Boston Symphony Orchestra Concert Programs, Season 128, 2008-2009
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UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
Data Pengumuman(22-02-10)
PENGUMUMAN HASIL EVALUASI PKM DIDANAI DP2M DIKTI TAHUN 2010 BIDANG KETUA NU. JUDUL KEGIATAN PERGURUAN TINGGI KEGIATAN PELAKSANA 1 Usaha Studio Foto dan video Shooting Sebagai Upaya PKMK Fajar setiawan Akademi Akuntansi Pengembangan Potensi Kewirausahaan Mahasiswa PGRI Jember 2 Rekayasa Pemanfaatan Roti Kadaluarsa Sebagai Pakan Ternak PKMT Idam Malik Akademi Akuntansi Kasdi PGRI Jember 1 EBER (EDUKASI BERGAMBAR) SEBAGAI SOLUSI CERDAS ANAK DARI PKMM Muchamad Akademi Farmasi PENANGGULANGAN BAHAYA NARKOBA DIKOTA MALANG. Indung Putera Indonesia Hikmawan Malang 2 PENGARUH EKSTRAK TANAMAN ANTING-ANTING (ACALYPHA PKMP Iin Sartika Akademi Farmasi ANDICA L.) TERHADAP PENURUN GULA DARAH MENCIT PUTIH Permatasari Putera Indonesia (MUS MUSCULUS ) JANTAN GALUR SWISS Malang 1 Uji Toksisitas Akut Dan Efek Peningkatan Leukosit Muncit Jantan PKMP Dery Ahlul Azmi Akademi Farmasi (Mus musculus) Dari Ekstrak Umbi Bawang Tiwai ( Eleutherine Samarinda americana (Aubl.)Merr.)) 2 karakterisasi simpliasia dan ekstrak Formulasi Salep Dari Ekstrak PKMP Deny Prayetno Akademi Farmasi Etanol Biji Pinang (Areca Semen) Dan Potensi Daya Hambat Ardi Samarinda Antibakteri Pada Staphylococcusmetanol tumbuhan tarap (artocorpus odoratissimus) aureus 1 Pengaruh Pemberian Gel Tanaman Ciplukan (Physallis angulata L) PKMP Diah Utari M.O. Akademi Farmasi Yarsi Terhadap Penyembuhan Luka Bakar Buatan Pada Kelinci Jantan Pontianak 2 Formulasi Granul Effervescent Buah Asam Paya (Eleiodoxa PKMP Siti Khadijah Akademi Farmasi Yarsi conferta) Sebagai Anti Oksidan Pontianak 3 Uji Efektivitas -
Carmina Burana Carl Orff (1895–1982) Composed: 1935–1936 Style: Contemporary Duration: 58 Minutes
Carmina Burana Carl Orff (1895–1982) Composed: 1935–1936 Style: Contemporary Duration: 58 minutes The Latin title of tonight’s major work, translated literally as “Songs of Beuren,” comes from the Abby of Benediktbeuren where a book of poems was discovered in 1803. The Abbey is located about 30 miles south of Munich, where the composer Carl Orff was born, educated, and spent most of his life. The 13th century book contains roughly 200 secular poems that describe medieval times. The poems, written by wandering scholars and clerics known as Goliards, attack and satirize the hypocrisy of the Church while praising the self-indulgent virtues of love, food, and drink. Their language and form often parody liturgical phrases and conventions. Similarly, Orff often uses the styles and conventions of 13th century church music, most notably plainchant, to give an air of seriousness and reverence to the texts that their actual meaning could hardly demand. In addition to plainchant, however, the eclectic musical material relies upon all kinds of historical antecedents— from flamenco rhythms (no. 17, “Stetit puella”) to operatic arias (no. 21, “Intrutina”) to chorale texture (no. 24, “Ave formosissima”). The 24 poems that compose Carmina Burana are divided into three large sections— “Springtime,” “In the Tavern,” and “Court of Love” —plus a prologue and epilogue. The work begins with the chorus “Fortuna imperatrix mundi,” (“Fortune, Empress of the World”), which bemoans humankind’s helplessness in the face of the fickle wheel of fate. “Rising first, then declining, hateful life treats us badly, then with kindness, making sport of our desires.” After a brief morality tale, “Fortune plango vunera,” the “Springtime” section begins. -
