Here on the Road to Elgin
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Historiography and Narratives of the Later Tang (923-936) and Later Jin (936-947) Dynasties in Tenth- to Eleventh- Century Sources
Historiography and Narratives of the Later Tang (923-936) and Later Jin (936-947) Dynasties in Tenth- to Eleventh- century Sources Inauguraldissertation zur Erlangung des Doktorgrades der Philosophie an der Ludwig‐Maximilians‐Universität München vorgelegt von Maddalena Barenghi Aus Mailand 2014 Erstgutachter: Prof. Dr. Hans van Ess Zweitgutachter: Prof. Tiziana Lippiello Datum der mündlichen Prüfung: 31.03.2014 ABSTRACT Historiography and Narratives of the Later Tang (923-36) and Later Jin (936-47) Dynasties in Tenth- to Eleventh-century Sources Maddalena Barenghi This thesis deals with historical narratives of two of the Northern regimes of the tenth-century Five Dynasties period. By focusing on the history writing project commissioned by the Later Tang (923-936) court, it first aims at questioning how early-tenth-century contemporaries narrated some of the major events as they unfolded after the fall of the Tang (618-907). Second, it shows how both late- tenth-century historiographical agencies and eleventh-century historians perceived and enhanced these historical narratives. Through an analysis of selected cases the thesis attempts to show how, using the same source material, later historians enhanced early-tenth-century narratives in order to tell different stories. The five cases examined offer fertile ground for inquiry into how the different sources dealt with narratives on the rise and fall of the Shatuo Later Tang and Later Jin (936- 947). It will be argued that divergent narrative details are employed both to depict in different ways the characters involved and to establish hierarchies among the historical agents. Table of Contents List of Rulers ............................................................................................................ ii Aknowledgements .................................................................................................. -
On the Reconstruction of the Shenxian Zhuan
On the reconstruction of the Shenxian zhuan . School of Oriental and African Studies The Shenxian zhuan is a biographical (or hagiographical) collection of great importance to our understanding of the formation of the Taoist religion in the early centuries of the Common Era. A text of this name was put together by Ge Hong (283–343), but it has long been suspected that the best-known version currently available was actually confected for commercial rather than academic purposes in the sixteenth century from quotations in other sources, and that the direct tradition of the text has been lost. The careful reconstitution of a reliable version of the original work—or at least of an ancient version—has been the goal of a number of scholars, and the appearance of such a work of scholarship in the form of a translation, as part of what will doubtless prove to be a standard reference series for Taoist texts in English, certainly gives full occasion for congratulating not only the author, Robert Ford Campany, but also the series editor and indeed the press that has made the publication of this typographically complex and lengthy monograph possible.1 There is indeed much to admire here, right from the ‘Foreword’ by the series editor, Stephen R. Bokenkamp, which provides (on p. xxii) a stout defence of academic translation against those, including tenure and promotion committees, who see it as ‘just a skill, like taking dictation’.2 This publication does, however, give an unrivalled opportunity for assessing how much we have learned concerning the reconstitution of lost texts from the period of disunion following the collapse of China's first period of imperial unity, and it is on this question of how to go about the work of reconstitution that the following remarks will concentrate. -
A Abbasid Caliphate, 239 Relations Between Tang Dynasty China And
