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A New Evil Awakes the ‘Mummy’ Franchise Had Its Way with Egyptian History
16 發光的城市 A R O U N D T O W N FRIDAY, AUGUST 8, 2008 • TAIPEI TIMES A new evil awakes The ‘Mummy’ franchise had its way with Egyptian history. Now it’s moved to China for more of the same BY Ian BartholomeW StAFF REPORTER hen you leave the theater believing that Dwayne “The Rock” Johnson put in a W nuanced performance in The Scorpion King, and that Rush Hour 3 is the last word on insightful cross-cultural filmmaking, you realize you THE MUMMY: TOMB OF THE have witnessed the blockbuster action film hit a new DRAGON EMPEROR low. You do not go into a film titled The Mummy: playing Tomb of the Dragon Emperor expecting much DIRECTED BY: ROB COHEN Fraser’s better subtlety. But the ham-fisted battering you receive half is a bad piece of from a production team that runs through all the STARRING: BRENDAN FRASER (RICK O’CONNELL), JET miscasting, and places further strain on the film’s genre cliches in such a cynically derivative manner LI (李連杰, AS EMPEROR HAN), MARIA BELLO (EVELYN credibility. is a sad reflection of where a reasonably entertaining O’CONNELL), JOHN HANNAH (JONATHAN CARNAHAN), Obviously, from a marketing perspective, one franchise can be taken in the interests of making MICHELLE YEOH (楊紫瓊, AS ZI JUAN), LUKE FORD (ALEX of the main interests of The Mummy: Tomb of the more money. (The film made US$101.9 million O’CONNELL), ISABELLA LEONG (梁洛施 AS LIN), ANTHONY Dragon Emperor is that it is set “in China,” and that worldwide in its opening weekend last week.) WONG (黃秋生, AS GENERAL YANG) it has several Hong Kong stars. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
Meet the Gilded Lady 2 Mummies Now Open
Member Magazine Spring 2017 Vol. 42 No. 2 Mummies meet the gilded lady 2 mummies now open Seeing Inside Today, computerized inside of mummies, revealing CT scans of the Gilded Lady tomography (CT) scanning details about the person’s reveal that she was probably offers researchers glimpses age, appearance, and health. in her forties. They also suggest of mummified individuals “Scans like these are noninvasive, that she may have suffered like never before. By combining they’re repeatable, and they from tuberculosis, a common thousands of cross-sectioned can be done without damaging disease at the time. x-ray images, CT scans let the history that we’re trying researchers examine the to understand,” Thomas says. Mummy #30007, known as the Gilded Lady, is one of the most beautifully preserved mummies from The Field Museum’s collection, and one of 19 now on view in the special exhibition Mummies. For decades, keeping mummies like this one well preserved also meant severely limiting the ability of researchers to study them. The result is that little was known about the Gilded Lady beyond what could be gleaned from the mummy’s exterior, with its intricate linen bindings, gilded headdress, and painted facial features. Exterior details do offer some clues. The mummy dates from 30 BC–AD 395, a period when Egypt was a province of the Roman Empire. While the practice of mummification endured in Egypt, it was being transformed by Roman influences. Before the Roman era, for example, mummies had been placed in wooden coffins, while the Gilded Lady is preserved in only linen wrappings and cartonnage, a papier mâché-like material. -
The Horror Film Series
Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors. -
Mummies and Mummification Practices in the Southern and Southwestern United States Mahmoud Y
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Karl Reinhard Papers/Publications Natural Resources, School of 1998 Mummies and mummification practices in the southern and southwestern United States Mahmoud Y. El-Najjar Yarmouk University, Irbid, Jordan Thomas M. J. Mulinski Chicago, Illinois Karl Reinhard University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/natresreinhard El-Najjar, Mahmoud Y.; Mulinski, Thomas M. J.; and Reinhard, Karl, "Mummies and mummification practices in the southern and southwestern United States" (1998). Karl Reinhard Papers/Publications. 13. http://digitalcommons.unl.edu/natresreinhard/13 This Article is brought to you for free and open access by the Natural Resources, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Karl Reinhard Papers/Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in MUMMIES, DISEASE & ANCIENT CULTURES, Second Edition, ed. Aidan Cockburn, Eve Cockburn, and Theodore A. Reyman. Cambridge: Cambridge University Press, 1998. 