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The Cave of the Nymphs at Pharsalus Brill Studies in Greek and Roman Epigraphy
The Cave of the Nymphs at Pharsalus Brill Studies in Greek and Roman Epigraphy Editorial Board John Bodel (Brown University) Adele Scafuro (Brown University) VOLUME 6 The titles published in this series are listed at brill.com/bsgre The Cave of the Nymphs at Pharsalus Studies on a Thessalian Country Shrine By Robert S. Wagman LEIDEN | BOSTON Cover illustration: Pharsala. View of the Karapla hill and the cave of the Nymphs from N, 1922 (SAIA, Archivio Fotografico B 326) Library of Congress Cataloging-in-Publication Data Names: Wagman, Robert S. Title: The Cave of the Nymphs at Pharsalus : studies on a Thessalian country shrine / by Robert S. Wagman. Description: Boston : Brill, 2015. | Series: Brill studies in Greek and Roman epigraphy, ISSN 1876-2557 ; volume 6 | Includes bibliographical references and indexes. Identifiers: LCCN 2015032381| ISBN 9789004297616 (hardback : alk. paper) | ISBN 9789004297623 (e-book) Subjects: LCSH: Thessaly (Greece)—Antiquities. | Excavations (Archaeology)—Greece—Thessaly. | Inscriptions—Greece—Thessaly. | Farsala (Greece)—Antiquities. | Excavations (Archaeology)—Greece—Farsala. | Inscriptions—Greece—Farsala. | Nymphs (Greek deities) Classification: LCC DF221.T4 W34 2015 | DDC 938/.2—dc23 LC record available at http://lccn.loc.gov/2015032381 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. issn 1876-2557 isbn 978-90-04-29761-6 (hardback) isbn 978-90-04-29762-3 (e-book) Copyright 2016 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. -
The Foundation and Occupation of Kastro Kallithea, Thessaly, Greece Laura Surtees Bryn Mawr College, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship, Research, and Creative Work at Bryn Mawr College | Bryn Mawr College... Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Classical and Near Eastern Archaeology Faculty Classical and Near Eastern Archaeology Research and Scholarship 2014 Exploring Kastro Kallithea on the Surface: The Foundation and Occupation of Kastro Kallithea, Thessaly, Greece Laura Surtees Bryn Mawr College, [email protected] Sophia Karapanou Margriet J. Haagsma Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/arch_pubs Part of the Archaeological Anthropology Commons Custom Citation L. Surtees, S, Karapanou, and M.J. Haagsma. "Exploring Kastro Kallithea on the Surface:The oundF ation and Occupation of Kastro Kallithea, Thessaly, Greece." In D. Rupp and J. Tomlinson (eds.), Meditations on the Diversity of the Built Environment in the Aegean Basin and Beyond: Proceedings of a Colloquium in Memory of Frederick E. Winter, Athens, 22-23 June 2012 (Publications of the Canadian Institute in Greece 8) (2014). Athens: 431-452. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/arch_pubs/163 For more information, please contact [email protected]. Meditations on the Diversity of the Built Environment in the Aegean Basin and Beyond Proceedings of a Colloquium in Memory of Frederick E. Winter Athens, 22-23 June 2012 2014 Publications of the Canadian Institute in Greece Publications de l’Institut canadien en Grèce No. 8 © The Canadian Institute in Greece / L’Institut canadien en Grèce 2014 Library and Archives Canada Cataloguing in Publication Meditations on the Diversity of the Built Environment in the Aegean Basin and Beyond : a Colloquium in Memory of Frederick E. -
Philip II of Macedon: a Consideration of Books VII IX of Justin's Epitome of Pompeius Trogus
Durham E-Theses Philip II of Macedon: a consideration of books VII IX of Justin's epitome of Pompeius Trogus Wade, J. S. How to cite: Wade, J. S. (1977) Philip II of Macedon: a consideration of books VII IX of Justin's epitome of Pompeius Trogus, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10215/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. PHILIP II OF MACEDON: A CONSIDERATION OF BOOKS VII - IX OF JUSTIN* S EPITOME OF POMPEIUS TROGUS THESIS SUBMITTED IN APPLICATION FOR THE DEGREE OF MASTER OF ARTS - by - J. S. WADE, B. A. DEPARTMENT OF CLASSICS UNIVERSITY OF DURHAM OCTOBER 1977 ABSTRACT The aim of this dissertation is two-fold: firstly to examine the career and character of Philip II of Macedon as portrayed in Books VII - IX of Justin's epitome of the Historiae Phillppicae .of Pompeius Trqgus, and to consider to what extent Justin-Trogus (a composite name for the author of the views in the text of Justin) furnishes accurate historical fact, and to what extent he paints a one-sided interpretation of the events, and secondly to identify as far as possible Justin's principles of selection and compression as evidenced in Books VII - IX. -
Greek Color Theory and the Four Elements [Full Text, Not Including Figures] J.L