INDEX A anti-communist forces, 2 Abbasid Caliphate, 239 Antony, Robert, 200 relations between Tang Dynasty “Apollonian” culture, 355 China and, 240 archaeological research in Southeast Yang Liangyao’s embassy to, Asia, 43, 44, 70 242–43, 261 aromatic resins, 233 Zhenyuan era (785–805), 242, aromatic timbers, 230 256 Arrayed Tales aboriginal settlements, 175–76 (The Arrayed Tales of Collected Abramson, Marc, 81 Oddities from South of the Abu Luoba ( · ), 239 Passes Lĩnh Nam chích quái liệt aconite, 284 truyện), 161–62 Agai ( ), Princess, 269, 286 becoming traditions, 183–88 Age of Exploration, 360–61 categorizing stories, 163 agricultural migrations, 325 fox essence in, 173–74 Amarapura Guanyin Temple, 314n58 and history, 165–70 An Dương Vương (also importance of, 164–65 known as Thục Phán ), 50, othering savages, 170–79 165, 167 promotion of, 164–65 Angkor, 61, 62 savage tales, 179–83 Cham naval attack on, 153 stories in, 162–63 Angkor Wat, 151 versions of, 170 carvings in, 153 writing style, 164 Anglo-Burmese War, 294 Atwill, David, 327 Annan tuzhi [Treatise and Âu Lạc Maps of Annan], 205 kingdom, 49–51 anti-colonial movements, 2 polity, 50 371 15 ImperialChinaIndexIT.indd 371 3/7/15 11:53 am 372 Index B Biography of Hua Guan Suo (Hua Bạch Đằng River, 204 Guan Suo zhuan ), 317 Bà Lộ Savages (Bà Lộ man ), black clothing, 95 177–79 Blakeley, Barry B., 347 Ba Min tongzhi , 118, bLo sbyong glegs bam (The Book of 121–22 Mind Training), 283 baneful spirits, in medieval China, Blumea balsamifera, 216, 220 143 boat competitions, 144 Banteay Chhmar carvings, 151, 153 in southern Chinese local Baoqing siming zhi , traditions, 149 224–25, 231 boat racing, 155, 156. -
The Problem of Identifying Mudan 牡丹and the Tree Peony in Early
Asian Medicine 5 (2009) 108–145 brill.nl/asme The Problem of Identifying Mudan 牡丹 and the Tree Peony in Early China Teruyuki Kubo Abstract The tree peony is a flowering plant found in China, and well-known in Britain. Its root cortex is often used in Chinese traditional prescriptions, such as Dahuang mudan tang, Liuwei dihuang wan, and Jiawei shaoyao san. In contemporary Chinese, the tree peony is called ‘mudan’, and although its beauty was largely ignored until the Kaiyuan era (713–41 CE), a drug of the same name is mentioned in medical texts of the Eastern Han period (25–220 CE). The early authori- tative materia medica, Xinxiu bencao (659 CE), also describes a plant called ‘mudan’, but it is different from the tree peony in form. Curiously, although the tree peony is not considered to be native to Japan, it is described as a specialty plant in the early Japanese gazetteer, Izumonokuni Fudoki (733 CE). This study demonstrates that in early texts mudan’‘ referred to a different plant from the tree peony, and that ‘mudan’ had two remarkable aliases, ‘bailiangjin’ in China and ‘yamatachihana’ in Japan. Today, both aliases are used to refer to Ardisia species. Furthermore, I will demonstrate that the Xinxiu bencao’s description of the mudan closely matches that of the Ardisia, especially the A. japonica species. My investigations therefore suggest that early prescriptions may have used the Ardisia species, not the tree peony. This raises further questions: when and how did the tree peony come to replace the Ardisia? This paper presents the most likely progression of this transition by tracing the expansion of cultivation of mudan for ornamental purposes. -
Downloaded from Brill.Com10/01/2021 04:19:12AM Via Free Access 214 Johannes L
bki Bijdragen tot de Taal-, Land- en Volkenkunde 169 (2013) 213-243 brill.com/bki Pre-modern Chinese Sources in the National History of Brunei: The Case of Poli Johannes L. Kurz Senior Lecturer, Faculty of Arts and Social Sciences, Universiti Brunei Darussalam [email protected] Abstract The article deals with the appropriation of pre-modern Chinese sources by R. Nicholl and others for the national history of Brunei. It provides an analysis of the relevant sources and argues that Poli, a country described in the Chinese texts, was not a precursor of Brunei. Keywords pre-modern Chinese historical texts, pre-modern historiography China, modern historiog- raphy Brunei, fabrication of history Brunei, Poli Introduction: The State of History in Brunei Darussalam Since acquiring independence from Great Britain in 1984, local and expa- triate scholars have worked to create a national history for the modern sultanate of Brunei located in northern Borneo, one of the last existing absolute monarchies. By far the most active writer on Brunei history has been Robert Nicholl, who had been in the service of Sarawak but trans- ferred to Brunei when his services where no longer required in Sarawak. It was largely due to his efforts that the national history incorporated pre- modern Chinese descriptions extending the existence of pre-Islamic Brunei to the sixth century.1 Among the places described by the Chinese sources were Poli 婆利, Jinlipishi 金利毗逝, Shilifoshi 室利佛逝, and Boni 渤泥 (also 勃泥),2 all of whom Nicholl (who lacked expertise in classical Chinese and relied on translations only) identified as precursors of Brunei. -
