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Music for the People: the Folk Music Revival
MUSIC FOR THE PEOPLE: THE FOLK MUSIC REVIVAL AND AMERICAN IDENTITY, 1930-1970 By Rachel Clare Donaldson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History May, 2011 Nashville, Tennessee Approved Professor Gary Gerstle Professor Sarah Igo Professor David Carlton Professor Larry Isaac Professor Ronald D. Cohen Copyright© 2011 by Rachel Clare Donaldson All Rights Reserved For Mary, Laura, Gertrude, Elizabeth And Domenica ACKNOWLEDGEMENTS I would not have been able to complete this dissertation had not been for the support of many people. Historians David Carlton, Thomas Schwartz, William Caferro, and Yoshikuni Igarashi have helped me to grow academically since my first year of graduate school. From the beginning of my research through the final edits, Katherine Crawford and Sarah Igo have provided constant intellectual and professional support. Gary Gerstle has guided every stage of this project; the time and effort he devoted to reading and editing numerous drafts and his encouragement has made the project what it is today. Through his work and friendship, Ronald Cohen has been an inspiration. The intellectual and emotional help that he provided over dinners, phone calls, and email exchanges have been invaluable. I greatly appreciate Larry Isaac and Holly McCammon for their help with the sociological work in this project. I also thank Jane Anderson, Brenda Hummel, and Heidi Welch for all their help and patience over the years. I thank the staffs at the Smithsonian Center for Folklife and Cultural Heritage, the Kentucky Library and Museum, the Archives at the University of Indiana, and the American Folklife Center at the Library of Congress (particularly Todd Harvey) for their research assistance. -
Old Time Banjo
|--Compilations | |--Banjer Days | | |--01 Rippling Waters | | |--02 Johnny Don't Get Drunk | | |--03 Hand Me down My Old Suitcase | | |--04 Moonshiner | | |--05 Pass Around the Bottle | | |--06 Florida Blues | | |--07 Cuckoo | | |--08 Dixie Darling | | |--09 I Need a Prayer of Those I Love | | |--10 Waiting for the Robert E Lee | | |--11 Dead March | | |--12 Shady Grove | | |--13 Stay Out of Town | | |--14 I've Been Here a Long Long Time | | |--15 Rolling in My Sweet Baby's Arms | | |--16 Walking in the Parlour | | |--17 Rye Whiskey | | |--18 Little Stream of Whiskey (the dying Hobo) | | |--19 Old Joe Clark | | |--20 Sourwood Mountain | | |--21 Bonnie Blue Eyes | | |--22 Bonnie Prince Charlie | | |--23 Snake Chapman's Tune | | |--24 Rock Andy | | |--25 I'll go Home to My Honey | | `--banjer days | |--Banjo Babes | | |--Banjo Babes 1 | | | |--01 Little Orchid | | | |--02 When I Go To West Virginia | | | |--03 Precious Days | | | |--04 Georgia Buck | | | |--05 Boatman | | | |--06 Rappin Shady Grove | | | |--07 See That My Grave Is Kept Clean | | | |--08 Willie Moore | | | |--09 Greasy Coat | | | |--10 I Love My Honey | | | |--11 High On A Mountain | | | |--12 Maggie May | | | `--13 Banjo Jokes Over Pickin Chicken | | |--Banjo Babes 2 | | | |--01 Hammer Down Girlfriend | | | |--02 Goin' 'Round This World | | | |--03 Down to the Door:Lost Girl | | | |--04 Time to Swim | | | |--05 Chilly Winds | | | |--06 My Drug | | | |--07 Ill Get It Myself | | | |--08 Birdie on the Wire | | | |--09 Trouble on My Mind | | | |--10 Memories of Rain | | | |--12 -
November December
November 2002 vol 37, No.10 November 3 Sun Sea Music Concert: Cliff Haslam + NY Packet; South Street Seaport Gallery; 3 pm 3 Sun Sunnyside Song Circle: 2pm in Queens 6WedFolk Open Sing; 7pm in Brooklyn 8 Fri Jean Ritchie/Oscar Brand concert; 8pm, Advent Church☺ 11 Mon NYPFMC Exec. Board Meeting, 7:15pm at the club office, 450 7th Ave, #972 (34-35 St.), info (718) 575-1906 15 Fri Kinloch Nelson; Music at Metrotech, 8pm in Brooklyn 17 Sun Sacred Harp Singing at St.Bartholomew’s; 2:30 pm 21 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church. 