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HŒ臬 A„簧綟糜恥sµ, Vw笑n® 22.12.2019 Š U拳 W
||Om Shri Manjunathaya Namah || Shri Kshethra Dhamasthala Rural Development Project B.C. Trust ® Head Office Dharmasthala HŒ¯å A„®ãtÁS®¢Sµ, vw¯ºN® 22.12.2019 Š®0u®± w®lµu® îµ±°ªæX¯Š®N®/ N®Zµ°‹ š®œ¯‡®±N®/w®S®u®± š®œ¯‡®±N® œ®±uµÛ‡®± wµ°Š® wµ°î®±N¯r‡®± ªRq® y®‹°£µ‡®± y®ªq¯ºý® D Nµ¡®w®ºruµ. Cu®Š®ªå 50 î®±q®±Ù 50 Oʺq® œµX®±Ï AºN® y®lµu®î®Š®w®±Ý (¬šµ¶g¬w®ªå r¢›Š®±î®ºqµ N®Zµ°‹/w®S®u®± š®œ¯‡®±N® œ®±uµÛSµ N®xÇ®Õ ïu¯ãœ®Áqµ y®u®ï î®±q®±Ù ®±š®±é 01.12.2019 NµÊ Aw®æ‡®±î¯S®±î®ºqµ 25 î®Ç®Á ï±°Š®u®ºqµ î®±q®±Ù îµ±ªæX¯Š®N® œ®±uµÛSµ N®xÇ®Õ Hš¬.Hš¬.HŒ¬.› /z.‡®±±.› ïu¯ãœ®Áqµ‡µ²ºvSµ 3 î®Ç®Áu® Nµ©š®u® Aw®±„Â®î® î®±q®±Ù ®±š®±é 01.12.2019 NµÊ Aw®æ‡®±î¯S®±î®ºqµ 30 î®Ç®Á ï±°Š®u®ºqµ ) î®±±ºvw® œ®ºq®u® š®ºu®ý®Áw®NµÊ B‡µ±Ê ¯l®Œ¯S®±î®¼u®±. š®ºu®ý®Áw®u® š®Ú¡® î®±q®±Ù vw¯ºN®î®w®±Ý y®äqµã°N®î¯T Hš¬.Hº.Hš¬ î®±²©N® ¯Ÿr x°l®Œ¯S®±î®¼u®±. œ¯cНu® HŒ¯å A„®ãtÁS®¢Sµ A†Ãw®ºu®wµS®¡®±. Written test Sl No Name Address Taluk District mark Exam Centre out off 100 11 th ward near police station 1 A Ashwini Hospete Bellary 33 Bellary kampli 2 Abbana Durugappa Nanyapura HB hally Bellary 53 Bellary 'Sri Devi Krupa ' B.S.N.L 2nd 3 Abha Shrutee stage, Near RTO, Satyamangala, Hassan Hassan 42 Hassan Hassan. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Dāsa Sāhitya: Some Notes on Early Publications, Commentaries and Concerns1 Abstract: Dāsa Sāhitya Is a Literary Genre In
Dāsa Sāhitya: Some Notes on Early Publications, Commentaries and Concerns1 Abstract: Dāsa Sāhitya is a literary genre in Kannada, beginning to be seen from the late- fifteenth century. Making its mark both in literature and in Indian classical music, Dāsa Sāhitya attracted the attention of missionaries and other colonial functionaries and was one of the first genres to be edited and published in Kannada in the mid-nineteenth century. Very soon, the native editors and publishers started working on the genre. Usually classified under Bhakti literature as part of modern Kannada literature, Dāsa Sāhitya got published by individuals of varying interests. This essay makes a survey of some of the early publications of the genre and attempts to segregate varying concerns and interests within what may be broadly and sometimes, urgently termed as either ‘colonial’ or ‘nationalist’, even as it makes certain interesting observations on the changing phase of the literary culture: from manuscript to print. Key Words: Dāsa Sāhitya, Dāsa, Pada, Kannada, literature, print Dāsa Sāhitya in Kannada seems to be a post late-fifteenth century phenomenon. It is largely perceived as Vaiṣṇava and Mādhva literature, eulogizing Puraṇic gods in the Vaiṣṇava pantheon and is considered part of Bhakti literature in Kannada. Travelling singers of medieval India who had a presence from Rajasthan in the north to north Karnataka in the south; Iyal and Isai traditions of Tamil and the Vārakarī tradition of Maharashtra seem to have had the foundational impacts on the Dāsa Sāhitya tradition apart from its own indigenous Kannada roots. Purandaradāsa, Kanakadāsa, Vijayadāsa, and Jagannathadāsa have been 1 I remain thankful for the comments and feedback during the presentation of this paper at the Conference, “Translating Oral/folk texts from Indian Languages into English” held in EFLU, Hyderabad, in March 2014. -
Nov 2012 Nmms Examination Selected Provisional List ( Bangalore North )