University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Color Theory and the Four Elements Art July 2000 Greek Color Theory and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgc Benson, J.L., "Greek Color Theory and the Four Elements [full text, not including figures]" (2000). Greek Color Theory and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgc/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Color Theory and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire ABOUT THIS BOOK Why does earlier Greek painting (Archaic/Classical) seem so clear and—deceptively— simple while the latest painting (Hellenistic/Graeco-Roman) is so much more complex but also familiar to us? Is there a single, coherent explanation that will cover this remarkable range? What can we recover from ancient documents and practices that can objectively be called “Greek color theory”? Present day historians of ancient art consistently conceive of color in terms of triads: red, yellow, blue or, less often, red, green, blue. This habitude derives ultimately from the color wheel invented by J.W. Goethe some two centuries ago. So familiar and useful is his system that it is only natural to judge the color orientation of the Greeks on its basis. To do so, however, assumes, consciously or not, that the color understanding of our age is the definitive paradigm for that subject. -
Byzantine Ports
BYZANTINE PORTS Central Greece as a link between the Mediterranean and the Black Sea Vol. I.: Text and Bibliography ALKIVIADIS GINALIS Merton College and Institute of Archaeology University of Oxford Submitted for the degree of Doctor of Philosophy in Archaeology Hilary Term 2014 This thesis was examined by Prof. Michael Vickers (Jesus College, Oxford) and Dr. Archie W. Dunn (Birmingham) on July 24, 2014 and was recommended for the award of Doctor of Philosophy in Archaeology, which was officially granted to the author on October 21, 2014. Correspondence details of the author Dr. Alkiviadis Ginalis Feldgasse 3/11 1080, Vienna AUSTRIA Tel: 0043/6766881126 e-mail: [email protected] ACKNOWLEDGEMENTS This thesis owes a lot to the endless support and love of my family, who above all constantly kept encouraging me. I am particularly greatly indebted to my parents, Michalis and Monika, not only for making it financially possible but also for believing in me, and the way I chose to go. This gave me the incredible chance and strength to take the opportunity of getting the highest academic degree from one of the world’s best Universities. The 3 years I spent at Oxford, both inspired and enriched my academic knowledge, and became an unforgettable and unique personal experience of which I will profit my entire life. Furthermore, they gave me the necessary encouragement, as well as, made me think from different points of view. For support and thoughtful, as well as, dynamic and energetic guidance throughout my thesis my deepest debt is to my supervisors, Dr. Marlia Mango (St. -
Sacred Geography of the Ancient Greeks Astrological Symbolism In
SACRED GEOGRAPHY OF THE ANCIENT GREEKS SUNY Series in Western Esoteric Traditions David Appelbaum, editor Omphalos decoratedwith the "net." (COpl)from the Roman period, Museum of Delphi) SACRED GEOGRAPHY OF THE ANCIENT GREEKS Astrological Symbolism in Art, Architecture, and Landscape � F 1G7Lf '?,-- 'j .1 \ '/ , ) Jean Richer Translated by Christine Rhone STATE UNIVERSITY OF NEW YORK PRE�� f Published by State University of New York Press, Albany ©1994 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address State University of New York Press, State University Plaza, Albany, N.Y., 12246 Library of Congress Cataloging-in-Publication Data Richer, Jean, 1915- [Geographie sacree du monde grec. English] Sacred geography of the ancient Greeks: astrological symbolism in art, architecture, and landscape / Jean Richer; translated by Christine Rhone. p. cm. - (SUNY series in Western esoteric traditions) Includes bibliographical references and index. ISBN 0-7914-2023-X - ISBN 0-7914-2024-8 (pbk.) 1. Astrology/Greek. 2. Sacred space-Greece. 3. Shrines Greece. 4. Artand religion-Greece. 5. Gretfe-Religion. " ! I. Title. n. Series. 1 994 f.�C;'� �� :;:;�2� 1) 094 �;:60 10 9 8 7 6 5 4 3 2 1 Contents List of Maps xi Foreword xxi Translator's Preface xxvii Preface xxxi Chapter 1. Theory of Alignments 1 1. Delphi: Apollo and Athena 1 2. The Meridian of Delphi: Te mpe-Delphi-Sparta-Cape Taenarum 2 3. -
INFO KIT for Partners
