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Spring 5-3-2002 Lehigh University Choral Arts Lehigh University Music Department

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I Lehigh Univer. ity Music Department

2001 - 2002 SEASON Welcome to Zoellner Arts Center! We hope you will take advantage of all the facilities, including Baker Hall, the Diamond and Black Box Theaters, as well as the Art Galleries and the Museum Shop. There are restrooms on every floor and concession stands in the two lobbies. For all ticket information, call (610) 7LU-ARTS (610-758-2787). To ensure the best experience for everyone, please: Bring no food or drink into any of the theaters Refrain from talking while music is being performed Refrain from applause between movements Do not use flash photography or recording devices Turn off all pagers and cellular phones Turn off alarms on wrist watches Do not smoke anywhere in the facilities

MUSIC DEPARTMENT STAFF

Professors - Paul Salemi, Steven Sametz, Nadine Sine (chair) Associate Professor - Paul Chou Assistant Professor - William Warfield Lecturers - Eugene Albulescu, David Diggs Adjuncts/ Private Instructors - Eduardo Azzati, David Bakamjian, Helen Beedle, Lise Carlson, Christopher DiSanto, Debra Field, Linda Ganus, Brett Grigsby, Tom Guama, Timothy Harrell, Tim Harrison, Carter Henry, Mark Hulsebos, Laura Johnson, Vic Juris, Robin Kani, Paul LaFollette, Marko Marcinko, Richard Metzger, Albert Neumeyer, Patricia O'Connell, Gene Perla, Irmgard Pursell, David Riekenberg, Timothy Schwarz, Susan Shaw, Carolyn Smith, Debra Torok, Eileen Wescoe, Andrea Wittchen, Larry Wright Department Coordinator - Olga Jacoby Libraries Coordinator - Linda Lipkis Program Coordinator - Linda Ganus

ZOELLNER ARTS CENTER STAFF

Managing Director - Elizabeth Scofield Audience Services Director - Sandra Anderson Ticket Services Manager - Leanne Bewley House Manager - Jacob Campbell Director of Development for the Arts - Susan Vengrove Production Manager - Joshua Kovar Director of Programs and Outreach - Deborah Sacarakis Etients Manager - Erin Bayliss Scheduling Manager - Annette Stolte Lighting Coordinator - Melissa McLearen Audio Coordinator - James Wildman Assistant Audio Coordinator - Erik Lawson Technical Director - John P. Stahrr Interim Costume Director - Kaitlin Witte Head Stage Carpenter - James Jordan Assistant Development Director - Kate Besterrnan Senior Marketing Associate - Jennifer Hunt Marketing Associate - Z. Candi Staurinos Administrative Assistant to the Director- Cyndy Brinker Administrative Coordinator of Deoelopment for the Arts - Jovan Swann I I Lehigh University Music Department presents Lehigh University Choral Arts Steven Sametz, director Debra Field, associate director

Claude Debussy > Nocturnes •

Margaret Anne Butterfield, soprano Finkel Artist-in-Residence Nathaniel Watson, baritone Sebastian Artist-in-Residence John Piccolini, tenor Sametz Artist-in-Residence and the The American Boychoir Vincent Metallo, director

Friday, May 3, 2002 Saturday, May 4, 2002 8:00 p.m. Baker Hall Zoellner Arts Center

ZeeK! event on May 3 sponsored by Creative Kids Club 1 PROGRAM Nocturnes Claude Debussy (1862-1918) I. Nuages (Clouds) II. Fetes (Celebration) III. Sirenes (Sirens)

*** Intermission ***

Carmina Burana Carl Orff Margaret Anne Butterfield, soprano (1895-1982) Nathaniel Watson, baritone John Piccolini, tenor Fortuna imperatrix mundi Fortune plango vulnera I. Primo Vere V eris leta facies Omnia Sol temperat - baritone solo Ecce gratum Uf dem Anger Floret silva Chramer, gip die vanve mir Reie Were diu werlt alle min II. In Taberna Estuans interius - baritone solo Glim lacus colueram - tenor solo and chorus Ego sum abbas - baritone and chorus III. Cour d'amour Amor volat undique - soprano solo and boy Dies, nox et omnia - baritone solo Stetii puella - soprano solo Circa tnea pectora - baritone solo and chorus Si puer sum puellula Zachary Farrell, baritone Veni, veni, venias In trutina - soprano solo Tempus est jocundum Dulcissime - soprano solo Blanziflor et Helena Ave formosissima Fortuna imperatrix mundi O Fortuna 2 ABOUT THE ARTISTS

Steven Sametz, Ronald J. Ulrich Professor of Music, has earned increasing renown in recent years as both composer and conductor. He is the Director of Choral Activities at Lehigh University and also serves as artistic director of the elite a cappella ensemble, The Princeton Singers. Recent guest conducting appearances include the Taipei Philharmonic Foundation, the Berkshire Choral Festival, the New York Chamber Symphony, and the Netherlands Radio Choir. Dr. Sametz' compositions have been heard throughout the world at the Tanglewood, Ravinia, Schleswig-Holstein, Santa Fe, and Salzburg music festivals. His in time of appears on the recent Grammy-award-winning CD by , "Colors of Love," and his works may be heard on six other Chanticleer CDs, as well as Lehigh University Choir's "Live from Taipei," Lehigh University Choral Arts "Christmas at Lehigh," The Princeton Singers' "Reincarnations," and "Christmas with The Princeton Singers." Dr. Sametz has received commissions from the National Endowment for the Arts, the Connecticut Council for the Arts, and Santa Fe Music Festival, creating new works for Chanticleer, the Dale Warland Singers, The Princeton Singers, the Philadelphia Singers, the Pro Arte Chamber Choir, the Santa Fe Desert Chorale, Connecticut Choral Artists, and the King of . His compositions are published by Oxford University Press, Hinshaw Publications, and Alliance Music. Dr. Sametz has served as panelist for the National Endowment for the Arts and Chorus America. He has been Director of Choral Activities at Harvard University and is the founder and director of the Lehigh University Choral Union. At the Santa Fe Music Festival, he conducted his own works in a program entitled "Sametz conducts Sametz." He has conducted Chanticleer with the Lehigh University Choir in the Monteverdi Vespers of 1610 in New York and San Francisco to critical acclaim. Dr. Sametz holds degrees from , the University of Wisconsin• Madison, and the Hochschule fur Musik und darstellende Kunst in Frankfurt, Germany.

