A New Evil Awakes the ‘Mummy’ Franchise Had Its Way with Egyptian History
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The Mummy Returns Egypt
The mummy returns Egypt. Activity about the film “The mummy returns” THE MUMMY RETURNS AN ACTIVITY FOR BOTH HISTORY AND ENGLISH LESSONS (1º ESO, BILINGUAL GROUP) OBJETIVES / OBJETIVOS -Using Past Simple -Using Irregular verbs in the past -Using short answers -Using WHAT, WHO, WHY, HOW, WHERE -Using Time expressions 1. Identificar los límites cronológicos de Egipto. 2. Conocer la importancia de la civilización egipcia. 3. Conocer la forma de gobierno del Antiguo Egipto. 4. Entender la relevancia de la arqueología como medio para el conocimiento de culturas del pasado. 5. Apreciar la identificación existente entre las creencias religiosas y la producción material por medio del estudio de los monumentos funerarios: pirámides, mastabas e hipogeos. 6. Reconocer y apreciar las manifestaciones artísticas y culturales de la cultura egipcia. ASSESMENT / CRITERIOS DE EVALUACIÓN -To be able to use the Past Simple -To be able to use the Present Simple -To be able to make questions with What, How, Why, When and Where -To be able to use short answers -To be able to use Time expressions 1. Establecer las principales etapas de la civilización egipcia. 2. Poner de relieve la singularidad de la civilización egipcia frente a otras culturas de la Antigüedad. 3. Explicar el papel jugado por la figura del faraón en el Estado egipcio. 4. Relacionar el proceso de momificación y enterramiento con la proliferación de los grandes monumentos funerarios. 5. Identificar las distintas manifestaciones del arte egipcio. BEFORE THE FILM READING COMPREHENSION: Ancient Egypt. Culture and religion. o (Reading comprehension, matching exercise and Finding out more Activities) READING AND LISTENING COMPREHENSION: Princess of Death. -
Meet the Gilded Lady 2 Mummies Now Open
Member Magazine Spring 2017 Vol. 42 No. 2 Mummies meet the gilded lady 2 mummies now open Seeing Inside Today, computerized inside of mummies, revealing CT scans of the Gilded Lady tomography (CT) scanning details about the person’s reveal that she was probably offers researchers glimpses age, appearance, and health. in her forties. They also suggest of mummified individuals “Scans like these are noninvasive, that she may have suffered like never before. By combining they’re repeatable, and they from tuberculosis, a common thousands of cross-sectioned can be done without damaging disease at the time. x-ray images, CT scans let the history that we’re trying researchers examine the to understand,” Thomas says. Mummy #30007, known as the Gilded Lady, is one of the most beautifully preserved mummies from The Field Museum’s collection, and one of 19 now on view in the special exhibition Mummies. For decades, keeping mummies like this one well preserved also meant severely limiting the ability of researchers to study them. The result is that little was known about the Gilded Lady beyond what could be gleaned from the mummy’s exterior, with its intricate linen bindings, gilded headdress, and painted facial features. Exterior details do offer some clues. The mummy dates from 30 BC–AD 395, a period when Egypt was a province of the Roman Empire. While the practice of mummification endured in Egypt, it was being transformed by Roman influences. Before the Roman era, for example, mummies had been placed in wooden coffins, while the Gilded Lady is preserved in only linen wrappings and cartonnage, a papier mâché-like material. -
The Horror Film Series
Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors. -
Movies & Languages 2013-2014 Hotel Transylvania
Movies & Languages 2013-2014 Hotel Transylvania About the movie (subtitled version) DIRECTOR Genndy Tartakovsky YEAR / COUNTRY 2012 U.S.A GENRE Comedy, Animation ACTORS Adam Sandler, Andy Samberg, Steve Buscemi, Selena Gomez PLOT The Hotel Transylvania is Dracula's lavish five-stake resort he built for his beloved wife Martha and their daughter Mavis. Monsters and their families are invited to Mavis's 118th birthday party where they can live it up, free from meddling with the human world. But here's a little known fact about Dracula: he is not only the Prince of Darkness; he is also a dad. Over-protective of his teenage daughter, Mavis, Dracula fabricates tales of elaborate dangers to dissuade her adventurous spirit. As a haven for Mavis, he opens the Hotel Transylvania, where his daughter and some of the world's most famous monsters – Frankenstein and his bride, the Mummy, the Invisible Man, a family of werewolves, gremlins and more – can kick back in safety and peace. For Drac, catering to all of these legendary monsters is no problem but his world could come