NOV 2012 NMMS EXAMINATION SELECTED PROVISIONAL LIST ( BANGALORE NORTH ) SL No ROLL NUMBER CANDIDATE NAME FATHER NAME CAT SCHOOL ADDRESS MAT SAT TOTAL RANK GM 1 241120106407 AASHIQ IBRAHIM K KHAJA MOHIDEEN 6 VKN HIGH SCHOOL 101-103 VI CROSS KP WEST 57 59 116 1 2 241120106082 DEONA MERIL PINTO DANIEL O PINTO 1 STELLA MARIS HIGH SCHOOL #23 GD PARK EXTN 57 57 114 2 3 241120111001 AARTHI A ASHOK KUMAR R 1 ST CHARLES HIGH SCHOOL ST THOMAS TOWM 59 54 113 3 4 241120111062 NAGARAJ N NEELAKANDAN K 1 ST JOSEPH INDIAN HIGH SCHOOL 23 VITTAL MALLYA ROAD 55 58 113 3 5 241120116107 MANOJ M 1 GOVT JUNIOR COLLEGE YELAHANKA 59 52 111 4 6 241120106316 SHIVANI KINI DEVANANDHA KINI 1 STELLA MARIS HIGH SCHOOL #23 GD PARK EXTN VYALIKAVAL 55 54 109 5 7 241120106307 SHASHANK N NARAYANASWAMY H 2 BEL HIGH SCHOOL JALAHALLI 56 52 108 6 8 241120106254 R PRATHIBHA D RAMACHANDRA 1 NIRMALA RANI HIGH SCHOOL MALLESHWARAM 18TH CROSS 46 58 104 7 9 241120106378 VARSHA R V RAMCHAND H V 1 STELLA MARIS HIGH SCHOOL 23GD PARK EXTN 65 39 104 7 10 241120106398 YASHASVI V AIGAL VENKATRAMANA AIGAL 1 BEL HIGH SCHOOL JALAHALLI POST 48 55 103 8 11 241120116013 AMRUTHA GB BABU 5 GOVT PU COLLEGE HIGH SCHOOL DIVIJAKKURU YALAHANKA PO 52 51 103 8 12 241120111048 S LAVANYA D SUNDAR 1 INDIRANAGAR HIGH SCHOOL 5TH MAIN 9TH CROSS INDIRANAGAR 51 48 99 9 13 241120111046 T KIRAN KUMAR TS THIPPE SWAMY 5 ST JOSEPH INDIAN HIGH SCHOOL VITTAL MALYA ROAD 51 46 97 10 14 241120106035 ASMATAZIEN FAROOQ AHMED 6 BEL HIGH SCHOOL JALAHALLI 46 48 94 11 15 241120106037 G ATHREYA DATTA MR GANESHA MURTHI 1 BEL HIGH -
Divya Dvaita Drishti
Divya Dvaita Drishti PREETOSTU KRISHNA PR ABHUH Volume 1, Issue 4 November 2016 Madhva Drishti The super soul (God) and the individual soul (jeevatma) reside in the Special Days of interest same body. But they are inherently of different nature. Diametrically OCT 27 DWADASH - opposite nature. The individual soul has attachment over the body AKASHA DEEPA The God, in spite of residing in the same body along with the soul has no attach- OCT 28 TRAYODASHI JALA POORANA ment whatsoever with the body. But he causes the individual soul to develop at- tachment by virtue of his karmas - Madhvacharya OCT 29 NARAKA CHATURDASHI OCT 30 DEEPAVALI tamasOmA jyOtirgamaya OCT 31 BALI PUJA We find many happy celebrations in this period of confluence of ashwija and kartika months. NOV 11 KARTIKA EKA- The festival of lights dipavali includes a series of celebrations for a week or more - Govatsa DASHI Dvadashi, Dhana Trayodashi, Taila abhyanjana, Naraka Chaturdashi, Lakshmi Puja on NOV 12 UTTHANA Amavasya, Bali Pratipada, Yama Dvititya and Bhagini Tritiya. All these are thoroughly en- DWADASHI - TULASI joyed by us. Different parts of the country celebrate these days in one way or another. The PUJA main events are the killing of Narakasura by Sri Krishna along with Satyabhama, restraining of Bali & Lakshmi Puja on amavasya. Cleaning the home with broom at night is prohibited on other days, but on amavasya it is mandatory to do so before Lakshmi Puja. and is called alakshmi nissarana. Next comes completion of chaturmasa and tulasi puja. We should try to develop a sense of looking for the glory of Lord during all these festivities. -
Karnataka Secondary Education Examination
KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, BANGALORE Special Music,Dance & Talavadya Exam October/November 2015 Page 1 Center Code and 01A GOVT JUNIOR COLLEGE FOR GIRLS Name: Center Address: HIGH SCHOOL SECTION OLD VANI VILAS,OPP VICTORIA HOSPITAL PORT,BENGALURU,,560002 Exam Code: MU01 Exam Id 201 Exam Name: KARNATAKA MUSIC JUNIOR GRADE VOCAL Sl No Registration No Student Name 1 2015110882 A AMULYA 2 2015110883 A RANJINI 3 2015110884 A V MADHAVASRIRAM 4 2015110885 A VAISHNAVI 5 2015110886 AADEESH PRAMOD KINI 6 2015110887 AAKANKSHA K P 7 2015110888 AAKASH SIMHA M R 8 2015110889 ABHILASHA A 9 2015110890 ABHINAVA BHAT P V 10 2015110891 ABHIRAM GUNNA 11 2015110892 ABHIRAM VARMA K 12 2015110893 ABHISHEK D 13 2015110894 ACHALA HEGDE 14 2015110895 ACHALA M 15 2015110896 ACHALA R 16 2015110897 ADHIKESHAVA B S 17 2015110898 ADITHI D RAGHUNATH 18 2015110899 ADITHI NAGARAJ 19 2015110900 ADITHI R 20 2015110901 ADITHI S 21 2015110902 ADITHYA B 22 2015110903 ADITHYA KOTHIMEER 23 2015110904 ADITI ARUN BHAT 24 2015110905 ADITI BHARADWAJ 25 2015110906 ADITI PONNAMMAL 26 2015110907 ADITI S KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, BANGALORE Special Music,Dance & Talavadya Exam October/November 2015 Page 2 Center Code and 01A GOVT JUNIOR COLLEGE FOR GIRLS Name: Center Address: HIGH SCHOOL SECTION OLD VANI VILAS,OPP VICTORIA HOSPITAL PORT,BENGALURU,,560002 Exam Code: MU01 Exam Id 201 Exam Name: KARNATAKA MUSIC JUNIOR GRADE VOCAL Sl No Registration No Student Name 27 2015110908 ADITI S JOIS 28 2015110909 ADITI SREENIVAS 29 2015110910 ADITYA K -
Download Sharana Patha July-Dec 2019
Vol. 21, No. 2 SHARANA PATHA Vol. 21 No. 2 July-December 2019 A Half-Yearly journal devoted to religion, Sharana Philosophy, history, culture, literature and their comparative studies and practice. CONTENTS From the Editor's Desk 2 Jagadguruji Writes...... 3 Akka and Mira: Their relevance in the 21st century 4 Prof. Varada M. Nikalje Lesser known vachanakaras Founder Kannada Marithande 8 Dr. C.S. Nanjundaiah Jagadguru The Pioneering Palkuriki Somana 10 Dr. Sri Shivarathri Rajendra Dr. P.R. Harinath Mahaswamiji Rudra of Rigveda is not a God of terror 13 Dr. Linga Raju President Virashaiva Concept of Linga-Dharana Jagadguru (Diksa) 17 Sri Shivarathri Deshikendra Mahaswamiji Dr. Veerabhadra Swamy Insight into the world of knowledge 21 Dr. Shobha Editorial Committee Meditation - the art of doing nothing 23 Dr. C.G. Betsurmath Sri Murlidhara Rao Dr. D.A. Shankar Marulashankaradeva: Dr. K.B. Prabhu Prasad A ruby dropped by the road side 26 Dr. C. Naganna Dr. C.R. Yervintelimath Indian philosophy 29 Sri Subbarao Prof. Lokeshamurthy Editor Vachanas of Allama Prabhud×va 32 Prof. Chandrasekharaiah Dr. N.G. Mahadevappa Vijnanabhikshu A Philosopher of the sixteenth century 36 Dr. H.V. Nagaraja Rao Lord of the Cave 38 Dr. Basavaraj Naikar News Round-up/Photo Gallery 44 Cover Page: President Sri Ram Nath Kovind is seen unveiling the plaque laying foundation for the New Campus of JSS Academy of Higher Education and Reserch, Mysuru, in the gracious presence of HH Jagadguru Sri Shivarathri Deshikendra Mahaswamiji. Others in the picture are (L to R) Jagadguru Sri Nirmalanada Mahaswamiji, Smt. Savitha Kovind, Sri D.V. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
Carnatic Music Theory Year I
