Vesuvius Near Naples
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Pacini, Parody and Il Pirata Alexander Weatherson
“Nell’orror di mie sciagure” Pacini, parody and Il pirata Alexander Weatherson Rivalry takes many often-disconcerting forms. In the closed and highly competitive world of the cartellone it could be bitter, occasionally desperate. Only in the hands of an inveterate tease could it be amusing. Or tragi-comic, which might in fact be a better description. That there was a huge gulf socially between Vincenzo Bellini and Giovanni Pacini is not in any doubt, the latter - in the wake of his highly publicised liaison with Pauline Bonaparte, sister of Napoleon - enjoyed the kind of notoriety that nowadays would earn him the constant attention of the media, he was a high-profile figure and positively reveled in this status. Musically too there was a gulf. On the stage since his sixteenth year he was also an exceptionally experienced composer who had enjoyed collaboration with, and the confidence of, Rossini. No further professional accolade would have been necessary during the early decades of the nineteenth century On 20 November 1826 - his account in his memoirs Le mie memorie artistiche1 is typically convoluted - Giovanni Pacini was escorted around the Conservatorio di S. Pietro a Majella of Naples by Niccolò Zingarelli the day after the resounding success of his Niobe, itself on the anniversary of the prima of his even more triumphant L’ultimo giorno di Pompei, both at the Real Teatro S.Carlo. In the Refettorio degli alunni he encountered Bellini for what seems to have been the first time2 among a crowd of other students who threw bottles and plates in the air in his honour.3 That the meeting between the concittadini did not go well, this enthusiasm notwithstanding, can be taken for granted. -
Book of Abstracts: Studying Old Master Paintings
BOOK OF ABSTRACTS STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE 1618 September 2009, Sainsbury Wing Theatre, National Gallery, London Supported by The Elizabeth Cayzer Charitable Trust STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE BOOK OF ABSTRACTS 1618 September 2009 Sainsbury Wing Theatre, National Gallery, London The Proceedings of this Conference will be published by Archetype Publications, London in 2010 Contents Presentations Page Presentations (cont’d) Page The Paliotto by Guido da Siena from the Pinacoteca Nazionale of Siena 3 The rediscovery of sublimated arsenic sulphide pigments in painting 25 Marco Ciatti, Roberto Bellucci, Cecilia Frosinini, Linda Lucarelli, Luciano Sostegni, and polychromy: Applications of Raman microspectroscopy Camilla Fracassi, Carlo Lalli Günter Grundmann, Natalia Ivleva, Mark Richter, Heike Stege, Christoph Haisch Painting on parchment and panels: An exploration of Pacino di 5 The use of blue and green verditer in green colours in seventeenthcentury 27 Bonaguida’s technique Netherlandish painting practice Carole Namowicz, Catherine M. Schmidt, Christine Sciacca, Yvonne Szafran, Annelies van Loon, Lidwein Speleers Karen Trentelman, Nancy Turner Alterations in paintings: From noninvasive insitu assessment to 29 Technical similarities between mural painting and panel painting in 7 laboratory research the works of Giovanni da Milano: The Rinuccini -
Jalkapalloelämän Alkeismuodot
JALKAPALLOELÄMÄN ALKEISMUODOT Pyhä milanolaisten ultrakannattajien yhteisöllisyyttä uusintavana kategoriana Ville Niemelä Uskontotieteen pro gradu -tutkielma Maaliskuu 2019 HELSINGIN YLIOPISTO − HELSINGFORS UNIVERSITET Tiedekunta/Osasto − Fakultet/Sektion Laitos − Institution Teologinen tiedekunta Tekijä − Författare Ville Valtteri Niemelä Työn nimi − Arbetets titel Jalkapalloelämän alkeismuodot: Pyhä milanolaisten ultrakannattajien yhteisöllisyyttä uusinta- vana kategoriana Oppiaine − Läroämne Uskontotiede Työn laji − Arbetets art Aika − Datum Sivumäärä − Sidoantal Pro gradu -tutkielma Maaliskuu 2019 100 Tiivistelmä − Referat Tutkimus sijoittuu uskontososiologian, urheilusosiologian ja pyhän tutkimuksen leikkauspis- teeseen. Kahden suuren milanolaisen jalkapalloseuran – punamustan Milanin ja sinimustan Interin – ultrakannattajien yhteisöllisyyttä tarkastellaan jälkidurkheimilaisen teorianmuodos- tuksen valossa. Teoreettisen viitekehyksen keskiössä on Gordon Lynchin pyhän kulttuuri- sosiologia. Pyhä on kollektiivinen representaatio – näennäisessä järkkymättömyydessään ja pakottavuudessaan voimantäyteinen sekä tahrattomuudessaan kielletty. Sen vastapoolina on kielloilla eristetty saastuttava profaani. Tekstiaineistona hyödynnetään ultraryhmittymien kannatuslauluja, banderolleja ja katsomokoreografioita. Tutkimuksen keskeiset kysymykset liittyvät ultrien pyhän symbolikoodiston ja sen ympärille rakentuvan sosiaalisen todellisuuden selvittämiseen. Menetelminä käytetään laadullista si- sällönanalyysia ja diskurssianalyysia. Metodeista jälkimmäinen -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
Estudios Sobre El Teatro De Lope De Vega. Autos, Comedias De Vidas De Santos (Conclusión), Pastoriles, Mitológicas, De Historia Clásica, Y De Historia Extranjera
Estudios sobre el teatro de Lope de Vega. Autos, comedias de vidas de santos (conclusión), pastoriles, mitológicas, de historia clásica, y de historia extranjera Índice: COMEDIAS DE VIDAS DE SANTOS (CONCLUSIÓN) EL SERAFÍN HUMANO SAN NICOLÁS DE TOLENTINO EL SANTO NEGRO ROSAMBUCO DE LA CIUDAD DE PALERMO EL ANIMAL PROFETA Y DICHOSO PARRICIDA SAN JULIÁN COMEDIA DE SAN SEGUNDO EL CAPELLÁN DE LA VIRGEN, SAN ILDEFONSO LA NIÑEZ DE SAN ISIDRO.— LA JUVENTUD DE SAN ISIDRO.— SAN ISIDRO LABRADOR DE MADRID LA VIDA DE SAN PEDRO NOLASCO SAN DIEGO DE ALCALÁ EL NIÑO INOCENTE DE LA GUARDIA LOS M ÁRTIRES DE M ADRID JUAN DE DIOS Y ANTÓN MARTÍN EL SABER POR NO SABER Y VIDA DE SAN JULIÁN DE ALCALÁ DE HENARES EL RÚSTICO DEL CIELO LA NIÑEZ DEL PADRE ROJAS LA BUENA GUARDA O LA ENCOMIENDA BIEN GUARDADA LA FIANZA SATISFECHA LA LIMPIEZA NO MANCHADA LOS TERCEROS DE SAN FRANCISCO LA BIENAVENTURADA MADRE SANTA TERESA DE JESÚS LOS PRIM EROS MÁRTIRES DEL JAPÓN EL TRUHÁN DEL CIELO Y LOCO SANTO COMEDIAS PASTORILES EL VERDADERO AMANTE, GRAN PASTORAL BELARDA LA PASTORAL DE JACINTO BELARDO EL FURIOSO LA ARCADIA LA SELVA SIN AMOR COMEDIAS MITOLÓGICAS. ADONIS Y VENUS LAS M UJERES SIN HOM BRES EL PERSEO EL LABERINTO DE CRETA EL VELLOCINO DE ORO EL M ARIDO MÁS FIRM E LA BELLA AURORA EL AMOR ENAMORADO COMEDIAS SOBRE ARGUMENTOS DE LA HISTORIA CLÁSICA. CONTRA VALOR NO HAY DESDICHA LAS GRANDEZAS DE ALEJANDRO EL HONRADO HERMANO ROMA ABRASADA EL ESCLAVO DE ROMA COMEDIAS DE HISTORIA EXTRANJERA. LA IMPERIAL DE OTÓN LA REINA JUANA DE NÁPOLES EL REY SIN REINO EL GRAN DUQUE DE MOSCOVIA Y EMPERADOR PERSEGUIDO file:///C|/PARA_PUBLICAR/ABRIL/MENENDEZ_PELAYO/029133/029133.HTM ESTUDIOS SOBRE EL TEATRO DE LOPE DE VEGA — II : COMEDIAS DE VIDAS DE SANTOS (CONTINUACIÓN), PASTORILES, MITOLÓGICAS, DE HISTORIA CLÁSICA Y DE HISTORIA EXTRANJERA IV. -
Publication of an Application for Approval of a Minor
C 253/14 EN Official Journal of the European Union 4.8.2017 OTHER ACTS EUROPEAN COMMISSION Publication of an application for approval of a minor amendment in accordance with the second subparagraph of Article 53(2) of Regulation (EU) No 1151/2012 of the European Parliament and of the Council on quality schemes for agricultural products and foodstuffs (2017/C 253/11) The European Commission has approved this minor amendment in accordance with the third subparagraph of Article 6(2) of Commission Delegated Regulation (EU) No 664/2014 (1). APPLICATION FOR APPROVAL OF A MINOR AMENDMENT Application for approval of a minor amendment in accordance with the second subparagraph of Article 53(2) of Regulation (EU) No 1151/2012 of the European Parliament and of the Council (2) ‘POMODORINO DEL PIENNOLO DEL VESUVIO’ EU No: IT-PDO-02146 – 24.6.2016 PDO ( X ) PGI ( ) TSG ( ) 1. Applicant group and legitimate interest Consorzio di Tutela del Pomodorino del Piennolo del Vesuvio DOP Piazza Meridiana 47 80040 San Sebastiano al Vesuvio (NA) ITALIA Tel.: +39 0810606007 Email: [email protected] The protection association ‘Consorzio di Tutela del Pomodorino del Piennolo del Vesuvio DOP’ is entitled to sub mit an application for registration pursuant to Article 13(1) of Ministry of Agricultural, Food and Forestry Policy Decree No 12511 of 14 October 2013. 