crashing down when one ordinary guy discovers the hotel and takes a shine to Mavis. LANGUAGE Simple English spoken in Eastern European, American and French accents GRAMMAR INDEPENDENT ELEMENTS/INTERJECTIONS Introductory - Oh! ah! alas! Ha ha, ha! hollo! hurrah! pshaw! etc. express sudden bursts of feeling. As they have no grammatical relation to any other word in the sentence, we say that they are independent. Words belonging to other parts of speech become interjections when used as mere exclamations: What! are you going? Well! you surprise me Other words besides interjections may be used independently: Come on boys Well, we will try it Now, that is strange Why, this looks right There is reason in this Boys simply arrests the attention of the persons addressed. -
Level 2 – the Mummy Returns – Penguin Readers
Penguin Readers Factsheets Level 2 – ElementaryLevel The Mummy Returns Teacher’s Notes The Mummy Returns by John Whitman based on the motion picture screenplay written by Stephen Sommers Summary In The Mummy Returns there are characters who once lived in the in Morocco, Jordan, and in London. Brendan Fraser plays Rick past, in ancient Egypt. They are now living in the modern world. O’Connell, Rachel Weisz plays his wife Evelyn. Patricia Velazquez The archeologist, Evelyn O’Connell, (who was Nefertiri in the past) plays Anck-su-namun, and Arnold Vosloo plays her lover, Imhotep. is married to the archeologist Rick O’Connell (an important man in Freddie Boath plays Alex and adds both suspense and comedy to the past with great powers). They met in Egypt in 1923 when they the movie. The professional wrestler the Rock plays the Scorpion were working in temples in Egypt and found the mummy of King. Imhotep, who had been sleeping for 3,000 years. When Imhotep The movie uses lots of Indiana Jones-style adventures and Star woke up, he tried to kill Evelyn, but Rick saved her. Then Rick and Wars-style special effects. It is fast-paced, with lots of surprises, Evelyn returned to England, they married and had a son, Alex. battles, love scenes, and horror. And like Indiana Jones, there are Now it is 1933 and they are back in Egypt with Alex, who is eight lots of jokes and funny moments that break the suspense, years old. They are looking for the Bracelet of Anubis. Anubis is a especially when Evelyn’s brother Jonathan is around. -
Likability-Based Genres: Analysis and Evaluation of the Netflix Dataset
Likability-Based Genres: Analysis and Evaluation of the Netflix Dataset Andrew M. Olney ([email protected]) Institute for Intelligent Systems, 365 Innovation Drive Memphis, TN 38152 USA Abstract such normative characterizations to consider genre in terms This paper describes a new approach to defining genre. A of sociocultural effects between film, audience, and author. model is presented that defines genre based on likability rat- However, even in a more elaborated perspective, there are ings rather than features of the content itself. By collecting a number of outstanding issues in genre theory, which can hundreds of thousands of likability ratings, and incorporating these into a topic model, one can create genre categories that loosely be divided into problems of definition and problems are interesting and intuitively plausible. Moreover, we give of analysis. evidence that likability-based features can be used to predict Problems of definition in genre theory include circularity human annotated genre labels more successfully than content- based features for the same data. Implications for outstanding and the monolithic assumption (Stam, 2000). The problem of questions in genre theory are discussed. circularity arises when one tries to define a genre in terms of Keywords: Genre; topic model; Netflix; likability; features like those given in Table 1. Introduction Table 1: Genre Features (Adapted from Chandler (1997) Many web sites, e.g. Amazon, allow users to rate items along several dimensions, the most common being likabil- Feature Example ity or overall satisfaction. These ratings allow other users Time Films of the 1930s to roughly estimate their own probable satisfaction with the Author Stephan King item, leading to better item selection and better satisfaction Age of audience Kid movie with the web site itself. -
GUIDE for Rider Safety and Accessibility Ver
