A Conservative Rebel

Total Page:16

File Type:pdf, Size:1020Kb

A Conservative Rebel On July 21, 2005, the Bill to ban the dance bars in Maharashtra was Hypocritical Morality passed unanimously at the end of a ‘marathon debate’. It was a sad day Mumbai’s Ban on Bar Dancers for some of us paltry group of women activists, who had supported the bar Flavia Agnes dancers and opposed the ban. We were far outnumbered by the pro-ban group, the ‘Dance Bar Virodhi Manch’ had committed suicide because she declared, ‘We are not Taliban, but who had submitted 150,000 signatures did not get a job. He said it was more somewhere we have to put a stop. The to the Maharashtra state assembly dignified to commit suicide than moral policing we do, it is a good thing, insisting on the closure of dance bars. dance in bars. And the House but it is not enough … we need to do The ban comes into effect from applauded! The message for women even more of this moral policing.’ August 15. is clear: If you happen to be born in a Suddenly the term ‘moral policing’ had We were sad, not because we were poor family, you are better off dead! been turned into a hallowed phrase! outnumbered, not even because the Yet another congratulated the Deputy These comments were not from the ruling party members who had Bill was passed unanimously, but Home Minister for taking this bold and revolutionary step, but this was not tabled the Bill. They were from the because of the manner in which an enough. He urged that “hotels with Opposition. Their traditional role is to important issue relating to women was three stars… five stars, disco dancing criticize a bill, to puncture holes in it, discussed, the comments that were …belly dancing … all that is vulgar… to present a counter viewpoint. But passed on the floor of the House, by every thing should be banned, except on that day, the House was united our elected representatives, who are Bharatnatyam and Kathak.” across party lines and all were playing under the constitutional mandate to Legislators opined that – western, to the gallery with their moral one- protect the dignity of women! English and Tamil films are all upmanship. Even the Shiv Sena Subsequently, we have heard obscene. But they did not say a word whose party high command is linked rumours that some of these comments about Hindi and Marathi films to a couple of dance bars in the city, have been withdrawn and will not be presumably because these belong to supported the ban. And the Marxists reflected in the reported proceedings. “amchi Mumbai”. were at one with the Shiv Sainiks. The But this cannot obviate the fact that Then another esteemed member speech by the CPI(M) member was this is the way our elected representatives think about women. One of the comments was aimed at us. ‘These women who are opposing the ban, we will make their mothers dance….’ (The comments have to be translated into Marathi to gauge its impact.) During the campaign we had been asked, ‘Will you send your daughter to dance in a bar?’ But on the floor of the House, the situation had regressed, from our daughters to our mothers! They sniggered: “Isha Koppikar… she is an atom bomb, atom bomb…” This evoked great deal of laughter and cheer… “The dancers wear only 20 per cent clothes”… More laughter and cheering… “These women who dance naked (nanga nach), they don’t deserve any sympathy”. A round of applause. “We are only imitating those you admire!” bar dancers protest holding a An esteemed member narrated an placard of film star Aishwarya Rai in a dance sequence. incident of his friend’s daughter who 10 MANUSHI more scathing than the rest. The The prevalence of dance bars is sexy ‘item numbers’ and the dancers women members, though a small linked not only to the restaurant in the bars imitated these item numbers minority, happily cheered the barrage industry and the entertainment during their performances. against bar dancers. business, but also to the state policy The Government also issued The ‘morality’ issue had won. The on the sale of liquor. After licenses for performance of ‘cabaret ‘livelihood’ issue had lost. Independence, during the fifties, when shows’. A place that was notorious How the state will effect this ban, Morarji Desai was Chief Minister, the for its lewd and obscene cabaret when through its own admission out State of Bombay was under performances is ‘Blue Nile’ which was of around 1300 dance bars only 307 prohibition and restaurants could not constantly raided and was entangled are legal and authorized, is something serve liquor. But after Maharashtra in lengthy litigation. It was this we will have to wait and watch. severed its links with the Gujarat side litigation that forced the High Court Liquor and Entertainment of the erstwhile Bombay Presidency, to examine the notion of obscenity The bar