Mino Cinelu Mino Cinelu Mp3, Flac, Wma

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Mino Cinelu Mino Cinelu mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Blues / Pop / Folk, World, & Country Album: Mino Cinelu Country: US Released: 2000 Style: Afro-Cuban Jazz, Acoustic, Afrobeat, Contemporary Jazz, Folk MP3 version RAR size: 1811 mb FLAC version RAR size: 1270 mb WMA version RAR size: 1299 mb Rating: 4.1 Votes: 523 Other Formats: VOX DMF MPC MP4 VQF APE MP4 Tracklist 1 Chouval Boa 1:00 2 Moun Madinina 4:57 3 Confians 4:10 4 Shibumi Dunes (Silk Road) 9:05 5 See Yea-Salee Yea 5:28 6 Oncoming Horizons 4:44 7 Namonale 4:44 8 Will O'The Wisp 3:42 9 Soon I Will Be Home 4:23 10 Petit Prince 4:18 11 Why Not 6:35 Companies, etc. Phonographic Copyright (p) – MCM Made By – Universal M & L, France Notes - Promotional advance sampler of full album Mino Cinelu - Mino Cinelu found naked (no sleeve, no insert, nor artwork) under PVC sleeve - Barcode and Other Identifiers Rights Society (squared): SACEM SACD SDRM SCAM Matrix / Runout (1A moulded): 546 403 2 00 1A Mould SID Code: IFPI 0247 Mastering SID Code: IFPI L003 Other versions Category Artist Title (Format) Label Category Country Year Mino Cinelu (CD, 546 403-2 Mino Cinelu EmArcy 546 403-2 France 1999 Album) Mino Cinelu (CD, Blue Thumb VERF-01032-2 Mino Cinelu VERF-01032-2 US 2000 Album, Promo) Records Mino Cinelu (CD, Blue Thumb 314 546 403-2 Mino Cinelu 314 546 403-2 US 2000 Album) Records Mino Cinelu (CD, Blue Thumb 314546403 Mino Cinelu 314546403 US 1999 Album) Records Related Music albums to Mino Cinelu by Mino Cinelu Sonya Robinson - Sonya Mino Reitano - "Calabria Mia" Mino Vergnaghi - Io Ti Perdono Chroma - Music On The Edge Mino Safy & Waltin Jay - Into The Night Mino Reitano - Apri Le Tue Braccia E Abbraccia Il Mondo / Lasciala Stare Thierry Mineau - Paris Mino Reitano - Ma Ti Sei Chiesto Mai Michel Portal - Turbulence Mino Cinelu - Quest.

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Miles Davis the Last Word
MILES DAVIS THE LAST WORD MILES DAVIS THE LAST WORD MILES DAVIS THE LAST WORD - MILES DAVIS ON WARNER BROTHERS (Rhino/Warner Brothers Jazz, Unreleased) RARE COLLECTORS SERIES RCS-084/87 Originally slated for release August 2002, Rhino pulled The Last Word from rotation stating: "We deeply regret the fact that we will not be releasing [the box set] on August 20," David Dorn, VP of Media Relations for Warner Strategic Marketing, told ICE. "Our commitment has always MILES DAVIS THE LAST WORD been to offer consumers the best possible audio and video products for the best possible value. Due to developing circumstances beyond our control, we felt that this box set would not, in its finished form, meet our standards, or the standards our customers expect from our products." (ICE, July 30,2002). What the hell is that all about? You hold in your hands a copy of the promo sent out to the press and to retailers. MILES DAVIS THE LAST WORD Trade Freely. Not For Sale. DISC 1 1. Tutu 05:13 (a) a) Capitol Recording Studio, Los Angeles, USA, 11. Februar 1986 2. Tomaas 05:35 (b) Miles Davis (tp); Marcus Miller (el-b); Paulinho DaCosta (perc) 3. Portia 06:16 (c) b) Clinton Recording Studio, New York City, USA, März 1986 4. Splatch 04:42 (d) Miles Davis (tp); Bernard Wright (synth); Marcus Miller (el-b); Omar Hakim (perc) 5. Backyard Ritual 04:47 (e) c) Clinton Recording Studio, New York City, USA, 13. Februar 1986 6. Perfect Way 04:32 (b) Miles Davis (tp); Marcus Miller (el-b); Paulinho Da Costa (perc) 7.
