Anel’s approach was more complex and difficult to pinpoint. One set of ears would compare her to Joan Armatrading and Tracy Chapman; another Phoebe Snow. One listener would say Nina Simone; another, Roberta Flack. There were comparisons to Joni Mitchell, Paul Simon and even Pat Benatar. And you know what? They were all correct. But they were all wrong as well. Comparing her to all those greats proved a disservice. She was a fusion of them all, meaning simply, LIli Anel is an original—there is no comparison. With Every Second, Anel’s fifth recording, the singer‐songwriter has secured herself a place as a jazz‐pop artist to be reckoned with on the national scene. Let’s start with that incomparable voice. Alto‐deep, and as smooth as honey, her rich timbre is what makes her so distinctive and drives the deep emotion of her songs (she wrote all but one on this album).