3 Margaret Anne Butterfield, soprano, is the Finkel Artist-in-Residence this semester at Lehigh University. She is a native of Washington, DC, earned a Bachelor of Music Education from the Catholic University of America, a Master of Voice from the Manhattan School of Music in New York, and studied at the American Institute of Musical Studies in Graz, Austria. A recipient of many honors, she was a finalist in the second Luciano Pavarotti International Voice Competition, a semi• finalist in the New York Oratorio Society Competition and a regional finalist in the Metropolitan Opera National Council Auditions. She is currently Director of the Vocal Program at the Lawrenceville School in Lawrenceville, New Jersey.

Baritone Nathaniel Watson is the first Sebastian Artist-in-Residence at Lehigh University. Mr. Watson has appeared in a wide variety of musical performances, including Papageno in Mozart's The Magic Flute, the baritone soloist in Beethoven's Ninth Symphony under Roger Norrington, and with the New York Philharmonic in Der Freischiitz under Sir Colin Davis. Watson has appeared with the Symphony of Houston, Minnesota, Montreal, Baltimore, San Francisco and Boston, as well as the Los Angeles Philharmonic and the National Arts Center of Canada in Ottawa in music of Beethoven, Handel, Mozart, Schumann and Bach. He also performed in with the New Japan Philharmonic and with the Tokyo Oratorio Society under Hiroshi Gunji. Mr. Watson has been heard previously at Lehigh University in Schoenberg's A Survivor from Warsaw and the Brahms Requiem.

Sametz Artist-in-Residence John Piccolini, tenor, studied at Ithaca College, Cornell University and the Westminster Choir College. He has sung in concert and recordings under Kurt Masur and Riccardo Muti and is a featured tenor soloist with The Princeton Singers. Principal voice teachers include Susan Davenny-Syner and Angus Godwin. We welcome Mr. Piccolini at his debut with the Lehigh University Choral Arts.

4 THE AMERICAN BoYCHOIR Vincent Metallo, director The American Boychoir' s rich sonorities, musical sophistication, expres• sive power and innovative programming have established its reputation as the United States' premier concert boys' choir. The American Boychoir was founded in Columbus, Ohio in 1937, and has been located in Princeton, New Jersey since 1950. The Boychoir regularly performs and records with world-class artists and ensembles, including the New York Philharmonic, Chanticleer, Wynton Marsalis, Jessye Norman, and many others.

ORCHESTRA Violin I Bass Trumpets Simon Maurer Benjamin Tedoff Darin Kelly (Concertmaster) Carter Henry Todd Westervelt Kirsten Davis Maureen Llort Laura Thelander Roland Freitag Michael A vagliano Flute Trombones Peter Krisha Christine Moulton Joshua Bynum Matt Milewski Michelle Kelly Alex Siniavski Cindy Borahm Chay Piccolo Zachary Bond Sharon Gunderson Christine Hansen Tuba Violin II Oboe Scott Force Jeffrey Ellenberger David Diggs Joseph Nero Jeremy Kesselman Timpani Dituri Kadesha English Horn Christopher Hanning Janice Bland Elizabeth Kieronski Bryan Rose Percussion Kiku Enomoco Clarinet (The West Chester Univ. Brian Fox Rie Suzuki Percussion Ensemble) Omar Guey David Chang Philip Payne Aubree Pacifico Viola Bass Clarinet Steve Pierson Adriana Linares Sherry Hartman Apgar Jeremy Hauser Shelly Beard Charles Fricker Debra Reilly Bassoon Michael Chang Stephen Wisner Harp J ovanina Pagano Robert Wagner Andrea Wittchen John Glew Con trabassoon Lydia Holiat Irene La barca Larisa Gelman Piano Cello Horns Katherine Fay David Bakamjian Gregory Helseth David Stanek Simone Uranovsky DeAnn Giles Robert Ekselman Karen Culbertson Celeste Robert Tennen Joseph Caminiti Katherine Fay Vivian Penham Lawrence Zoernig 5 LEHIGH UNIVERSITY CHORAL ARTS Steven Sametz, director Debra Field, associate director Timothy Harrell, accompanist

SOPRANOl TENOR2 Tosha Asumah Libera C. Evans Sara Wass er man Devon Battaglia* Yu Bao* Betty Groth Heather Wight" Dean C. Berg Gelsey Bell*+ Monica Hamrick Wendy Williams Ryan Botzler Sharon Bizik Ruth Henry Christopher Delp*+" Jessica Brams-Miller*" Carolyn Holmfelt ALT02 Jamie Henry Barbara Cavalla Charis Lasky" Melissa Alexander*+ Joe Kovach Ronda Cook Elizabeth Luber*+ Lorraine Annucci* Richard Marzuoli Hazel Darney Agnes Moroney Louise Auchenbach Andrew Racz Meredith Flaster*# Bethany Nessler Erica Bauerlein Bob Riggs Carolyn Folmer" June Okunski Greer Brown* Waid Smith Virginia Bimler Marissa Perrelli Violet Brown Bob Thompson Cindy Holland Stacey Prohaska Diane Campbell Nathan Zander" Dael Jackson Penny Soden Patricia Chase" Darlene Jay Ann Taylor Cindy Comfort BARITONE Genevieve Jones*+ Sonja van Katie Dyer Zach Farrell*+ Irina Mazo den Heuvel Natalie Foster Jim Gallucci Marcia Mierzwa* Mary Zugates Clare Garrison Parag Gupta* Allison Mohler Tiffany Giangiulio* Charles Hagaman" Joan Moran ALTOl Hope Kunkel Coleman Hamel Miriam Nachesty Ann Cohen Kirsten Jacoby* Ryan Hansen" Marianne Liz Condaxis Jacqueline Lewis Jim Henry Napravnik Joanna de Jesus Meisha Lohmann Todd Hunter" Stacy Onderdonk Joellyn Dembowski Elaine Molnar Richard Kurz* Ann Pickin Janet Filchner Samantha Polak Vincent Man Deborah Sacarakis* Janet Goloub Dorothy Perschy J. Gordon Maule Brittany Schaeffer* Irene Hatzistamatis Beth Schiavone- Gerald McBride Joyce Shankweiler Erin Himmelberger Narvaez Jeffrey McDermott* Cheryl Sinclair Lynne Hoxie Arlene Scott Warren Norris AnneSollien Barbara Kemmerer Theresa Shaton Brett Philpotts" Deborah Sostarecz Heather Knutson Carolyn Sautter Michael Polee Julie Spitzer" Kathy Leber Deborah Towner Don Seagreaves Maureen Swanson Jane Leposa Daryl Anne Villard Daniel Schankel*" Marcia Theiss Ellen Lifschutz Lindsay Werkheiser Robert Smith Diane Vanderslice Pat Markley Linda Williams Kal Sostarecz Carol Vickrey Cathy Mordosky Lucas Stangl Kathleen Vollrath Marilyn Needham TENOR 1 En-Tseh Wang* Robin Weidman Carrie Piriano* Paul Discascio* Elizabeth Ragan Thomas Gamarello* BASS SOPRAN02 Rickia Reid Myles Gobeille* Raymond Vallard Loris Baker Nicole Robertson" Joshua Hermias* Chris Creswell Vi Ballard Raina Savitsky*+ Wayne Mery Andrew Duncan Heather Belaus Belisa Silva Ron Mordosky" Norman Failla Chandra Bleice Nadine Sine Christopher O'Dwyer= Zach Farrell*+ Sharon Bleice Kathy Snyder Andrew Powers" Charlie Hasenecz" Betty Bramblet Laura Starik Matt Stewart Jonathan Havel" Sheryl Cherian" Sylvia Stengle Jack Vickrey Matthew Ilardi*+ Christen Conarty Anne Taylor Derek Wilson* Christopher Kramer* Lori Cotabish*+ Theresa Teasley Bryon Yoder Greg Parent" Martha Dalmas Hayley Teich* Tyler Tate* Loretta Deutsch Lauren Van Hoesen*+ Jack Vanderslice Katharine Duncan" Martine Volmar David Ziegler