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Kenny Barron Sambao Mp3, Flac, Wma
Kenny Barron Sambao mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Latin Album: Sambao Country: US Released: 1993 Style: Post Bop, Bossa Nova, Samba MP3 version RAR size: 1408 mb FLAC version RAR size: 1886 mb WMA version RAR size: 1274 mb Rating: 4.4 Votes: 195 Other Formats: MP1 WAV MP3 MP2 AIFF DMF VOX Tracklist Hide Credits 1 Sambao 6:16 Yalele 2 5:45 Composed By – Mino Cinélu* 3 Bacchanal 6:33 4 Belem 5:37 5 Encounter 10:50 6 Ritual 6:04 7 Gardenia 10:07 8 On The Other Side 8:08 Companies, etc. Phonographic Copyright (p) – Phonogram/Polygram S.A. France Copyright (c) – Phonogram/Polygram S.A. France Recorded At – BMG Studios, NY Marketed By – Verve Records Distributed By – Verve Records Credits Artwork [Cover] – José Ortega Bass – Nico Assumpcao* Design – CB Graphic Drums – Victor Lewis Executive Producer – Jean-Philippe Allard Guitar – Toninho Horta Mixed By [Assistant] – Joe Lopes Percussion – Mino Cinelu Photography By – Ching Ming* Piano – Kenny Barron Producer – Joanne Klein Recorded By [Assistant] – Vince Caro Recorded By, Mixed By – Jay Newland Supervised By [Prepared For Release] – Daniel Richard Written-By – Kenny Barron (tracks: 1, 3 to 8) Notes Digitally recorded and mixed on May 1-13, 1992 at BMG Studio, New York City Digitally mixed on June 29-30 and July 1, 1992 at BMG Studio, New York City ℗&© 1992 Phonogram/Polygram S.A. France Barcode and Other Identifiers Barcode (text): 7 314-514472-2 8 Matrix / Runout: 314 514 472-2 02! Other versions Category Artist Title (Format) Label Category Country Year 314 514 Kenny
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Miles Davis (1926-1991)
Roots of American Music Biography: Miles Davis (1926-1991) Miles Davis is the most revered jazz trumpeter of all time, not to mention one of the most important musicians of the 20th century. He was the first jazz musician of the post-hippie era to incorporate rock rhythms, and his immeasurable influence on others, in both jazz and rock, encouraged a wealth of subsequent experiments. From the bebop licks he initially played with saxophonist Charlie Parker to the wah-wah screeds he concocted to keep up with Jimi Hendrix, Davis was as restless as a performer could get. Davis was raised in an upper-middle-class home in an integrated East St. Louis neighborhood. His father was a dentist; his mother, a music teacher. In 1941 he began playing the trumpet semiprofessionally with St. Louis jazz bands. The skills were there. Four years later, his father sent him to study at New York's Juilliard School of Music. Immediately upon arriving in New York City, Davis sought out alto saxophonist Parker, whom he had met the year before in St. Louis. He became Parker's roommate and protégé, playing in his quintet on the 1945 Savoy sessions, the definitive recordings of the bebop movement. He dropped out of Juilliard and played with Benny Carter, Billy Eckstine, Charles Mingus, and Oscar Pettiford. As a trumpeter Davis was far from virtuosic, but he made up for his technical limitations by emphasizing his strengths: his ear for ensemble sound, unique phrasing, and a distinctively fragile tone. He started moving away from speedy bop and toward something more introspective.