dancer is a part of the the newly formed state reviewed its under S.294 of the Indian Penal Code city’s thriving nightlife. Bombay never liquor policy and the prohibition era (IPC), an issue I will deal with more sleeps. The city is hailed as the was transformed into the ‘permit’ era. elaborately later in this essay. crowning glory of the nation’s A place where beer was served was Soon the sale of liquor and entertainment industry. From the time called a ‘permit room’. Only a person consequently the profit margins of when the East India Company who had obtained a ‘permit’ could sit the owners recorded an upward trend. developed Mumbai as a port and built in a permit room and drink beer. This encouraged the owners of other a fort in the seventeenth century, But gradually, the term ‘permit Irani ‘permit room’ restaurants, South Bombay has been a city of migrants. room’ lost its meaning and the Indian eateries and Punjabi dhabas Migrants come to the city in search government went all out to promote to convert their places into dance of livelihoods and with the workers liquor sale in hotels and restaurants. It bars. Coincidentally, during the same have come the entertainers. was during this period, sometime in the period, the mujra culture in Mumbai The traders, the sailors, the seventies, that permit rooms and beer was facing loss of patronage and was dockworkers, the construction bars started introducing innovative on the decline. As the waitresses in labourers and the mill hands - all devices to beat their competitors — the ‘ladies service bars’ during this needed to be ‘entertained’. So the live orchestra, mimicry and ‘ladies early period were from Kamathipura, government marked areas for service bars’ where women from the which also housed the mujras, this entertainment called ‘play houses’ red light district were employed as new demand for bar dancers reached which are referred to in the local waitresses. these traditional dancers and many parlance even today as ‘pilay house’ The licenses to hold performances sought jobs in dance bars. Even for areas. Folk theatre, dance and music were issued under Rules for Licensing daughters of sex workers, this was a performances and, later, silent movie and Controlling Places of Public step forward — from brothel theatres all grew around the ‘play Amusement (other than Cinemas) and prostitution to dance bars. houses’ and so did the sex trade. Performances for Public Amusement Soon the phenomenon of ‘dance Hence Kamathipura - a name which including Melas and Thamashas, bars’ spread from South Bombay to denoted the dwelling place of a 1960. But soon the low quality Central Bombay, to the Western and community of construction labourers, orchestra and gazal singing lost its Central suburbs, to the satellite cities the Kamtis of Andhra Pradesh, later sheen. Some bars then introduced live of New Bombay and Panvel, and from came to signal the sex trade or ‘red dance performances to recorded music there, along the arterial roads, to other light’ district of the old Bombay city. smaller cities and towns of Within the red light district there were or live orchestras. Around this time, Hindi films also started introducing Maharashtra. From a mere 24 dance also places for performance of bars in 1985-86, the number increased traditional and classical dance and tenfolds within a decade to around music, and the mujra houses. How will the state effect 210. The next decade 1995-2005 The city of migrants — this ban, when through witnessed yet another phenomenal predominantly male migrants — also its own admission out of increase. As per a rough estimate, needed cheap eating-places. To cater presently there are around 1300 dance to their needs initially there were Irani around 1300 dance bars bars in Maharashtra. restaurants, Chilia (Muslim) only 307 are legal and As the demand grew, women from restaurants and later South Indian authorized ? traditional dancing / performance (Udupi) joints and Punjabi dhabas. communities of different parts of No.149 11 India, who were facing a decline in patronage of their age-old profession, flocked to Mumbai (and later to the smaller cities) to work in dance bars. These women from traditional communities have been victims of the conflicting forces of modernization. Women are the primary breadwinners in these communities. But after the Zamindari system introduced by the British was abolished, they lost their zamindar patrons and were reduced to penury. Even the few developmental schemes and welfare policies of the government bypassed many of these communities. From their villages, Faces covered to hide identity, bar dancers at a demostration, March 2005 many moved to cities, towns and along national highways in search occurred during the Shiv Sena-BJP maximum gain to the State of a livelihood.