CARNATIC MUSIC THEORY YEAR I BASED ON THE SYLLABUS FOLLOWED BY GOVERNMENT MUSIC COLLEGES IN ANDHRA PRADESH AND TELANGANA FOR CERTIFICATE EXAMS HELD BY POTTI SRIRAMULU TELUGU UNIVERSITY ANANTH PATTABIRAMAN EDITION: 2.6 Latest edition can be downloaded from https://beautifulnote.com/theory Preface This text covers topics on Carnatic music required to clear the first year exams in Government music colleges in Andhra Pradesh and Telangana. Also, this is the first of four modules of theory as per Certificate in Music (Carnatic) examinations conducted by Potti Sriramulu Telugu University. So, if you are a music student from one of the above mentioned colleges, or preparing to appear for the university exam as a private candidate, you’ll find this useful. Though attempts are made to keep this text up-to-date with changes in the syllabus, students are strongly advised to consult the college or univer- sity and make sure all necessary topics are covered. This might also serve as an easy-to-follow introduction to Carnatic music for those who are generally interested in the system but not appearing for any particular examination. I’m grateful to my late guru, veteran violinist, Vidwan. Peri Srirama- murthy, for his guidance in preparing this document. Ananth Pattabiraman Editions First published in 2009, editions 2–2.2 in 2017, 2.3–2.5 in 2018, 2.6 in 2019. Latest edition available at https://beautifulnote.com/theory Copyright This work is copyrighted and is distributed under Creative Commons BY-NC-ND 4.0 license. You can make copies and share freely. -
Prof. Sabiha Bhoomigowda Educational Qualification : M.A., Ph.D
Detailed CV Name : Prof. Sabiha Bhoomigowda Educational Qualification : M.A., Ph.D. Designation : Professor Address for Correspondence : S.V.P. Institute of Kannada Studies Mangalore University Mangalagangotri, Mangaluru Karnataka, India - 574199 E-mail : [email protected] Phone : 9448696898 Research Areas : Modern Kannada; Literary Criticism; WomenStudies, Research & Development in Literature; Language; Women Empowerment and Environment. Professional/Teaching Experience (Starting with the latest) : Teaching : 38 years Administration: 1. Former Vice Chancellor of Karnataka State Akkamahadevi Womens University, Vijayapura for a period of 4 years (June 2016 to June 2020) 2. Director (In-charge) of Mangalore University PG Centre at Chikka Alvara, Kushalnagarfor a period of 1 year (June 2015 - June 2016). 3. Director– CWC, Mangalore Universityfor a period of one year 2015-2016. 4. Chairperson, SVP Institute of Kannada Studies, Mangalore Universityfor a period of 4 years from 2009-2010 and 2013-2014. Professor SVP Institutute of Kannada Studies, Mangalore 2006- till date University Director (in-charge) Dr. K. Shivaram Karanth Chair, Mangalore 2002-2016 University Reader SVP Institutute of Kannada Studies, Mangalore 1998-2006 University Hostel Warden Ladies Hostel, Mangalore University 1997-2002 Senior Grade Lecturer SVP Institutute of Kannada Studies, Mangalore 1993-1998 University Lecturer (on SVP Institutute of Kannada Studies, Mangalore 1988-1993 Permanent Basis) University Lecturer Crossland College, Brahmavar, Udupi 1987-1988 Lecturer (Temporary) SVP Institutute of Kannada Studies, Mangalore 1983-1987 University Research Guidance (M.Phil. /Ph.D.): 1) M. Phil: 02 Sl. Name of the Candidate Title of the Thesis Year of Award No. 1. Sri Nagesh Bharatisutara Kadambarigala Strivadi 1997 Odu 2. Sri Krishnamurthy Dakshina Kannada Jilleya Havyasi 2000 Rangabhoomi 2) Ph.D.: 12 (10 completed and 2 pursuing) Sl. -