"Section leader +Choral Scholar "Choir Member #Baker Scholar 6 CHORAL ARTS ADMINISTRATION

Devon J. Battaglia Manager Myles Gobeille Assistant Manager Nate Zander Stage Manager Kirsten Jacoby Asst. Stage Manager Tiffany Giangiulio Librarian Tyler Tate· PubliciftJ Manager Cris Frisco Accompanist Eileen Wescoe Accompanist Lorraine Annucci & Derek Wilson Wardrobe Managers Nicole Robertson Recruitment Manager Ryan Hansen CD Manager Parag Gupta Camp Manager Elizabeth Luber & Brett Philpotts Food Managers Betty Bramblet Coordinator Timothy Harrell Rehearsal Accompanist Doug MacN eil Orchestra Manager Kal Sostarecz Stage Manager

FINKEL ARTIST-IN-RESIDENCE The Finkel Artist-in-Residence program is made possible through the generosity of choral alumnus Peter Finkel, '81. The fund serves to enhance the choral program at Lehigh, bringing artists to campus to perform and work with students in master classes. Margaret Anne Butterfield is our Finkel Artist-in-Residence this semester and we welcome her as we extend our thanks to Peter Finkel.

SAMETZ ARTIST-IN-RESIDENCE The Steven Sametz Choral Endowment was started four years ago by members of the Lehigh University Choral Union to enhance the offerings of the Lehigh University Choral Arts. It is through their generosity that the Sametz Choral Artist, John Piccolini, appears tonight. Dr. Sametz wishes to express his personal thanks to all the wonderful singers of the Choral Union for this generous show of support for Lehigh Choral Arts.

SEBASTIAN ARTIST-IN-RESIDENCE The Sebastian Artist-in-Residence is supported by a generous gift from the family of Bear Sebastian (1974-1999). It was established in Bear's memory to enhance the choral program at Lehigh through visiting artists, vocal scholarships, touring, and a choral award in Bear's name given each year to that sophomore choral student who best exemplifies the love Bear had for singing. Bear was a light at Lehigh in his life and we miss his song.

7 Debussy: Nocturnes

Claude Debussy's imagistic tryptich, Nocturnes, was created over an eight-year period. Initially inspired by Henri de Regnier's Poemes anciens et romanesque, Debussy began work on what he then called Trois scenes au crepuscule (111ree Twilight Scenes). By 1894, these sketches were being used for a work for violin and orchestra to be dedicated to the great French violinist, Eugene Ysaye. But after a falling out with Ysaye, Debussy set the final form in which we know Nocturnes today for orchestra and women's choir.

De Regnier' s poetry may have given impetus to the idea for Fetes when he writes of the" stirring of the bright shout of the trumpet" or for Sirenes when he describes the "wan chorus." But Debussy's Nocturnes are more firmly associated with painting than poetry. The title, Nocturnes, was suggested by a series of paintings by James Whistler (1834-1903). Of his inspiration for the first movement, Nuages (Clouds), Debussy writes:

"It was at night on the Solferino bridge. I was leaning off the railing of the bridge. The Seine, without a ripple, like a tarnished mirror. The clouds passed slowly in a moonless sky, numerous clouds, neither too heavy nor too light: nuages."

For his second movement, Fetes, Debussy evoked a night scene in the Bois de Boulogne:

"The beating of a tattoo with torches, at evening, in the wood... From afar I saw through the trees the approaching glimmers and the crowd running towards the alley where the procession was to pass by. Then ... the horsemen of the Garde Republicaine, dazzling, their arms and helmets illuminated by the torches, and the muted trumpets sounding their fanfare. Finally it was all extinguished and passed out of siglzt ... "

Nocturnes is a tour de force of Debussy's orchestrational genius. In depicting the "study in grey" he termed Nuages, he divides the strings in as many as fourteen parts. The somber tone of the solo english horn sets the mood for the motive which will recur throughout the three Nocturnes. In Feies, a procession of the horsemen enters after the initial festive scene, signaled by a drum beat (played by pizzicato strings, timpani, and harp) combined with a muted trumpet fanfare; it is a vision Debussy called a "festival with its blending of music and luminous dust participating in an all-embracing rhythm." His final orchestrational touch is the introduction of a wordless women's chorus in the final movement, Sirenes. Here Debussy writes that "Sirenes is the sea and its innumerable rhythms, and then, among the waves silvered by the moon, the mysterious song of the sirenes is heard as it laughs and passes on."

The blending of western harmony with Javanese gamelan music (which Debussy heard at the Paris World Exhibition of 1889) and the masterful balance of sound merged with light and landscape recall words that Debussy used to describe the painter Turner, but may be applied to the composer himself:" ... he was the finest creator of mystery in art."

8 Orff: Carmina Burana

Fortune smiled on me when she put into my hands a Wiirzburg secondhand book: a catalogue, in which I found a title that exercised on me an attraction of magical force: Carmina Burana Latin and German songs of a thirteenth century manuscript from Benedicktbeuern, edited by J. A. Schmeller ...

For Carl Orff, this was indeed a turning point in his life. The collection of about 250 poems found in the Benedictine monastery of Beuern (Burana) written in Latin, Middle High German, and old French was attributed to the . The name goliard derives from either Goliath (which was synonymous with vice) or "gula," (greediness in sin). The goliards were itinerant students, monks, and clerics known more for their licentiousness than their religious pursuits. That Orff' s reaction to the text was strong and immediate is unmistakable.

