Lovers' Venice
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Wall Street Journal Sept 7 2005
THE WALL STREET JOURNAL. LEISURE V ARTS WEDNESDAY, SEPTEMBER 7, 2005 ,n. Some People Are Idiots. Painting in Italy in a Time of Plague up to the parking lot del. The clouds rising rapidly from the By Tom L. Freudenheim Merriam Peak, Eric west look threatening and most of the gas tank is on empty group at the pass decide not to risk sum- Worcester, Mass. a if we will be able to miting in a storm. Eric and I plunge on- onfession: The Worcester Art Mu- the end of the day. We ward toward Mendel. We climb separate seum has made me rethink my ap- el in Bishop and as a routes up a ridge toward what looks like proach to exhibitions. I generally trting an hour later the top. It actually turns out to be the C [p, around 7 a.m. first of a series of towers. Ninety minutes just like the direct experience of visually feasting on a show, eschewing the various 7 of Bob's group as we later I'm standing on the last tower be- fore the summit, only a few feet lower, gallery assists—audio systems that have 'e stay on the trail too migrated to iPod mode, free brochures in [ the peak from the but a long down climb, traverse and climb from the mountain's apex. It's 1 large type for the visually impaired, jazzy LI blame Bob for this designer text panels of a size and force to rig late and we're still p.m., our turn-around time. -
MOSE (EXPERIMENTAL ELECTROMECHANICAL MODULE; ITALIAN: MODULO SPERIMENTALE ELETTROMECCANICO) Overview / Summary of the Initiative
MOSE (EXPERIMENTAL ELECTROMECHANICAL MODULE; ITALIAN: MODULO SPERIMENTALE ELETTROMECCANICO) Overview / summary of the initiative Title: MoSE (Experimental Electromechanical Module; Italian: MOdulo Sperimentale Elettromeccanico) Country: Italy (Veneto region) Thematic area: Security, Climate change Objective(s): 1. To protect from flooding the city of Venice and the Venetian Lagoon, with its towns, villages and inhabitants along with its iconic historic, artistic and environmental heritage. 2. To contribute to the socio-economic growth of the area and hence to the development of the port and related activities. 3. To guarantee the existing and future port activities inside the Lagoon in its various specificities of Chioggia, Cavallino and Venice. Timeline: The launch of the project started in 1973, when for the first time the Italian Government took in consideration the realisation of mechanic structures to prevent Venice from flooding. 2003 (start of the works)-2019 (estimation) Scale of the initiative: EUR 5.493 million (2014 estimation) Scope of the initiative • Focused on new knowledge creation (basic research, TRLs 1-4): TO A CERTAIN EXTENT; the development and following implementation of the MoSE project have focused on knowledge creation and prototypes development since the 1980s. However, this is useful to the construction at the three inlets of the Venice lagoon and mobile barriers. • Focused on knowledge application (applied research, TRLs 5-9): YES; the MoSE project aims to apply the developed technological solutions and to demonstrate its validity. Source of funding (public/private/public-private): Public funding: since 2003 (year of start of the works) the national government has been the financial promoter of the MoSE. -
SINA Centurion Palace
SINA Centurion Palace Located in the quiet Dorsoduro residential area of Venice between the Guggenheim and Punta della Dogana museums, the SINA Centurion Palace sits directly on the Grand Canal opposite San Marco. Next door to the famous church of Santa Maria della Salute, the hotel blends the antiquity of its former ‘Palazzetto’ with vibrant modern furnishings, and is an oasis of calm, just a short walk or gondola ride to the city’s many attractions. www.sinahotels.com GDS Code: LX +39 041 34281 Email: [email protected] VENICE, ITALY Paolo Morra Paolo Morra has worked in Services, Experiences and Highlights: Venetian luxury hotels practically his • 50 rooms with truly exceptional views of Venice’s skyline entire professional life. Yet he is not originally from Venice. Paolo is a proud • Quiet residential location, yet centrally located Neapolitan and with that comes his easy • Features an intimate and charming courtyard where laugh, his great humor, his gentle ways guests can relax after a day of sightseeing and his love of life, which he brings to • Antinoo’s Lounge & Restaurant, with lovely terrace his beloved SINA Centurion Palace. seating on the Grand Canal Paolo is omnipresent at the SINA • Private pier on the Grand Canal for easy water Centurion Palace. He is an old school taxi transfers general manager who treasures • Private seasonal shuttle taking guests to San Marco customer contact above all. As guests • Member of SINA Hotels, Small Luxury Hotels of the arrive by water taxi at the private pier World, American Express Hotel Collection, Travel of the hotel, Paolo is never far away, Leaders Select and Conde Nast Johansens impeccably attired, extending his hand and welcoming guests as though they were arriving at their very own Palazzo “ My stay at SINA Centurion Palace was amazing and I on the Grand Canal. -
(All.10) +Relazione ISPRA 2010.Pdf
