November December
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Come See a Joyful Noise in Concert At
Folk Music Society of NY Inc./NY Pinewoods Folk Music Club and The Renaissance Charter School present New York, New York Music Traditions & People Celebrating Oscar Brand &the 65th year of his Radio Show on WNYC Saturday, March 13, 2010 American, English, Asian & Latin American Folk Music 11:00 AM - free family concert: 12:30 -5:30 PM – workshops, mini-concerts, & open mike 7:30 PM Concert at The Renaissance Charter School 35-59 81st Street (NE corner of 37th Avenue) Jackson Heights, Queens, New York (Subway to 82 Street Station of #7 line) Parking available one block away. $15 Whole Day, $10 Afternoon Workshops or Evening Concert $5 Children 13-18 all day or part; Children 12 & under free when accompanied by adult. TRCS students and staff free Tickets are available at the door or online at www.brownpapertickets/event/98896 Information: www.folkmusicny.org or 718-672-6399 Special thanks to Assembly Member Jose Peralta for assistance in making this possible. 3/9/10 New York, New York; Music Traditions & People • Norris Bennett is the lead singer of the Ebony Hillbillies, plays Southern Mountain and country songs from an African-American perspective, accompanied on guitar, banjo, and dulcimer. • The Bobby Kyle Band plays and sings acoustic blues. (Bobby Kyle, Marc Copell and Everett Boyd, bass player and music instructor at TRCS). • Oscar Brand is a great performer as well being in the Guiness Book of World Records as the host of the longest- running continuous single hosted show in history, Saturday nights, 10 pm on WNYC, 820 AM, NYC. -
FSGW Newsletterfor
111^ I .. Volume 29, No. 4 —I || ■ I December 1992 h IKIAUP HOTLINE: 703-281-2228 dgsNBKLETIHt Tom Paley House Concert Saturday, December 5, 8:30 pm Guitar and banjo picker, singer, fiddler, and forefather of modem city-billy musicians Tom Paley makes an appearance in a house concert on Saturday, December 5, at the Takoma Park, MD. home of Charlie Pilzer. A founding member of the New Lost City Ramblers, Tom has played traditional music of the old-timey variety for 40 years, and still keeps finding something new to say musically. An acknowledged expert on the country music of the 1920s and early 30s, Tom has recently (within the past 15 years) taken up the fiddle music of his adopted home, Sweden. His interest in Swedish fiddling has led to his entering competitions where the player is judged against specific standards of style and execution, rather than against other players. When he passes the next level of judging, he will be the first foreign-born musician to join the ranks of the master fiddler. Admission to this special concert is $5 (FSGW) and $8 (non-members). The number for directions is 301-565- 8818. Refreshments will be served. For an evening of the best kind of traditional music, played by a man who knows it backwards and forwards, you can't beat this concert. Ed Trickett House Concert Friday, December 18, 8:30 pm A chance to see local songster Ed Trickett comes much too seldom, but one comes on Friday, December 18, when Ed struts his musical stuff at a concert in the home of Ursy Potter and Carter Hearn in McLean, VA. -
Music for the People: the Folk Music Revival
MUSIC FOR THE PEOPLE: THE FOLK MUSIC REVIVAL AND AMERICAN IDENTITY, 1930-1970 By Rachel Clare Donaldson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History May, 2011 Nashville, Tennessee Approved Professor Gary Gerstle Professor Sarah Igo Professor David Carlton Professor Larry Isaac Professor Ronald D. Cohen Copyright© 2011 by Rachel Clare Donaldson All Rights Reserved For Mary, Laura, Gertrude, Elizabeth And Domenica ACKNOWLEDGEMENTS I would not have been able to complete this dissertation had not been for the support of many people. Historians David Carlton, Thomas Schwartz, William Caferro, and Yoshikuni Igarashi have helped me to grow academically since my first year of graduate