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• Conducted a Major Successful Study on Organic Farming That Encourages

Honoris Causa Social Service Specialization in Propagation of Dasa Sahitya Vadiraj T. Organized free medical camps for the poor and needy during 2009 floods at Mantralaya, Andhra Pradesh, along with MSS trust. Actively supported the conservation of nature an promoted societal cleanliness. Has been instrumental in revival and growth of TTD Dasa Literature Project group in Karnataka from an initial 500 members to a 2000 members strong group Released and distributed free books and CDs to promote the spread of Haridasa Literature, spirituality and culture in the society Promoted, supported and accelerated the growth of societal awareness of our rich Haridasa heritage and Literature through the formation of a non-profit organization. Was instrumental in installation of first largest Purandara Dasa monolithic statue in India at Shri Uttaradi Mutt campus in Bangalore in Jan'2020.This furthered the everyday reach and highlight of the very rich kernel of India's Haridasa heritage to common public. The installation ceremony also hosted musical programs, spiritual discourses by eminent scholars and honorary programs to recognize unique service to society by doctors, by researchers in the field of Dasa Literature and heritage, social workers and scientist. Vadiraja Tayaluru have always been on the forefront among his friends as a kid and supporting the religious origin and participating in NCC, RSS and Scouts. Has also been an avid environmentalist and the victory of the Granite apprehension in Pajaka Kshetra proves that as an eminent achievement and a feather in his cap. It's a remarkable achievement as a forerunner always being an individual who tenders and renders religion. His role, being an architect in building Dasa Literature project of Karnataka division for TTD as Zonal -co-ordinator is always remembered..

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Carnatic Music Theory Year I
CARNATIC MUSIC THEORY YEAR I BASED ON THE SYLLABUS FOLLOWED BY GOVERNMENT MUSIC COLLEGES IN ANDHRA PRADESH AND TELANGANA FOR CERTIFICATE EXAMS HELD BY POTTI SRIRAMULU TELUGU UNIVERSITY ANANTH PATTABIRAMAN EDITION: 2.6 Latest edition can be downloaded from https://beautifulnote.com/theory Preface This text covers topics on Carnatic music required to clear the first year exams in Government music colleges in Andhra Pradesh and Telangana. Also, this is the first of four modules of theory as per Certificate in Music (Carnatic) examinations conducted by Potti Sriramulu Telugu University. So, if you are a music student from one of the above mentioned colleges, or preparing to appear for the university exam as a private candidate, you’ll find this useful. Though attempts are made to keep this text up-to-date with changes in the syllabus, students are strongly advised to consult the college or univer- sity and make sure all necessary topics are covered. This might also serve as an easy-to-follow introduction to Carnatic music for those who are generally interested in the system but not appearing for any particular examination. I’m grateful to my late guru, veteran violinist, Vidwan. Peri Srirama- murthy, for his guidance in preparing this document. Ananth Pattabiraman Editions First published in 2009, editions 2–2.2 in 2017, 2.3–2.5 in 2018, 2.6 in 2019. Latest edition available at https://beautifulnote.com/theory Copyright This work is copyrighted and is distributed under Creative Commons BY-NC-ND 4.0 license. You can make copies and share freely.
