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Carmina Burana
The William Baker Choral Foundation in the Midwest Presents Carl Orff CARMINA BURANA The Summer Singers of Kansas City William O. Baker, Music Director & Conductor Christine Freeman, Associate Music Director Jamea J. Sale, WBCF Executive Associate Music Director Niccole Winney, Student Intern Steven McDonald & Robert Pherigo, Piano Mark Lowry, John Currey, Ray DeMarchi Steve Riley & Laura Lee Crandall, Percussion Sarah Tannehill Anderson, soprano David Adams, tenor Robert McNichols, baritone Sunday Afternoon, 19 August 2018 Grace & Holy Trinity Cathedral Kansas City, Missouri www.ChoralFoundation.org The 20th Anniversary Summer Singers of Kansas City William O. Baker, DMA Sharon Abner Barbara Gustin Ruth Ann Phares WBCF Founder & Music Director Elaine Adams Frederick Gustin *Brad Piroutek Jenny Aldrich +Natalie Hackler *Julie Piroutek Jamea J. Sale, MME Jean Ayers Jill Hall Melanie Ragan WBCF Executive Associate Music Director *Laura Baker Emerson Hartzler Jane Rockhold *Chris Barnard Kelli Jo Henderson Elizabeth Rowell Lynn Swanson, MME Carolyn Baruch Stephen Hodson Christopher Rupprecht Director, Institute for Healthy Singing *David Beckers Esther Huhn *Jamea Sale Music Director, Baroque Summer Institute Emily Behrmann Beverly Hunt +Shad Sanders *Jennifer Berroth Laura Jacob Charis Schneeberger Andrew Phillip Schmidt, MM Harvey Berwin *Jim Jandt Vicki Schultz Music Director, New South Festival Singers Madeline Boorigie *Jill Jarrett Caren Seaman Music Director-Elect, Summer Singers Atlanta Rebecca Boos *Gary Jarrett *Cindy Sheets Amy Thropp, MM Chris Bradt Susan Johannsen +Pratima Singh Music Director, Zimria Festivale Atlanta Debra Burnes Elaine Johnson Gary Smedile +Mary Burnett Rebecca Jordan Pam Smedile Christine M. Freeman, MME Cynthia Campbell Russell Joy +George Smith Associate Music Director/Senior Vocal Coach *William Cannon Julie Kaplan Linda Spears Becky Carle *Amanda Kimbrough Barton Stanley Scott C. -
Carmina Burana
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra kompozice, dirigování a operní režie Studijní obor Dirigování orchestru Carl Orff: Carmina Burana Diplomová práce Autor práce: MgA. Marek Prášil Vedoucí práce: prof. Mgr. Jan Zbavitel Oponent práce: doc. Mgr. Emil Skoták Brno 2017 Bibliografický záznam PRÁŠIL, Marek. Carl Orff: Carmina Burana [Carl Orff: Carmina Burana]. Brno: Janáčkova akademie múzických umění v Brně, Hudební Fakulta, Katedra kompozice, dirigování a operní režie, rok 2017, s.58 Vedoucí diplomové práce prof. Mgr. Jan Zbavitel. Anotace Diplomová práce „Carl Orff: Carmina Burana“, jak již ze samotného názvu vyplývá, pojednává o skladateli Carlu Orffovi a jeho nejslavnější skladbě, kantátě Carmina Burana. V první části shrnuje život skladatele, stručně charakterizuje jeho dílo a kompoziční styl. Druhá část, věnovaná samotné kantátě, je zaměřena především na srovnání několika verzí kantáty. Jedná se o původní originální symfonickou verzi, autorizovanou komorní verzi, a pak také o transkripci pro symfonický dechový orchestr. Annotation The thesis „Carl Orff: Carmina Burana” deals with composer Carl Orff and his most famous composition the cantata of Carmina Burana, as is already clear from the title itself. In the first part the composer's life is summarized and briefly his work and compositional style are characterized. The second part is dedicated to the cantata itself, it is focused on comparing several versions of the cantatas. There is one original symphonic version, the Authorized chamber version, and a transcription for symphonic band. Klíčová slova Carl Orff, Carmina Burana, kantáta, symfonický orchestr, dechový orchestr, komorní ansámbl Keywords Carl Orff, Carmina Burana, cantata, symphonic orchestra, wind band (concert band), chamber ensemble Poděkování Na tomto místě bych rád poděkoval především MgA. -
Concert: Carmina Burana by Carl Orff Ithaca College Choral Union