23 Sat Fall Fling Dance/Concert, PS-199, Manhattan, 8pm, see p.12 December 1 Sun Gospel & Sacred Harp Sing, 3pm in Manhattan 1 Sun (no Sea Music Concert at South Street Seaport) 3TueNewsletter Mailing; at Club office, 450 7 Ave, #972, 7 pm 4WedFolk Open Sing; 7pm in Brooklyn 8 Sun Tom Paley & friends; Music at Metrotech, in Brooklyn 9 Mon NYPFMC Exec. Board Meeting, 7:15pm at the club office, 450 7th Ave, #972 (34-35 St), info (718) 575-1906 15 Sun Sacred Harp Singing at St.Bartholomew’s; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church. Details Inside Table of Contents Events Details ....................... 2 Concert Flyers ................. 10-12 NYPFMC Club Info ............... 4 Calendar Listings ..................13 Topical Listing of Club Events ... 5 Festivals .............................15 From The Editor ................... 6 Repeating Events ..................16 Folk Process ......................... 6 Calendar Location Info ...........19 Winter Weekend flyer.............. 7 30 Years Ago .......................22 Ideas .................................. 8 Pinewoods Hot Line ..............23 Weekend Jobs & Scholarships ... -
December January
December 2002 vol 37, No.11 December 4 Wed Folk Open Sing; 7pm in Brooklyn 8 Sun Tom Paley & friends; Music at Metrotech, in Brooklyn 9 Mon NYPFMC Exec. Board Meeting, 7:15pm at the club office, 450 7th Ave, #972 (34-35 St), info (718) 575-1906 15 Sun Sunnyside Song Circle: 2pm in Queens 15 Sun Sacred Harp Singing at St.Bartholomew’s; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church. (no Gospel & Sacred Harp Sing in December) January (no Folk Open Sing in Brooklyn this month) 2 Thur Newsletter Mailing; at Club office, 450 7 Ave, #972, 7 pm 5 Sun Sea Music Concert: Anne Price + NY Packet; South Street Seaport Gallery; 3 pm 10 Fri Jacqueline Schwab house concert, 8pm in Manhattan 12 Sun NYPFMC Exec. Board Meeting in Tarrytown, info (718) 575-1906 16 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church. 17 Fri Kossoy Sisters concert; 8pm, Advent Church 18 Sun Sacred Harp Singing at St.Bartholomew’s; 2:30 pm 26 Sun (or Feb 2)-to be announced:Gospel & Sacred Harp Sing, 3pm Details Inside Table of Contents Events Details ....................... 2 From The Editor .................... 3 Calendar Location Info ...........15 NYPFMC Club Info ............... 4 Triboro Adv. .......................17 Topical Listing of Club Events ... 5 30 Years Ago .......................18 Folk Process ......................... 6 Pinewoods Hot Line ...............19 Weekend Jobs & Scholarships .... 7 Membership Application .........20 Tom Paley Concert Flyers ......... 8 Calendar Listings ................... 9 Winter Weekend flyer ... centerfold Repeating Events ................... 11 The Club’s web page: http://www.folkmusicny.org Folk Fone: (212)563-4099 FOLK OPEN SING; Wednesdays, Dec.4 & Feb. -
UNC Thesis Submission Final
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository FINDING THE AVANT-GARDE IN THE OLD-TIME: JOHN COHEN IN THE AMERICAN FOLK REVIVAL Brian Jones A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Music. Chapel Hill 2011 Approved by: Jocelyn R. Neal Mark Katz Philip Vandermeer ©2011 Brian Jones ALL RIGHTS RESERVED ii ABSTRACT Brian Jones Finding the Avant-garde in the Old-time: John Cohen in the American Folk Revival (Under the direction of Jeremy Grimshaw and Jocelyn Neal) This thesis explores aesthetic developments in the American folk revival by examining the career of John Cohen. As a founding member of the New Lost City Ramblers, Cohen was an influential figure in the revival during the late ‘50s and early ‘60s. A significant aspect of Cohen’s outlook was his extensive involvement with avant- garde movements in art and literature. The approaches Cohen encountered among New York artists and intellectuals provided a paradigm from which he could understand the rough-hewn aesthetic of old-time country music. This thesis examines Cohen’s aesthetic by mapping his background and associations in art, photography, and folk music, giving special attention to the connections he saw between folk revivalism and the avant-garde. It then examines his work recording and promoting Roscoe Holcomb, a traditional singer from Daisy, Kentucky, to demonstrate the application of these ideas and connections. -