I obtained the book on Maundy Thursday 1934, a memorable day for me. On opening it, I immediately found, on the front page, the long famous picture of Fortune with her wheel, and under it the lines: O Fortuna, Velut luna, Statu variabilis ... Picture and word seized hold of me. On the very same day I had outlined a sketch in short score of the first chorus, "0 Fortuna." After a sleepless night in which I almost lost myself in the extensive volume of poems, a second chorus, "Fortune plango vulnera" also came into being, and on Easter morning a third, "Ecce gratum, "was set down on paper.

The work was originally intended to be staged with mime and is divided into three sections with a prologue. The choral prelude is a lamentation on the caprices of Fortune. "Primo Vere" announces the coming of Spring with dancing and merrymaking. "In Taberna" depicts the decadence of the goliards, exalting selfishness, blasphemy, idle pleasure, and squalor. "Cour d' amour," the most extended of the sections, revels in the flirtations and joys of love: an adolescent boy yearns for the girl whose red shift trembles in the breeze, imploring the gods to grant him happy union with this girl. A men's sextet speculates on the likely outcome of such a union, and the girl decides to submit to "so sweet a yoke." After much joy, she cries out as she II gives herself completely." In the penultimate section, the youth compares her to the great beauties of all time: Blanzifor (Blanchefleur) and Helen, even to "Venus generosa." Their passions spent, all returns to the rule of Fortune as II empress of the world. 11 - S.S. 9 Carmina Burana

Fortuna Imperatrix Mundi Luck, Empress of the World 1. Chorus O Fortuna, O luck, velut luna like the moon statu variabilis, changeable in state, semper crescis you are always waxing aut decrescis; or waning; vita detestabilis hateful life nunc obdurat is one moment hard et tune curat and the next moment watches over ludo mentis aciem, the mind's acumen in gambling; egestatem, poverty, potestatem power, dissolvit ut glaciem. it melts like ice.

Sors immanis Fate monstrous et inanis, and empty, rota tu volubilis, a whirling wheel you are; status ma/us, if badly placed vana sa/us health is vain - semper dissolubilis, it can ever be dissolved; ob umbrata overshadowed et velata and veiled michi quoque niteris; you harass me too; nunc per ludum now at the gaming table dorsum nudum my bare back fero tui see/eris. I bring to your villainy.

Sors salutis The luck of health et virtutis and strength michi nunc contraria, is against me, est ajfectus is attacked et defectus and ruined semper in angaria. all the time, in your service. Hae in hara In this hour sine mora without delay corde pulsum tangite; sweep the sounding strings; quod per sortem and for that which, by lot stern it fortem, overthrows the strong man, mecum omnes plangite! weep with me, all of you!

2. Chorus Fortune plango uulnera I weep for the wounds of luck, stillan ti bus ocellis, with brimming eyes, quod sua michi munera because her gifts to me subtrahit rebellis. she rebelliously takes away. Verum est, quod legitur, Truly it is written fronte capillata, that the head may be hairy sed plerumque sequitur but often there follows occasio calvata. a season of baldness.

In Fortune solio On the throne of luck sederam elatus, I used to sit joyfully, prosperitatis vario with prosperity's manifold 10 fiore coronaius; flowers I was crowned; quicquid enim florui but however I flourished Jelix et beatus, happy and blessed, nunc a summo corrui now I have tumbled from the top, gloria prioatus. robbed of glory.

Fortune rota volvitur: The wheel of chance spins; descendo minoraius; one man is abased by its descent, alter in altum tollitur; the other carried aloft; nimis exaltatus all too exalted rex sedet in vertice - sits the king at the top - caveat ruinam! let him beware ruin! Nam sub axe legimus For beneath the wheel we read Hecubam reginam. that Hecuba is queen.

I. Primo vere I. In Springtime 3. Chorus Veris leta facies The gay face of spring mundo propinaiur, is set before the world; hiemalis acies the sharpness of winter victa iam fugatur, now flees defeated; in vestitu uario in various apparel Flora principatur, Flora reigns, memorum dulcisono and in the euphony of the woods que cantu celebratur. she is hymned in song.

Flore fusus gremio In Flora's lap Phebus novo more Phoebus anew risum dat, hoc vario laughs; with many a flower iam stipaiur fiore. he is now wreathed. Zephyrus nectareo Zephyr with honeyed scents blows spirans in odore, on his way. certaiim probravio To vie for the prize curramus in amore. of love let us hurry.

Cytharizat cantico Warbles in song dulcis Philomena, sweet Philomel; flare rident vario with manifold flowers laugh prata iam serena the cheerful meadows now; salii cetus aoium a flock of birds flits silve per amena, through the pleasant woods, chorus promit virginum and a chorus of maidens offers iam gaudia millena. now joys in the thousands. 1 4. Baritone \ Omnia sol temperat Soothes all things the sun purus et subtilis, pure and fine; novo mundo reserat sown anew is the world's faciem Aprilis, face by April, ad amorem properat towards love hastens animus herilis, the master's heart, et iocundis imperai and over happy folk rules deus puerilis. the boy-god.

Rerum tanta novitas So much newness in solumni vere in this rite of spring, 11 et veris auctoritas and spring' s power iubii nos gaudere; orders us to be glad. vias prebei solitas, It offers ways we know, et in tuo vere and in your springtime fides est probitas it is faithful and right tuum retinere. to keep your lover.

Arna me [ideliter, Love me faithfully fidem meam nota mark how I trust you de corde totaliter with all my heart et ex mente tota. and with all my mind. Sum presentialiter I am with you absens in remota, even when I am far away. quisquis amat taliter, Whoever loves as I do volvitur in rota. is turned on the wheel.

5. Chorus Ecce gratum See, pleasant et optatum and longed-for ver reducit gaudia, spring restored delight; purpuraium, a blaze of color, floret pratum, the meadow is in bloom; sol serenat omnia. the sun lights up everything. lam iam cedant tristia! Now let sadness be gone! Estas redit, Summer returns, nunc reciedit now withdraw::: hyemis sevitia. the wildness of winter.

Jam liquescit Now melts et decrescit and vanishes grando, nix et cetera; hail, snow and the rest; bruma Jugit, fog disperses, et iam sugit, and now sucks ver estatis ubera; spring at summer's breasts. illi mens est misera, He is a miserable soul qui nee vivit who does not enjoy life nee lascivit nor lusts sub estatis dextera. under the reign of summer.

Gloriantur They give glory et letantur and are glad in melle dulcedinis in the honey of sweetness, qui conantur, who strive ut utantur to use premio Cupidinis; Cupid's prize; simus jussu Cypridis let us at Venus' command, gloriantes glory et letantes and be glad pares esse Paridis. that we are the equals of Paris.

