Anthropology
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
How Ritual Made Us Human Matt J. Rossano Department of Psychology
How ritual made us human Matt J. Rossano Department of Psychology Southeastern Louisiana University Hammond, LA 70402 USA Email: [email protected] ORCID ID: 0000-0002-1484-1105 Abstract This chapter argues that ritual made us human, and it is because of ritual that we (and not some other hominin) are Earth’s dominant species. The argument rests on the following propositions: (1) Humans are unique in their cooperative abilities (more clearly so than our rational abilities). (2) Cooperative communities are constructed using costly rituals. (3) Supernatural belief provided the motivation and the individual fitness advantage necessary for humans to engage in costly rituals, and (4) archaeological evidences indicates that Homo sapiens engaged in higher- cost ritual activity than other hominins (specifically, Neanderthals). It was the communal cooperative advantage, constructed using costly rituals, that gave Homo sapiens the decisive edge over other hominins as they spread across the globe. Keywords: cooperation, costly ritual, group competition, Homo sapiens, Neanderthals, ritualized behavior, supernatural belief, synchronized movement.> Author bio: Matt Rossano is Professor of Psychology at Southeastern Louisiana University where he studies the evolution of ritual, religion, and cooperation. His books include: Supernatural selection: How religion evolved (Oxford) and Mortal rituals (Columbia University Press). 1 Sergio Catalan could be forgiven for being wary. As he checked on some cattle at the foothills of the Andes mountains, he spotted two scraggly-haired, emaciated ‘mountain men’ frantically waving at him from across the Rio Azufre. The rushing current made it impossible to hear them, but their desperation was obvious. Who were these men? Bandits? Drug dealers? Revolutionaries on the run from the Army? As one of them drew nearer to the river bank, his eyes locked with Catalan. -
ECOMYSTICISM: MATERIALISM and MYSTICISM in AMERICAN NATURE WRITING by DAVID TAGNANI a Dissertation Submitted in Partial Fulfill
ECOMYSTICISM: MATERIALISM AND MYSTICISM IN AMERICAN NATURE WRITING By DAVID TAGNANI A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of English MAY 2015 © Copyright by DAVID TAGNANI, 2015 All Rights Reserved © Copyright by DAVID TAGNANI, 2015 All Rights Reserved ii To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of DAVID TAGNANI find it satisfactory and recommend that it be accepted. ___________________________________________ Christopher Arigo, Ph.D., Chair ___________________________________________ Donna Campbell, Ph.D. ___________________________________________ Jon Hegglund, Ph.D. iii ACKNOWLEDGEMENTS I wish to thank my committee members for their hard work guiding and encouraging this project. Chris Arigo’s passion for the subject and familiarity with arcane source material were invaluable in pushing me forward. Donna Campbell’s challenging questions and encyclopedic knowledge helped shore up weak points throughout. Jon Hegglund has my gratitude for agreeing to join this committee at the last minute. Former committee member Augusta Rohrbach also deserves acknowledgement, as her hard work led to significant restructuring and important theoretical insights. Finally, this project would have been impossible without my wife Angela, who worked hard to ensure I had the time and space to complete this project. iv ECOMYSTICISM: MATERIALISM AND MYSTICISM IN AMERICAN NATURE WRITING Abstract by David Tagnani, Ph.D. Washington State University May 2015 Chair: Christopher Arigo This dissertation investigates the ways in which a theory of material mysticism can help us understand and synthesize two important trends in the American nature writing—mysticism and materialism. -
2015 Review from the Director
2015 REVIEW From the Director I am often asked, “Where is the Center going?” Looking of our Smithsonian Capital Campaign goal of $4 million, forward to 2016, I am happy to share in the following and we plan to build on our cultural sustainability and pages several accomplishments from the past year that fundraising efforts in 2016. illustrate where we’re headed next. This year we invested in strengthening our research and At the top of my list of priorities for 2016 is strengthening outreach by publishing an astonishing 56 pieces, growing our two signatures programs, the Smithsonian Folklife our reputation for serious scholarship and expanding Festival and Smithsonian Folkways Recordings. For the our audience. We plan to expand on this work by hiring Festival, we are transitioning to a new funding model a curator with expertise in digital and emerging