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Violence Interdite À La Télé Entre 6 H 30 Et 22 H 30
www.lemonde.fr 58e ANNÉE – N 17980 – 1,20 ¤ – FRANCE MÉTROPOLITAINE --- VENDREDI 15NOVEMBRE 2002 FONDATEUR : HUBERT BEUVE-MÉRY– DIRECTEUR : JEAN-MARIE COLOMBANI Décentraliser, Violence interdite à la télé mode d’emploi f Le projet Raffarin entre 6 h 30 et 22 h 30 point par point / C’est l’une des propositions du rapport remis au ministre de la culture par la mission Kriegel f Etat, régions, départements : Sangatte : PRÉSIDÉE par la philosophe Blandine Kriegel, la mission sur la leurs compétences l’église de Calais violence à la télévision a rendu son aujourd’hui et demain rapport au ministre de la culture et évacuée de la communication, Jean-Jacques Aillagon. Cette mission « d’évalua- f Décentralisation, LES 99 migrants kurdes irakiens tion, d’analyse et de propositions » et afghans, réfugiés dans l’église avait été mise en place en déconcentration, Saint-Pierre-Saint-Paul de Calais, juin. Après avoir auditionné l’en- ont été évacués sans heurt par la semble des acteurs et mené ses tra- délocalisation : police, jeudi 14 novembre vers vaux en concertation avec le Con- le glossaire 5 heures. 69 d’entre eux ont deman- seil supérieur de l’audiovisuel, la dé l’asile en France. Notre reporta- mission conclut qu’il existe «un de la réforme ge à l’intérieur du centre de Sangat- effet net de l’impact de la diffusion te, fermé aux nouveaux arrivants. de spectacles violents sur le compor- de l’Etat tement des plus jeunes ». Ses propo- Lire page 10 sitions s’appuient sur une défini- f Illustrations dans tion de la violence : « La force déré- glée qui porte atteinte à l’intégrité les Pays de la Loire, physique ou psychique pour mettre 0123 en cause, dans un but de domina- en Midi-Pyrénées tion ou de destruction, l’humanité et dans les transports DES LIVRES de l’individu.
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Jazz Artist Jazz Group
66 ANNUAL CRITICS POLL JAZZ ARTIST JAZZ GROUP THERE’S SOMETHING PARTICULARLY APT ABOUT VIJAY IYER’S ACADEMIC TITLES AT HARVARD UNIVERSITY, WHERE HE’S BEEN TEACHING SINCE 2014: Franklin D. and Florence Rosenblatt Professor of the Arts and Graduate Advisor in Creative Practice and Critical Inquiry. Yes, the endowed chair is nice, but “professor of the arts” and “advisor in creative practice” seem to sum up the man. It’s fitting that the terminology here is not “jazz studies” or “theory and practice,” but rather, “the arts” and “critical inquiry.” For Iyer—winner of the 2018 DownBeat Critics Poll categories Jazz Artist of the Year and Jazz Group (for his namesake sextet)—jazz doesn’t exist in isolation. Which is another reason why the appointment at Harvard, with its core liberal arts program, suits the 46-year-old pianist’s particular take on jazz, on music, on the arts and on the world. A child of immigrants, and the winner of multiple accolades—including a handful of previous DownBeat Critics Poll wins with his longstanding trio (with bassist Stephan Crump and drummer Marcus Gilmore) and a 2013 MacArthur “Genius” Fellowship— Iyer began his academic career as a scientist. He was a physics and math major as an undergraduate at Yale, and his Ph.D. thesis at the University of California, Berkeley, was titled, “Microstructures of Feel, Macrostructures of Sound: Embodied Cognition in West African and African-American Musics.” So his pedagogical inclination is toward diversity, and his expansive attitude toward jazz is second nature. 24 DOWNBEAT AUGUST 2018 AUGUST 2018 DOWNBEAT 25 Jimmy & Dena Katz “This isn’t a school of music,” Iyer says, sitting read a black author or maybe they’ve never had learn how to hear in different ways and learn in his basement office in the Harvard Music a black teacher.” On the other hand, “I also have how to accommodate other perspectives.