school. From the beginning of my research through the final edits, Katherine Crawford and Sarah Igo have provided constant intellectual and professional support. Gary Gerstle has guided every stage of this project; the time and effort he devoted to reading and editing numerous drafts and his encouragement has made the project what it is today. Through his work and friendship, Ronald Cohen has been an inspiration. The intellectual and emotional help that he provided over dinners, phone calls, and email exchanges have been invaluable. I greatly appreciate Larry Isaac and Holly McCammon for their help with the sociological work in this project. I also thank Jane Anderson, Brenda Hummel, and Heidi Welch for all their help and patience over the years. I thank the staffs at the Smithsonian Center for Folklife and Cultural Heritage, the Kentucky Library and Museum, the Archives at the University of Indiana, and the American Folklife Center at the Library of Congress (particularly Todd Harvey) for their research assistance. -
Old Time Banjo
|--Compilations | |--Banjer Days | | |--01 Rippling Waters | | |--02 Johnny Don't Get Drunk | | |--03 Hand Me down My Old Suitcase | | |--04 Moonshiner | | |--05 Pass Around the Bottle | | |--06 Florida Blues | | |--07 Cuckoo | | |--08 Dixie Darling | | |--09 I Need a Prayer of Those I Love | | |--10 Waiting for the Robert E Lee | | |--11 Dead March | | |--12 Shady Grove | | |--13 Stay Out of Town | | |--14 I've Been Here a Long Long Time | | |--15 Rolling in My Sweet Baby's Arms | | |--16 Walking in the Parlour | | |--17 Rye Whiskey | | |--18 Little Stream of Whiskey (the dying Hobo) | | |--19 Old Joe Clark | | |--20 Sourwood Mountain | | |--21 Bonnie Blue Eyes | | |--22 Bonnie Prince Charlie | | |--23 Snake Chapman's Tune | | |--24 Rock Andy | | |--25 I'll go Home to My Honey | | `--banjer days | |--Banjo Babes | | |--Banjo Babes 1 | | | |--01 Little Orchid | | | |--02 When I Go To West Virginia | | | |--03 Precious Days | | | |--04 Georgia Buck | | | |--05 Boatman | | | |--06 Rappin Shady Grove | | | |--07 See That My Grave Is Kept Clean | | | |--08 Willie Moore | | | |--09 Greasy Coat | | | |--10 I Love My Honey | | | |--11 High On A Mountain | | | |--12 Maggie May | | | `--13 Banjo Jokes Over Pickin Chicken | | |--Banjo Babes 2 | | | |--01 Hammer Down Girlfriend | | | |--02 Goin' 'Round This World | | | |--03 Down to the Door:Lost Girl | | | |--04 Time to Swim | | | |--05 Chilly Winds | | | |--06 My Drug | | | |--07 Ill Get It Myself | | | |--08 Birdie on the Wire | | | |--09 Trouble on My Mind | | | |--10 Memories of Rain | | | |--12 -
Happy Traum……….…………………….….Page 2 Sun, July 11, at Fishing Creek Salem UMC • a Legend Ireland Tour…
Happy Traum……….…………………….….Page 2 Sun, July 11, at Fishing Creek Salem UMC • A legend Ireland Tour….......….......…..........….4 of American roots music joins us for a guitar workshop Folk Festival Scenes…………..…....8-9 and concert, with a blues jam in between. Emerging Artist Showcase………....6 Looking Ahead……………….…….…...12 Andy’s Wild Amphibian Show….........……..Page 3 Member Recognition.….................15 Wed, Jul 14 • Tadpoles, a five-gallon pickle jar and silly parental questions are just a few elements of Andy Offutt Irwin’s zany live-streamed program for all ages. Resource List Liars Contest……………....……….………...Page 3 Subscribe to eNews Wed, Jul 14 • Eight tellers of tall tales vie for this year’s Sponsor an Event Liars Contest title in a live-streamed competition emceed by storyteller extraordinaire Andy Offutt Irwin. “Bringing It Home”……….……...……........Page 5 Executive Director Jess Hayden Wed, Aug 11 • Three local practitioners of traditional folk 378 Old York Road art — Narda LeCadre, Julie Smith and Rachita Nambiar — New Cumberland, PA 17070 explore “Beautiful Gestures: Making Meaning by Hand” in [email protected] a virtual conversation with folklorist Amy Skillman. (717) 319-8409 Solo Jazz Dance Class……........................…Page 6 More information at Fri, Aug 13, Mt. Gretna Hall of Philosophy Building • www.sfmsfolk.org Let world-champion swing dancer Carla Crowen help get you in the mood to boogie to the music of Tuba Skinny. Tuba Skinny………………........................…Page 7 Fri, Aug 13, at Mt. Gretna Playhouse • This electrifying ensemble has captivated audiences around the world with its vibrant early jazz and traditional New Orleans sound. Nora Brown……………... Page 10 Sat, Aug 14, at Mt. -