media and reorganizing to ensure the event enters its fiftieth and Latino culture in 2016. We also improved care for our anniversary year on a solid foundation. We embarked on collections by hiring two new staff archivists and stabilizing a search for a new director and curator of Smithsonian access to funds for our Ralph Rinzler Folklife Archives and Folkways as Daniel Sheehy prepares for retirement, Collections. We are investing in deeper public engagement and we look forward to welcoming a new leader to the by embarking on a strategic communications planning Smithsonian’s nonprofit record label this year. While 2015 project, staffing communications work, and expanding our was a year of transition for both programs, I am confident digital offerings. -
Theories of God: Explanatory Coherence in Religious Cognition
RESEARCH ARTICLE Theories of God: Explanatory coherence in religious cognition Andrew ShtulmanID*, Max Rattner Department of Psychology, Occidental College, Los Angeles, California, United States of America * [email protected] Abstract Representations of God in art, literature, and discourse range from the highly anthropomor- a1111111111 phic to the highly abstract. The present study explored whether people who endorse anthro- a1111111111 pomorphic God concepts hold different religious beliefs and engage in different religious a1111111111 practices than those who endorse abstract concepts. Adults of various religious affiliations a1111111111 (n = 275) completed a questionnaire that probed their beliefs about God, angels, Satan, a1111111111 Heaven, Hell, cosmogenesis, anthropogenesis, human suffering, and human misdeeds, as well as their experiences regarding prayer, worship, and religious development. Responses to the questionnaire were analyzed by how strongly participants anthropomorphized God in a property-attribution task. Overall, the more participants anthropomorphized God, the more OPEN ACCESS concretely they interpreted religious ideas, importing their understanding of human affairs Citation: Shtulman A, Rattner M (2018) Theories into their understanding of divine affairs. These findings suggest not only that individuals of God: Explanatory coherence in religious vary greatly in how they interpret the same religious ideas but also that those interpretations cognition. PLoS ONE 13(12): e0209758. https:// doi.org/10.1371/journal.pone.0209758 cohere along a concrete-to-abstract dimension, anchored on the concrete side by our every- day notions of people. Editor: Alex Mesoudi, University of Exeter, UNITED KINGDOM Received: June 21, 2018 Accepted: December 11, 2018 Published: December 26, 2018 Introduction Copyright: © 2018 Shtulman, Rattner. This is an Most people in most cultures believe in the existence of supernatural beings and other super- open access article distributed under the terms of natural concepts [1±2]. -
(Dr. Cuevas) REL1300-01: Introduction to World Religions
HUM 2937-02 (Honors): Magic & The Supernatural in the Asian World (Dr. Cuevas) This seminar offers a comparative study of the forms and functions of magic, supernatural beliefs, and associated rituals in various societies across Asia, including especially India, Tibet, China, and Japan. Emphasis will be on understanding such beliefs and practices within specific Asian social and historical contexts and broad comparisons with Western conceptions to derive critical insights into the significance of religious beliefs and practices in human life. In addition, sustained focus will be on the wide variety of academic approaches to magic as a cross-cultural category and the problematic distinction between the categories "magic" and "religion." Key questions addressed throughout the course include the following: What is magic? What does magic mean? What does magic do? Is magic distinct from religion? Is magic natural or supernatural? Why do people believe in magic? What is the role of magic in society? The course will run on a seminar format with active and in-depth discussion of readings and intensive individual writing assignments. REL1300-01: Introduction to World Religions (Mark Canter) “Introduction to World Religions” surveys the major religious traditions of the world, with attention to their origins, principle beliefs and practices. The course will have achieved its purpose if you complete the semester with a working knowledge of the world’s main religions, and an appreciation for the pluralistic spiritual views of humanity. REL1300-02, 03, & 06: Introduction to World Religions (Todd Brenneman) A survey of the major living religious traditions of the world, with attention to their origins in the ancient world and their classic beliefs and practices. -
Why Is the Philosophy of Religion Important?