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State of Conservation Report Regarding Progress So Far Made with Regard to the Recommendations of the World Heritage Committee in Decision 37COMB.61
Name of the Property: Group of Monuments at Hampi (India) (C 241) State of Conservation report regarding progress so far made with regard to the recommendations of the World Heritage Committee in Decision 37COMB.61. 1. Response from the State Party to the World Heritage Committee’s Decision, 37 COM 7B.61 , paragraph by paragraph A. Removal of debris of the collapsed bridge and the relocation of the vehicular bridge outside of the property; The Public Works Department of Government of Karnataka, has resumed the work of removing the remaining part of the collapsed bridge viz., debris, columns and carriageway, without disturbing the nearby cultural resources, by adopting state of the art technology and the work is almost complete. As regards the relocation of the vehicular bridge, cultural impact assessment study has been completed and location of the vehicular bridge as recommended in the impact assessment study has been identified. B. Completed Integrated Management Plan together with a synthesis and a prioritisation of existing recommendations and intentions, for review by the World Heritage Centre and the Advisory Bodies - The Integrated Management Plan (draft already submitted to the WHC in 2006) gives an overall framework for the Management & protection of Hampi World Heritage Site. It is reiterated that as per the draft IMP recommendations the following actions have been implemented since January 2006 by Government of Karnataka and Archaeological Survey of India. Sno IMP recommendation Agency 1 Preparing a official Base Map HWHAMA
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Editors Seek the Blessings of Mahasaraswathi
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Sangeeta Pitaamaha, Sri Purandara Dasaru [1480-1564]
www.sankeertanam.com Purandara DAsaru -1987 Sangeeta Pitaamaha, Sri Purandara DAsaru [1480-1564] The history of Indian Music is the same for the whole of India. The two distinctive bifurcations into North Indian (HINDUSTANI) and South Indian (KARNATIC) music systems developed simultaneously, but independent of one another. While “HINDUSTANI’ music was highly influenced by the Arabic and Persian styles due to a series of invasions by Muslim rulers who were on a crusade to spread their religion, Karnatic music (which means old or traditional), developed without any external influences. Students of Karnatic Music are aware that the present system of karnatic music owes its foundations to the ‘Immortal Bard’ PURANDARA DASA. Known as “Karnataka SangIta Pitaamaha” or the great father of karnatic music, Purandara DAsa made great contributions to “Bhakti SangIta” (Divine of sacred music) and Lakshana SangIta (grammatical or art forms of music). The great Doyen and the most prolific composer in the South Indian Music Scenario,Purandara DAsa ornamented God with compositions usually known as “Devarnaama” (Literally- Names of Gods) or DAsara Padagalu (Songs of DAsa). Besides his compositions, he perfected systematic approach to train the student of Karnatic Music. He composed the “Swaraavali” (simple exercises based on solfa notes on specific scales), “Alankaaras” (Exercises based on the seven basic Taalas) and GItams (Melodic Compositions in simple style). He was, in fact, the innovator of the modern “Kriti” form which was later perfected by the great composer musician, Saint TyAgarAja Swami, one of the trinities of Karnatic Music. Though Venkatamakhi (17th century AD) devised the 72 MELAKARTA SYSTEM (72 parent scales giving rise to thousands of minor scales called Ragas) and the Musical Trinities, TyAgarAja, Mudduswamy Dikshitar and Syama Sastri perfected the foundations by their immortal compositions, modern Karnatic music is not thought about without at least a silent invocation to SangIta Pitaamaha.
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State of Karnataka
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Purandara Dasa - Wikipedia, the Free Encyclopedia
पुरणदारा Puraṇadārā http://astrology.raftaar.in/baby-name/girl/purandara Purandara Indra as 'destroyer of forts'. http://www.mythologydictionary.com/hindu-mythology.html פוראנדארה http://www.seedsofpeace.org/wp-content/uploads/2011/12/EducationalSupplement_HEB.pdf بُو َراندَا َرا پُو َراندَا َرا Hindi Urdu Machine Transliteration System پُرندارا पुरणदारा http://www.sanlp.org/HUMT/HUMT.aspx पुरणदारा ਪੁਰਣਦਾਰਾ http://h2p.learnpunjabi.org/default.aspx پرندارا فرشتہ ਪੁਰਣਦਾਰਾ ਫ਼ਰਰਸ਼ਤਾ http://g2s.learnpunjabi.org/default.aspx Purandara Dasa - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Purandara_Dasa Purandara Dasa From Wikipedia, the free encyclopedia Purandara D āsa (Kannada: ಪರಂದರ =ಾಸ )[2] (1484–1564) Purandara Dasa is a prominent composer of Carnatic music. He is widely referred to as the Pitamaha (the father or the grandfather) of Native name ಪರಂದರ =ಾಸ Carnatic Music in honour of his significant contribution to Birth name Srinivasa Nayaka [3][4][5][6][7] Carnatic music. He formulated the basic lessons ೕbJಾಸ ?ಾಯಕ of teaching Carnatic music by structuring graded exercises Born 1484 known as Swaravalis and Alankaras , and at the same time, he introduced the Raga Mayamalavagowla as the first scale to Kshemapura, near Tirthahalli, be learnt by beginners in the field. He also composed Gitas Shivamogga district, Karnataka (simple songs) for novice students. Origin Kshemapura, Shivamogga, Karnataka state, India Purandara Dasa addressed social issues in addition to worship in his compositions, a practice emulated by his Died 1564 younger contemporary, Kanakadasa. Purandara Dasa's Hampi, Karnataka state, India Carnatic music compositions are mostly in Kannada; some Genres Carnatic music are in Sanskrit.