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-17-2005 Concert: Carmina Burana by Carl Orff Ithaca College Choral Union Ithaca College Symphony Orchestra Lawrence Doebler Jeffrey Grogan Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Choral Union; Ithaca College Symphony Orchestra; Doebler, Lawrence; and Grogan, Jeffrey, "Concert: Carmina Burana by Carl Orff" (2005). All Concert & Recital Programs. 4790. https://digitalcommons.ithaca.edu/music_programs/4790 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE CHORAL UNION ITHACA COLLEGE SYMPHONY ORCHESTRA Lawrence Doebler, conductor CARMINA BURANA by Carl Orff Randie Blooding, baritone Deborah Montgomery-Cove, soprano Carl Johengen, tenor Ithaca College Women's Chorale, Janet Galvan, conductor Ithaca College Chorus, Janet Galvan, conductor Ithaca College Choir, Lawrence Doebler, conductor Ithaca College Symphony Orchestra, Jeffrey Grogan, conductor Charis Dimaris and Read Gainsford, pianists Members of the Ithaca Children's Choir Community School of Music and Arts Janet Galvan, artistic director Verna Brummett, conductor Ford Hall Sunday, April 17, 2005 4:00 p.m. ITHACA THE OVERTURE TO THE SCHOOL FOR SCANDAL Samuel Barber Ithaca College Symphony -
Boston Symphony Orchestra Concert Programs, Season 128, 2008-2009
* BOSTON SYAfl PHONY m ORCHESTRA i i , V SEASON f '0* 3' Music Director lk Conductor j Emei {Music Director Lc I IP the Clarendon BACK BAY The Way to Live ;; III! in"! I II !! U nil * I v l iji HI I etc - I y=- • ^ Fi 2 '\ i ra % m 1 1 ih ... >'? & !W ||RBIK;| 4* i :: it n w* n- I II " n ||| IJH ? iu u. I 1?: iiir iu» !! i; !l! Hi \m SL • i= ! - I m, - ! | || L ' RENDERING BY NEOSCAPE INTRODUCING FIVE STAR LIVING™ WITH UNPRECEDENTED SERVICES AND AMENITIES DESIGNED BY ROBERT A.M. STERN ARCHITECTS, LLP ONE TO FOUR BEDROOM LUXURY CONDOMINIUM RESIDENCES STARTING ON THE 15TH FLOOI CORNER OF CLARENDON AND STUART STREETS THE CLARENDON SALES AND DESIGN GALLERY, 14 NEWBURY STREET, BOSTON, MA 617.267.4001 www.theclarendonbackbay.com BRELATED DL/aLcomp/ REGISTERED W "HE U.S. GREEN BUILDING COUNl ITH ANTICIPATED LEED SILVER CERTIFICATION The artist's rendering shown may not be representative of the building. The features described and depicted herein are based upon current development plans, which a described. No Fede: subject to change without notice. No guarantee is made that said features will be built, or, if built, will be of the same type, size, or nature as depicted or where prohibited. agency has judged the merits or value, if any, of this property. This is not an offer where registration is required prior to any offer being made. Void Table of Contents | Week 7 15 BSO NEWS 21 ON DISPLAY IN SYMPHONY HALL 23 BSO MUSIC DIRECTOR JAMES LEVINE 26 THE BOSTON SYMPHONY ORCHESTRA 31 THIS WEEK'S PROGRAM Notes on the Program 35 The Original Sound of the "Carmina burana" (c.1230) 41 Carl Orff's "Carmina burana" 53 To Read and Hear More.. -
Spring 2015 Concert Program
Jeff Rehbach, Music Director KEMessier © 2015 Saturday, May 2, 2015 at 7:30 pm Unitarian Church of Montpelier Sunday, May 3, 2015 at 3:00 pm McCarthy Arts Center at Saint Michael’s College Presented by the Fine Arts Department at: VTChoralUnion.org The Vermont Choral Union, Spring 2015 Soprano Alto Celia K. Asbell* Burlington Clara Cavitt Jericho Mary Dietrich Essex Junction Michele Grimm Huntington Megumi Esselstrom Essex Junction Mary Ellen Jolley* St. Albans Lena Goglia Burlington Terry Lawrence Burlington Ann Larson Essex Lisa Raatikainen Burlington Kathleen Messier* Essex Junction Charlotte Reed Underhill Kayla Tornello Essex Junction Judy Rosenbaum Winooski Lindsay Westley Hinesburg Lynn Ryan Colchester Martha Whitfield Charlotte Maureen Sandon Essex Junction Sarah Woodward Burlington Karen Speidel Charlotte Tenor Bass Mark Kuprych Burlington James Barickman Underhill Rob Liotard Starksboro Douglass Bell* St. Albans Jack McCormack Burlington Jonathan Bond South Burlington Peter Sandon Essex Junction Joe Comeau Alburgh Paul Schmidt Burlington Robert