Theo Bikel with Pete Seeger (And More)
Theo Bikel with Pete Seeger (and more) First, here’s another item for consideration by people who think that Pete Seeger was anti-Israel. (If you haven’t already, read Hillel Schenker’s recent post on this.) We have the permission of Gerry Magnes — active with the Albany, NY regional J Street chapter, who married into an Israeli family — to quote what he emailed the other day: Thought I would share a small anecdote my father in law once told me. He’s 95 and still living on a kibbutz (Kibbutz Evron) in the Western Galilee. Last winter, when my wife and I mentioned to him that we’d just attended a Pete Seeger concert . in Schenectady, . he related how he’d seen him perform (I think in Tel Aviv), probably in ’64. When he [Seeger] began to speak about the Israeli-Palestinian/Arab conflict at that time and his hopes for peace, he began to cry. He had to stop talking or singing for a bit until he could collect himself. The sincerity and depth of feeling left a deep impression on my father in law. http://www.cookephoto.com/dylanovercome.html Partners’ board chair Theodore Bikel goes back a long way with Seeger. They were part of the original board (with Oscar Brand, George Wein and Albert Grossman) that founded the Newport Folk Festival. This image captures a festival high point in 1963, with Theo and Seeger (at right) joining Bob Dylan, Joan Baez, the Freedom Singers and Peter, Paul and Mary to sing “We Shall Overcome.” Here’s Theo singing Hine Ma Tov with Seeger and Rashid Hussain (the latter identified as a Palestinian poet) from episode 29 of the 39-episode run of the “Rainbow Quest” UHF television series (1965-66), dedicated to folk music and hosted by Seeger: Upon hearing of Seeger’s passing, Theo wrote this on his Facebook page: An era has come to an end. -
Current, October 30, 1980
University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 10-30-1980 Current, October 30, 1980 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, October 30, 1980" (1980). Current (1980s). 25. https://irl.umsl.edu/current1980s/25 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. CXT08ER 30 1980 ISSUE 382 UNIVERSITY OF MISSOURI j'SAINT LOU1S Architects meet; plans finalized Volsko said. "The menu will be B~b DePalma subject to change at any time according to my discretion and A group of UMSL representa to the interests of customers." tives met with Hageman Inte The sweet shop will include a riors Inc. and W . Milt Santee variety of pies, cakes and cook Oct. 23 and 24 to draw up plans ies that will be baked in the for the renovation of the cafete cafeteria kitchen. Ice cream and ria and snack bar. shakes will also be sold. The group was headed by In the middle of the shopping John Perry, vice chancellor of area will be a soup and salad Administrative Services. Other bar along with a beverage island members included Bill Edwards, for coffee and sodas. University Center director, Another major change in the Charlotte McClure, University cafeteria will be an increase in Center assistant director, Greg the amount of people it will seat. -
San Pedro Sing