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34 Akhila Bharata Haridasa Sammelana and Shri
Hari Sarvottama || Shri: || Vayu Jeevottama || Shri Tande Muddumohana Vittalatmaka Shri Gurugovinda Vittalo Vijayate || || Shri GurubhyO Nama: || || Hari: OM || 34th AKHILA BHARATA HARIDASA SAMMELANA AND SHRI PURANDARA DASA ARADHANA MAHOTSAVA A CORDIAL INVITATION Date: 31-01-2011 to 03-02-2011 Pushya Bahula Trayodashi to Magha Shuddha Pratipada Monday to Thursday Venue: Shri Purandara Ashrama OM Nagar Post, Adoni Tq, Kurnool Dist., Andhra Pradesh – 518349 (Adjoining Adoni-Mantralayam State Highway Via Madhavaram) Phone No: 91-8512-201073 (Landline), 93940-17134 ©, 93922-27850 © Akhila Bharata Haridasa Sammelana Trust (Regd), Bangalore An appeal to Bhagavad-Bhaktas: A Trust that is institutionalized by Parama Poojya Keerti Sesha Shri Guru Govinda Vitthala Dasaru of Mysore has been conducting Haridasa Sammelana & ArAdhana of Shri Purandara Dasaru at different pilgrimage & other centers of Karnataka, Andhra Pradesh, Tamil Nadu & Maharastra to propogate the quint-essence of Vyasa-Dasa Sahitya. We commend all the Hari Bhaktas who have attended Haridasa Sammelana's at those places. The 34th Haridasa Sammelana & ArAdhanotsava of Shri Purandara Dasaru will be conducted in 2011 in a very special way. Introduction to Shri Purandara Ashrama: With the sole aim to show the righteous path of Self upliftment to Sadhakas, this Haridasa Adhyatmika Sadhana Kendra (National Spiritual Center) was established. This Sadhana Kendra was a long cherished dream of Shri Harinarayana Vittala Dasaru (Shri H.Hanumantha Rao of Hyderabad), a disciple of Late Shri Guru Govinda Vittala Dasaru of Mysore, a direct descendent in the Haridasa Lineage of Shri Purandara Dasa & Shri Vijaya Dasa. To achieve this goal an extent of 11.54 acres of land was acquired adjoining state highway of Adoni- Madhavaram-Raichur; Adoni-Madhavaram-Mantralayam at the A.P-Karnataka border surrounded by close to 30 holy pilgrim centers including the “World Renowned Mantralayam”.