Uf Dem Anger On the Green 6. Orchestra Tanz Dance

7. Chorus Floret silva nobilis The noble wood is in bloom fioribus et foliis. 12 with flowers and leaves. Ubi est antiquus Where is my old meus amicus? lover? Hine equitavit, He rode hence: eia, quis me amabit? alas! who will love me? Floret silva undique The wood is everywhere in bloom, nah mime gesellen ist mir we. I long for my lover. Semichorus Grounet det wait allenthalben, If the wood is everywhere green, wa ist min geselle alse Zange? why is my lover so long? Der is geriten hinnen, He has ridden away from here; o wi, wer sol midi minnen? alas, who shall love me?

8. Semichorus Chramer, gip die vanoe mir, Shopkeeper, give me the color die min wengel roete, to redden my cheeks damit ich die jungen man so that I may catch the young men, an ir dank der thanks to you, minneniiebe noeie. for love-making. Seht mich an, Look at me, jungen man! young men! Lat mich iu gevallen! Let me please you!

Minnet, tugentliche man, Make love, good men, minnecliche frouwen! lovable women! minne tuot iu hoch gemuot Love makes you courageous, unde lat iuch and lets you stand in hohen eren schouwen. in high honor. Seht mich an, etc. Look at me, etc.

Wol dir, werlt, daz du bist Welcome, world, that is also [reudenrichel so full of joys! ich will dir sin undertan I will be your subject, durch din liebe immer sicherliche. always secure in your love. Sehl mich an, etc. Look at me, etc.

9. Round Dante Chorus Swaz hie gat umbe, Here they go round and round, daz sini alles megede, they are all maidens, die wellent an man they want a man allen disen sumer gan! all this summer long! Chume, chum geseele min, Come, come my mistress, ih enbiie harte din. I entreat you sore.

Suzer rosenvanoer muni, Sweet, rosy-hued mouth, chum un mache mich gesunt. come and make me well. Swaz hie gat umbe, etc. Here they go round and round.

10. Chorus Were diu werlt alle min Were all the world mine von deme mere unze an den Rin, from the sea to the Rhine, des wolt ih mih darben, I would starve myself of it daz diu chunegin von Engellant so that the queen of England lege an minen arm.en. might lie in my arms.

13 ll. Ju Taberna II. In the Tavern 11. Baritone Estuans interius Burning inwardly ira oehementi with mighty anger, in amariiudine in my bitterness loquor mee menii: I speak to my own mind; factus de materia, made of matter, cinis elementi, my element is ash, similis sum folio, I am like a leaf de quo ludunt venti. that the wind toys with.

Cum sit enim proprium For since it is right viro sapienti that a wise man supra petram ponere sets upon rock sedem fundamenti, his foundation stone, stultus ego comparor I am a fool, like fluvio labenii, a gliding stream, sub eodem tramite under whose course nunquam permanenti. nothing endures.

Feror ego veluti I am borne like sine nauta, naois, a ship without a sailor, ut per vias aeris as, through the paths of the air, vaga fertur avis; a stray bird is carried; non me tenent vincula, chains do not hold me, non me tenent clavis, a key does not make me fast; quero mihi similes I seek those like myself et adiungor pravis. and I am at one with vicious folk.

Mihi cordis gravitas The heaviness of my heart res videtur gravis; seems a weighty matter; iocus est amabilis sporting is pleasant, dulciorque Javis; and sweeter than honeycombs; quicquid Venus imperat, whatever Venus may command, labor est suavis, the task is delightful; que nunquam in cordibus she never dwells in hearts habitat ignavis. that are lazy.

Via lata gradior On a broad road I walk more iuoentutis, like any young man, implicor et vitiis and I am bound up in vices, immemor virtutis, unmindful of virtue, ooluptatis avidus greedy for pleasure magis quam salutis, more than for health, moriuus in asima dead in spirit, curam gero cutis. I take care of my skin. 12. Male Chorus and Tenor Solo [Cignus ustus cantat:] [The roasted swan sings:] Olim lacus colueram, Once I dwelt on the lakes, olim pulcher exiteram, once I appeared beautiful, dum cignus ego fueram. when I was a swan. Miser, miser! Wretch that I am! modo niger Now black et ustus fortiter! and roasting fiercely!-

14 Girat, regirat garcifer; The spit turns and re-turns, me rogus urit fortiter: my funeral pyre burns me fiercely; propinat me nunc dapifer. now the serving boy approaches me. Miser, etc. Wretch that I amt, etc.

Nunc in scutella iaceo, Now I lie on a salver, et volitare nequeo, and I cannot fly away; denter frendentes video: I see champing teeth. Miser, etc. Wretch that I am!, etc.

13. Baritone and Male Chorus Ego sum abbas Cucaniensis I am the Abbot of Cucany, et in secta Decii voluntas meas est and my deliberation is among drinkers, et qui mane me quesierit and my desire to be in the school of Decius, in taberna and whoever seeks me early in the tavern, post vesperam nudus egredietur, by evening he will go out bare, et sic denudatus veste clamabit: and thus stripped of his clothes he will cry: Wafna, wafna! Wafna, Wafna! Quid fecisti sors turpissima? Vilest fate, what have you done? Nostre vite gaudia The joys of my life, abstulisti omnia! all of them, you have taken away!

14. Male Chorus In taberna quando sumus, When we are in the tavern, non curamus quid sit humus, we do not mind what the place may be, sed ad ludum properamus, but we hurry to the gambling, cui semper insudamus. which always makes us sweat. Quid agatur in taberna, What goes on in the tavern ubi nummus est pincerna, where money is the butler, hoc est opus ut queratur, you had better ask here; si quid loquar, audiatur. if I tell you, then listen.

Quidam luduni, quidam bibunt, Some gamble, some drink, quidam indiscrete vivunt. some enjoy doing both. Sed in ludo qui moraniur, but of those who stay to gamble, ex his quidam denudaniur, some of them are stripped, quidam ibi vestiuntur, some are clothed, quidam saccis induuniur. and others covered with money-bags. lbi nullus timet mortem, Nobody there's afraid of death, sed pro Baccho mittunt sortem. but they draw lots in Bacchus' honor.

Primo pro nummaia oini, Once for the buyer of the wine ex hac bibuni liberiini; free men drink out of it; semel bibuni pro captiois, twice they drink for those in prison, post hoc bibuni ter pro vivis, after that, three times for the living, quater pro christianis cunctis, four times for all Christians, cuinquies pro fidelibus defunctis, five times for those who died in the faith, sexies pro soroibus uanis, six times for the weak sisters, septies pro miliiibus silvanis. seven times for the forces on forest duty.

Octies pro [ratribus perversis, Eight times for errant brothers, nonies pro monachis dispersis, nine times for monks dispersed, decies pro naoigantibus, ten times for sailors, undecies pro discordantibus, eleven times for quarrellers, duodecies pro penitentibus, twelve times for penitents, tredicies pro iter ageniibus. 15 thirteen times for those going on a Tam pro papa quam pro rege journey, the same for the Pope as for the King bibunt omnes sine Lege. everyone drinks without license.