Recommended publications
  • The 'Item Number' in Indian Cinema: Deconstructing the Paradox
    Journal of Culture, Society and Development www.iiste.org ISSN 2422-8400 An International Peer-reviewed Journal Vol.39, 2018 The ‘Item Number’ in Indian Cinema: Deconstructing the Paradox Isha Jain (Corresponding author) National Law School of India University, Bangalore, India Abstract The “item number” is a hyper-sexualised song-and-dance performance that is characteristic to mainstream Bollywood cinema. When viewed in the context of a general tendency towards the censorship of public depictions of sexualized women in other spheres of the Indian polity, the ubiquity and popularity of item numbers reflects a confounding cultural paradox. The aim of this article is to deconstruct this paradox, by identifying the narrative structures and plot devices employed by film-makers to market these performances without suffering the disapproval of either the Indian State apparatus or the purportedly prudish Indian cinema- goer. Introduction The Indian State, through both its formal and informal centres of power, continues to burden the Indian woman with the charge of guarding national pride, culture, and morality.1 The defiling of the Indian woman, synonymous with her sexualisation, is the defiling of India. This parallel is evident in the title of “Mother India”, a 1957 film centred around a de-sexualised, self-sacrificial female protagonist intended to be emblematic of both the ideal Indian woman and of India herself.2 Yet, the Indian film industry has succeeded at carving out a niche for the commodification and sale of female sexuality within a broader milieu characterised by the disapprobation of that very sexuality. Nowhere is this more apparent than in the “item number”,3 a hyper-sexualised cinematic performance that is both paradoxically and quintessentially Bollywood.
    [Show full text]
  • Global Feminisms: Interview Transcripts: India Language: English
    INDIA Global Feminisms: Comparative Case Studies of Women’s Activism and Scholarship Interview Transcripts: India Language: English Interview Transcripts: India Contents Acknowledgments 3 Shahjehan Aapa 4 Flavia Agnes 23 Neera Desai 48 Ima Thokchom Ramani Devi 67 Mahasweta Devi 83 Jarjum Ete 108 Lata Pratibha Madhukar 133 Mangai 158 Vina Mazumdar 184 D. Sharifa 204 2 Acknowledgments Global Feminisms: Comparative Case Studies of Women’s Activism and Scholarship was housed at the Institute for Research on Women and Gender at the University of Michigan (UM) in Ann Arbor, Michigan. The project was co-directed by Abigail Stewart, Jayati Lal and Kristin McGuire. The China site was housed at the China Women’s University in Beijing, China and directed by Wang Jinling and Zhang Jian, in collaboration with UM faculty member Wang Zheng. The India site was housed at the Sound and Picture Archives for Research on Women (SPARROW) in Mumbai, India and directed by C.S. Lakshmi, in collaboration with UM faculty members Jayati Lal and Abigail Stewart. The Poland site was housed at Fundacja Kobiet eFKa (Women’s Foundation eFKa) in Krakow, Poland and directed by Slawka Walczewska, in collaboration with UM faculty member Magdalena Zaborowska. The U.S. site was housed at the Institute for Research on Women and Gender at the University of Michigan in Ann Arbor, Michigan and directed by UM faculty member Elizabeth Cole. Graduate student interns on the project included Nicola Curtin, Kim Dorazio, Jana Haritatos, Helen Ho, Julianna Lee, Sumiao Li, Zakiya Luna, Leslie Marsh, Sridevi Nair, Justyna Pas, Rosa Peralta, Desdamona Rios and Ying Zhang.
    [Show full text]
  • Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre Author(S): Kathryn Hansen Source: Theatre Journal, Vol
    Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre Author(s): Kathryn Hansen Source: Theatre Journal, Vol. 51, No. 2 (May, 1999), pp. 127-147 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/25068647 Accessed: 13/06/2009 19:04 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=jhup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to Theatre Journal. http://www.jstor.org Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre Kathryn Hansen Over the last century the once-spurned female performer has been transformed into a ubiquitous emblem of Indian national culture.