The Local in the Imperial Vision: Landscape, Topography, and Geography in Southern Song Map Guides and Gazetteers
The Local in the Imperial Vision: Landscape, Topography, and Geography in Southern Song Map Guides and Gazetteers Fan Lin, Leiden University Abstract This article examines the generation of topographic maps and geographical writings about local regions of the Southern Song (1127–1279). It identifies two distinct yet interrelated models in the making of local regions in maps and writings: first, map guides (tujing ), which were produced and updated regularly at different tiers of local government for administrative purposes; second, a growing number of monographs, some of them also named “map guides” (tujing) and others “gazetteers” (zhi or difang zhi ), which were compiled by local literati scholars. Upon close examination of these two models, one finds that the local consciousness and identity voiced by the provincial elite were congruous with centralist sentiment and discourse at this time. Specifically, the literati described features of local topographies within an imperial context and in the language of the authorities. Moreover, the wide circulation of these writings also contributed to the collective imagining of a Song Empire in the daily life of the society. In sum, this article argues that there was a close relationship between cartographic discourse and the production of empire at the local level. On the one hand, the state of the Southern Song, traditionally thought to have lost momentum in local control, still proactively maintained regular checks on local geography through mapmaking. On the other hand, local literati strived to establish ties with the central state in various ways while documenting their communities in gazetteers. Keywords: Song dynasty, map guide, tujing, gazetteer, difang zhi, geography, topography Introduction Map guides (tujing , literally “map and treatise”) and gazetteers (difang zhi , literally “record of a local region”) were the two dominant genres of geographical writing in the Song dynasty (960–1279). -
Handbook of Chinese Mythology TITLES in ABC-CLIO’S Handbooks of World Mythology
Handbook of Chinese Mythology TITLES IN ABC-CLIO’s Handbooks of World Mythology Handbook of Arab Mythology, Hasan El-Shamy Handbook of Celtic Mythology, Joseph Falaky Nagy Handbook of Classical Mythology, William Hansen Handbook of Egyptian Mythology, Geraldine Pinch Handbook of Hindu Mythology, George Williams Handbook of Inca Mythology, Catherine Allen Handbook of Japanese Mythology, Michael Ashkenazi Handbook of Native American Mythology, Dawn Bastian and Judy Mitchell Handbook of Norse Mythology, John Lindow Handbook of Polynesian Mythology, Robert D. Craig HANDBOOKS OF WORLD MYTHOLOGY Handbook of Chinese Mythology Lihui Yang and Deming An, with Jessica Anderson Turner Santa Barbara, California • Denver, Colorado • Oxford, England Copyright © 2005 by Lihui Yang and Deming An All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Yang, Lihui. Handbook of Chinese mythology / Lihui Yang and Deming An, with Jessica Anderson Turner. p. cm. — (World mythology) Includes bibliographical references and index. ISBN 1-57607-806-X (hardcover : alk. paper) — ISBN 1-57607-807-8 (eBook) 1. Mythology, Chinese—Handbooks, Manuals, etc. I. An, Deming. II. Title. III. Series. BL1825.Y355 2005 299.5’1113—dc22 2005013851 This book is also available on the World Wide Web as an eBook. Visit abc-clio.com for details. ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116–1911 This book is printed on acid-free paper. -