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Nice, Capitale De La Pétanque Pages 2 À 7
(175(35,6((175(35,6( 5,&+(= 2/,9,(5 5pQRYDWLRQ,VRODWLRQ &RXYHUWXUH&KDUSHQWH =LQJXHULH Le mensuel gratuit du moyen et haut pays niçois ROLYLHUULFKH]#OLYHIU JUILLET 2018 N° 29 / Rédaction : 06 74 68 71 12 / Publicité : 07 86 41 15 45 ZZZFRXYHUWXUHFKDUSHQWHOHYHQVIU Nice, capitale de la pétanque pages 2 à 7 ALEXIS COUPARD, COMITÉ OLYMPIQUE DES A.-M. ➤ Votre publicité soirées Estivales Tournée exposition dans VieVillages : Le programme de l’été Caravane du sport : Images et Montagnes p. 8 à 11 c’est parti ! p. 51 à Saint-Martin-Vésubie p. 55 07 86 41 15 45 LE DOSSIER L’Europétanque, un événement azuréen devenu international Du 21 au 23 juillet, sur les sa renommée autour des Vingt nations présentes ropétanque sera diffusé en- terrains de jeu à l’Ouest de champions qui s’y sont il- Il faut certainement être core une fois en direct sur Nice, sur les boulodromes lustrés comme les anciens d’ici pour bien comprendre l’Equipe TV à partir des de- Gé-Gallarato et Henri-Ber- pensionnaires du DUC, les l’importance de cette com- mies finales. nard, aura lieu la 17e édi- Philippe Quintais, Philippe pétition emblématique qui C’est la compétition de tion de l’Europétanque. Suchaud, Henri Lacroix est et restera une grande pétanque la plus dotée Ce rendez-vous incontour- qui seront de retour cette fête populaire pour tous les en France avec plus de nable pour les joueurs et année. amoureux de cette discipline 45 000 euros de dotations joueuses des Alpes-Mari- Le président du Comité dé- et rassemblera encore une aux joueurs.
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Imaginings of Africa in the Music of Miles Davis by Ryan
IMAGININGS OF AFRICA IN THE MUSIC OF MILES DAVIS BY RYAN S MCNULTY THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Music in Music with a concentration in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Advisor: Associate Professor Gabriel Solis Abstract Throughout jazz’s history, many American jazz musicians have alluded to Africa using both musical and extramusical qualities. In musicological literature that has sought out ties between American jazz and Africa, such as Ingrid Monson’s Freedom Sounds (2007) and Robyn Kelly’s Africa Speaks, America Answers (2012), the primary interest has thus far been in such connections that occurred in the 1950s and early 1960s with the backdrop of the Civil Rights movement and the liberation of several African countries. Among the most frequently discussed musicians in this regard are Art Blakey, Max Roach, and Randy Weston. In this thesis, I investigate the African influence reflected in the music of Miles Davis, a musician scantly recognized in this area of jazz scholarship. Using Norman Weinstein’s concept of “imaginings,” I identify myriad ways in which Davis imagined Africa in terms of specific musical qualities as well as in his choice of musicians, instruments utilized, song and album titles, stage appearance, and album artwork. Additionally (and often alongside explicit references to Africa), Davis signified African-ness through musical qualities and instruments from throughout the African diaspora and Spain, a country whose historical ties to North Africa allowed Davis to imagine the European country as Africa.