    [Show full text]
  • `E Cvrtyvd A`Z E `W ` Cvefc
    ' @' ! 5)'' 98'=55*<85 " !; 5)'' )-<85 " !; 5)'' RNI Regn. No. MPENG/2004/13703, Regd. No. L-2/BPLON/41/2006-2008 24(5"$2# * - - 1 2-,3 4-,0 #=! '"B5 0C 0 ? 4 + 2 . D 00 4(0 .0 .. 2 4 222 2 0 0+22 ? + 4 4 + C . D C '4 0"1&223 A 2#8-' 9 ;;! 8=!' / . 67 681 -R ./0 . + - ! ! .+/// 0 said Pilot and 18 other MLAs ndia’s Covid-19 case load had defied a whip and did not Icrossed one-million mark ebel Congress leader Sachin attend its legislature party (10,04,348) on Thursday as RPilot on Thursday virtual- meetings. the country registered 34,421 ly shut the door on the Salve was then NDA fresh cases and 680 deaths. Congress and plunged into a Government’s top law officer The overall death count legal battle against threat of dis- from 1999 to 2002 and is cur- also crossed the psychological qualification with the help of rently based out of London, figure of 25,000 on Thursday as top legal eagles considered from where he fought India’s several State Governments close to the BJP. case against Pakistan in the brought back the lockdown Pilot also paid no heed to Kulbhushan Jadhav matter. measures. advice by the Congress leader- Rajasthan BJP unit is in India is adding one lakh ship to shun the “hospitality” of “wait and watch” mode. Party cases now in four days and the BJP Government in leaders maintained that the experts feel that in a fortnight Haryana, where he is camping BJP, as the main Opposition in the rate of daily growth in with 18 other Congress MLAs Rajasthan, will take “every absolute terms could further in two different hotels under action to see that the Gehlot spike.
    [Show full text]
  • General Elections, 1977 to the Sixth Lok Sabha
    STATISTICAL REPORT ON GENERAL ELECTIONS, 1977 TO THE SIXTH LOK SABHA VOLUME I (NATIONAL AND STATE ABSTRACTS & DETAILED RESULTS) ELECTION COMMISSION OF INDIA NEW DELHI ECI-GE77-LS (VOL. I) © Election Commision of India, 1978 All rights reserved. No part of this book may be reproduced in any form, by mimeograph or any other means, without prior and express permission in writing from Election Commision of India. First published 1978 Published by Election Commision of India, Nirvachan Sadan, Ashoka Road, New Delhi - 110 001. Computer Data Processing and Laser Printing of Reports by Statistics and Information System Division, Election Commision of India. Election Commission of India – General Elections, 1977 (6th LOK SABHA) STATISCAL REPORT – VOLUME I (National and State Abstracts & Detailed Results) CONTENTS SUBJECT Page No. Part – I 1. List of Participating Political Parties 1 - 2 2. Number and Types of Constituencies 3 3. Size of Electorate 4 4. Voter Turnout and Polling Station 5 5. Number of Candidates per Constituency 6 - 7 6. Number of Candidates and Forfeiture of Deposits 8 7. Candidates Data Summary 9 - 39 8. Electors Data Summary 40 - 70 9. List of Successful Candidates 71 - 84 10. Performance of National Parties vis-à-vis Others 85 11. Seats won by Parties in States / UT’s 86 - 88 12. Seats won in States / UT’s by Parties 89 - 92 13. Votes Polled by Parties – National Summary 93 - 95 14. Votes Polled by Parties in States / UT’s 96 - 102 15. Votes Polled in States / UT by Parties 103 - 109 16. Women’s Participation in Polls 110 17.