Caffè Lena: Inside America's Legendary Folk Music Coffeehouse
INSIDE AMERICA’S LEGENDARY FOLK MUSIC COFFEEHOUSE Caffè Lena: Inside America’s Legendary Folk Music Coffeehouse Edited by Jocelyn Arem In collaboration with Caffè Lena Foreword by Tim Robbins Published by To be released: October 2013 This PDF of Caffè Lena: Inside America’s Legendary Folk Music Coffeehouse is only a preview and an uncorrected proof. Lifting images from mechanical files is strictly prohibited. To see the complete version, please contact Nina Ventura, Publicist: [email protected] INSIDE AMERICA’s LegendARY FOLK MUSIC COFFEEHOUSE Edited by Jocelyn Arem in collaboration with Caffè Lena Foreword by Tim Robbins Brooklyn, NY TABLE OF CONTENTS 08 Foreword by Tim Robbins 10 Introduction by Jocelyn Arem 13 “That’s the way it all began.” by Lena Spencer 17 “He would go wherever the pictures were.” by Jackie Alper 21 “Why we started Caffè Lena.” by Lena Spencer 26 1960s Jack Landron (formerly Jackie Washington) 28 Tom Paley 32 Dave Van Ronk 36 Bob Dylan 38 Hedy West 44 Ramblin’ Jack Elliott 48 John Hammond 52 Pete Seeger 56 Bernice Johnson Reagon 62 Jean Redpath 68 Tom Paxton 72 Mississippi John Hurt 74 Barbara Dane 76 Big Joe Williams & Short Stuff Macon 80 Marty (Beers) Meshberg 86 Jacqui & Bridie 92 Reverend Gary Davis 96 Molly Scott 100 Noel Paul Stookey 104 Gil Robbins 108 Happy Traum 112 Alix Dobkin 114 Billy Faier 116 Jean Ritchie 118 Sandy & Caroline Paton 120 Len Chandler 124 Carolyn Hester 128 Guy Carawan 132 Oscar Brand 134 George “Smoke” Dawson 136 Clarence Ashley 138 Ian & Sylvia 140 Jim Kweskin 142 Ralph Rinzler -
Crusaders for Old-Time Music
Third Annual Friendso f th e Festi va l Ralph Rin zler Memori al Con ce rt were and still are to me, the older repertoire and variety of sounds are for me much richer in every way and inspire Crusaders for further exploration and individual expression. Our initial intent was to just play the music we liked, the music we heard on Library of Congress field recordings and on commercial 78 rpm discs recorded in the late twenties Old-Time and early thirties. Something about that body of music res onated in us, and we wanted to be true to those traditions. We wan~ed to avoid the urban political issues which seemed to overshadow the music, instead to let the fun, the irony, Music the stories - what we perceived as the best of the tradi tional songs and sounds- speak for themselves, and cer Mike Seeger tainly to allow the rural working class, sometimes newly urbanized, to voice its own social and political concerns through their songs. lthough my parents raised me in the suburbs less This was a new idea then, and we got people's attention. than ten miles from the National Mall in We tried to evolve a program that would present the music A Washington, D.C., they reared me on Southern we loved with respect, to audiences totally unfamiliar with traditional music. I still remember the joy, as a child, of it or biased against it. We wanted to share our urban ad singing with them and listening to wondrous field vantage with our mentors, so we actively promoted the idea recordings made by the pioneer collectors of the thirties, of presenting traditional musicians everywhere we went. -
I Ll Ino I University of Illinois at Urbana-Champaign
H I LL INO I UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. Volume 3, No. 1 October 15, 1962 OCT 17 1?C2 RAMBIERS CCOE TO CAMPS I - 'he New Lost City Ramblers will 1920's and early 30's. They sing lent a concert of traditional mountain depression songs, election songs, British .c at 8:00 p.m. on Saturday, Oct. 27, songs, and they even have an album of ncoln Hall Theater. Old Timey Songs for Children. They also 'he Ramblers are one of the leading sing humerous songs like "It's a Shame ips working to perpetuate pure, un- to Beat Your Wife on Sunday", (When Lterated folksongs. This effort can you'v got Monday, Tuesday...etc.) eard in their "old