UNIVERSAL ORLANDO RESORT GUIDE FOR Rider Safety and Accessibility ver. 2021.06 UNIVERSAL STUDIOS FLORIDA AND UNIVERSAL’S ISLANDS OF ADVENTURE Welcome to Universal Orlando Resort We have provided this guide to give you as much detailed information about each attraction experience as possible. Our goal is to ensure that everyone is able to make well-informed decisions about their ability to safely, comfortably, and conveniently experience each of our attractions. If, at any time, you feel that you do not have enough information to make these decisions, please feel free to contact us. Additionally, we have included specific information for Guests with disabilities. This information provides a clear outline of the accommodations at each attraction, as well as the physical requirements for entering or exiting ride vehicles and other attraction areas. It is important to note that although all of our Attractions Attendants are eager to make your day as pleasant as possible, they are not trained in lifting or carrying techniques and therefore cannot provide physical assistance. We suggest that Guests with disabilities bring a companion who can provide any physical assistance that may be needed. Our goal is to provide the best accommodations possible to all of our Guests. With the information that follows, and with the information our Team Members can provide in answering questions, we are confident the experience you have with us will exceed your expectations. How to Contact Us You can message us at www.visitorsatisfaction.com/contactus/. Guest Services Coordinators are available seven days a week from 8:30AM until park close and make every effort to respond to messages in 24 to 48 hours; however, due to current high volume of emails received each day, please allow several days for a response. -
The Analysis of Violation of Maxims in Hotel Transylvania 2 Movie
THE ANALYSIS OF VIOLATION OF MAXIMS IN HOTEL TRANSYLVANIA 2 MOVIE THESIS By: Ahmad Fiqhi Fadli 12320039 ENGLISH LANGUAGE AND LETTERS DEPARTMENT HUMANITIES FACULTY MAULANA MALIK IBRAHIM STATE ISLAMIC UNIVERSITY MALANG 2016 THE ANALYSIS OF VIOLATION OF MAXIMS IN HOTEL TRANSYLVANIA 2 MOVIE THESIS Presented to: Maulana Malik Ibrahim State Islamic University, Malang In Partial Fulfillment of the Requirements for Degree of Sarjana Sastra By Ahmad Fiqhi Fadli 12320039 Advisor: Drs. Basri, M.A., Ph.D. ENGLISH LANGUAGE AND LETTERS DEPARTMENT HUMANITIES FACULTY MAULANA MALIK IBRAHIM STATE ISLAMIC UNIVERSITY MALANG 2016 i APPROVAL SHEET THE ANALYSIS OF VIOLATION OF MAXIMS IN HOTEL TRANSYLVANIA 2 MOVIE A Thesis By: Ahmad Fiqhi Fadli 12320039 Approved on June, 2016 The Head of English Language and Letters The Advisor Department Drs. Basri, M. A., Ph. D. Dr. Syamsuddin, M. Hum. NIP. 19681231 199403 1 022 NIP. 19691122 200604 1 001 Approved by The Dean of Faculty of Humanity Maulana Malik Ibrahim State Islamic University, Malang Dr. Hj. Isti’adah, M. A. NIP. 19670313 199203 2 002 ii LEGITIMATION SHEET This is to certify that Ahmad Fiqhi Fadli thesis entitled “The Analysis of Violation of Maxims in Hotel Transylvania 2 Movie” has been approved by the Board of Examiners as the requirement for the Degree of Sarjana Sastra (S. S) in English Language and Letters Department, Humanities Faculty, Maulana Malik Ibrahim State Islamic University, Malang. The Board Examiners Signatures 1. Abdul Aziz, M. Ed., Ph. D. (Main Examiner) 1. NIP. 19600628 200604 1 004 2. Drs. H. Djoko Susanto, M. Ed., Ph. D. (Chairman) 2. -
A Child's Mummy
AnthroNotes Volume 33 No.1 Spring 2012 A CHILD’S MUMMY by David Hunt ˜ ˜ ˜ he new National Museum of Natural pings adhering to the body suggests that they had been History’s exhibition Eternal Life in Ancient Egypt in- removed in the past. The body — lying on layers of linen Tcludes a physical anthropological research study of sheets with the head tilted downward and with the chin a child’s mummy. To recreate a biological profile of the resting on the upper chest — is typical of burials for com- child, Smithsonian scientists applied modern CT scanning mon (or lower) social class Egyptians from the very late techniques to learn about the child’s sex, age, health, and dynastic and Greco-Roman period. The bodies of even possible ancestral origins. They also employed facial recon- common Egyptians were preserved since mummification struction techniques to gain a fuller visual understanding of was an integral part of the Egyptian religion; there had to the child. be a place for the “ba” spirit to reside. The museum’s collections records indicate that this In the early 20th century, necropsy was regularly child’s mummy was collected from Thebes by John performed to study a mummified body, but in the process Hamilton Slack in 1856. Sometime after 1860, the mummy the dissection severely damaged the mummy. With the ad- was transferred to the Wistar Institute in Philadelphia, where vancements in radiographic methods, the internal features it was curated until 1958, when the mummy was trans- of the mummy now can be well illustrated without dam- ferred to the National Museum of Natural History. -
ADULT MOVIES 12 Strong [Digitalrecording]