    [Show full text]
  • Read Sangita's Writing on Bollywood Dance in Confluence
    COVER STORY POVERTY REDUCTION AND THE RHETORIC OF PARTICIPATION IMF/World Bank sanctimony exposed Palash Kamruzzaman he World Bank and IMF have proposed units of analysis, global measurement of ownership. First, a growing sense of ownership REFRACTIONS: Tthe Poverty Reduction Strategy Paper poverty, and the scale of planned policy has been suggested as a guiding principle AKADEMI IN THE (PRSP) framework for all poor countries intervention This ‘grand approach’ has taken for the preparation of a PRSP. Government SPOTLIGHT as a condition of receiving unconditional large communities and groups of people— authorities should draft the PRSP, which will debt relief under the HIPC Initiative. The entire countries with populations of millions ensure and reinforce country ownership. The PRSPs will also be the key vehicle for the - as the common units of analysis to assess IFI boards also agree on a more open dialogue World Bank and IMF and other donors for and understand poverty. A similar approach between governments and at least some part various assistance packages, including loans. has been adopted in the Poverty Reduction of the civil society. Such agreements show Like its predecessors, the PRSP framework Strategy Paper (PRSP) framework proposed that it is the World Bank and IMF that are promotes the ideas of ‘participation’ and by the World Bank and the IMF in 1999. not only suggesting the PRSP framework ‘ownership’. The ownership of such a grand Rather than an epic and philanthropic but also prescribing how PRSPs should framework cannot possibly rest with the discovery, the PRSP framework should be be prepared and how ownership can be poor countries or their people if the whole understood as the latest approach in the ensured.
    [Show full text]
  • Re-Reading the Voice of the Marginalized in Binodini's'amar
    Devi, Nati or Dasi- Re-Reading the voice of the Marginalized in Binodini’s‘Amar Katha’ in the backdrop of 19th century Colonial Bengali Theatre Dr. Sujata Mukhopadhyay “These are only the shadows of an unfortunate woman’s heartache. There is nothing in this world for me but everlasting despair and the fears of a heart filled with sorrow. And yet, there is not a soul who will listen even to this. There is no one in this world before whom I can lay bare my pain, for the world sees me as a sinner—a fallen woman. I have no kith and kin, no society, no friend—no one in this world whom I may call my own” - Rimli Bhattacharya Rise of Nationalism and 19th Century Colonial Bengali Theatre The rise of the Proscenium gave a new direction to theatre viewing in the second half of the 19th century. A brand-new way of sitting in front and watching the actors on stage with three sides closed, not only changed the quality of the theatre goers but also brought a metamorphosis in the content of the plays produced. The history of colonial Bengali theatre was dominated by jatras, kheurs and kathagaans. Theatre in the true sense was exclusively within the domains of the aristocrats who dwelled upon private theatres as a mode of entertainment. It was not inclusive of the middle class and least of all the lower classes . Jatra and such open forum of entertainment was the prevalent form of cultural expression of the masses. The advent of English education created a newly emergent middle class Bhadralok, who started questioning the native vulgarities of the kheur and kabigaan that were filled with sexual innuendoes.
    [Show full text]
  • XXXIV, 1 January-March 2018 Editorial Note 3 Ashok Dhawale
    Theoretical Quarterly of the Communist Party of India (Marxist) XXXIV, 1 January-March 2018 Editorial Note 3 Ashok Dhawale Peasant Struggles: The Maharashtra Experience 8 Madhu Prasad The October Revolution and the Marxist Concept of Polytechnical Education 41 Anil Bhatti Remembering Georg Lukács 71 Li Jie Marxism: A New Era, New Environment, and New Requirements 83 Theoretical Quarterly of the Communist Party of India (Marxist) EDITORIAL BOARD SITaram YECHUry (EDITor) PraKasH KaraT B.V. RagHavULU ASHOK DHAWale ConTRIBUTors Ashok Dhawale is President, All India Kisan Sabha (AIKS), Member, Central Secretariat, CPI(M). Madhu Prasad taught for many years in a college in Delhi University, New Delhi. Anil Bhatti retired as Professor of German from the Jawaharlal Nehru University, New Delhi. Li Jie is President of Qiushi Journal Press, China. For subscription and other queries, contact The Manager, Marxist, A.K.Gopalan Bhavan, 27-29 Bhai Veer Singh Marg, New Delhi 110001 Phone: (91-11) 2373 8725. Email: [email protected] Printed by Sitaram Yechury at Progressive Printers, A 21, Jhilmil Industrial Area, Shahdara, Delhi 110095, and published by him on behalf of the Communist Party of India (Marxist) from A.K.Gopalan Bhavan, 27-29 Bhai Veer Singh Marg, New Delhi 110001 Marxist, XXXIV, 1, January-March 2018 ASHOK DHAWALE Peasant Struggles The Maharashtra Experience AIM OF AgrarIAN RevolUTIon The Party Programme of the CPI(M) characterises the present stage of the Indian Revolution as the People’s Democratic stage. The three main tasks set by it are anti-imperialist, anti-monopoly capital and anti-feudal. The agrarian revolution is considered as the axis of the People’s Democratic Revolution.