Catulo Y Lesbia En La Obra De Carl Orff
Catulo y Lesbia en la obra de Carl Orff Beatriz Cotello [Corresponsal ante la Ópera de Viena, Austria] Resumen: En este artículo se presentan las cantatas creadas por el compositor Génesis de Catulli Carmina alemán Carl Orff sobre material poético de Catulo: los ludi scenici sobre los amo- res de Catulo y Lesbia titulados Catulli arl Orff (1895-1982) Carmina y el concerto scenico Trionfo di Afrodite en el que musicaliza los poemas complementa su obra de Catulo sobre el himeneo (con el aditamento de un epitalamio de Safo y más famosa y conoci- un coro de Eurípides). El artículo ofrece da, Carmina Burana, un análisis del contenido dramático y musical de ambas piezas y se destacan con dos cantatas, Catulli las características de la concepción de la música de Orff. Junto con Carmina Carmina ludi scaenici Burana, las obras forman un tríptico en y Trionfo di Afrodita: que se celebra el triunfo del amor sobre todo el acontecer humano. conforma así un tríp- Palabras clave: Carl Orff - Trionfi - tico sobre el amor humano en diversas Catulo y Lesbia - Afrodita C 1 expresiones. Un artículo anterior que presenta la obra de Orff en términos Catulo and Lesbia as represented by Carl Orff de su búsqueda de “lo elemental” en la música, ofrece ya un análisis de los Abstract: This article deals with two works from the german composer Carl Carmina Burana. Nos referiremos aho- Orff based on Catullus Latin poetry: Catulli Carmina in which he depicts the ra a las cantatas complementarias. love story of Catulo and Lesbia and La idea de poner en música los ver- Trionfo di Afrodite, where he uses two long wedding poems of Catullus and sos de Catulo surge en 1930, cuando material from Safo and Euripides. -
Richard Strauss's Ariadne Auf Naxos
Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails. -
Lehigh University Choral Arts Lehigh University Music Department
Lehigh University Lehigh Preserve Performance Programs Music Spring 5-3-2002 Lehigh University Choral Arts Lehigh University Music Department Follow this and additional works at: http://preserve.lehigh.edu/cas-music-programs Part of the Music Performance Commons Recommended Citation Lehigh University Music Department, "Lehigh University Choral Arts" (2002). Performance Programs. 155. http://preserve.lehigh.edu/cas-music-programs/155 This Program is brought to you for free and open access by the Music at Lehigh Preserve. It has been accepted for inclusion in Performance Programs by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. BAKER HALL• ZOELLNERARTS CENTER . I I Lehigh Univer. ity Music Department 2001 - 2002 SEASON Welcome to Zoellner Arts Center! We hope you will take advantage of all the facilities, including Baker Hall, the Diamond and Black Box Theaters, as well as the Art Galleries and the Museum Shop. There are restrooms on every floor and concession stands in the two lobbies. For all ticket information, call (610) 7LU-ARTS (610-758-2787). To ensure the best experience for everyone, please: Bring no food or drink into any of the theaters Refrain from talking while music is being performed Refrain from applause between movements Do not use flash photography or recording devices Turn off all pagers and cellular phones Turn off alarms on wrist watches Do not smoke anywhere in the facilities MUSIC DEPARTMENT STAFF Professors - Paul Salemi, Steven Sametz, Nadine Sine (chair) -