Bibit here, bibit herus, The mistress drinks, the master drinks, bibit miles, bibit clerus the soldier drinks, the cleric drinks, bibit ille, bibit ilia, this man drinks, that woman drinks, bibit servus cum ancilla, the servant drinks, the maid-in-waiting drinks, bibit velox, bibit piger, the quick man drinks, the lazy man drinks, bibit albus, bibit niger, the white man drinks, the black man drinks, bibit constans, bibit vagus, the regular drinks, the stray customer drinks, bibit rudis, bibit magus. the greenhorn, drinks, the wise man drinks.

Bibit pauper et egrotus, The poor man drinks, and the invalid, bibit exul et ignotus, the exile drinks, and the man nobody knows, bibit puer, bibii canus, the boy drinks, the greybeard drinks, bibit presul et decanus the president drinks, and the deacon, bibit soror, bibii Jrater, the sister drinks, the brother drinks, bibit anus, bibii mater, the old man drinks, the mother drinks, bibit ista, bibit ille, that woman drinks, this man drinks, bibunt cenium, bibunt mille. a hundred drink, a thousand drink.

Parem sexente nummate Six hundred pence are too few to last, durant, cum immoderate when unbridled and bibunt omnes sine meta. unceasingly they are all drinking. Quamvis bibant mente Zeta, Let them cheerfully drink the sic nos rodunt omnes gentes maximum, people plague us all so, and so et sic eriumus egentes. poor we shall be. Let those who plague us Qui nos rodunt confundantur be confounded, and not be et cum justis non scribaniur. accounted with the righteous.

III. Cour d'.Amour III. Court of Love 15. Children Amor volat undique, Love flies everywhere, captus est libidine. he is seized by desire. iuvenes, iuvencule Young men, young girls, coniunguntur merito. are rightly coupled together. Soprano Siqua sine socio, The girl without a lover caret omni gaudio; does without any pleasure; she keeps the tenet noctis infima sub intimo last watches of the night alone cordis in custodia: in custody of her heart: Children Fit res amarissima. It is the bitterest fate.

16. Baritone Dies, nox et omnia Day, night and all things michi sunt contraria are against me; me fay planszer, the chatter of maidens makes me weep; oy suvenz suspirer, often I sigh, plu me fay temer. and it makes me more fearful.

O sodales, ludite, 0, my friends, go on playing, and tell me, vos qui scitis dicite, you who know, michi mesto parcite, spare me in my sadness; grand ey dolur great is grief, attamen consuliie at least advise me, 16 per voster honur. in your kindness.

Tua pulchra fades Your beautiful face makes me weep me Jay planszer milies, a thousandfold, pectus habet glades. ice is your breast. A remeder, To cure me, statim vivus fierem I would at once be made alive per un baser. by a kiss. 17. Soprano Stetit puella A girl stood rufa tunica; in a red shift; si quis eam tetigit, if anyone touched it, tunica crepuit. the shift trembled. Eia! Eia!

Ste tit puella A girl stood tamquam rosula; like a rosebud; facie splenduit, her face was radiant, os eius floruit. her mouth in flower. Eia!. Eia! 18. Baritone and Chorus Circa mea pectora Around my heart multa sunt suspiria there is much sighing de tua pulchritudine, for your beauty, que me leduni misere. which wounds me pitifully. Manda liet, Manda liet, manda liet, manda liet, miin geselle my lover chumet niet. does not come. Tui lucent oculi Your eyes are bright sicut solis radii, as the rays of the sun, sicut splendor fulguris as the splendor of lightning lucem donat tenebris. that gives light in darkness. Manda liet, etc. Manda Ziel, etc.

Vellet deus, vellent dei May God will, may the gods grant quad mente proposui: what I have planned in my mind: ut eius uirginea that her virginal reserassem vicula. bonds I may unchain. Manda liet, etc. Manda Ziel, etc.

19. Male Chorus Si puer cum puellula If a boy with a girl moraretur in cellula, tarries in a little room, felix coniunciio. happy their mating. Amore suscrescenie, As love rises, pariter e media and from between them both propulso procul tedio, weariness is driven far away, fit ludus ineffabilis an indescribable playfulness begins membris, lacertis, labiis. in their limbs, their arms, their lips.

20. Double Chorus Veni, ueni uenias, Come, come, do come, ne me mori Jacias, do not make me die, hyrca, hyrce, nazaza, hyrca, hyrca, nazaza, trillirivos ... trillirivos ... 17 Pulchra tibi facies Your beautiful face, oculorum acies, the glance from your eyes, capillorum series, the tresses of your hair, o quam clara species! oh what a glorious creature!

Rosa rubicundior, Redder than the rose, lilio candidior, whiter than the lily, omnibus formosior, more beautiful than anything, semper in te glorior! I am always proud for you!

21. Soprano In trutina meniis dubia In the uncertain balance of my mind jluctuant contraria the opposites waver, lascivus amor et pudicitia. desirous love and modesty.

Sed eligo quad video, But I chose what I see, collum iugo predeo; I offer my neck for the yoke; ad iugum tamen suave transeo. to so sweet a yoke I submit.

22. Chorus Tempus est iocundum, This is a joyful time, o uirgines, o you maidens; modo con gaudete rejoice now, vos iuvenes. you young men.

Baritone Oh, oh, oh, Oh, oh, oh, totus floreo, I am bursting all over; iam amore virginali now for love of a girl totus ardeo, I burn all through; novus, novus amor a new, a new love est, quo pereo. it is for wlziclz I die.

Women Mea me confortat I become stronger promissio, when I promise, mea me deportat I am downcast negatio. when I refuse. Soprano and Children Oh, oh, oh etc. Oh, oh, oh, etc.

Men Tempore brumali In winter time vir patiens, man is patient, animo vernali in the springtime breezes lasciviens. he is desirous. Baritone Oh, oh, oh, etc. Oh, oh, oh, etc.

Women Mea mecum ludit It teases me, my virginitas, virginity, mea me detrudit it thrusts me down, my simplicitas. simplicity. Soprano and Children Oh, oh, oh, etc. Oh, oh, oh, etc. 18 Chorus Veni, domicella, Come, my mistress, cumgaudio, with delight, veni, veni, pulchra, come come, my pretty, iam pereo. now I am dying. Baritone, Children and Chorus Oh, oh, oh, etc. Oh, oh, oh, etc.

23. Soprano Dulcissime, My sweetest one, totam tibi subdo me! I give my all to you.

Blanziflor et Helena 24. Chorus Ave [ormosissima, Hail, most beautiful, gemma pretiosa, precious jewel, ave decus virginum, hail, glory of maidens, virgo gloriosa, radiant maiden, ave mundi luminar, hail, light of the world, ave munid rosa, hail, rose of the world, Blanziflor et Helena, Blanchefleur and Helen, Venus generosa! noble Venus.