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Narayana (Shuddha Dhanyasi)
Narayana Ninna Namada Ragam: Shuddha Dhanyasi (22nd Melakartha Janyam) ARO: S G2 M1 P N2 P S || AVA: S N2 P M1 G2 S || Talam: Khanda Chapu Composer: Purandara Dasa Version: MS Subbalakshmi (Youtube Link) Meanings: (Courtesy PR Ramachander: http://translationsofsomesongsofcarnticmusic.blogspot.in/2011/01/narayana-ninna.html ) pallavi nArAyaNA ninna nAmada smaraNeya sArAmrtavenna nAligege barali caraNam 1 kUDuvAgali nintADuvAgali matte hADuvAgali haridAGuvAgali khOTi vinOdadi nOdade nA balu mADida pApa biTTOTi hOgO hAge caraNam 2 UrigE hOgali UroLagirali kAraNArtangaLella kAdirali vArija nAbha nara sArathi sannuta sAri sArigE nA bEsaradhAge caraNam 3 hasividdAgali hasivilladAgali rasakasi irali haruSirali vasudEvAtmaka shishupAlakSaya asurAntaka ninna hesaru mareyadhAgE caraNam 4 kaSTadallirali utkrSTadallirali eSTAdare matikeTTirali krSna krSNa endu shiSyaru pELuva aSTAkSara mahA mantrada nAmava caraNam 5 kanasiLoLAgali kanavaLikAgali manasu koTTirali munidirali janakajApati ninna caraNa kamalavanu manasiLoLage omme nenesikoLLO hAge caraNam 6 jvara bandAgali caLi bandAgali maraLi maraLi mattE naDuguvAgAgali hari nArAyaNa durita nivAraNanendu iruLu hagalu ninna smarane mareyadhAge caraNam 7 santata hari ninna sAsira nAmavu antarangada oLagirisi entO purandara viThala rAyane antya kAladalli cintisOhAgE Meaning: (Courtesy: PR Ramachander: http://translationsofsomesongsofcarnticmusic.blogspot.in/2011/01/narayana-ninna.html) P: Oh Narayana , the thought (“smaraNeya”) of your (“ninna”) name (“nAmada”), Is the essence of nectar (“sAra-Amrta-venna”) and let it come to my tongue (“nAligege barali”). C: 1. How can the sins committed in my life leave and run away from me. Whether I am in the state sitting, standing , singing or running , Or stay without bothering about the crores of recreations , 2.Whether I go to the town or stay inside the town , Or whether all my secret wishes are not satisfied, Oh God with lotus on belly , Oh God who was charioteer of Arjuna, Let me be able to chant your name without getting bored.
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Recommendation: Comprehensive Conservation Plan
Site to be managed CHAPTER 2: SITE TO BE MANAGED 2.1 HAMPI WORLD HERITAGE SITE AS INSCRIBED Country and State Party: INDIA State: KARNATAKA Name of the World Heritage Property: GROUP OF MONUMENTS AT HAMPI Important Dates: First nomination by the State Party: 1982 Inscription on the World Heritage List: 1986 Inscription on the List of World Heritage in Danger: 1999 Removal from the List of World Heritage in Danger: 2006 Criteria for Inscription: Cultural Criteria I, III and IV Justification for Inclusion in the World Heritage List as a Cultural Property: “The most magnificent, extensive and varied ruins of a metropolis [Vijayanagara]. A richly constituted military, civil, religious, residential and secular remains amidst the most picturesque hills and river setting. Architecture, sculpture, painting and stucco are all integrated in the remains.” (Source: http://whc.unesco.org/p_dynamic/sites/passfile.cfm?filename=241&filetype=pdf&category=nominations, pg 8, as downloaded on 11 July 2006) Statements of Authenticity and Integrity: There are no Statements of Authenticity or Integrity available since the time of the inscription. Threats to the Property Causing its Endangering: “The inclusion of the Groups of Monuments at Hampi on the List of World Heritage in Danger was By Prof. Nalini Thakur, Dept. of Architectural Conservation, School of Planning & Architecture, New Delhi 1 Integrated Management Plan for Hampi World Heritage Site May 2007 prompted by the construction of two suspension bridges which dominate the natural environment and threaten the World Heritage Site's integrity. The construction of a road towards one of the bridges will result in a major increase in heavy goods traffic and has already resulted in the dismantling and reconstruction of an important historic monument – a mandapa (a pillared stone rest house) within the borders of the site.
