Drummer, Give Me My Sound: Frisner Augustin
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Interview with Frisner Augustin—3/24/1982 East 96Th Street, East Flatbush, Brooklyn, New York
Interview with Frisner Augustin—3/24/1982 East 96th Street, East Flatbush, Brooklyn, New York Frisner’s Life in Haiti L: This is an interview with Frisner Augustin, Master Drummer from Haiti. First, I just want to get the facts—the day that you were born, where you were born… F: Okay, the day I born is one, three, forty-eight, right? So, I born in Port- au-Prince. But my mother born in Port-a-Prince, but my grandmother born in Jacmel. L: Is that your mother’s mother? F: My grandmother, yeah. But my father born in Port-au-Prince, but, you know, my father’s father born in Léogane. I come from two parent, you know, two pärent—parent or pärent, I don’t know. Because, you know, English is not my language. But in my country they speak Creole. But everybody try to speak French. You’re supposed to go to school to speak French. But my parent don’t have any money to push me very good in big school, and I try to learn by some friend. But, in Haiti, my father, you know, time I got to be about six years old, and my father left my mother, and, you know, my mother can’t help me to push me in school. Okay, I got all my parent, my uncle play drum and be travel lot. He go to St. Thomas, St. Croix, Puerto Rico, and New York and go back to Haiti, St. Vincent and go back to Haiti. And soon I grow up, I say, I want to learn how to play drum. -
Black Brooklyn Renaissance Digital Archive Sherif Sadek, Akhnaton Films
Black Brooklyn Renaissance (BBR) Digital Archive About the Digital Archive CONTENTS This digital archive contains 73 discs, formatted as playable DVDs for use in compatible DVD players and computers, and audio CDs where indicated. The BBR Digital Archive is organized according to performance genres: dance, music, visual art, spoken word, community festival/ritual arts, and community/arts organizations. Within each genre, performance events and artist interviews are separated. COPYRIGHT Black Brooklyn Renaissance: Black Arts + Culture (BBR) Digital Archive is copyright 2011, and is protected by U.S. Copyright Law, along with privacy and publicity rights. Users may access the recordings solely for individual and nonprofit educational and research purposes. Users may NOT make or distribute copies of the recordings or their contents, in whole or in part, for any purpose. If a user wishes to make any further use of the recordings, the user is responsible for obtaining the written permission of Brooklyn Arts Council (BAC) and/or holders of other rights. BAC assumes no responsibility for any error, omission, interruption, deletion, defect, delay in operation or transmission, or communications line failure, involving the BBR Digital Archive. BAC feels a strong ethical responsibility to the people who have consented to have their lives documented for the historical record. BAC asks that researchers approach the materials in BBR Digital Archive with respect for the sensibilities of the people whose lives, performances, and thoughts are documented here. By accessing the contents of BBR Digital Archive, you represent that you have read, understood, and agree to comply with the above terms and conditions of use of the BBR Digital Archive. -
April May June