7 pp. 121–137. Copyright © 1998 Cambridge University Press. Used by permission. Mummies and mummification practices in the southern and southwestern United States MAHMOUD Y. EL-NAJJAR, THOMAS M.J. MULINSKI AND KARL J. REINHARD Mummification was not intentional for most North American prehistoric cultures. Natural mummification occurred in the dry areas ofNorth America, where mummies have been recovered from rock shelters, caves, and over hangs. In these places, corpses desiccated and spontaneously mummified. In North America, mummies are recovered from four main regions: the south ern and southwestern United States, the Aleutian Islands, and the Ozark Mountains ofArkansas. -
The Global History of Paleopathology
OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN TH E GLOBA L H ISTORY OF PALEOPATHOLOGY 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd i 11/31/2012/31/2012 44:03:58:03:58 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd iiii 11/31/2012/31/2012 44:03:59:03:59 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN TH E GLOBA L H ISTORY OF PALEOPATHOLOGY Pioneers and Prospects EDITED BY JANE E. BUIKSTRA AND CHARLOTTE A. ROBERTS 3 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd iiiiii 11/31/2012/31/2012 44:03:59:03:59 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN 1 Oxford University Press Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With o! ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland " ailand Turkey Ukraine Vietnam Copyright © #$%# by Oxford University Press, Inc. Published by Oxford University Press, Inc. %&' Madison Avenue, New York, New York %$$%( www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. CIP to come ISBN-%): ISBN $–%&- % ) * + & ' ( , # Printed in the United States of America on acid-free paper 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd iivv 11/31/2012/31/2012 44:03:59:03:59 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN To J. -
Human Cremation in Mexico 3,000 Years Ago
Human cremation in Mexico 3,000 years ago William N. Duncan*†, Andrew K. Balkansky‡, Kimberly Crawford‡, Heather A. Lapham‡, and Nathan J. Meissner‡ *Department of Anthropology, St. John Fisher College, Rochester, NY 14618; and ‡Department of Anthropology, Southern Illinois University, Carbondale, IL 62901 Edited by Joyce Marcus, University of Michigan, Ann Arbor, MI, and approved February 22, 2008 (received for review November 10, 2007) Mixtec nobles are depicted in codices and other proto-historic ological contexts and osteological analyses of the burials, and documentation taking part in funerary rites involving cremation. evaluate the evidence based on known aspects of the Mixtec The time depth for this practice was unknown, but excavations at mortuary program. These early examples of cremation, along the early village site of Tayata, in the southern state of Oaxaca, with other factors, could reflect the emergence of ranked Mexico, recovered undisturbed cremation burials in contexts dat- society in the ancient Mixteca Alta and indicate that proto- ing from the eleventh century B.C. These are the earliest examples historic methods of marking social status had precursors of a burial practice that in later times was reserved for Mixtec kings extending back 3,000 years from the present. and Aztec emperors. This article describes the burial contexts and human remains, linking Formative period archaeology with eth- Archaeological Context nohistorical descriptions of Mixtec mortuary practices. The use of Survey and excavation indicate that Tayata was among the cremation to mark elevated social status among the Mixtec was largest villages of the preurban Formative period in the established by 3,000 years ago, when hereditary differences in Mixteca Alta of Oaxaca, Mexico (18, 19). -
Movies & Languages 2013-2014 Hotel Transylvania