2. Member State or Third Country Italy 3. Heading in the product specification affected by the amendment(s) — Description of product — Proof of origin — Production method — Link — Labelling — Other [legal references and inspection body updates] 4. Type of amendment(s) — Amendment to product specification of registered PDO or PGI to be qualified as minor in accordance with the third subparagraph of Article 53(2) of Regulation (EU) No 1151/2012, that requires no amendment to the published single document. -
Piraten- Und Seefahrerfilm 2011
Repositorium für die Medienwissenschaft Matthias Christen; Hans Jürgen Wulff; Lars Penning Piraten- und Seefahrerfilm 2011 https://doi.org/10.25969/mediarep/12750 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Christen, Matthias; Wulff, Hans Jürgen; Penning, Lars: Piraten- und Seefahrerfilm. Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 120). DOI: https://doi.org/10.25969/mediarep/12750. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0120_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Piraten- und Seefahrerfilme // Medienwissenschaft/Hamburg 120, 2011 /// 1 Medienwissenschaft / Hamburg: Berichte und Papiere 120, 2011: Piraten- und Seefahrerfilm. Redaktion und Copyright dieser Ausgabe: Matthias Christen, Hans J. Wulff, Lars Penning. ISSN 1613-7477. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0120_11.html Letzte Änderung: 28.4.2011. Piratenfilm: Ein Dossier gentlichen Piraten trennen, die „gegen alle Flaggen“ segelten und auf eigene Rechnung Beute machten. Inhalt: Zur Einführung: Die Motivwelt des Piratenfilms / Matthi- Selbst wenn die Helden und die sehr seltenen Hel- as Christen. dinnen die Namen authentischer Piraten wie Henry Piratenfilm: Eine Biblio-Filmographie. / Hans J. Wulff. Morgan, Edward Teach oder Anne Bonny tragen und 1. Bibliographie. 2. Filmographie der Piratenfilme. ihre Geschichte sich streckenweise an verbürgte Tat- Filmographie der Seefahrerfilme / Historische Segelschif- sachen hält, haben Piratenfilme jedoch weniger mit fahrtsfilme / Lars Penning. -
Picturing France
Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson. -
Ernest Guiraud: a Biography and Catalogue of Works
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Ernest Guiraud: A Biography and Catalogue of Works. Daniel O. Weilbaecher Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Weilbaecher, Daniel O., "Ernest Guiraud: A Biography and Catalogue of Works." (1990). LSU Historical Dissertations and Theses. 4959. https://digitalcommons.lsu.edu/gradschool_disstheses/4959 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Extensions of Remarks 3561
February 17, 1969 EXTENSIONS OF REMARKS 3561 EXTENSIONS OF REMARKS THE RACE TO THE MOON Space experts say that unless we are will ing from one table to another, looking at a ing to maintain a stable, continuing space large book on each of two tables and shaking program in the coming decade we stand in his head. The Keeper looked and saw that his HON. GEORGE P. MILLER danger of squandering the $32 billion already smart monkey was reading Darwin's "Origin OF CALIFORNIA invested in the U.S. space program. of the Species" on one table and the "Holy Werner von Braun, director of the Mar Bible" on the other. The Keeper then asked IN THE HOUSE OF REPRESENTATIVES shall Space Flight Center, recently predicted the monkey why he kept shaking his head. Monday, February 17, 1969 the U.S. budget reductions will permit the The monkey replied: I'm trying to find out Russians "to fly rings around us in space in