THE SOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING JULY - AUGUST &2007 OTHER RELATED FOLK ARTSFolkWorks IN THE GREATER LOS ANGELES AREA Page FREE BI-MONTHLY Volume 7 Number 4 July-August 2007 New World Flamenco Festival La Flor de la Vida, August 10-19 See page 3 INSIDE THIS ISSUE FREE SUMMER CONCERT LISTINGS HAWAIIAN FESTIVALS SEA SHANTIES PLUS... KEYS TO THE HIGHWAY ..that reminds me... ...and More!... cover photo: PHOTO OF JUAN OGALLA BY MIGUEL ANDY MOGG Page 2 FolkWorks JULY - AUGUST 2007 EDITORIAL his July/August issue in your musician teaching listings, etc. Be hands lists a plethora of sum- sure to look at the website and Yahoo PUBLISHERS & EDITORS Tmer concerts. Look at page 3 Group for announcements. We plan to Leda & Steve Shapiro for this summer’s offerings at the Skir- continue our ongoing columns about LAYOUT & PRODUCTION ball, Culver City, Japan American Mu- Music Theory, Old Time Music, Events Alan Stone Creative Services seum, Grand Performances, the Santa Around Town and all the other regular FEATURED WRITERS Monica Pier and the Levitt Pavillion. columnists you love. In fact now you Ross Altman, How Can I Keep From Talking At this time each year, we search will be able to read them online and David Bragger, Old-Time Oracle through the listings and mark in our not have to worry about finding that Valerie Cooley, ...that reminds me... calendar all the wonderful concerts old newspaper article. There is a good Linda Dewar, Grace Notes Roger Goodman, Keys to the Highway we plan on attending. We want here search engine on the site and you can David King, Dirt to thank all the producers who spend find what you want. -
Still on the Road Session Pages: 1961
STILL ON THE ROAD 1961 FEBRUARY OR MARCH East Orange, New Jersey The Home of Bob and Sid Gleason, “The East Orange Tape” MAY 6 Branford, Connecticut Montewese Hotel, Indian Neck Folk Festival Minneapolis, Minnesota Unidentified coffeehouse, “Minnesota Party Tape 1961” JULY 29 New York City, New York Riverside Church, Hootenanny Special SEPTEMBER 6 New York City, New York Gaslight Café, “The First Gaslight Tape” Late New York City, New York Gerde's Folk City 30 New York City, New York Columbia Recording Studios, Carolyn Hester studio session OCTOBER 29 New York City, New York WNYC Radio Studio Late New York City, New York Folklore Center NOVEMBER 4 New York City, New York Carnegie Chapter Hall 20, 22 New York City, New York Studio A, Columbia Recordings, Bob Dylan recording sessions Late New York City, New York Unidentified Location, Interview conducted by Billy James 23 New York City, New York The Home Of Eve and Mac McKenzie DECEMBER 4 New York City, New York The Home Of Eve and Mac McKenzie 22 Minneapolis, Minnesota The Home Of Bonnie Beecher, Minnesota Hotel Tape Bob Dylan sessions 1961 20 The Home of Bob and Sid Gleason East Orange, New Jersey February or March 1961 1. San Francisco Bay Blues (Jesse Fuller) 2. Jesus Met The Woman At The Well (trad.) 3. Gypsy Davey (trad., arr Woody Guthrie) 4. Pastures Of Plenty (Woody Guthrie) 5. Trail Of The Buffalo (trad., arr Woody Guthrie) 6. Jesse James (trad.) 7. Car, Car (Woody Guthrie) 8. Southern Cannonball (R. Hall/Jimmie Rodgers) 9. Bring Me Back, My Blue-Eyed Boy (trad.) 10. -
ARSC Journal, Vol
NATIONAL PUBLIC RADIO ARTS AND PERFORMANCE PROGRAMS By Frederica Kushner Definition and Scope For those who may be more familiar with commercial than with non-commercial radio and television, it may help to know that National Public Radio (NPR) is a non commercial radio network funded in major part through the Corporation for Public Broadcasting and through its member stations. NPR is not the direct recipient of government funds. Its staff are not government employees. NPR produces programming of its own and also uses programming supplied by member stations; by other non commercial networks outside the U.S., such as the British Broadcasting Corporation (BBC) and the Canadian Broadcasting Corporation (CBC); by independent producers, and occasionally by commercial networks. The NPR offices and studios are located on M Street in Washington, D.C. Programming is distributed via satellite. The radio programs included in the following listing are "arts and performance." These programs were produced or distributed by the Arts Programming Department of NPR. The majority of the other programming