May 2005 vol 40, No.5 April 30 Sat Songs and Letters of the Spanish Civil War, co-sponsored with and at the Peoples’ Voice Cafe May 1 Sun Sea Music Concert: Dan Milner, Bob Conroy & Norm Pederson + NY Packet; 3pm South St.Melville Gallery 4WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 9 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm 15 Sun Sacred Harp Singing at St. Bart’s, Manhattan; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church, Bronx 20 Fri Bill Staines, 8pm at Advent Church ☺ 21 Sat For The Love of Pete; at Community Church 22 Sun Gospel & Sacred Harp Sing, 3pm: location TBA 22 Sun Balkan Singing Workshop w/ Erica Weiss in Manhattan 22 Sun Sunnyside Song Circle in Queens; 2-6pm 27-30 Spring Folk Music Weekend --see flyer in centerfold June 1WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 2 Thur Newsletter Mailing; at Club office, 450 7th Ave, #972, 7 pm 7 Tue Sea Music Concert: Mick Moloney + NY Packet; 6pm South Street Seaport Melville Gallery 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm 13 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Tue Sea Music Concert: The NexTradition + NY Packet; 6pm 16 Thur: Sara Grey & Kieron Means; location to be announced 19 Sun Sacred Harp Singing at St. -
Happy Traum……….…………………….….Page 2 Sun, July 11, at Fishing Creek Salem UMC • a Legend Ireland Tour…
Happy Traum……….…………………….….Page 2 Sun, July 11, at Fishing Creek Salem UMC • A legend Ireland Tour….......….......…..........….4 of American roots music joins us for a guitar workshop Folk Festival Scenes…………..…....8-9 and concert, with a blues jam in between. Emerging Artist Showcase………....6 Looking Ahead……………….…….…...12 Andy’s Wild Amphibian Show….........……..Page 3 Member Recognition.….................15 Wed, Jul 14 • Tadpoles, a five-gallon pickle jar and silly parental questions are just a few elements of Andy Offutt Irwin’s zany live-streamed program for all ages. Resource List Liars Contest……………....……….………...Page 3 Subscribe to eNews Wed, Jul 14 • Eight tellers of tall tales vie for this year’s Sponsor an Event Liars Contest title in a live-streamed competition emceed by storyteller extraordinaire Andy Offutt Irwin. “Bringing It Home”……….……...……........Page 5 Executive Director Jess Hayden Wed, Aug 11 • Three local practitioners of traditional folk 378 Old York Road art — Narda LeCadre, Julie Smith and Rachita Nambiar — New Cumberland, PA 17070 explore “Beautiful Gestures: Making Meaning by Hand” in [email protected] a virtual conversation with folklorist Amy Skillman. (717) 319-8409 Solo Jazz Dance Class……........................…Page 6 More information at Fri, Aug 13, Mt. Gretna Hall of Philosophy Building • www.sfmsfolk.org Let world-champion swing dancer Carla Crowen help get you in the mood to boogie to the music of Tuba Skinny. Tuba Skinny………………........................…Page 7 Fri, Aug 13, at Mt. Gretna Playhouse • This electrifying ensemble has captivated audiences around the world with its vibrant early jazz and traditional New Orleans sound. Nora Brown……………... Page 10 Sat, Aug 14, at Mt. -
Current, October 30, 1980
University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 10-30-1980 Current, October 30, 1980 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, October 30, 1980" (1980). Current (1980s). 25. https://irl.umsl.edu/current1980s/25 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. CXT08ER 30 1980 ISSUE 382 UNIVERSITY OF MISSOURI j'SAINT LOU1S Architects meet; plans finalized Volsko said. "The menu will be B~b DePalma subject to change at any time according to my discretion and A group of UMSL representa to the interests of customers." tives met with Hageman Inte The sweet shop will include a riors Inc. and W . Milt Santee variety of pies, cakes and cook Oct. 23 and 24 to draw up plans ies that will be baked in the for the renovation of the cafete cafeteria kitchen. Ice cream and ria and snack bar. shakes will also be sold. The group was headed by In the middle of the shopping John Perry, vice chancellor of area will be a soup and salad Administrative Services. Other bar along with a beverage island members included Bill Edwards, for coffee and sodas. University Center director, Another major change in the Charlotte McClure, University cafeteria will be an increase in Center assistant director, Greg the amount of people it will seat. -
Klezmer Program 12.06.18