European Solidarity Corps Guide Call 2019, Round 1, European Solidarity Corps - Volunteering Projects REQUIREMENTSWAVES III IN TERMS OF DISSEMINATION AND EXPLOITATION We Are Volos’ EvS III INFO KITGENERAL for partners QUALITATIVE REQUIREMENTS ApplicantsMunicipality of Volos for funding GREECE under the European Solidarity Corps are required to consider dissemination and exploitation KEKPA-DIEK Municipal activitiesEnterprise of Social Protection and Solidarity at the application stage,– during their activity and after the activity has finished. This section gives an overview of theMunicipal Institute of Vo basic requirementscational Training laid down for the European Solidarity Corps. http://www.kekpa.gr Dissemination and exploitation is one of the award criteria on which the application will be assessed. For all project types, Contact KEKPA-DIEKs projects application office: KEKPA-DIEK of the Municipality of Volos, GREECE. 22-26 Proussis str., GRreporting-38446, Nea Ionia VOLOS, Greece. Tel: +30 24210 on the activities61600. Email: carried out and to share the results inside and outside participating organisations will be [email protected] ; [email protected] Contact KEKPArequested-DIEKS coordinator of Volunteering activities at final stage.: Tel: +30 24210 35555. Email: [email protected] VISIBILITY OF THE EUROPEAN UNION AND OF THE EUROPEAN SOLIDARITY CORPS Volos, 01.2019 Editing: Spyros Iatropoulos, Sociologist BeneficiariesProject department of KEKPA shall always-DIEK use the European emblem (the 'EU flag') and the name of the European Union spelled out in full in all communication and promotiona1l material. The preferred option to communicate about EU funding through the European Solidarity Corps is to write 'Co-funded by the European Solidarity Corps of the European Union' next to the EU emblem. -
THE WITCHES of THESSALY by Brian Clark
THE WITCHES OF THESSALY by Brian Clark Thessaly was always well known for its witches1 INTRODUCTION Book 6 of Pharsalia, Lucan’s epic account of the civil war between Pompey and Caesar, is set in Thessaly on the eve of the battle of Pharsalus in 48BCE. Pharsalus is a major Thessalian city, possibly associated with Phthia in the Homeric catalogue2 and home to the Thessalian hero, Achilles. In Lucan’s epic Erictho is a Thessalian witch, whom Pompey’s son consults for prophecy and she is therefore a pivotal character dominating the events of Book 6. Erictho is foul and repugnant and the descriptions of her magical rituals are gruesome and monstrous. From the text it is clear that by the 1st Century CE the depiction of the Thessalian sorceress had crystallised into an abhorrent image. Another Roman text, which prominently features Thessalian witches is Apuleius’ The Golden Ass. In the novel the hero Lucius travels to Thessaly ‘on particular business’.3 This business proves to be his obsession with witchcraft. And Thessaly is the perfect place to appease his curiosity since it is ‘renowned the whole world over as the cradle of magic arts and spells’4. Apuleius was one of many Roman writers fascinated by the witches of Thessaly. While the depiction of the witch altered dramatically throughout antiquity, the setting of Thessaly remained constant. The classical Greeks and later Roman writers favoured Thessaly as the location of sorcery, magical ritual and witchcraft. Thessaly’s reputation as a renowned centre of witchcraft has continued to survive since antiquity. -
Numbers and Acrostics: Two Notes on Jason's Prayer at Pagasae In
Akropolis 1 (2017) 111–120 Brian D. McPhee* Numbers and Acrostics: Two Notes on Jason’s Prayer at Pagasae in Apollonius’ Argonautica This paper presents two notes relating to Jason’s prayer to Apollo at Pagasae before the launch of the Argo in Apollonius’ Argonautica (1.415–419). In both cases, I examine what may be termed the “subtextual” facets of the passage: textual data that are significant—productive of meaningful interpretation—and yet hardly ap- parent on an initial, surface-level reading of the poem. The first note concerns the changing total number of crewmembers aboard the Argo as the expedition pro- gresses, an evolving figure which Apollonius encourages the reader to trace through the course of the narrative. The second proposes a new acrostic that “completes” the ΑΚΤΙΑ acrostic that Selina Stewart recently discovered in Jason’s prayer.1 In each case, I draw different conclusions from these subliminal data, which have ramifica- tions for questions of gender and inclusivity in Jason’s crew and the role of the gods in the poem. Both readings, however, are a testament to the careful design and uni- ty of purpose that runs through the epic. I. The Number of Argonauts The existence of numerous catalogues of Argonauts in ancient sources attests to the fact that the exact number and makeup of Jason’s legendary crew was a site of some fascination for ancient readers, poets, and mythographers.2 Indeed, the third prole- gomenon to the Argonautica printed in Wendel’s scholia is a list of the Argonauts abstracted from Apollonius’ catalogue (Ὅσοι ἔρχονται Ἀργοναῦται εἰς τὴν ναῦν μετὰ Ἰάσονος), with numbers affixed in the G manuscript. -