ADULT MOVIES 12 Strong [digitalrecording]. 13 hours : [digitalrecording] the secret soldiers of Benghazi. 22 bullets : [digitalrecording]. 47 Meters Down Uncaged [digitalrecording]. A case of you : [digitalrecording]. A Dog's Way Home [digitalrecording]. A good day to die hard #5 : [digitalrecording]. A Quiet Place : [Digitalrecording]. A Star Is Born : [Digitalrecording]. A Street Cat Named Bob : [digitalrecording]. A walk among : [digitalrecording] the tombstones. Aap Mujhe Achche Lagne Lage [digitalrecording]. Accident man : [digitalrecording]. Admission : [digitalrecording]. Adrift : [digitalrecording]. After shock : [digitalrecording]. Ah Boys to Men : [digitalrecording]. Ah Boys to Men 2 : [digitalrecording]. Ah Boys to Men 3 : Frogmen : [digitalrecording]. Ah Boys to Men 4 [digitalrecording]. Alita: Battle Angel [digitalrecording]. All saints : [digitalrecording]. Allied : [digitalrecording]. Along with the Gods: The Two Worlds [digitalrecording]. American assassin : [digitalrecording]. American hustle : [digitalrecording]. American made : [digitalrecording]. And so it goes : [digitalrecording]. Angels & Demons : [digitalrecording]. Annabelle Comes Home [digitalrecording]. Antaheen : [digitalrecording]. Ant-man #1 : [digitalrecording]. Ant-Man and the Wasp #2 : [digitalrecording]. Aquaman [digitalrecording]. Arrival : [digitalrecording]. Arya-2 : [digitalrecording]. Assassin's Creed : [Digitalrecording]. Austin Powers #1 : [digitalrecording]. Austin Powers #2 : [digitalrecording] Avengers : [digitalrecording] age of ultron. Avengers -
The Mummy (2017), a Modern Orientalist Tale Le Retour De La Momie Victorienne: the Mummy D’Alex Kurtzman (2017), Conte Orientaliste Contemporain
Polysèmes Revue d’études intertextuelles et intermédiales 23 | 2020 Contemporary Victoriana - Women and Parody The Return of the Victorian Mummy: Alex Kurtzman’s The Mummy (2017), A Modern Orientalist Tale Le retour de la momie victorienne: The Mummy d’Alex Kurtzman (2017), conte orientaliste contemporain Nolwenn Corriou Electronic version URL: http://journals.openedition.org/polysemes/7449 DOI: 10.4000/polysemes.7449 ISSN: 2496-4212 Publisher SAIT Electronic reference Nolwenn Corriou, « The Return of the Victorian Mummy: Alex Kurtzman’s The Mummy (2017), A Modern Orientalist Tale », Polysèmes [Online], 23 | 2020, Online since 30 June 2020, connection on 02 July 2020. URL : http://journals.openedition.org/polysemes/7449 ; DOI : https://doi.org/10.4000/ polysemes.7449 This text was automatically generated on 2 July 2020. Polysèmes The Return of the Victorian Mummy: Alex Kurtzman’s The Mummy (2017), A Modern... 1 The Return of the Victorian Mummy: Alex Kurtzman’s The Mummy (2017), A Modern Orientalist Tale Le retour de la momie victorienne: The Mummy d’Alex Kurtzman (2017), conte orientaliste contemporain Nolwenn Corriou 1 When André Bazin discussed the way cinema strives to fight the passing of time and its ultimate triumph in death in What is Cinema?, he defined this effort to cheat death through artistic production as the “mummy complex”. Indeed, ancient Egyptian funeral rites, and embalming in particular, were only one of the earliest and most striking instances of an essential human drive to escape death and oblivion. The choice of this metaphor by Bazin can be explained by a common history as well as a number of shared features between Egyptology and the budding practice of filmmaking and film- watching at the end of the nineteenth century, as Antonia Lant argues in “The Curse of the Pharaoh, or How Cinema Contracted Egyptomania”. -
The BG News September 17, 2001
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 9-17-2001 The BG News September 17, 2001 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News September 17, 2001" (2001). BG News (Student Newspaper). 6836. https://scholarworks.bgsu.edu/bg-news/6836 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Green State University MONDAY September 17, 2001 SECOND PLACES: PARTLY CLOUDY Women's and men's HIGH 72 I LOW 50 cross country finish VOLUME 92 ISSUE 16 strong; PAGE 5 ily independent student press bgnews.com U. Penn student rushes to NYC scene Volunteer squad from Springfield, N.J. served as a staging area for volun- the last eight months as a first them eye wash to help combat hearing reports of more survivors Klapper said he saw the attack teers and rescue workers. responder, has training in CPR, the dusi in the air. and buildings in danger of col- shares journey and felt compelled to go join the "It was almost surreal because first aid and defibrillation. He had "Our eyes were burning like lapsing, he plans lo return Friday through World Springfield volunteer rescue crew there was all this destruction, but worked at the sights of car crash- you wouldn't believe," he said.