Fortuna Imperatrix Mundi 25. Chorus O Fortuna, etc. (as at beginning) O luck, etc. (as at beginning)

ACKNOWLEDGEMENTS

The Lehigh University Choral Arts would like to thank Dr. Nadine Sine, Eugene Albulescu, Linda Ganus, Linda Lipkis, Doug MacNeil, the Zoellner administration and staff, and all those helpers in the Choral Arts who make our efforts to bring you the finest in choral music so successful.

In Memoriam Dr. Paul N. Dyer, Ph.D. (September 2, 1943 - May 26, 2001 Our heartfelt sympathies to Katie and all the Dyer family. Paul's voice will be missed.

19 Friends of Zoellner Arts Center 2001-2002 Season

The Board of Trustees of Lehigh University gratefully acknowledges and recognizes the following alumni, friends, corporations and foundations for their generosity in supporting the annual campaign for the Friends of Zoellner Arts Center:

Presenting Sponsor Bobb and Joan Carson" Marilyn and Paul Wagner '57 First Union" Byron and Janet Cook Robert and Lee Wei Red Culver Sponsor John and Carol Daniel" Patron Air Products and Chemicals, Inc." Bill and Anne DeCamp* Anonymous Alvin H. Butz, Inc." Bonnie and Steve Devlin Louise and Bill Banko Chaddsford Winery" Dick Durand and Jan Redinger Raymond and Elizabeth Bell Creative Kids Club Nora Ann and Mohamed El-Aasser Kathryn J. Besterman Lutron Electronics Company, Inc." Mark and Anke Ellis Cyndy and David Brinker Mid Atlantic Arts Foundation Paul and Jean Franz." Carol C. Dorey Morning Call Martin P. Harmer and Robert and Judith Dwyer Pennsylvania Council on the Arts" Andrea J. Pressler Dr. and Mrs. Mark Erickson Carl and Dian Petrillo" Terry and Mary Jane Hart Lisa and Barnet Fraenkel Target Select Cable Advertising Tom and Marsha Hersh William Frederick and The Express-Times" Dr. and Mrs. Richard Hertzberg* Heinz Pfeiffer The Wood Company" Bob and Betsy Holcombe" Nancy and Michael George Victoria and Robert Zoellner* Nancy and Theodor Horstmann Dr. and Mrs. Jerry Grossinger Yong and Sook Kim E.R. Hertzog* Producer Julia E. Klees MD, MPH Ann Mayer Heselwood Leon and June Holt* Kira and Steve Mendez> Mr. and Mrs. George W. Howey Priscilla Payne Hurd" Deborah Sacarakis Maryann and Keith Hunter Nelson and Pat Markley" Mr. and Mrs. Abram Samuels Brenda Johnson Pepsi-Cola Company Don and Betty Smyth Joe and Mary King '61 Tallman, Hudders and Sorrentino, P.C. Krista and Tim Tate The Kleaveland Family Mr. and Mrs. H.A. Wagner" Liz and Ferd Thun '56 Joan A. Kraft Barbara and Charles Vengrove Richard C. Kuklentz Maestro Susan and Marc Vengrove Mina S. Mazdai Cynthia and Peter C. Andersen Ricardo and Mr. and Mrs. John Mitchell Anonymous Martha Marchena Viera" Julia and Kline Pepper Hank and Joanne Barnette* Dave and Margie Williams" David and Judith Ross Marianne C. and William H. Bux '58"' Jerri and John Wood John and Denise Sale W. Robert and Georgeina G. Christie* Sharon and Ron Yoshida" Linda and Walter Silowka Joan and Walter Dealtrey* Heather and Tom Stoneback Mr. and Mrs. Leonard R. Dimmick> Fellow Alex and Karen Tamerler Gregory and Jean Farrington Amaranth Foundation Pamela and Larry Tarica Marlene and Aman Finkelstein '58* Dr. Muriel Berman" Janet Tucker Oldrich and Andrea Foucek* Leah and Peter Cianfrani Jane and Louis Weinstock '36 Linny and Beall Fowler Ann and Bill Clark '45 Richard and Melody Weisman Mr. and Mrs. William Hecht" Mr. and Mrs. Samuel W. Croll Jr. Robert and Virginia Williamson Carl F. Henzelman, Jr. '45 Mr. and Mrs. Wesley S. Davis Jr. Mary Ann and Mr. and Mrs. John S. Detweiler Daniel Kelemen •54• ~ Edward P. Foster Sandra Kushner Boyer Pat and Tucker Lyons" Susan and Bob Gadomski* Mr. and Mrs. Graham D. Briggs Ruth and Charlie Marcon" Betty and Bill Bittinger Madeline and Bob Brown National Dance Project Theodore U. Horger+ Dr. and Mrs. Philip Del Vecchio Jay and Jan Ruhle Valerie Jablow and William Home Katherine and Robert E. Donatelli Elizabeth Scofield and Stephen and Kathy Link Raymond Emrich James R. Tanenbaum" Joseph and lchiko Long Lois and Don Garaventi Roland and Doris Sigal Charles and Marie Luthar Theodore Gleichmann, Jr. Carol and Joseph Snyder '65 Jon Peisinger+ Rhea and Ken Gross Mr. Francis Sobyak Just Born, Inc. Deborah S. Haight Bob and Anne Teufel" Penny Power Ltd. Peggy W. and James B. Hobbs Ken and Mariel Petrini Dr. and Mrs. Robert C. Hunsicker Artist Ruth and Shelden Radin Peter E. Jakubowski Richard and Judith Aronson* Jack Ryan George F. Jam an and Dexter F. and Dorothy H. Rudy and Elsie Schumacher Mary Paltadakis-Jaman Baker Foundation* Charles and Christine Smith Jolly Gardener Products, Terri and Jim Bartholomew H. Stanley Stoney, Jr. Frontier Division Bomboy Incorporated Christine and Ronald J. Ulrich" Jacob and Maria Kazakia 20 Ronald E. Lipetz '62 Karl and Sara Glassman Mary T. Pongracz Eloise Barsett Miller Joel and Muriel Glickman Mr. and Mrs. G. Puzio John and Anne Ochs James A. Gold Albert and Eugenia Robson William and Nora Paltadakis Dr. and Mrs. Gordon J. Goldberg Dr. and Mrs. Marvin B. Rosenthal Margaret Plympton '55 Bob and Judie Rossell Mr. and Mrs. Neil Powell John T. Grant Barbara and Michael Rossi Dr. David Rich Deanna and Richard Granville '54 Betty M. and John D. Rossi Jr. The Rothman Family Robert Grucela Adam and Penny Roth William and Ruth Rusling Judith Guise George D. Ryerson '55 Dan Sigley Leon and Lynne Harbold Dianne Schellenberg Michael and Phyllis Sinclair Ned and Linda Heindel Lisa B. Schwartz Mr. and Mrs. James W. Snyder Jr Marie Helmold John and Beulah Segraves Attorney Jill R. Snyder and Dakota Ken Hendrix and Pat Girke Jean M. Seibel South Side Brass James and Linda Henry Jeffrey Sernak Karen Evans Stout Anita L. Hermany and Doreen Terry and Adrienne Seymour Elliot Sussman and Jody Carr Knotek Taru Shah Dr. and Mrs. Phil Tighe Thomas P. Hess Dr. and Mrs. William W. Sharkan Stephen and Lenore Wagner Virginia Himler Mildred Sheriff Dr. Carlos Hodges Helen and Javad Sholehvar Friend David and Jean Janneck Fred and Ginny Shunk Elizabeth Abrams Sue and Dave Jones Dr. and Mrs. Kenneth P. Sinclair Brent and Mary Alinger Audrey and Steven Kanoff Blu Smith Charles D. Atmore Sharon Kanovsky Diane Stanczak Mr. and Mrs. Robert W. Bell Nancy and George Kantra '58 Hannah Stewart and Don and Lygia Bellis David and Jean Kelley Jack Gambino Mary Sue W. Benken Arthur and Rebecca Klink Michael and Judy Stoner Barbara Shane Berger Walter and Joanne Leiss Bruce and Carol Swan Jan and John Bonge Elaine and Leslie Lerner Froy and Dick Thompson Rev. Paul D. Braden Joseph P. Lettera Ruby and John Updegrove Harriet and Marius Bressoud Harriett R. Logan Verna Rapp Uthman Forbes and Marjorie Brown Mark and Cindi Loizeaux Evelyn and John VanDugteren Richard and Joan Brownell Kathryn Loupos Goldie G. Vass Sandra C. Burroughs Mr. and Mrs. Walter M. May David V. Voellinger and Mary Ann Buss Carolina and George McCluskey Lona M. Farr Lynn and Mike Butts James W. McGeady Adrienne and Jay Warshawsky Wayne and Sue Cady Kateryna Mease George and Carolyn Watkins Marianne Chabot Geraldine F. and Drs. Andrea Waxman and Carla D. Chiapella, M.D. Norman J. Merksamer '52 John Campion Olga Christman Rev. and Mrs. Van S. Merle-Smith Ben and Ellie Weinberger George and Carolyn Conard Tom and Bunny Miller Philip Weinzimer Mr. and Mrs. James M. Crook Edward G. Mittal MervinC. Werst, P.E., '51 EP Mr. and Mrs. Michael Cunningham Ron and Cathy Mordosky The Williamsons Nancy Lattin Davis Virginia and James Niemeyer '48 Kay and Earl Winters Gloria R. Donchez George Ortwein Cherry L. Woodburn Lars and Julie Eng Brady Overturf David and Sheau-Ping Wu Anne R. Enright Ken and Cathy Peoples Maryanne Yankovich Joan and Norman Failla Karlena Gail and David and Jill Yannarcll Michelle and John Finegan Theodore G. Phillips Judith, Jessica, and Kayla Young John and Lois Fischel Mr. and Mrs. Walter C. Pijawka Mr. and Mrs. William J. Young Martin Fishman Emmanuel Po Mr. and Mrs. Edward A. Zouck