Xiaoshuo in the Taiping Guangji 1)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Collection, Classification and Conception of Xiaoshuo in the Taiping Guangji 1) Xiaohuan Zhao Introducing Remarks This paper aims to investigate the classificatory system of a genre of classical Chi- nese literature known as “xiaoshuo” 小說 (petty talk) in the Taiping guangji 太平廣記 (Extensive Records of the Era of Supreme Peace, hereafter as TPGJ) in 500 juan 卷 (scroll). This multi-volume xiaoshuo anthology was compiled during a period bearing the title “Supreme Peace and Nation Restored” (Taiping xingguo 太平興國, 976–983) under the reign of Emperor Taizong 太宗 (r. 976–998) of the Northern Song dynasty 北宋 (960–1127).2) I will start with a brief review of the historical background for the compilation of TPGJ and its textual history. I will then make an investigation into the organization and structure of TPGJ and analyze the rationale behind the establish- ment and arrangement of xiaoshuo categories in it. And finally I will draw a conclu- sion on the early Song conception of xiaoshuo as revealed through the xiaoshuo collec- tion and classification in TPGJ. The earliest attempt at a systematic classification of xiaoshuo as a genre of literature independent from historical and philosophical writings was made by the Ming 明 bib- liophile Hu Yinglin 胡應麟 (1551–1602),3) who divided xiaoshuo into six categories, al- though he admitted that there existed overlapping areas in his hex-classificatory scheme, especially with regard to the generic relations between zhiguai 志怪 (records of the strange) and chuanqi 傳奇 (transmissions of the marvellous).4) “In case of this,” he suggested, “classification should be based on what is most emphasized” [gu ju qi zhong er yi 姑舉其重而已].5) Some twentieth century scholars also state this principle, implicitly or explicitly, in their studies of traditional Chinese literature,6) as shown in Y. -
Downloaded from Brill.Com10/05/2021 07:29:56AM Via Free Access Monika Motsch
Monika Motsch THE MIRROR AND CHINESE AESTHETICS. A STUDY OF THE HONGLOUMENG1 1. Traditional Forms of the Mirror Image One of the five alternate tides of the Hongloumeng is Fengyue baojian Mfl W~ , "The Erotic Mirror". This image, which has a long tradition in Chinese literature, provides not only a key to the interpretation of the novel but also to an important concept of Chinese aesthetics. Chinese bronze mirrors are mentioned for the first time in 672 B.C. in Zuozhuan.2 Presumably they came into existence much earlier than that. In literature the mirror can take on the most diverse meanings. It serves as a means for the investigation of the self and of others, for the representation of Love and Death. It can symbolize self-knowledge and self-deception, the world that appears to us or the world beyond. The mirror is a myth of creation: As the World Creatress Nüwa saw herself reflected in a lake one day and feIt lonely, she grasped a handful of mud and formed human beings after her own image. 3 I The paper is based on an unpublished speech during the Symposion "Zweihundert Jahre Traum der Roten Kammer", Bonn, Germany, April 21-13, 1992. A slightly different version has appeared in Chinese (Motsch 1993, pp. 125-30). Some ideas have been discussed in my book on Qian Zhongshu's Guanzhuibian (Motsch 1992, pp. 130-180). 2Needham 1962, p. 87. J Taiping yulan, ch.78 (Fengsu tongyi). Yuan Ke 1986, p.l 03. Downloaded from Brill.com10/05/2021 07:29:56AM via free access Monika Motsch Magic mirrors4 have been a popular motif in folk literature since the lin and Tang Dynasties. -
Han Dynasty Classicism and the Making of Early Medieval Literati Culture
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 In Pursuit of the Great Peace: Han Dynasty Classicism and the Making of Early Medieval Literati Culture Lu Zhao University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Asian History Commons Recommended Citation Zhao, Lu, "In Pursuit of the Great Peace: Han Dynasty Classicism and the Making of Early Medieval Literati Culture" (2013). Publicly Accessible Penn Dissertations. 826. https://repository.upenn.edu/edissertations/826 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/826 For more information, please contact [email protected]. In Pursuit of the Great Peace: Han Dynasty Classicism and the Making of Early Medieval Literati Culture Abstract This dissertation is focused on communities of people in the Han dynasty (205 B.C.