timey", unaffected Their popularity has become evident .eof singing; an unusual and admirable by the enthusiastic acceptance of five .evement for urban singers. Folkways albums and a number of Newport lembers of the trio are Mike Seeger, Folk Festival discs. Their own NLCR cording technician, John Cohen, a songbook is to be issued soon. Those 'essional photographer, and Tracy of you who were on campus last year and rarz, an accomplished string band heard the Philo Glee and Mandolin Society, tormer replacing Tom Paley. All are will notice and enjoy the similarities wrb musicians and play unamplified in style and humor between the Philos aruments: the guitar, banjo, mandolin, and the Ramblers. lie, dobro, and autoharp. Tickets for the concert are $1.25 and lecording to Seeger, the Ramblers' $1.75 and are available at the Illini .c is that of the rural areas of the Union Box Office. -
London Road Station
Asset Name: London Road Station Asset Address: Shaftesbury Place, Brighton, East Sussex BN1 4QS Asset Type (e.g. Pub/House/Public Park): Railway station (with public right of across it) Date of Construction: 1877 Short Description of Asset (e.g. materials, style, features of interest): London Road Station is our city's best example of Italianate style favoured by the railway architects of the mid-Victorian era. The station itself is distinguished as you enter from the south by its flight of steps leading from the pavement to the booking hall flanked on each side by attractive balconies. As you emerge from booking hall to platform 1, there is a definite rural-feel since the two platforms of London Road Station are staggered. Among the city's railway stations already listed, are Brighton (Grade II listed on 30 April 1973), Hove and Portslade. However, the platforms of these stations run in parallel so they do not offer the amenity of attractive railway corridor open space i.e. rich wildlife habitat right opposite platform 1. 1 How does the nominated asset meet the criteria for Architectural, Design and Artistic interest? The siting of London Road Station and its rural setting make it our city's most attractive example of Italianate style favoured by the railway architects of the mid-Victorian era. Other local stations (Hove, Kemp Town and Portslade) shared what was in the 1870s a standard design. The other surviving railway stations, Hove and Portslade, which have more industrial settings, are already listed. London Road Station blends well with the adjoining neighbourhoods. -
Always Been a Rambler. the New Lost City Ramblers. Dir. Yasha Aginsky. Arhoolie Foundation, DVD 204, 2009. (Available: Graham A
Document generated on 10/02/2021 8:53 a.m. Ethnologies DVD Review Essay: Always Been A Rambler. The New Lost City Ramblers. Dir. Yasha Aginsky. Arhoolie Foundation, DVD 204, 2009. (Available: www.arhoolie.com) Graham A. Blair Jouer Play Volume 32, Number 1, 2010 URI: https://id.erudit.org/iderudit/045228ar DOI: https://doi.org/10.7202/045228ar See table of contents Publisher(s) Association Canadienne d'Ethnologie et de Folklore ISSN 1481-5974 (print) 1708-0401 (digital) Explore this journal Cite this review Blair, G. A. (2010). Review of [DVD Review Essay: Always Been A Rambler. The New Lost City Ramblers. Dir. Yasha Aginsky. Arhoolie Foundation, DVD 204, 2009. (Available: www.arhoolie.com)]. Ethnologies, 32(1), 245–262. https://doi.org/10.7202/045228ar Tous droits réservés © Ethnologies, Université Laval, 2010 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ REVIEWS / COMPTE-RENDUS 245 qui constitue un apport théorique valable aux débats que connaissent nos sociétés sur la place de la diversité dans nos milieux scolaires. Stéphanie Arsenault Université Laval Références Waldmann, Peter, 1989. « Ethnischer Konflikt und Klassenkonflikt : ein Diskussionsbeitrag zu widersprüchlichen Theoriansätzen ». In Peter Waldmann et Georg Elwert (eds.), Ethnizitat im Wandel. -
The New Lo Ity Ramblers in ~~@~ a Film by Yasha Aginsky