State of Conservation Report Regarding Progress So Far Made with Regard to the Recommendations of the World Heritage Committee in Decision 37COMB.61
Name of the Property: Group of Monuments at Hampi (India) (C 241) State of Conservation report regarding progress so far made with regard to the recommendations of the World Heritage Committee in Decision 37COMB.61. 1. Response from the State Party to the World Heritage Committee’s Decision, 37 COM 7B.61 , paragraph by paragraph A. Removal of debris of the collapsed bridge and the relocation of the vehicular bridge outside of the property; The Public Works Department of Government of Karnataka, has resumed the work of removing the remaining part of the collapsed bridge viz., debris, columns and carriageway, without disturbing the nearby cultural resources, by adopting state of the art technology and the work is almost complete. As regards the relocation of the vehicular bridge, cultural impact assessment study has been completed and location of the vehicular bridge as recommended in the impact assessment study has been identified. B. Completed Integrated Management Plan together with a synthesis and a prioritisation of existing recommendations and intentions, for review by the World Heritage Centre and the Advisory Bodies - The Integrated Management Plan (draft already submitted to the WHC in 2006) gives an overall framework for the Management & protection of Hampi World Heritage Site. It is reiterated that as per the draft IMP recommendations the following actions have been implemented since January 2006 by Government of Karnataka and Archaeological Survey of India. Sno IMP recommendation Agency 1 Preparing a official Base Map HWHAMA -
Girish Karnad 1 Girish Karnad
Girish Karnad 1 Girish Karnad Girish Karnad Born Girish Raghunath Karnad 19 May 1938 Matheran, British India (present-day Maharashtra, India) Occupation Playwright, film director, film actor, poet Nationality Indian Alma mater University of Oxford Genres Fiction Literary movement Navya Notable work(s) Tughalak 1964 Taledanda Girish Raghunath Karnad (born 19 May 1938) is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a playwright in 1960s, marked the coming of age of Modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi.[1] He is a recipient[2] of the 1998 Jnanpith Award, the highest literary honour conferred in India. For four decades Karnad has been composing plays, often using history and mythology to tackle contemporary issues. He has translated his plays into English and has received acclaim.[3] His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan and Amal Allana.[3] He is active in the world of Indian cinema working as an actor, director, and screenwriter, in Hindi and Kannada flicks, earning awards along the way. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award. Early life and education Girish Karnad was born in Matheran, Maharashtra. His initial schooling was in Marathi. In Sirsi, Karnataka, he was exposed to travelling theatre groups, Natak Mandalis as his parents were deeply interested in their plays.[4] As a youngster, Karnad was an ardent admirer of Yakshagana and the theater in his village.[] He earned his Bachelors of Arts degree in Mathematics and Statistics, from Karnatak Arts College, Dharwad (Karnataka University), in 1958.