if I am my brother's keeper or my keeper's Mr. MILLER of California. Mr. Speak a period of five years." He contended it would brother." er, just before the epoch-making fiight take steady spending of $5 billion to $6 bil The moral for the evening is that back of Saturn V around the moon, the Oak lion a year for the U.S. to pull even; pro here in the State of my birth, Iowa's Gov land Tribune published an editorial en grams costing only up to $4 billion "simply ernor's Committee knows that it is both it's titled, "The Race to the Moon: Will It guarantee our falling back." brother's keeper and it's keeper's brother. -
Naval Ensigns & Jacks
INTERNATIONAL TREASURES ™ A NATIONAL TREASURE Naval Ensigns & Jacks ZFC3577 USSR, Cruiser Aurora, unique, Order of the Oct. Revolution & Military Order of the Red Banner, Holiday Ensign, 1992. This variant of the Soviet Naval Ensign is from the Cruiser Aurora, a ship with a long and distinguished career. The Aurora is an armored cruiser currently preserved and serving as a school and museum in Saint Petersburg, Russia. ZFC0228 Lead Royal Navy ship, D-Day Operation Overlord, ZFC0514 France Ensign, FFL Aconite WWII, Sank 2 German Invasion of Normandy, 1944. This battle ensign was on the leading U-Boats on same day, 1943. An iconic French ensign which embod Royal Navy ship of the invasion that assaulted the Normandy ies the brief, yet brave, struggle of French forces against fascist beaches on June 6, 1944. Commander Anthony Kimmins secured Germany in the opening years of WWII. This flag comes from the the flag for Calvin Bullock for his return visit to New York. FNFL corvette ‘Aconite’ and was part of the Bullock Collection. ZFC0232 Royal Canadian Navy White Ensign, HMCS Wetaskiwin, ZFC0503 Lead Royal Navy ship Eastern Tack Force, Operation “Battle of the Atlantic,” 1943. This White Ensign, according to Husky, Invasion of Sicily, 1943. Due to wartime security constraints, Calvin Bullock’s documentation was “From His Majesty’s Canadian the name of the vessel that wore this ensign remains unknown. The Corvette WETASKIWIN, which for long had been flown in both the documentation states only that it flew on the task force leading the Pacific and Atlantic Oceans.” allied attacks on Sicily. -
Precursory Projects of the Regional Emblems in Italian Geopolitical Area
Roberto Breschi: Precursory Projects of the Regional Emblems in Italian Geopolitical Area Abstract: In 1927 emblems for all the Regions of the Italian geopolitical area - Kingdom of Italy and some geographically Italian territories across the border - were proposed. Some were quite new hut most of them were inspired by historical symbols. From the end of the Second World War to 1970 the Regions of the new Italian Republic, once simple traditional entities, became more or less autonomous administrative subjects, and they needed local symbols as coats of arms, gonfalons and flags. In some cases the 1927 proposal can be considered a bridge betw’een the earliest times and the today emblems. Caesar Augustus, the first emperor of Rome, had already arranged Italy in regions, and it is surprising how some of them quite exacdy coincide with modern ones 1^1. The boundaries of the various states that over the centuries had divided the peninsula marked even more the shape of the future regions. So in 1861, when the unity of the nation (1861) was going to be completed, the Italian regions had a well defined profile. Nevertheless, from the administrative point of view, they remained for several decades only assemblages of provinces, without any organ of local government. Just after the Second World War, when the republican constitution came into force in Italy (1948), the regions became autonomous bodies with their powers and assignments. A statute of special autonomy, at once effective, was provided for four regions (Sicily, Sardinia, Aosta Valley and Trentino-Alto Adige (in 1963, a fifth, Friuli-Venezia Giulia, was added).