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Geri Allen Is a Celebrated, Award-Winning Pianist/Composer Who Performs for Enthusiastic Audiences Worldwide
GERI ALLEN Biography Geri Allen is a celebrated, award-winning pianist/composer who performs for enthusiastic audiences worldwide. Since 1982,she has recorded or performed with artists as diverse as Charles Lloyd (with whom she has toured for several years), Mal Waldron, Sir Simon Rattle and the Birmingham Symphony, Vernon Reid, Tony Williams, Clark Terry, George Shirley, Ron Carter, Lee Konitz, Me'Shell Ndegelocello, Marian McPartland, Dewey Redman, Dave Holland, Mary Wilson and The Supremes, Jack De Johnette, Betty Carter, Bill Cosby, Charlie Haden, Hal Wilner, Mino Cinelu, Ruth Brown, Oliver Lake, Marianne Faithful, Wayne Shorter, Joan Rivers, Charlie Haden, Paul Motian, Bobby Hutcherson, Chico Hamilton, and Kenny Clarke among many others. She has released a number of major recordings under her own name some of which include, Twenty One, Eyes in the Back Of Your Head, Maroons, The Gathering and most recently, the ambitious, critically acclaimed Telarc double cd Geri Allen: Timeless Portraits and Dreams. Ms. Allen has been the recipient of numerous recent honors, including but not limited to the Keys to the City of Detroit and the City of Cleveland, the Benny Golson Award from Howard University, and the African American Classical Music Award from Spelman College. Ms. Allen also distinguished herself as the first woman and youngest person to win the Danish Jazzpar Prize. A Detroit native, and a graduate of Detroit's famous Magnet Music School, Cass Technical High School. Allen graduated from Howard University, where she also served as Assistant Professor of Music. During that period the University honored her with both the Distinguished Alumni and Distinguished Professor Awards.
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Sons Revive Dad's Work
INDIE LIFE GIL EVANS ORCHESTRA Sons Revive Dad’s Work Miles Evans works on a Gil Evans Orchestra album at Avatar Studios. CAROL FRIEDMAN y father was not just a great musi- Gil Evans: Out of the Cool. Although Davis and cian, he was a great dad,” Miles Evans worked together on only a few projects, Evans said, speaking before a Crease said the two remained “friends for life.” “recentM gathering of Gil Evans devotees at the New And, noted Miles, “They both had an amazing York Public Library for the Performing Arts. “I ability to find the greatest musicians. And they remember him telling me that he never knew his never wanted to rest on their laurels.” real father, so he was determined to be the best Monday Nights captures the churning jazz- father he could.” funk fusion and electronics-aided experimental- Miles and his musician/engineer brother, ism of the orchestra’s work in the late ’70s and ’80s. Noah, have launched a series of new Gil Evans The album includes tunes by Gil (“Moonstruck,” Orchestra recordings that will keep their dad’s “Eleven”), Miles (“LL Funk”) and longtime musical vision alive. The first of the three albums, orchestra members Pete Levin (keyboards), Hidden Treasures: Monday Nights (Bopper Spock John Clark (French horn) and Alex Foster (sax- Suns Music), was released in December after a ophones). Today’s orchestra also includes GEO crowd-funding campaign through PledgeMusic. veterans Kenwood Dennard (drums), percus- The Canadian-born composer and arranger, sionist Mino Cinelu, trumpeter Shunzo Ohno, who died in 1988 at age 75, was one of the most trombonist David Taylor and bassist Mark Egan.
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Jazz from All Over the World at the Second Star Jazz Festival in Hamburg Star Petrol Stations Present International Music Greats in Unique Combination
Press release Jazz from all over the world at the second star Jazz Festival in Hamburg star petrol stations present international music greats in unique combination Elmshorn, August 23, 2018 –The debut was a complete success; now, the second edition is on its way: on the 12th and 13th of October, the star Jazz Festival will once again take place in Hamburg. star petrol stations present top local and international musicians in extraordinary line-ups – an encounter that will not only attract die-hard fans. The focus is on the German and Polish jazz scene. At the star Jazz Festival, in cooperation with the Jazz Federation Hamburg, top-class jazz musicians from Germany and Poland and other international greats come together. Representing the German-Polish fusion is the artistic director of the festival Vladyslav Sendecki, who grew up in Krakow, has lost his heart to Hamburg, is a pianist with the NDR Big Band and winner of the Hamburg Jazz Prize. Already at the premiere of the festival last year, Sendecki led the show and showed that jazz not only means the unfolding of musical fantasy, but also stands for pure joie de vivre. "Encouraged by the great popular success of the start of the festival in 2017, we are delighted to be able to continue and expand this cross-border cooperation with the star Jazz Festival 2018", confirms Wieslaw Milkiewicz, Managing Director and Press Officer of the star petrol stations brand. star is known for their strong social commitment and for actively promoting of sport and culture. For example, on the occasion of the 25th anniversary of the jazz festival JazzBaltica in 2015, the petrol station brand presented its own concert as part of the Schleswig-Holstein Music Festival (SHMF).