Còpia Digital
lK GB Al MONTÍ ' . /esentam.En Alji XLBDA >ER. ? RA, < . I,,na 1:16M ac:£^>r coma_ IMlegfBrWo tot el • ;ne no l'a"' d de ILaBeadé } Són lt^*" V Aromas de) Montserrat Diari d'avisos i noiicics Demaneu-les als boi Edició del mai dolços i quc^ nedaocl6 I impremtai rerlandlna. Min Any XLÏïT7!.0 n.406 RM' TaMfM uiti uiu Barcelona: Diumenge, J.* de gener de Í933 Admlnialroclú: carrer d« Patoyo, número I, Son pla. 15 •v LES NOSTRES COL·LABORACIONS CAP D'ANY EXPERIÈNCIA ' 4—» — DEL PARLAMENT CAïF^ Acaba l'any 1952,11è serà memorable per a Catalunya pel EL BISBE CATALÀ DEL CANIGÓ reconeixement de la autoncroia, i entrem a l'any 1935, que Potser és prematur, encara, per parlar del evoca el centenari dels Ids de la nostra Renaixença literària amb Chorlas Maurras, en un incisiu • cerísima d'a mprenslva al ció estampava al final de u seva íi oublicació de la fa"^ Oda a la Pàtria, de Bonaventura Carles paradoxal assaig aittúovinlsta sobre seu ramat p reogué propor- crtda restaoradora: «En nom de Déu, Bonaparta («Napoleón. avec la Fran• clons d'heroi v^s de la dol- amunt!.' tlie França 0 bé d'Espanya Aribau. • ca, ou contre la Erance>, edicions ça 1 íntegra H Bisbe Carec- — uns i altres som germans —; no el ja celebrades ones qnantc? sessions, de tip L'any JÍMI fou 1" de la proclatoa;ió de la República L'any Flammarlon). aparegut recommont, lide. ner al en escrites les trenca la muntanya — l'amor dels sintetitza totes les seves apreciacions categoria del catalans. -
Les Séjours D'euridice
Automne et hiver euridice opéra 2006-2007 séjours culturels 5 rue du 4 septembre - 13100 Aix-en-Provence Tél. +33 (0) 442 91 33 91 - Fax +33 (0) 442 91 33 90 [email protected] - www.euridice-opera.com heures d’ouverture culturels séjours du lundi au vendredi de 9 h à 12 h et de 14 h à 18 h Agence de voyages, licence n° LI 013 96 00 98 SARL au capital de 108 000 E - R.C.S Aix-en-Provence B 402 294 730 - NAF 633 Z euridice opéra Garantie financière 99 092 E - Deutsche Bank, 3 avenue de Friedland, 75008 Paris RC Professionnelle - Generali France, 5 rue de Londres, 75009 Paris, Police n° 56.204.843.V La quête éternelle du bonheur trouve son apaisement dans la musique… euridice Edito Calendrier . 4 desmatières Table opéra séjours culturels A feuilleter sans modération, voici notre sélection de Les séjours d’Euridice . 6 voyages lyriques pour l’automne et l’hiver 2006. Vous y Envolée luxueuse à Salzbourg et Vienne . 7 trouverez un large choix de séjours individuels inoubliables. Escapade à Valencia et en Andalousie . 8 Nos forfaits répondent à toutes vos exigences et vous Rembrandt à Amsterdam . 10 laissent la plus grande liberté sur place. Ils sont aussi un cadeau idéal pour fêter avec éclat toute grande occasion. Berlin, Staatsoper Unter den Linden, Nous vous proposons : Deutsche Oper . 11 D’excellentes places de spectacle Budapest, Opera . 18 Une sélection des plus beaux hôtels Copenhague, Det Kongelige Teater . 20 Un service personnalisé de qualité Une grande facilité de réservation Dresde, Semperoper . -
Ancient Quarries and Stonemasonry in Northern Choria Considiana