-A.D. 220) who possessed the knowledge of a corpus of texts: the Five Classics. Previously scholars have understood the popularity of this corpus in the Han society as a result of stiff ideology and imperial propaganda. However, this approach fails to explain why the imperial government considered them effective to convey propaganda in the first place. It does not capture the diverse range of ideas in classicism. This dissertation concentrates on Han classicists and treats them as scholars who constantly competed for attention in intellectual communities and solved problems with innovative solutions that were plausible to their contemporaries. This approach explains the nature of the apocryphal texts, which scholars have previously referred to as shallow and pseudo-scientific. -
A New Model in the Study of Chinese Mythology
Journal of chinese humanities 3 (���7) �-�� brill.com/joch A New Model in the Study of Chinese Mythology Liu Yuqing 劉毓慶 Professor of Literature, Shanxi University, China [email protected] Translated by Casey Lee Abstract Chinese mythology [shenhua 神話] does not exist independently as a cultural medium like mythology does in the West but, rather, comprises ideological and narrative forms that emerge according to historical and cultural trends. Not only have myths withstood humanity’s conquest of nature, but they have drawn and continue to draw on the mys- teries of scientific development for new content. It is possible to identify three high- points of creativity in the history of Chinese mythology, each corresponding to shifts in the function and nuance of myths. The first highpoint occurred very early on in China’s ancient history, in the period of the Three Sovereigns and Five Emperors [wudi san- wang 五帝三王], when myths were a way to articulate history—that is, history as myth. The second highpoint occurred in the period from the Qin through Jin dynasties, when mythology mainly expounded on philosophy and theory—that is, philosophy as myth. The third highpoint occurred during the Yuan and Ming dynasties, when the narrative content of mythology turned toward the religious—that is, religion as myth. Keywords ancient Chinese history – The Classic of the Mountains and Seas – myth – mythology Mythology is a Western concept. The study of Chinese mythology dates back only to the broad dissemination of Western learning in early twentieth century China and, for most of the past century, has employed concepts, theories, clas- sifications, and research methods developed by Western scholars. -
The Compilation and Publication of the Taiping Yulan and the Cefu Yuangui In: Extrême-Orient, Extrême-Occident
Johannes L. Kurz The Compilation and Publication of the Taiping yulan and the Cefu yuangui In: Extrême-Orient, Extrême-Occident. 2007, N°1, pp. 39-76. Citer ce document / Cite this document : L. Kurz Johannes. The Compilation and Publication of the Taiping yulan and the Cefu yuangui. In: Extrême-Orient, Extrême- Occident. 2007, N°1, pp. 39-76. doi : 10.3406/oroc.2007.1069 http://www.persee.fr/web/revues/home/prescript/article/oroc_0754-5010_2007_hos_1_1_1069 Résumé Compilation et publication du Taiping yulan et du Cefu yuangui Cet article porte sur deux encyclopédies réalisées sur ordre impérial au début des Song du Nord. Écrites dans des contextes différents, elles montrent d'abord combien les compilateurs étaient libres de créer de nouvelles encyclopédies. Elles révèlent ensuite les conceptions différentes que les empereurs avaient de ces ouvrages et de leurs fonctions. La première, Ce qu 'a examiné l'empereur pendant l'ère de la Grande paix, est générale, traitant de tous les phénomènes naturels et surnaturels du monde, tandis que les Modèles tirés des Archives, compilée seulement trente ans plus tard, est un manuel pour le gouvernement, et donc limité aux affaires administratives. Les deux encyclopédies reflètent pourtant bien le contrôle que ces deux empereurs ont eu sur leurs fonctionnaires et l'intérêt qu'ils eurent à recréer des traditions littéraires et érudites qui avaient été particulièrement mises à mal pendant la période chaotique précédant l'empire des Song en 960. Abstract The essay deals with two imperially sponsored encyclopedias of the early Northern Song. On the one hand, written under different premises, they show how flexible compilers were in creating new encyclopedias.