1 Why is the Philosophy of Religion Important? Religion — whether we are theists, deists, atheists, gnostics, agnostics, Jews, Christians, Muslims, Hindus, Buddhists, Taoists, Confucians, Shintoists, Zoroastrians, animists, polytheists, pagans, Wiccans, secular humanists, Marxists, or cult devotees — is a matter of ultimate concern. Everything we are and do finally de- pends upon such questions as whether there is a God, whether we continue to exist after death, whether any God is active in human history, and whether human ethical relations have spiritual or supernatural dimensions. If God is real, then this is a different world than it would be if God were not real. The basic human need that probably exists for some sort of salvation, deliverance, release, liberation, pacification, or whatever it may be called, seems to be among the main foundations of all reli- gion. There may also be a basic human need for mystery, wonder, fear of the sacred, romantic worship of the inexplicable, awe in the presence of the completely different, or emotional response to the “numinous,” which is the topic of The Idea of the Holy by German theologian Rudolf Otto (1869-1937) and The Sacred and the Pro- fane by Romanian philosopher and anthropologist of religion Mir- cea Eliade (1907-1986). This need also may be a foundation of reli- gion. Yet doubt exists that humans feel any general need for mys- tery. On the contrary, the human need to solve mysteries seems to be more basic than any need to have mysteries. For example, mytho- logy in all known cultures has arisen from either the need or the de- sire to provide explanations for certain types of occurrences, either natural or interpersonal, and thus to attempt to do away with those mysteries. -
M NGO Accreditation ICH-09 - Form Re~U CLT I CIH I IT.'L
-? m NGO accreditation ICH-09 - Form Re~u CLT I CIH I IT.'L-......,..._ United Nations • Intangible Educational, Scientific and • Cultural Le Cultural Organization • Heritage 02 MAl 2017 i~ .. ....... ti..U.tl ··7 ················ REQUEST BY A NON-GOVERNMENTAL ORGANIZATION TO BE ACCREDITED TO PROVIDE ADVISORY SERVICES TO THE COMMITTEE DEADLINE 30 APRIL 2017 Instructions for completing the request form are available at: http://www. unesco.orqlculturelichlenlforms 1. Name of the organization 1.a. Official name Please provide the full official name of the organization, in its original language, as it appears in the supporting documentation establishing its legal personality (section B.b below). Smithsonian Center for Folklife and Cultural Heritage 1.b. Name in English or French Please provide the name of the organization in English or French. Smithsonian Center for Folklife and Cultural Heritage 2. Contact of the organization 2.a. Address of the organization Please provide the complete postal address of the organization, as well as additional contact information such as its telephone number, e-maif address, ONebsite, etc. This should be the postal address where the organization carries out its business, regardless of where it may be legally domiciled (see section 8) . Organization: Smithsonian Center for Folklife and Cultural Heritage Address: 600 Maryland Avenue, SW, Suite 2001, Washington, DC, 20010, USA Telephone number: +1-202-633-1141 E-mail address: [email protected] Website: www.folklife.si.edu Other relevant information: Form ICH-09-2018-EN - revised on 31/0812016- oaae 1 2.b Contact person for correspondence Provide the complete name, address and other contact information of the person responsible for correspondence concerning this request. -
Gold and Power in Ancient Costa Rica, Panama, and Colombia
This is an extract from: Gold and Power in Ancient Costa Rica, Panama, and Colombia Jeffrey Quilter and John W. Hoopes, Editors published by Dumbarton Oaks Research Library and Collection Washington, D.C. © 2003 Dumbarton Oaks Trustees for Harvard University Washington, D.C. Printed in the United States of America www.doaks.org/etexts.html The Seed of Life: The Symbolic Power of Gold-Copper Alloys and Metallurgical Transformations Ana María Falchetti re-Hispanic metallurgy of the Americas is known for its technical variety. Over a period of more than three thousand years, different techniques were adopted by vari- Pous Indian communities and adapted to their own cultures and beliefs. In the Central Andes, gold and silver were the predominant metals, while copper was used as a base material. Central Andeans developed an assortment of copper-based alloys. Smiths hammered copper into sheets that would later be used to create objects covered with thin coatings of gold and silver. In northern South America and the Central American isth- mus gold-copper alloys were particularly common.1 Copper metallurgy was also important in Western Mexico and farther north. Putting various local technological preferences aside, Amerindians used copper exten- sively as a base material. What then were the underlying concepts that governed the symbol- ism of copper, its combination with other metals, and particular technologies such as casting methods in Pre-Columbian Colombia, Panama, and Costa Rica? Studies of physical and chemical processes are essential to a scientific approach to met- allurgy, but for a fuller understanding, technologies should not be divorced from cultural contexts. -
Sensory Witchcraft in Shakespeare's <I>Antony and Cleopatra</I>