Drawbaugh* Essex Junction Maarten van Ryckevorsel Winooski Peter Haskell* Burlington John Houston * Board members Larry Keyes* Colchester Richard Reed Morrisville About the Vermont Choral Union Originally called the University of Vermont Choral Union, the ensemble was founded in 1967 by James G. Chapman, Professor of Music at the University of Vermont. Dr. Chapman directed the choir until his retirement in 2004. At that time, the group's name changed to the Vermont Choral Union, and Gary Moreau, well-known Vermont music educator and singer, succeeded Dr. Chapman as director through 2010. Carol Reichard, director of the Colchester Community Chorus, served as the Choral Union's guest conductor in Spring 2011. -
Musical Influence and Style in the Choral Music of Steven Sametz by Douglas R
MAY 2002 CHORAL JOURNAL Musical Influence and Style in the Choral Music of Steven Sametz by Douglas R. Boyer Interactive Article - www.acdaonline.org/cj/interactive/may2002 Editors note: Many of the musical figures for this article and Princeton Singers, and has been guest conductor for such groups additional sound clips can be viewed and heard on our Web site as the Netherlands National Radio Choir, Taipei Philharmonic, <www.acdaonline.org/cj/interactive/may2002/>. Santa Fe Desert Chorale, Berkshire Festival, and the New York Chamber Symphony. 2 Perhaps best known for his composition I Have Had Sing Sametzs substantial output includes fifty choral works, fif ing, made famous by the male vocal ensemble Chanticleer, teen solo vocal works, a choral symphony, a chamber opera' and Steven Sametz is becoming recognized as a composer of con numerous orchestral and instrumental works. This article ex siderable depth and creativity. His compositions have been plores his musical influences and compositional style as seen in heard throughout the world: the Tanglewood, Ravinia, his choral music. Salzburg, Schleswig-Holstein, and Santa Fe music festivals. Such ensembles as Chanticleer, the Dale Warland Singers, the Musical Influences Sametz (b.1954) grew up in Westport, Connecticut, in a Santa' Fe Desert Chorale, the Philadelphia Singers, the Pro home filled with piano music. His father and older brother Arte Chamber Choir, and the Princeton Singers, among oth played the piano. The six-year-old Steven began imitating his ers, have commissioned his works. His first symphony, older brother at the keyboard. He recalls this memory: Carmina amaris, premiered the spring of 2001 to rave re views! and immediately captured the attention of one of his I started playing and writing on my own early in life. -
Concert & Recital Programs Concert & Recital Programs
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-10-2012 Concert: The Thirty-Fourth Annual Ithaca College Choral Composition Contest Ithaca College Choir Lawrence Doebler Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Choir and Doebler, Lawrence, "Concert: The Thirty-Fourth Annual Ithaca College Choral Composition Contest" (2012). All Concert & Recital Programs. 4058. https://digitalcommons.ithaca.edu/music_programs/4058 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. THE THIRTY-FOURTH ANNUAL ITHACA COLLEGE CHORAL COMPOSITION CONTEST Sponsored jointly by Ithaca College and Roger Dean Publishing Company Ford Hall Saturday November 10th, 2012 7:00 pm ITHACA COLLEGE THIRTY-FOURTH ANNUAL CHORAL COMPOSITION CONTEST AND FESTIVAL Sponsored jointly by Ithaca College and Roger Dean Publishing Company Professor Lawrence Doebler founded the Choral Composition Festival in 1979 to encourage the creation and performance of new choral music and to establish the Ithaca College Choral Series. Six scores were chosen for performance this evening from entries submitted from around the world. The piece …to balance myself upon a broken world (September, 1918) (Amy Lowell) by Paul Carey was commissioned by Ithaca College and -
Evolution Lehigh University Music Department