Movies & Languages 2013-2014 Hotel Transylvania About the movie (subtitled version) DIRECTOR Genndy Tartakovsky YEAR / COUNTRY 2012 U.S.A GENRE Comedy, Animation ACTORS Adam Sandler, Andy Samberg, Steve Buscemi, Selena Gomez PLOT The Hotel Transylvania is Dracula's lavish five-stake resort he built for his beloved wife Martha and their daughter Mavis. Monsters and their families are invited to Mavis's 118th birthday party where they can live it up, free from meddling with the human world. But here's a little known fact about Dracula: he is not only the Prince of Darkness; he is also a dad. Over-protective of his teenage daughter, Mavis, Dracula fabricates tales of elaborate dangers to dissuade her adventurous spirit. As a haven for Mavis, he opens the Hotel Transylvania, where his daughter and some of the world's most famous monsters – Frankenstein and his bride, the Mummy, the Invisible Man, a family of werewolves, gremlins and more – can kick back in safety and peace. For Drac, catering to all of these legendary monsters is no problem but his world could come crashing down when one ordinary guy discovers the hotel and takes a shine to Mavis. LANGUAGE Simple English spoken in Eastern European, American and French accents GRAMMAR INDEPENDENT ELEMENTS/INTERJECTIONS Introductory - Oh! ah! alas! Ha ha, ha! hollo! hurrah! pshaw! etc. express sudden bursts of feeling. As they have no grammatical relation to any other word in the sentence, we say that they are independent. Words belonging to other parts of speech become interjections when used as mere exclamations: What! are you going? Well! you surprise me Other words besides interjections may be used independently: Come on boys Well, we will try it Now, that is strange Why, this looks right There is reason in this Boys simply arrests the attention of the persons addressed. -
Ötzi the Iceman Worksheets
From mummies to mitochondria, skeletons to sequencing, Denisovans to DNA, molecules to murder…. Our human Inheritance Understanding our genetic ancestry & what makes us human featuring Ötzi the iceman Look at the mummy! Did you know: The Making of Ötzi’s Replica What type of images were used to make Ötzi’s ancient tattoos were the 3D print of Ötzi? made by making fine cuts in his skin and then rubbing charcoal in the cuts. Where in Italy is the real mummy stored? Ancient Ink Ötzi has 57 visible tattoos in the form of small lines and crosses. (4 cannot be seen.) Fatal Wound FIND and DRAW as many tattoos as you can on the illustration of the iceman’s mummy Evidence suggests that Ötzi was shot by (each line counts as a single tattoo; a cross an arrow, and this caused his death. would count as two). MARK the location of the arrow wound with an “X” on the Ötzi to the right. Damage CIRCLE the area of the mummy that is damaged. Did you know? The arrowhead that caused Ötzi to Did you know: bleed to death wasn’t This damage was caused discovered until 10 years after accidentally by a power tool the mummy was found. during the recovery of the mummy in 1991. Ötzi the iceman Read the panels! Did you know? Did you know? A paper published in 2016 All except one of Ötzi’s shows that Otzi also carried H. fingernails were missing; a pylori, a bacteria associated single detached nail was with stomach ulcers! found by his body! DNA Analysis Scientists identified DNA from different bacteria One of Ötzi’s fingernails had horizontal ridges and other living things. -
Level 2 – the Mummy Returns – Penguin Readers
Penguin Readers Factsheets Level 2 – ElementaryLevel The Mummy Returns Teacher’s Notes The Mummy Returns by John Whitman based on the motion picture screenplay written by Stephen Sommers Summary In The Mummy Returns there are characters who once lived in the in Morocco, Jordan, and in London. Brendan Fraser plays Rick past, in ancient Egypt. They are now living in the modern world. O’Connell, Rachel Weisz plays his wife Evelyn. Patricia Velazquez The archeologist, Evelyn O’Connell, (who was Nefertiri in the past) plays Anck-su-namun, and Arnold Vosloo plays her lover, Imhotep. is married to the archeologist Rick O’Connell (an important man in Freddie Boath plays Alex and adds both suspense and comedy to the past with great powers). They met in Egypt in 1923 when they the movie. The professional wrestler the Rock plays the Scorpion were working in temples in Egypt and found the mummy of King. Imhotep, who had been sleeping for 3,000 years. When Imhotep The movie uses lots of Indiana Jones-style adventures and Star woke up, he tried to kill Evelyn, but Rick saved her. Then Rick and Wars-style special effects. It is fast-paced, with lots of surprises, Evelyn returned to England, they married and had a son, Alex. battles, love scenes, and horror. And like Indiana Jones, there are Now it is 1933 and they are back in Egypt with Alex, who is eight lots of jokes and funny moments that break the suspense, years old. They are looking for the Bracelet of Anubis. Anubis is a especially when Evelyn’s brother Jonathan is around. -
Ancient Egypt – How Were Mummies Made?