    [Show full text]
  • Zone-1 Dongari Division 1 Prabhu Vishrantigruha 69,Pʼdmello Rd,Mumbai Suresh V Prabhu Shailesh 05/ Dongri Dongri Police Dongri 1 & Beer Bar V
    Establishment List of PPEL-A Licenses Sr Establishment Name Establishment Address Owner Name License No. Police Station Division Zone No Zone-1 Dongari Division 1 Prabhu Vishrantigruha 69,PʼDmello Rd,Mumbai Suresh V Prabhu Shailesh 05/ Dongri Dongri Police Dongri 1 & Beer Bar V. Prabhu St. 2 (JaiLaxmi )Navin Kolisamaj Bldg. Dr Sadashiv Muddanna Shetty 13/ Dongri Dongri Police Dongri Panjab BeerBar & Maheshwari Rd. St. 1 3 HotelPermitRoom Manohar Permit 24/26, P DʼMello Rd Sulochana Jayant Shetty 14/ Dongri Dongri Police Dongri 1 Room & Restaurant Wadibunder Mumbai 400009 St. 4 Hotel Nityanand Beer Takiwala bldg 80 Maheshwari Smt Laxmi Raghu Shetty 15/ Dongri Dongri Police Dongri 1 Bar & Restaurant Rd Mumbai 9 & Manoj R Shetty St. 5 Hotel Shapur Tipsy Tambawala bldg 56. Jail Rd Kaikhusra K Meharbani 16/ Dongri Dongri Police Dongri Bar & Restaurant Umerkhadi Mumbai-400009 Farokh k Meherbani St. 1 6 Vishwaraj Bar & 112,Purushottam bldg Ratnakar b Rai, Smt Jyoti 18/ Dongri Dongri Police Dongri Reastaurant Keshavaji Naik Rd, Mumbai 9 R Rai St. 1 7 Prakash Restaurant & 47, A C Patel Bldg. Keshavji Prakash V Suvarna, 19/ Dongri Dongri Police Dongri 1 Bar Naik Rd Chinch Bunder Purander, Kamalakar St. 8 Hotel Bumper Permit RajanMumbai Bldg, 400009 Dr Maheshwari UmeshPardeshi V BSuvarna, Patil, Vijay Smt B 22/ Dongri Dongri Police Dongri Room Rd Mumbai 4000 09 Patil, Sagar B Patil St. 1 9 Hotel Deepak Permit Bagdad Mansion 83 Jail Prema Sadanand Shetty 26/ Dongri Dongri Police Dongri 1 Room & Restaurant Rd,Mumbai 400009 St. 10 Parijat Hotel Permit 85/87,Babulal Tank Rd Bharat V Shetty 27/ Dongri Dongri Police Dongri Room Mumbai 4000 09 St.