Lehigh University Lehigh Preserve Performance Programs Music Fall 9-26-2009 (r)evolution Lehigh University Music Department Follow this and additional works at: http://preserve.lehigh.edu/cas-music-programs Part of the Music Performance Commons Recommended Citation Lehigh University Music Department, "(r)evolution" (2009). Performance Programs. 2. http://preserve.lehigh.edu/cas-music-programs/2 This Program is brought to you for free and open access by the Music at Lehigh Preserve. It has been accepted for inclusion in Performance Programs by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. Lehigh University Music Department presents (r )e'V""o1u..~ion.. The Princeton Singers Steven Sametz, director I . I - 1.1-, .. i •. - - ...; ! .. ,,... Saturday, September 26, 2009 8 pm Baker Hall Zoellner Arts Center Welcome to Zoellner Arts Center! We hope you will take advantage of all the facilities, including Baker Hall, the Diamond and Black Box Theaters, as well as the Art Galleries and the Museum Shop. There are restrooms on every floor and concession stands in the two lobbies. For ticket information, call (610) 7LU-ARTS (610- 758-2787) or visit www.zoellnerartscenter.org. To ensure the best experiencefor everyone, please: • Bring no food or drink into any of the theaters • Refrain from talking while music is being performed • Refrain from applause between movements • Do not use flash photography or recording devices • Turn off all pagers and cellular phones • Turn off alarms on wrist -
Reconsidering the Carmina Burana Gundela Bobeth (Translated by Henry Hope)1
4 | Wine, women, and song? Reconsidering the Carmina Burana gundela bobeth (translated by henry hope)1 Introduction: blending popular views and scientific approaches By choosing the catchy title Carmina Burana –‘songs from Benediktbeuern’–for his 1847 publication of all Latin and German poems from a thirteenth-century manuscript held at the Kurfürstliche Hof- und Staatsbibliothek Munich, a manuscript as exciting then as now, the librar- ian Johann Andreas Schmeller coined a term which, unto the present day, is generally held to denote secular music-making of the Middle Ages in paradigmatic manner.2 The Carmina Burana may be numbered among the few cornerstones of medieval music history which are known, at least by name, to a broader public beyond the realms of musicology and medieval history, and which have evolved into a ‘living cultural heritage of the present’.3 Held today at the Bayerische Staatsbibliothek under shelfmarks Clm 4660 and 4660a, and commonly known as the ‘Codex Buranus’, the manuscript – referred to in what follows as D-Mbs Clm 4660-4660a – constitutes the largest anthology of secular lyrics in medieval Latin and counts among the most frequently studied manuscripts of the Middle Ages.4 Yet the entity most commonly associated with the title Carmina Burana has only little to do with the musical transmission of this manu- script. Carl Orff’s eponymous cantata of 1937, which quickly became one of the most famous choral works of the twentieth century, generally tops the list of associations. Orff’s cantata relates to D-Mbs Clm 4660-4660a only in as much as it is based on a subjective selection of the texts edited by Schmeller; it does not claim to emulate the medieval melodies. -
Carmina Burana
Carmina Burana Featuring the Choir and Percussion Ensembles of the Department of Music at the Université de Moncton; Monique Richard, conductor; Indian River Festival Chorus; Kelsea McLean, conductor; Danika Lorèn, soprano; Jonathan MacArthur, tenor; Adam Harris, baritone; Peter Tiefenbach, piano; and Robert Kortgaard, piano Sunday, July 10, 7:30pm Fogarty’s Cover Stan Rogers, arr. by Ron Smail I Dreamed of Rain Jan Garrett, arr. by Larry Nickel Praise His Holy Name Keith Hampton Embarquement pour Cythere Francis Poulenc Catching Shadows Ivan Trevino Misa Criolla Ariel Ramirez INTERMISSION Carmina Burana Carl Orff Fortuna Imperatrix Mundi Fortune, Empress of the World 1. O Fortuna O Fortune 2. Fortune plango vulnera I lament the