* Zoellner Arts Center applauds the Friends noted here for five consecutive years of annual support.

List complete as of April 16, 2002. Errors or omissions should be brought to the attention of Kate Besterman, assistant development director for Zoellner Arts Center, at 610-758-5322 or 800-523-0565 or email [email protected]

xxi Lehigh University MusicDepartment 2001-2002 Season

September 12, 14 at Spm, Rossini's fl barbiere di Siviglia & 16at3 pm ( The Barber of Seville) with supertitles 30at3 pm Lehigh Faculty Trio: Chou, Bakamjian, Albulescu: Haydn, Brahms, Turina

October 26, 27 at 8 pm Philharmonic Orchestra and Choral Arts. Tchaikovsky, Brahms, and Dvorak's Cello Concerto

November 1 at8 pm Fusion Fest: Herbie Hancock, Chick Corea, Miles Davis 2 at8 pm Jazz Ensemble, Band and Combo: Ellington, Basie, Thad Jones 3 at8pm New York Jazz Rep Orchestra: A Tribute to Artie Shaw

December 1 at8 pm Wind Ensemble: Pipes and Band: Music of Ireland and Scotland 3-7 at noon Noon Recitals: Solo performers and chamber groups 7 at8 pm Philharmonic Orchestra: All-Tchaikovsky, including Piano Concerto No. 1 9at4, 8 pm Choral Arts: Christmas Vespers at Packer Chapel

[a n u ar y 25 at8 pm Lehigh Faculty Trio: Chou, Bakamjian, Albulescu: Dvorak, Beethoven, Tcherepnin

February 3 at3 pm Jazz Faculty Combo: Music of Elvin Jones 16 at8 pm Senior Recital: Jeffrey McDermott, baritone 17 at2pm Senior Recital: Meredith Flaster, soprano 17 at4 pm Senior Recital: Martin Utreras, pianist

March 23 at8 pm University Choir: Bach, Magnificat; Cantata 4; Orchestral Suite No. 3 24 at3 pm Eugene Albulescu, pianist: Haydn, Mozart, Beethoven

April 6at8 pm Scenes from Opera and Musical Theatre: Fully-staged excerpts 7 at3 pm Symphonic Band 7 at 7pm Senior Recital: Jessica Brams-Miller, soprano 12 at8 pm East Winds Quintet: Faculty perform Nielsen, Barber, Caner 18 at8 pm Fusion Fest: Led Zeppelin and Jimi Hendrix 19 at8 pm Jazz Ensemble: Classics and new music for big band and combo 20 at8 pm New York Jazz Rep Orchestra: A Tribute to Miles Davis 21 at2pm Junior Recitals: Beginning on the hour, each student performs forty minutes 24-26, 27-29 Noon Recitals: Solo performers and chamber groups 27 at8 pm Philharmonic Orchestra: Brahms, Mussorgsky, and winner of the Concerto Competition 28 at4pm Senior Recital: Cris Frisco, tenor

May 3, 4 at8 pm Choral Arts: Orff's Carmina Burana, Debussy's Nocturnes 5 at3 pm Wind Ensemble: Rhapsody in Blue 5 at 7pm Senior Recital: Thomas Gamarello, tenor 6 at8 pm LUVME: Student composers concert