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Le Monde De Weather Report
dossier LE MONDE DE Airto Moreira Peter Erskine Jaco Pastorius Wayne Shorter Joe Zawinul Manolo Badrena Dom Um Romao Miroslav Vitous Victor Bailey Alphonso Johnson Mino Cinelu Le clap de fin de Weather Report a eu lieu il y a plus de trente ans, mais la musique de Dossier réalisé par ce groupe emblématique d’une époque où tout Michel Benita semblait possible n’a pas pris une ride, et son Franck Bergerot Peter Cato pouvoir de fascination est toujours aussi grand. Doc Sillon Il était donc temps d’explorer à nouveau Lionel Eskenazi les richesses du monde de Weather Report, Julien Ferté Frédéric Goaty où l’on croise quelques-uns des meilleurs Stéphane Ollivier musiciens de ces cinquante dernières années. Jean-Pierre Vidal PHOTOS : X/DR 16 Jazz Magazine Numéro 691 Février 2017 Février 2017 Numéro 691 Jazz Magazine 17 dossier Le monde de Weather Report sommaire repères 1970 Le 10 1981 Jaco décembre, Joe Pastorius et 20 Joe Zawinul 32 Peter Erskine Zawinul annonce Peter Erskine (1966-1970) Silence, Le maître du temps dans Downbeat s’en vont. on tourne : naissance qu’il s’associe 33 d’un univers Joe Zawinul avec Wayne 1985 Joe Zawinul (1985) Shorter et Miroslav enregistre 22 La parole à la musique Wayne Shorter Vitous pour créer “Dialects” et Montreux, 1976 : (1969-1970) un nouveau Wayne Shorter Wayne Shorter et Joe Atmosphères, 34 The Zawinul Zawinul, l’insécable groupe dont “Atlantis”. atmosphères... : Syndicate duo créatif de le batteur sera les temps changent Les tournées du patron 1986 Juin : Weather Report. Alphonse Mouzon. sortie de l’ultime UN MOUVEMENT album de 24 Galerie photo 36 Wayne Shorter 1971 Mai : sortie Weather Report dans (1985...) Retour vers du premier album, Weather Report, tous ses états d’autres futurs PERPETUEL “Weather Report”.
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A Day with Taku Hirano
Taku, so I understand you were born in Japan blessed that the drumming path chose me and I had a private piano teacher from age 7 and then later moved to the USA. What age stuck with me.59 to 9. Then at age 9, I started on marimba, In August and September of 2019, the were you when you actually moved there? What type of music were you drawn to earlier concert snare drum, timpani and drum kit. legendary Grammy Award-winning band I moved to the USA when I was only 3 months on? When we moved to Hong Kong, I studied A DAY WITH Fleetwood Mac will conduct an extensive old. My father worked in textiles as a cotton I’m lucky to have had parents who really with the principal timpanist of the Hong Australian Tour performing in all cities across broker for a large Japanese corporation and enjoyed music of all styles. In my home I Kong Philharmonic from age 11 to 15. the country. On percussion will be Taku Hirano: he was transferred to California shortly after heard classical music, jazz, country, dixieland During that period, my main goal was to get I was born. Later, from age 11, my family jazz, Elvis, Johnny Cash, John Coltrane, and accepted to Juilliard for percussion. My older a highly respected and extremely versatile moved to Hong Kong on another work transfer even Hawaiian music - my mother played brother, three years my senior, who played TAKU HIRANO multi-faceted percussionist. Taku’s percussive and then moved back to the USA when I was ukelele in addition to playing piano.
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