The Foundation and Occupation of Kastro Kallithea, Thessaly, Greece Laura Surtees Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Classical and Near Eastern Archaeology Faculty Classical and Near Eastern Archaeology Research and Scholarship 2014 Exploring Kastro Kallithea on the Surface: The Foundation and Occupation of Kastro Kallithea, Thessaly, Greece Laura Surtees Bryn Mawr College, [email protected] Sophia Karapanou Margriet J. Haagsma Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/arch_pubs Part of the Archaeological Anthropology Commons Custom Citation L. Surtees, S, Karapanou, and M.J. Haagsma. "Exploring Kastro Kallithea on the Surface:The oundF ation and Occupation of Kastro Kallithea, Thessaly, Greece." In D. Rupp and J. Tomlinson (eds.), Meditations on the Diversity of the Built Environment in the Aegean Basin and Beyond: Proceedings of a Colloquium in Memory of Frederick E. Winter, Athens, 22-23 June 2012 (Publications of the Canadian Institute in Greece 8) (2014). Athens: 431-452. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/arch_pubs/163 For more information, please contact [email protected]. Meditations on the Diversity of the Built Environment in the Aegean Basin and Beyond Proceedings of a Colloquium in Memory of Frederick E. Winter Athens, 22-23 June 2012 2014 Publications of the Canadian Institute in Greece Publications de l’Institut canadien en Grèce No. 8 © The Canadian Institute in Greece / L’Institut canadien en Grèce 2014 Library and Archives Canada Cataloguing in Publication Meditations on the Diversity of the Built Environment in the Aegean Basin and Beyond : a Colloquium in Memory of Frederick E. -
The Pasikrata Sanctuary at Demetrias and the Alleged Funerary Sanctuaries of Thessaly a Re-Appraisal
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 27 | 2014 Varia The Pasikrata Sanctuary at Demetrias and the alleged funerary sanctuaries of Thessaly A re-appraisal Maria Stamatopoulou Electronic version URL: http://journals.openedition.org/kernos/2281 DOI: 10.4000/kernos.2281 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 November 2014 Number of pages: 207-255 ISBN: 978-2-87562-055-2 ISSN: 0776-3824 Electronic reference Maria Stamatopoulou, « The Pasikrata Sanctuary at Demetrias and the alleged funerary sanctuaries of Thessaly », Kernos [Online], 27 | 2014, Online since 01 October 2016, connection on 20 April 2019. URL : http://journals.openedition.org/kernos/2281 ; DOI : 10.4000/kernos.2281 This text was automatically generated on 20 April 2019. Kernos The Pasikrata Sanctuary at Demetrias and the alleged funerary sanctuaries of ... 1 The Pasikrata Sanctuary at Demetrias and the alleged funerary sanctuaries of Thessaly A re-appraisal* Maria Stamatopoulou Introduction — History of the investigations at the site 1 During his investigations in the southern cemetery of Demetrias (Fig. 1), A.S. Arvanitopoulos excavated between 1912–1915 a number of deep pits that were found scattered among graves of various periods, reportedly near the remains of a medieval building (Fig. 2). According to him, the pits were located very near the 5th Stelai-tower and a gate of the fortification wall, by the road to Alykes (Fig. 3).1 Most of the pits -
Vision and Narrative in Apollonius' Argonautica
VISION AND NARRATIVE IN APOLLONIUS’ ARGONAUTICA Keith Penich A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics. Chapel Hill 2019 Approved by: James J. O’Hara Janet Downie Al Duncan William H. Race Patricia A. Rosenmeyer © 2019 Keith Penich ALL RIGHTS RESERVED ii ABSTRACT Keith Penich: Vision and Narrative in Apollonius’ Argonautica (Under the direction of James J. O’Hara) This dissertation studies the narrative presentation of Apollonius’ Argonautica and seeks to illuminate the epistemological problems that motivate the poet’s approach to epic song. In addition to presenting a narratological analysis of the poem, the dissertation examines the important role of vision and visualization in the epic, and in particular how the poem’s visual patterns introduce multiple, often conflicting perspectives into the narrative. The study furthermore illuminates Apollonius’ participation in a major cultural project of 3rd century BCE Alexandria. In particular, my analysis shows how the Argonautica seeks to locate the origins of the Ptolemaic kingdom in the mythic past and to figure the kingdom as the end and goal of a Hellenizing progress through history. Finally, this dissertation examines how Apollonius explores the role of a scholar-poet through the Argonautica’s narrative and thereby complicates the traditional task of epic poetry as a means of preserving kleos, or fame. The Introduction establishes important context for understanding the Argonautica’s narrative by relating the narrator’s construction of poetic authority to that of his predecessors in the Greek hexameter tradition, Homer and Hesiod.