THE ARHOOLIE FOUNDATION presents The New lo ity Ramblers IN ~~@~ A film by Yasha Aginsky AF DVD 204 -·······-DVD THE ARHOOLIE FOUNDATION presents Always Been a Rambler Celebrating 50 years of the New Lost City Ramblers: John Cohen, Mike Seeger, Tracy Schwarz & Tom Paley a film by Yasha Aginsky "One of the things that the New lost City Ramblers did was uncover great old songs that you could only find in those days in piles of 78s in somebody's barn. They breathed new life into those songs, and their records stand the test of time, just like the originals." -Bob Dylan ALWAYS BEEN A RAMBLER traces the journey archival footage, photos, and music, including of the New Lost Ciry Ramblers, stars of the 1960's folk musical performances and interviews by by the revival who pioneered the concept of urban musicians New Lost Ciry Ramblers, Clarence Ashley, the working side by side with authentic traditional Balfa Brothers & Nathan Abshire, Maybelle & Sara musicians. They influenced generations of musicians, Carter, Elizabeth Cotten, Foghorn Duo, Rayna from folk-rock elder statesmen Bob Dylan and Jerry Gellert, David Grisman, Roscoe Holcomb, Pete Garcia to the contemporary African American string Seeger, Ricky Skaggs, the Strange Creek Singers, band the Carolina Chocolate Drops. Doc Watson, and many other contemporary and A treasure trove of recently filmed and rare historical masters of old time music. BONUS FOOTAGE: 24 minutes (8 more songs) of a rarely seen 1969 color film of the NLCR, plus never before seen 1959 footage of NLCR with Tom Paley (2 more songs) Directed, edited and written by Yasha Aginsky Copyright@ 2009 by the Arhoolie Foundation Narrated by David Holt 10341 San Pablo Ave., El Cerrito, CA 94530 Produced by Chris Strachwitz, Suzy Thompson and www.arhooliefoundation.org Tom Diamant www.alwaysbeenarambler.org Cover photo: Robert Frank DVD NTSC, All Regions, Color and B&W Length: 58 minutes plus bonus: 30 minutes DVD Audio: Stereo 111111111111111111111111111111 Format: Widescreen 16:9 -···AFV····--204 0 96297 02049 4 . -
A Teacher's Guide Tc Folksinging: a Minielective for Students in Grades 9, 10,11, and 12
DCCUMENT RESUME ED 033 565 TE 499 905 TITLE A Teacher's Guide tc Folksinging: A MiniElective for Students in Grades 9, 10,11, and 12. INSTITUTICN New York State Education rept., Albany. Eureau cf Seccndary Curriculum Development. Pub Date [ 69] Note 45p. EDES Price EERS Price MF$0.21-: HC Not Available from EEFS. Descriptors American Culture, Cultural Factors, *Folk Culture, Folk Drama, Folklcre Fooks, Instructicnal Materials, Legends, Music, *Musical Instruments, Music Appreciation, *Music Educaticn, Seccndary Education, *Singing, *Teaching Guides Abstract To help meet the needs of ncnmusicmajor students in grade S,10,11, and 12, this teacher's guide offers guidelines fcr a ccurse to stimulate students' interest and involvement in fclksinging. Guidelines are prcvided cn the rcle cf the teacher, methods cf instructicn, and suggested time allctments. Brief descripticns and ccmments on some typical folk instrumentE--the autoharp, banjo, dulcimer, guitar, and zither--are given. A tiblicgraphy of multimedia resource materials - -hocks and Fericdicals, audiotaFes, films, filmstrip and record sets, and records--is included, with annotations for many cf the items listed. An appendix lists other types of music Productions, e.g., symphcnies and musicals, that inccrEcrate cr are based cn fclk scngs. [Not available in hard ccry due to marginal legibility of original document.] (IH) N.S. alfalfa atOFFIT1 ilia111.tatEATION OF EDUCATION iWILIAM /14 7e4doeit'a111S011nesPOSITIONSTAIDSOCORRO' BO9ceeete 01011/11110011NOT MICR. LAS RUMMY IEEN Ol1i1N11N16 REPROINICES MIRE OFFICIAL R. Malt MINIS OffICE AS OFRECEIVED VIEWOf toEDUCATION 01 PION OPINIONS 1111 7diedia94, Ore.Ma meaz-deetifieOttdrealear4 rdeted9.10. /1. amee BureauTHEThe STATE ofUniversity SecondaryAlbany, EDUCATION Newof theCurriculum York State 12224DEPARTMENTofDevelopment NewYork A Teacher's Guideto Folksinging is the second FOREWORDin Recordwhoanschools averagemight Collecting, in otherwise schoolNew York setting.and haveStateContemporarylittletoOther meet or publications theno Music.