CWRU DepArtment oF MusIc Concert SerIes CWRU Klezmer Music Ensemble Steven Greenman, Director Old World Meets New World A Concert of East European and American Klezmer Melodies THURSDAY, DECEMBER 6, 2018 7:30pm HARKNESS CHAPEL CASE WESTERN RESERVE UNIVERSITY musIc.cAse.edu Welcome to Florence-Harkness Memorial Chapel RESTROOMS Women’s And men’s restrooms Are locAted on the mAIn level oF the buildIng. PAGERS, CELL PHONES, COMPUTERS, IPADS AND LISTENING DEVICES As A courtesy to the perFormers And AttendIng AudIence members, pleAse power oFF All electronic And mechanicAl devIces, Including pagers, cellulAr telephones, computers IPAds, wrIst wAtch AlArms, etc. prIor to the stArt oF the concert. PHOTOGRAPHY, VIDEO AND RECORDING DEVICES As A courtesy to the perFormers And AudIence members, photogrAphy And vIdeogrAphy Is strIctly prohibIted durIng the perFormAnce. FACILITY GUIDELINES In order to preserve the beAuty And cleAnlIness oF the hAll, no Food or beverAge, Including wAter, Is permItted. A DrInkIng FountAIn Is locAted neAr the restrooms beside the classroom. IN THE EVENT OF AN EMERGENCY ContAct An usher or A member oF the house stAFF IF you requIre medIcAl AssIstAnce. Emergency exIts Are cleArly marked throughout the buIldIng. Ushers And house staFF wIll provIde Instruction In the event oF An emergency. musIc.cAse.edu/FAcIlItIes/Florence-harkness-memorIAl-chApel/ Program “Rumania” Bulgar AlexAnder OlshAnetsky -from the recordIng Tanz! With Dave Tarras and the Musiker Brothers - 1955 Chused’l #10 from International HeBrew Wedding Music (“HAsIdIc DAnce #10) by W. KostAkowsky - 1916 Dem Trisker Rebn’s Khosid TrAdItIonAl/DAve TArrAs (“The TrIsker Rebbe’s DAnce”) Recorded - 1925 Yiddish Bulgar Max EpsteIn (“JewIsh BulgAr”) Recorded wIth the HymIe JAcobson OrchestrA - 1947 Romanian Fantasy Pt. -
Torah Wellsprings A4.Indd
Beshalach diritto d'autore 20ϮϬ di Mechon Beer Emunah [email protected] Traduzione a cura del team VedibartaBam Table of Contents Torah Wellsprings - Beshalach Shabbos of Emunah .........................................................................................................4 Believe in Yourself ...........................................................................................................5 The Hand of Emunah .......................................................................................................8 Bitachon is the root of success in Avodas Hashem ...................................................9 Kriyas Yam Suf in the merit of Bitachon...................................................................10 Hashem Acts with Us as We act with Him ................................................................11 The War with Amalek ...................................................................................................13 A Moment of Emunah ...................................................................................................14 Bitachon ...........................................................................................................................14 Feeding Birds on Shabbos Shirah ..............................................................................16 The Struggle to Have Emunah .....................................................................................17 Hashem Reminds Us .....................................................................................................18 -
Mattos Chassidus on the Massei ~ Mattos Chassidus on the Parsha +