    [Show full text]
  • Hidden Histories: Peasant Women and the Indian National Movement
    International Journal of Research and Review www.ijrrjournal.com E-ISSN: 2349-9788; P-ISSN: 2454-2237 Original Research Article Hidden Histories: Peasant Women and the Indian National Movement Dr. Maitree Vaidya Sabnis Assistant Professor, Department of History, The M.S. University of Baroda, Vadodara, Gujarat ABSTRACT Women have been absent from history writing of almost every civilization, more so the peasant women. Indian National Movement was the most recent turning point in Indian history, which ushered in a modern age. However, in order to present a complete picture, there is a need felt to create a dialogue between women and the national movement. Hence, an attempt has been made in this original research article to bring about the sublimities of this very discourse in the first half of the twentieth century. Key Words: Gender, Indian National Movement, Historiography, Awadh, Warli. INTRODUCTION one approach could be to study the The old age adage of absences of processes which reflect and later deflect the women from history is too oft repeated to be common perceptions. The common mentioned again. In the similar wane, to perceptions are that men are active where as reiterate writing women back in history too women are passive, which can be attributed has assumed a rhetoric position. The to according to Sherry Ortner‟s notion question appears more pertinent in case of widespread across the cultures that women „low class‟ women, essentially women are closer to nature while men reside in the „working‟ in rural areas. It is a known fact realm of culture. [1] So women are that there is virtually no record of women as associated with the 'domestic' or 'private' active agents in various events that took rather than the 'public' domain of social, place over the centuries in almost all the political and economic life, which only men civilizations.
    [Show full text]
  • Claims Panel to Look Into ‘Conspiracy Against CJI’ Charge Only, Not Into Sexual Harassment Allegation
    RNI No.2016/1957, REGD NO. SSP/LW/NP-34/2019-21 Follow us on: @TheDailyPioneer facebook.com/dailypioneer instagram.com/dailypioneer/ Established 1864 OPINION 8 WORLD 11 SPORT 15 Published From IMPORTED SL CONTINUES CRACKDOWN ON CITY BEAT UNITED 2-0 DELHI LUCKNOW BHOPAL BHUBANESWAR JIHAD RANCHI RAIPUR CHANDIGARH TERROR SUSPECTS; 16 HELD IN MANCHESTER DERBY DEHRADUN HYDERABAD VIJAYWADA Late City Vol. 155 Issue 113 *Air Surcharge Extra if Applicable LUCKNOW, FRIDAY APRIL 26, 2019; PAGES 16 `3 PARINEETI LIP-SYNCS NICK’S} SUCKER} 14 VIVACITY www.dailypioneer.com Patnaik to probe SC ‘fixer’ claims Panel to look into ‘conspiracy against CJI’ charge only, not into sexual harassment allegation PNS n NEW DELHI can be remote controlled by has claimed a larger conspira- anything on the earth, whether cy which concerns the admin- he Supreme Court (SC) on money power or political istration of justice. TThursday ordered a probe power,” the Bench said. “We are “You (Mehta) are provok- headed by former SC judge anguished with the way this ing us to speak. We are not Justice AK Patnaik into allega- institution is being treated in inclined to say but now listen. tions made by advocate Utsav the last three-four years and we So many things are going on. Bains that there is a “corporate” must say that it will die and it There are serious allegations conspiracy to frame the Chief will not survive if this will hap- that need to be probed. The Justice of India (CJI) Ranjan pen. There is systematic attack, Supreme Court cannot be run Gogoi on charges of sexual systematic game to malign this by money power or political misconduct.
    [Show full text]
  • Women in Indira Gandhi's India, 1975-1977
    This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. Emerging from the Emergency: women in Indira Gandhi’s India, 1975-1977 Gemma Scott Doctor of Philosophy in History March 2018 Keele University Abstract India’s State of Emergency (1975-1977) is a critical period in the independent nation’s history. The government’s suspension of democratic norms and its institution of many, now infamous repressive measures have been the subject of much commentary. However, scholars have not examined Emergency politics from a gendered perspective. Women’s participation in support for and resistance to the regime and their experiences of its programmes are notably absent from historiography. This thesis addresses this gap and argues that a gendered perspective enhances our understanding of this critical period in India’s political history. It assesses the importance of gendered narratives and women to the regime’s dominant political discourses. I also analyse women’s experiences of Emergency measures, particularly the regime’s coercive sterilisation programme and use of preventive detention to repress dissent. I explore how gendered power relations and women’s status affected the implementation of these measures and people’s attempts to negotiate and resist them.
    [Show full text]