Ancient Quarries and Stonemasonry in Northern Choria Considiana Güney, Hale Source / Izvornik: ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, 2018, 621 - 631 Conference paper / Rad u zborniku Publication status / Verzija rada: Published version / Objavljena verzija rada (izdavačev PDF) https://doi.org/10.31534/XI.asmosia.2015/05.02 Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:123:272357 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-10 Repository / Repozitorij: FCEAG Repository - Repository of the Faculty of Civil Engineering, Architecture and Geodesy, University of Split ASMOSIA PROCEEDINGS: ASMOSIA I, N. HERZ, M. WAELKENS (eds.): Classical Marble: Geochemistry, Technology, Trade, Dordrecht/Boston/London,1988. e n ASMOSIA II, M. WAELKENS, N. HERZ, L. MOENS (eds.): o t Ancient Stones: Quarrying, Trade and Provenance – S Interdisciplinary Studies on Stones and Stone Technology in t Europe and Near East from the Prehistoric to the Early n Christian Period, Leuven 1992. e i ASMOSIA III, Y. MANIATIS, N. HERZ, Y. BASIAKOS (eds.): c The Study of Marble and Other Stones Used in Antiquity, n London 1995. A ASMOSIA IV, M. SCHVOERER (ed.): Archéomatéiaux – n Marbres et Autres Roches. Actes de la IVème Conférence o Internationale de l’Association pour l’Étude des Marbres et s Autres Roches Utilisés dans le Passé, Bordeaux-Talence 1999. e i d ASMOSIA V, J. HERRMANN, N. HERZ, R. NEWMAN (eds.): u ASMOSIA 5, Interdisciplinary Studies on Ancient Stone – t Proceedings of the Fifth International Conference of the S Association for the Study of Marble and Other Stones in y Antiquity, Museum of Fine Arts, Boston, June 1998, London r 2002. -
Carmina Burana
The William Baker Choral Foundation in the Midwest Presents Carl Orff CARMINA BURANA The Summer Singers of Kansas City William O. Baker, Music Director & Conductor Christine Freeman, Associate Music Director Jamea J. Sale, WBCF Executive Associate Music Director Niccole Winney, Student Intern Steven McDonald & Robert Pherigo, Piano Mark Lowry, John Currey, Ray DeMarchi Steve Riley & Laura Lee Crandall, Percussion Sarah Tannehill Anderson, soprano David Adams, tenor Robert McNichols, baritone Sunday Afternoon, 19 August 2018 Grace & Holy Trinity Cathedral Kansas City, Missouri www.ChoralFoundation.org The 20th Anniversary Summer Singers of Kansas City William O. Baker, DMA Sharon Abner Barbara Gustin Ruth Ann Phares WBCF Founder & Music Director Elaine Adams Frederick Gustin *Brad Piroutek Jenny Aldrich +Natalie Hackler *Julie Piroutek Jamea J. Sale, MME Jean Ayers Jill Hall Melanie Ragan WBCF Executive Associate Music Director *Laura Baker Emerson Hartzler Jane Rockhold *Chris Barnard Kelli Jo Henderson Elizabeth Rowell Lynn Swanson, MME Carolyn Baruch Stephen Hodson Christopher Rupprecht Director, Institute for Healthy Singing *David Beckers Esther Huhn *Jamea Sale Music Director, Baroque Summer Institute Emily Behrmann Beverly Hunt +Shad Sanders *Jennifer Berroth Laura Jacob Charis Schneeberger Andrew Phillip Schmidt, MM Harvey Berwin *Jim Jandt Vicki Schultz Music Director, New South Festival Singers Madeline Boorigie *Jill Jarrett Caren Seaman Music Director-Elect, Summer Singers Atlanta Rebecca Boos *Gary Jarrett *Cindy Sheets Amy Thropp, MM Chris Bradt Susan Johannsen +Pratima Singh Music Director, Zimria Festivale Atlanta Debra Burnes Elaine Johnson Gary Smedile +Mary Burnett Rebecca Jordan Pam Smedile Christine M. Freeman, MME Cynthia Campbell Russell Joy +George Smith Associate Music Director/Senior Vocal Coach *William Cannon Julie Kaplan Linda Spears Becky Carle *Amanda Kimbrough Barton Stanley Scott C. -
Carl Orff Carmina Burana (1937)