produced by NPR comes from the News and Information Department. The names of the departments may change from time to time, but there always has been a dichotomy between news and arts programs. This introduction is not the proper place for a detailed history of National Public Radio, thus further explanation of the structure of the network can be dispensed with here. What does interest us are the varied types of programming under the arts and performance umbrella. They include jazz festivals recorded live, orchestra concerts from Europe as well as the U.S., drama of all sorts, folk music concerts, bluegrass, chamber music, radio game shows, interviews with authors and composers, choral music, programs illustrating the history of jazz, of popular music, of gospel music, and much, much more. -
Woody Guthrie
120742bk Woody 10/6/04 3:59 PM Page 2 1. Talking Dust Bowl Blues 2:43 9. Jesus Christ 2:45 16. This Land Is Your Land 2:17 19. Talking Columbia Blues 2:37 (Woody Guthrie) (Woody Guthrie) (Woody Guthrie) (Woody Guthrie) Victor 26619, mx BS 050146-2 Asch 347-3, mx MA 135 Folkways FP 27 Disc 5012, mx D 202 Recorded 26 April 1940 Recorded c. April 1944 Recorded c. 1945 Recorded c. April 1947 2. Blowin’ Down This Road 3:05 10. New York Town 2:40 17. Pastures Of Plenty 2:31 Woody Guthrie, vocal and guitar (Woody Guthrie–Lee Hays) (Woody Guthrie) (Woody Guthrie) All selections recorded in New York Victor 26619, mx BS 050150-1 With Cisco Houston Disc 5010, mx D 199 Recorded 26 April 1940 Asch 347-3, mx MA 21 Recorded c. April 1947 Transfers & Production: David Lennick 3. Do Re Mi 2:38 Recorded 19 April 1944 18. Ramblin’ Blues 2:19 Digital Noise Reduction by K&A Productions Ltd (Woody Guthrie) 11. Who’s Gonna Shoe Your Pretty Little (Woody Guthrie) Original recordings from the collections of David Victor 26620, mx BS 050153-1 Feet 2:35 Disc 5011, mx D 201 Lennick & John Rutherford Recorded 26 April 1940 (Traditional) Recorded c. April 1947 4. Tom Joad 6:31 With Cisco Houston Asch 432-4, mx MA 27 Original monochrome photo of Woody Guthrie from Rue des Archives/Lebrecht Music & Arts; (Woody Guthrie) background from Corbis Images. Victor 26621, mx BS 050159-1, 050152-1 Recorded 19 April 1944 Recorded 26 April 1940 12. -
The Folk Club of Reston - Herndon
the folk club of reston - herndon Preserving the traditions of Volume 20, Issue 4 Folk Music, Folklore and Gentle Folk ways April, 2004 April Showcase - Inni by Inni Born Wendy Lynn Street to an Old Blue Collar Washington family that remembers grazing cattle on Roosevelt Island, her great great grandfather McPhearson’s hardware store was an 1800’s Georgetown tradition. Singing since she was old enough to sit up at the piano bench with her beloved Grandmother Emilie Torreyson Moore, she began to consider professionally making music after 1985 when she caught a television camera man hiding behind a tree to capture her street peddling song outside of Fenway Park in Boston. Studying Blues & Jazz for several years at the John Payne Music Center of Brookline, New Englander Larry Unger was her fi rst guitar teacher. Her two cassette releases include the accompaniment and recording skills of Seth Austin. Lately she’s been hanging out at the Barbershop of the Archie Edwards Blues Heritage Foundation in N.E. Washington. Still a little green around the edges as a solo performer Inni has spend an inordinate amount of time at Blue Grass jams, been in too many rock n roll bands that didn’t stick together, and held one long running evening gown gig: singing and dancing tree nights a week at Fritter’s in Winchester. A creative songwriter she studied at the Omega Institute with Bobbie McFerron for a memorable weekend, and teaches a Sound Healing workshop whenever two or more are gathered! The survivor of a horrendous Pluto transit she credits the Folk Club with grounding her re-awakened passion for music/life\music through genuine comraderie and superb dedication to the “listening art” of Folk Music.