LIGHTS OF OUR RIGHTEOUS TZADDIKIM בעזרת ה ' יתבר A Tzaddik, or righteous person , makes everyone else appear righteous before Hashem by advocating for them and finding their merits. Kedushas Levi, Parshas Noach (Bereishis 7:1) MATTOS ~ MASSEI _ CHASSIDUS ON THE PARSHA + Dvar Torah – Mattos Keep Your Word The Torah states (30:3), “If a man takes a vow or swears an oath to G -d to establish a prohibition upon himself, he shall not violate his word; he shall fulfill whatever comes out of his mouth.” In relation to this passuk , the Midrash quotes from Tehillim (144:4), “Our days are like a fleeting shadow.” What is the connection? This can be explained, says Rav Levi Yitzchok, according to a Gemara ( Nedarim 10b), which states, “It is forbidden to say, ‘ Lashem korban , for G-d − an offering.’ Instead a person must say, ‘ Korban Lashem , an offering for G -d.’ Why? Because he may die before he says the word korban , and then he will have said the holy Name in vain.” In this light, we can understand the Midrash. The Torah states that a person makes “a vow to G-d.” This i s the exact language that must be used, mentioning the vow first. Why? Because “our days are like a fleeting shadow,” and there is always the possibility that he may die before he finishes his vow and he will have uttered the Name in vain. n Story The wood chopper had come to Ryczywohl from the nearby village in which he lived, hoping to find some kind of employment. -
Happy Hanukkah to All! Truman Gutman Enjoys Some Hanukkah Warmth
november 26, 2010 • 19 kislev • volume 86, no. 25 Happy Hanukkah to all! Truman Gutman enjoys some Hanukkah warmth. Win a kosher shopping spree! See page 7B www.facebook.com/jtnews professionalwashington.com @jew_ish or @jewish_dot_com connecting our local Jewish community 2 JTNews . WWW.JTNEWS.NET . FRIDAY, NOVEMBER 26, 2010 Late Fall Family Calendar For complete details about these and other upcoming JFS events and workshops, please visit our website: www.jfsseattle.org FOR ADULTS AGE 60+ FOR PARENTS FOR THE COMMUNITY Endless Opportunities Healthy Relationships & AA Meetings at JFS A community-wide program offered in Teen Dating m Tuesdays at 7:00 p.m. partnership with Temple B’nai Torah & Temple Join us to gain insight and tools on topics of Contact Eve M. Ruff, (206) 861-8782 or De Hirsch Sinai. EO events are open significant interest to parents of teens. [email protected] to the public. m Sunday, December 12 Latkes & Applesauce Seattle Jewish Chorale Presents: 11:00 a.m. – 12:30 p.m. Contact Marjorie Schnyder, (206) 861-3146 Join us at Whole Foods Market, Roosevelt Setting the Mood for Hanukkah or [email protected]. Square and taste the treats of Chanukah m Tuesday, November 30 m Tuesday, November 30 10:00 – 11:30 a.m. PEPS 3:00 – 6:00 p.m. PEPS is now offering a peer support group Contact Emily Harris-Shears, (206) 861-8784 experience for parents of newborns within a or [email protected]. culturally relevant context. Jewish and interfaith parents are invited to join us! Contact Marjorie Schnyder, (206) 861-3146, Shaarei Tikvah: Gates [email protected] or go to of Hope http://www.pepsgroup.org/register-for-peps/jfs. -
Klezmer Dances
Klezmer Dances Alexandrovsky Valts (all around the circle of fifths, Mazel Tov Mekhutonim (congratulations for the in-law trad., Arr. WU), tutti, 1st performance 9.2.10 people, rather slow, Abe Schwartz, transcr. Jacobs) (2:39) [Maxwell Street Klezmer Band, Chicago. Publ. Araber tants (Naftule Brandwein 1889-1963, arr. WU, Tara Music] extremely polyphonic), soloist Daniëlle de Jong, sopra- no sax; five clarinets, 1st performance 11.5.12 Moritzpolka (trad. Polish-Jewish, arr. WU), soloist Mo- ritz Brößler, bass clarinet / clarinet, Anke Saeger, Bulgar-Trilogy (trad., Arr. WU, unfinished), tutti Tenor sax, tutti, 3:30, 1st performance 9.11.14 Varshaver freylekhs (trad., arr. WU), soloist Claudia Oy tate / Ot azoy (Lt. Joseph Frankel‘s Orchestra 1919 Schumann, clarinet / Der heyser bulgar (the hot B., / Shloimke Beckerman and Abe Schwartz Orchestra Naftule Brandwein, Arr. WU), soloist Carsten Fette, 1923, arr. WU – two pieces during which the band sang clarinet, 1st performances 11.3.12 / 9.11.14 unexpectedly…), soloists Katharina Müller and Sabine Freylakhs-Trilogy (three dances with temperament, Pelzer, soprano recorders; tutti, 1st perf. 28.4.13 (3:51) trad., Arr. WU), tutti (4:00) Patsh Tantz (trad., arr. KlezPO), tutti, 1st perf. 10.11.09 Freylekhs fun der khupe (dance under the wedding Serba din New York (Romaneasca Orch. = Abe canopee, Kandel‘s Orchestra ca. 1920, transcr. Koff- Schwartz‘s Orchestra, transcr. Jacobs, arr. Juri Bo- man) / Kolomeike (dance from the West Ukraine, kov) / Ruski Sher (trad., arr. Yoelin) / Lebedik un trad., arr. Margolis), solo Howard Schultens, banjo freylekh (Abe Schwartz, arr. Juri Bokov / Koffman) (4:36) [Maxwell Street Klezmer Band, Chicago. -