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of Spring 4-20-2020 "You Have Witchcraft in Your Lips": Sensory Witchcraft in Shakespeare's Antony and Cleopatra and Macbeth Hannah Kanninen University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Kanninen, Hannah, ""You Have Witchcraft in Your Lips": Sensory Witchcraft in Shakespeare's Antony and Cleopatra and Macbeth" (2020). Dissertations, Theses, and Student Research: Department of English. 162. https://digitalcommons.unl.edu/englishdiss/162 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “YOU HAVE WITCHCRAFT IN YOUR LIPS”: SENSORY WITCHCRAFT IN SHAKESPEARE’S ANTONY AND CLEOPATRA AND MACBETH by Hannah Kanninen A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: English Under the Supervision of Professor Julia Schleck Lincoln, Nebraska May, 2020 “YOU HAVE WITCHCRAFT IN YOUR LIPS”: SENSORY WITCHCRAFT IN SHAKESPEARE’S ANTONY AND CLEOPATRA AND MACBETH Hannah Kanninen, M.A. University of Nebraska, 2020 Advisor: Julia Schleck Scholarship on witches and witchcraft within Shakespeare’s plays has been a popular subject for many scholars. But one of Shakespeare’s most famous characters has not yet been integrated into this scholarship: Cleopatra from Antony and Cleopatra. -
Dr. Cox's Rants
Dr. Cox’s Rants Taken from Scrubs Seasons 1-8 —1— —2— The book of love is long and boring And written very long ago It’s full of flowers and heart-shaped boxes And things we’re all too young to know But I I love it when you give me things And you You ought to give me wedding rings - Peter Gabriel —3— —4— -To Andy Congratulations Book Legend “Something I could easily shrug off” “Still makes me want to cut myself” Bold Type - Quotes from JD —5— —6— Season 1 “Man’s 92 years old, he has full dementia, he doesn’t even know we’re here, he is inches from Carla’s rack and he hasn’t even flinched.” “What about his subconscious?” “Eisenhower...was a sissy. I think, by the grace of God, we’re gonna be okay. Oh, and from now on, whenever I’m in the room, you’re definitely not allowed to talk. “ “What the hell are you doing? Did you actually just page me to find out how much Tylenol to give to Mrs. Lenchner?” “I was worried that it could exacerbate the patient......” “It’s regular strength Tylenol. Here’s what you do: get her to open her mouth, take a handful and throw it at her. Whatever sticks, that’s the correct dosage. And on under no circumstances are you to compromise our no talking agreement.” “Her? She’s dead. Write this down newbie: if you push around a stiff, nobody will ask you to do anything” —7— “Fair enough, you want some real advice? If they find out the nurses are doing your procedures for you, your ass will be kicked out of here so quick it will make your headspin. -
SCRUBS - "My Bedside Manner" 1
SCRUBS - "My Bedside Manner" 1 COLD OPEN FADE IN: INT. ADMISSIONS - DAY J.D. ENTERS through the lobby doors, pushing an OVERWEIGHT WOMAN in a wheelchair. J.D. (V.O.) To be a doctor, you need training, skill, and a real way with people. J.D. (CONT’D) Now just relax, remember to breathe, and you’ll be a mommy before you know it. OVERWEIGHT WOMAN I’m here for a gastric bypass, dumb- ass. J.D. My bad. He hands the wheelchair over to an ORDERLY. J.D. (V.O.) In the medical profession, we call that bedside manner. Keeping a patient calm and rational is a big part of our job, but keeping a patient calm and rational when you have no idea what’s wrong with them takes skill. A skill called lying. That’s something I learned very early. CUT TO: INT. HOSPITAL ROOM, A COUPLE SEASONS AGO - DAY J.D. stares horrified at a PATIENT with a third eye on his forehead. J.D mutters to himself. DR. KELSO stands next to J.D., a large, fake smile plastered on his face. SCRUBS - "My Bedside Manner" 2 DR. KELSO I’d like to apologize for our intern, Mr. Kemp. He didn’t mean to scream, point, or recommend “Exorcism” as a treatment option. And let me also assure you that your condition is common, easily treated, and not, as our intern suggested... J.D. (under his breath) The work of the Dark Lord. DR. KELSO That’s the one. BACK TO PRESENT: INT. HOSPITAL ROOM - DAY J.D. -
Center for Folklife and Cultural Heritage
SMITHSONIAN CENTER FOR FOLKLIFE AND CULTURAL HERITAGE Leadership Message OUR GOAL FOR HALF A CENTURY, we have brought Campaign, as we pursue an exciting new millions of people together in celebration vision — a world that honors the principles $4 MILLION of cultural heritage through the annual of cultural democracy, where the arts Smithsonian Folklife Festival. We have that people create help them determine shared more than 44,000 songs and their future. Our mission is to promote the understanding 3,000 albums through Smithsonian We see a future in which our staff, fellows, and sustainability of traditional culture and Folkways Recordings. and interns deepen their commitment to the vitality of grassroots communities in Our work in cultural heritage policy and and participation in the dynamic exchange MICHAEL ATWOOD MASON, at the Ralph Rinzler Folklife Archives and of ideas, traditional culture and artistic the United States and around the world. PH.D. expression. Our storied past — including a DIRECTOR Collections has resulted in substantive We integrate high-quality scholarship and CENTER FOR FOLKLIFE AND collaborations with hundreds of diverse who’s who of the world’s most iconic folk CULTURAL HERITAGE public programming with strong community communities. These combined efforts artists and musicians — is the foundation have positioned the Smithsonian as an on which we base this marvelous future. participation and educational outreach. innovative leader in preserving traditional Please help us safeguard what we have The Smithsonian Campaign will enable us culture and music. achieved and expand public engagement to build on our distinguished legacy by using new media to reach people everywhere.