CARL ORFF CARMINA BURANA (1937) CARL ORFF CARMINA BURANA (1937) CARMINA: Plural of Carmen, Latin for song. BURANA: Latin for, from Bayern, Bavaria. CANTATA VERSUS ORATORIO: Ø Cantata: A sacred or secular work for chorus and orchestra. Ø Oratorio: An opera without scenery or costumes. THE MUSIC: Ø A collection of 24 songs, most in Latin, some in Middle High German, with a few French words. THE SPECTACLE: Ø Seventy piece orchestra. Ø Large chorus of men, women and boys and girls. Ø Three soloists: tenor, baritone and soprano. THE POETRY: Ø The Medieval Latin poetry of Carmina Burana is in a style called Saturnian that dates back to 200 B.C. It was accented and stressed, used by soldiers on the march, tavern patrons and children at play. Later used by early Christians. Ø While the poems are secular, some are hymn-like. Orff’s arrangements highlight this. Ø The poems were composed by 13th century Goliards, Medieval itinerant street poets who lived by their wits, going from town to town, entertaining people for a few coins. Many were ex monks or university drop-outs. Ø Common Goliard themes include disaffection with society, mockery of the church, carnal desire and love. Ø Benedictine monks in a Bavarian monastery, founded in 733 in Beuern, in the Alps south of Munich, collected these Goliardic poems. Ø After the dissolution of the monastery in 1803, some two hundred of these poems were published in 1847 by Andreas Schmeller, a dialect scholar, in an anthology that he labeled Carmina Burana. Ø Orff discovered these in 1935 and, with the help of the poet Michael Hoffman, organized twenty-four poems from the collection into a libretto by the same name. -
Carmina Burana
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra kompozice, dirigování a operní režie Studijní obor Dirigování orchestru Carl Orff: Carmina Burana Diplomová práce Autor práce: MgA. Marek Prášil Vedoucí práce: prof. Mgr. Jan Zbavitel Oponent práce: doc. Mgr. Emil Skoták Brno 2017 Bibliografický záznam PRÁŠIL, Marek. Carl Orff: Carmina Burana [Carl Orff: Carmina Burana]. Brno: Janáčkova akademie múzických umění v Brně, Hudební Fakulta, Katedra kompozice, dirigování a operní režie, rok 2017, s.58 Vedoucí diplomové práce prof. Mgr. Jan Zbavitel. Anotace Diplomová práce „Carl Orff: Carmina Burana“, jak již ze samotného názvu vyplývá, pojednává o skladateli Carlu Orffovi a jeho nejslavnější skladbě, kantátě Carmina Burana. V první části shrnuje život skladatele, stručně charakterizuje jeho dílo a kompoziční styl. Druhá část, věnovaná samotné kantátě, je zaměřena především na srovnání několika verzí kantáty. Jedná se o původní originální symfonickou verzi, autorizovanou komorní verzi, a pak také o transkripci pro symfonický dechový orchestr. Annotation The thesis „Carl Orff: Carmina Burana” deals with composer Carl Orff and his most famous composition the cantata of Carmina Burana, as is already clear from the title itself. In the first part the composer's life is summarized and briefly his work and compositional style are characterized. The second part is dedicated to the cantata itself, it is focused on comparing several versions of the cantatas. There is one original symphonic version, the Authorized chamber version, and a transcription for symphonic band. Klíčová slova Carl Orff, Carmina Burana, kantáta, symfonický orchestr, dechový orchestr, komorní ansámbl Keywords Carl Orff, Carmina Burana, cantata, symphonic orchestra, wind band (concert band), chamber ensemble Poděkování Na tomto místě bych rád poděkoval především MgA.