San Pedro Sing
THE SOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING JULY - AUGUST &2007 OTHER RELATED FOLK ARTSFolkWorks IN THE GREATER LOS ANGELES AREA Page FREE BI-MONTHLY Volume 7 Number 4 July-August 2007 New World Flamenco Festival La Flor de la Vida, August 10-19 See page 3 INSIDE THIS ISSUE FREE SUMMER CONCERT LISTINGS HAWAIIAN FESTIVALS SEA SHANTIES PLUS... KEYS TO THE HIGHWAY ..that reminds me... ...and More!... cover photo: PHOTO OF JUAN OGALLA BY MIGUEL ANDY MOGG Page 2 FolkWorks JULY - AUGUST 2007 EDITORIAL his July/August issue in your musician teaching listings, etc. Be hands lists a plethora of sum- sure to look at the website and Yahoo PUBLISHERS & EDITORS Tmer concerts. Look at page 3 Group for announcements. We plan to Leda & Steve Shapiro for this summer’s offerings at the Skir- continue our ongoing columns about LAYOUT & PRODUCTION ball, Culver City, Japan American Mu- Music Theory, Old Time Music, Events Alan Stone Creative Services seum, Grand Performances, the Santa Around Town and all the other regular FEATURED WRITERS Monica Pier and the Levitt Pavillion. columnists you love. In fact now you Ross Altman, How Can I Keep From Talking At this time each year, we search will be able to read them online and David Bragger, Old-Time Oracle through the listings and mark in our not have to worry about finding that Valerie Cooley, ...that reminds me... calendar all the wonderful concerts old newspaper article. There is a good Linda Dewar, Grace Notes Roger Goodman, Keys to the Highway we plan on attending. We want here search engine on the site and you can David King, Dirt to thank all the producers who spend find what you want. -
To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Marissa Gogan Thesis Submitted to the Faculty Of
To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Marissa Gogan Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In History David P. Cline, Co-Chair Brett L. Shadle, Co-Chair Rachel B. Gross 4 May 2016 Blacksburg, Virginia Keywords: Identity, Klezmer, Jewish, 20th Century, Folk Revival Copyright 2016 by Claire M. Gogan To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Gogan ABSTRACT Klezmer, a type of Eastern European Jewish secular music brought to the United States in the late 19th and early 20th century, originally functioned as accompaniment to Jewish wedding ritual celebrations. In the late 1970s, a group of primarily Jewish musicians sought inspiration for a renewal of this early 20th century American klezmer by mining 78 rpm records for influence, and also by seeking out living klezmer musicians as mentors. Why did a group of Jewish musicians in the 1970s through 1990s want to connect with artists and recordings from the early 20th century in order to “revive” this music? What did the music “do” for them and how did it contribute to their senses of both individual and collective identity? How did these musicians perceive the relationship between klezmer, Jewish culture, and Jewish religion? Finally, how was the genesis for the klezmer revival related to the social and cultural climate of its time? I argue that Jewish folk musicians revived klezmer music in the 1970s as a manifestation of both an existential search for authenticity, carrying over from the 1960s counterculture, and a manifestation of a 1970s trend toward ethnic cultural revival.