wounds that Fortune deals I. Primo vere In Spring 3. Veris leta facies The joyous face of Spring 4. Omnia Sol temperat All things are tempered by the Sun 5. Ecce gratum Behold the welcome Uf dem anger In the Meadow 6. Tanz Dance 7. Floret silva The forest flowers 8. Chramer, gip die varwe mir Monger, give me coloured paint 9. a) Reie Round dance b) Swaz hie gat umbe They who here go dancing around c) Chume, chum, geselle min Come, come, my dear companion d) Swaz hie gat umbe (reprise) They who here go dancing around 10. Were diu werlt alle min If the whole world were but mine II. In Taberna In the Tavern 11. Estuans interius Seething inside 12. Olim lacus colueram Once I swam in lakes 13. Ego sum abbas Cucaniensis I am the abbot of Cockaigne 14. In taberna quando sumus When we are in the tavern III. -
Of Music PROGRAM
SHEPHERD SCHOOL SYMPHONY ORCHESTRA RICE CHORALE HOUSTON CHILDREN'S CHORUS CHAMBER CHOIR Larry Rachleff, conductor Friday, April23, 1993 8:00p.m. Stude Concert Hall "-' sfkteherd RICE UNIVERSITY Sc~ol Of Music PROGRAM Fanfare for a Great City Arthur Gottschalk (b. 1952) Variations on a Theme of Joseph Haydn, Op. 56a Johannes Brahms (1833-1897) INTERMISSION Carmina Burana Carl Orff ( 1895-1982) Rice Chorale Houston Children's Chorus Chamber Choir Kelley Cooksey, soprano Francisco Almanza, tenor Robert Ames, baritone In consideration of the performers and members of the audience, please check audible paging devices with the ushers and silence audible timepieces. The taking of photographs and the use of recording equipment are prohibited. SHEPHERD SCHOOL SYMPHONY ORCHESTRA Violin I Viola (cont.) Oboe Trumpet (cont.) Julie Savignon, Erwin Foubert Margaret Butler Troy Rowley concertmaster Patrick Horn Kyle Bruckmann David Workman Claudia Harrison Stephanie Griffin Jeffrey Champion Trombone Barbara Wittenberg Bin Sun Dione Chandler Wade Demmert Jeanine Tiemeyer Andrew Weaver Karen Friedman David Ford Kristin Lacey Sharon Neufeld ~ Brent Phillips Mihaela Oancea English Horn Cello Kyle Bruckmann Inga Ingver Tuba Katherine de Bethune, Yenn Chwen Er Clarinet Jeffrey Tomberg principal Yoong-han Chan Benjamin Brady Danny Urban ~ Jeanne Jaubert Magdalena Villegas Joanne Court Scott Brady Timpani and Tanya Schreiber Kelly Cramm Mary Ellen Morris Percussion Rebecca Ansel Martin van Maanen Robin Creighton Douglas Cardwell Eitan Ornoy X in-Yang Zhou Amy -
新古典主義(Neo-Classicism)與卡爾奧福(Carl Orff)的布蘭詩歌(Carmina
新古典主義(Neo-classicism)與卡爾奧福 (Carl Orff)的布蘭詩歌(Carmina Burana) 高千珊 目 次 目 次 ........................................................................................ I 前 言 ........................................................................................ 1 一、新古典主義音樂 .............................................................. 2 二、卡爾‧奧福的生平 .......................................................... 6 三、布蘭詩歌 ......................................................................... 10 四、結 語 ............................................................................. 25 參考資料 .................................................................................. 26 【附錄一】 ............................................................................. 29 I 前 言 卡爾‧奧福 ( Carl Burana , 1895-1982 ) 是 20 世紀著名的德國作曲家,更是 重要的音樂教育家,在他 87 年的音樂生涯中,透過長期的創作實踐與不斷的研 究探索,寫下許多著名的作品,而《布蘭詩歌》( Carmina Burana , 1937 ) 更是他 在音樂創作上一部重要的代表作。這部以中世紀詩歌為題材的大型作品,奧福將 中世紀、巴洛克及二十世紀這三個時空巧妙結合,以簡潔的節奏及特殊的音樂語 言創作出獨特的音樂風格。身為音樂老師的我,卡爾‧奧福這個名字早已十分熟 悉,但對於他的生平和他所處的時空背景,以及所創作的樂曲卻感到陌生,所以 本文將以此作為了解的重點,並試圖探究其作品《布蘭詩歌》。在結構上,本文 共分為四個部份,在第一部份中,本文將對二十世紀的新古典主義加以說明;第 二部份則針對卡爾‧奧福的生平做一介紹;第三部份則以《布蘭詩歌》為例,進 行分析與研究。 1 一、新古典主義音樂 十九世紀,科學的快速進步,電報、電話、錄音器材與無線電的發明,拉近 了東西方國家的距離,也間接增加對各民族間音樂的認識;而鐵路與汽車工業的 突飛猛進,也使經濟快速發展起來。進入二十世紀後,科技與工業持續進步,飛 機、汽車、收錄音機以及電話……等的普遍使用,將人們的生活徹底改變。自然 科學上,愛因斯坦的相對論及量子力學1的研究結果,則改變人們對物質結構的 概念以及對宇宙及世界的認知。而 1914 年的第一次世界大戰,使得許多國家經 歷社會與政治的動盪與不安,也改變了世界政治的權利結構。 西方音樂上,在歷經十九世紀浪漫主義音樂的洗禮,調性、和聲的使用達至 巔峰,社會與科技的發展與改變,也影響音樂家們去思索音樂未來的新方向。隨 著浪漫主義的式微,緊接而來的第一次世界大戰,使得新的生活型態及社會價值 漸漸形成,西方的文學、哲學、繪畫、舞蹈及音樂出現許多新的思潮,音樂的發