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Carnatic Column
Evolution of Carnatic music- a series By Smitha K. Prasad Dear readers, at the outset, I would like to wish you all a Very Happy Prosperous and Musical 2011! We begin the new year by continuing our journey of the evolution of Carnatic music and studying the Bhakti movement in South India. The start of the new year provides an ideal opportunity to pay homage to one of the greatest saints of Carnatic music viz. Purandara Dasa. In today’s column, we will look at the life of Purandara Dasa; next month we will look in detail at his contributions to Carnatic music. Purandara Dasa (1484-1564) was one of the most famous proponents of the Haridasa movement. He is regarded as ‘Sangita Pitamaha ‘ or the Father of Carnatic music for his invaluable contributions. Purandara Dasa was born as Srinivasa Nayaka into a wealth merchant family. After losing his parents, Srinivasa Nayaka inherited his father’s business and became very rich; unfortunately he was also very miserly. In contrast, his wife was an extremely pious and generous lady. One of the most famous stories associated with Srinivasa Nayaka is his transformation from a person who loved material wealth to a dasa (literally a slave to the Lord). The story goes that Srinivasa Nayaka was a moneylender and an extremely greedy one at that. The Lord appeared before him in the form of a poor Brahmin and requested money to perform his son’s thread ceremony. After ignoring the Brahmin for 6 months, Nayaka gave him some useless coins to get rid of him.
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Lineage of Haridasas in Ascending Order
Lineage of Haridasas in Ascending Order Name of the Original Period Ankitha Preceptor Place Aradhana Haridasas Name Sri Tande Ramachandra Ashada Bahula Venkatesha Vittala 1907-1982 Tande Venkatesha Vittala Uragadrivasa Vittala Chitradurga Rao Astami Dasa Abhinava Pranesha Hanumantharao Abhinava Pranesha Vittala Pushya Bahula 1903-1978 Pranesha Dasa Lingasuguru Vittala Dasa Archaka (swapnalabda) Saptami Sri Shyamasundara Manvi Gunda Vyshaka 1903-1956 Shyamasundara(swapnalabda) Asigyalu Govinda Dasa Lingasuguru Dasa Charya Shudda Navami Karpara Narahari Koppara Giri Ashada Bahula 1896-1979 Karpara Narahari(swapnalabda) Yalameli Vittalacharya Koppara Vittala Dasa Acharya Trayodashi Gorebalu Sri Sundara Vittala Pushya Bahula 1893-1969 Hanumantha Sundara Vittala Sri Guru Jagannatha Vittala Lingasuguru Dasa Dwadashi Rao Shravana Sri Varadendra Venkatesha 1886-1960 Varadendra Vittala Sri Guru Jagannatha Vittala Lingasuguru Bahula Vittala Dasa Hallerao Ekadashi Ashwija Sri Varadesha Vittala 1885-1918 Swamy Rao Varadesha Vittala Sri Guru Jagannatha Vittala Lingasuguru Shudda Tadiya Bhadrapada Sri Hasigyalu 1873-1915 Govinda Govinda Vittala Sri Dinni Raghappa Hasigyalu Shudda Govindadasa Panchami Karthika Sri Varada Vittala Hanumantha Sri Guru Jagannatha Vittala 1872-1935 Varada Vittala Kavithala Shudda Dasa Rao Dasa Chaturdashi Karthika Sri Uragadri Vittala Sri Tande Muddu Mohana 1871-1964 Srinivasa Rao Uragadri Vittala Chitradurga Bahula Dasa Vittala Dasa Dwadashi Sri Tande Muddu Chaitra Shudda 1865-1940 Subba Rao Tande Muddu Mohana Sri Muddu
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