Notes for teachers Ancient Egypt – How were mummies made? Aims To help students understand the process of mummification To provide students with initial information suggesting why bodies were mummified To encourage students to consider a range of sources in their enquiries Description A sequence of 10 slides to explore an overall question: ‘How were mummies made?’ Slide 2 is a quote from Herodotus describing mummification Slides 3 to 9 describe the process of mummification Teaching ideas The presentation can be used on a whiteboard with the whole class or could be followed by individual students or groups. Use slide 2, Herodotus’ description of mummification, to break the process into stages. These could be supported and linked to images of objects used during each process. Explore the types of evidence used to show the process of mummification in this presentation. Discuss the use of written evidence and evidence derived from objects. Use the presentation as a starting point for understanding why mummification and the survival of the body was important to the ancient Egyptians. Explore the Mummification chapter of the British Museum’s Ancient Egypt website: www.ancientegypt.co.uk which provides information on mummification, a virtual mummy and coffin to explore and a challenge to journey through the underworld. Notes on the pictures Slide 3: Removal of the organs (images listed below in the order they appear) Bronze probe from Egypt, after 664 BC. Hooks such as this were used to remove the brain. X-rays of mummies sometime show small broken bones in the naval cavity caused when removing the brain. -
Prehistoric Art
PREHISTORIC ART THE BEGINNING Not until 25,000 years ago did out forebears invent art • The first art objects were created not to adorn the body or decorate the cavern--- But attempt to control or appease natural forces CAVE PAINTING • FIRST PAINTINGS WERE MADE ABOUT 15,000 YEARS • BEFORE THE DISCOVERY IN 1996 THE IMAGES AT LASCAUX, FRANCE WERE THE OLDEST KNOWN PAINTINGS IN EUROPE • PAINTINGS MOST REMOTE RECESSES OF THE CAVE—WHERE THERE WAS NO SUNLIGHT WHY DID THEY PAINT THESE IMAGES? • Maybe : • certain animals are symbolic • others represent mythical spirits • to contact spirits in another world • to track migration patterns • related to ritual occasions HORSE CAVE PAINTING 13,000 B.C. SCULPTURE OLDEST SURVIVING ART OBJECTS ARE SCULPTURES VENUS OF WILLENDORF • 25,000- 20,000 BC • ONE OT THE EARLIEST KNOWN HUMAN FIGURES • VENUS GODDNESS OF LOVE • FERTILITY IMAGE • CARRIED AROUND AS AN AMULET—GOOD LUCK CHARM • ONLY FEATURES SHOWING BELLY, BREASTS AND PUBIC AREA • ONLY 5 INCHES TALL • Paleolithic Period:::OLD STONE AGE • After 4000 years gave way to: • NEOLITHIC OR NEW STONE AGE • New stone tools---learned to farm—domesticate animals (cattle—goats –etc.)help with labor, food, milk and leather • Technology of pottery • Settled communities ---architecture of stone and wood were starting to be built ARCHITECTURE STONE HENGE 2,000 B.C. Certain conditions foster preservation of Art • Durable materials ( stone-metal-fired clay) • Local of environment not destructive to artworks • Stable population- • Putting artworks in places of limited or no