ATTIVITÀ DI MONITORAGGIO PER LA BONIFICA DEI FONDALI ANTISTANTI IL TERMINAL RAVANO NEL PORTO DELLA SPEZIA RELAZIONE TECNICA Luglio 2010 PM-EL-LI-P-01.11 PM-El-LI-P-01.11 Responsabile del Dipartimento II ex ICRAM Dott. Massimo Gabellini Coordinatore scientifico Dott.ssa Antonella Ausili Responsabili Scientifici ISPRA del Progetto Dott. Ing. Elena Mumelter Dott.ssa Maria Elena Piccione Staff tecnico ISPRA Francesco Loreti Ing. Lorenzo Rossi Ing. Andrea Salmeri Dott.ssa Antonella Tornato Laboratorio contaminanti organici ISPRA Dott. Giulio Sesta Laila Baklouti Giuseppina Ciuffa Andrea Colasanti Dott.ssa Anna Lauria Andeka de la Fuente Origlia Laboratorio ecotossicologia ISPRA Dott. Fulvio Onorati Dott. Giacomo Martuccio Giordano Ruggiero Dott.ssa Angela Sarni ISTITUTO SUPERIORE DI SANITA’ Dott.ssa Eleonora Beccaloni Dott.ssa Rosa Paradiso Dott.ssa Federica Scaini UNIVERSITÀ DI SIENA - DIPARTIMENTO DI SCIENZE AMBIENTALI “G. SARFATTI” Dott.ssa Cristina Fossi Dott.ssa Silvia Casini Dott.ssa Letizia Marsili Dott.ssa Daniela Bucalossi Dott. Gabriele Mori Dott.ssa Serena Porcelloni Dott. Giacomo Stefanini Dott.ssa Silvia Maltese 2/97 PM-El-LI-P-01.11 ATTIVITÀ DI MONITORAGGIO PER LA BONIFICA DEI FONDALI ANTISTANTI IL TERMINAL RAVANO NEL PORTO DELLA SPEZIA RELAZIONE TECNICA SOMMARIO 1 INTRODUZIONE .................................................................................................... 5 2 PIANO DI MONITORAGGIO................................................................................... 5 2.1 Piano di monitoraggio ante operam................................................................. -
Infrared Thermografic Investigation of Basilica Della Salute Floor
Proceedings of COBEM 2009 20th International Congress of Mechanical Engineering Copyright © 2009 by ABCM November 15-20, 2009, Gramado, RS, Brazil INFRARED THERMOGRAFIC INVESTIGATION OF BASILICA DELLA SALUTE FLOOR Antonio del Conte, [email protected] Artemis s.r.l. c/o Facoltà di Ingegneria Università Politecnica delle Marche, Via Brecce Bianche, 1 – 60131 Ancona (Italy) Enrico Espósito, [email protected] Dipartimento di Meccanica – Università Politecnica delle Marche, Via Brecce Bianche, 1 – 60131 Ancona (Italy) Roberto Márcio de Andrade, [email protected] Departamento de Engenharia Mecânica da Universidade Federal de Minas Gerais, Av. Antônio Carlos 6627 – Pampulha – Belo Horizonte – MG – 31270-901 (Brasil) Sinthya Gonçalves Tavares, [email protected] Departamento de Ciências Exatas e Tecnologia do Centro Universitário de Belo Horizonte – UNI-BH, Av. Professor Mário Werneck, 1685 – Estoril – Belo Horizonte, MG – 30455-610 (Brasil) Abstract. The infrared thermography applied to cultural and monumental goods diagnostic is one of more consolidated non-invasive techniques used actually. Its popularity is mainly due to its capacity to indentify non visible faults, humidity and others normal occurrences in works of art. In this work the experimental results obtained through the infrared thermography implementation on samples of the Basilica della Salute (Venice – Italy) floor are presented. The experimental procedures have been carried out using active thermography where the artificial heating has been obtained through the use of tungsten lamps. The thermal analysis allowed to identify restoration operations due to materials used which have different origin of the base material and, consequently, different thermal diffusivity and emissivity. The influence of the superficial color over the results is also discussed. -
Canal Grande (The Grand Canal)
Canal Grande (The Grand Canal) Night shot of the Canal Grande or Grand Canal of Venice, Italy The Canal Grande and the Canale della Giudecca are the two most important waterways in Venice. They undoubtedly fall into the category of one of the premier tourist attractions in Venice. The Canal Grande separates Venice into two distinct parts, which were once popularly referred to as 'de citra' and 'de ultra' from the point of view of Saint Mark's Basilica, and these two parts of Venice are linked by the Rialto bridge. The Rialto Bridge is the most ancient bridge in Venice.; it is completely made of stone and its construction dates back to the 16th century. The Canal Grande or the Grand Canal forms one of the major water-traffic corridors in the beautiful city of Venice. The most popular mode of public transportation is traveling by the water bus and by private water taxis. This canal crisscrosses the entire city of Venice, and it begins its journey from the lagoon near the train station and resembles a large S-shape through the central districts of the "sestiere" in Venice, and then comes to an end at the Basilica di Santa Maria della Salute near the Piazza San Marco. The major portion of the traffic of the city of Venice goes along the Canal Grande, and thus to avoid congestion of traffic there are already three bridges – the Ponte dei Scalzi, the Ponte dell'Accademia, and the Rialto Bridge, while another bridge is being constructed. The new bridge is designed by Santiago Calatrava, and it will link the train station to the Piazzale Roma. -
The Mose Machine
THE MOSE MACHINE An anthropological approach to the building oF a Flood safeguard project in the Venetian Lagoon [Received February 1st 2021; accepted February 16th 2021 – DOI: 10.21463/shima.104] Rita Vianello Ca Foscari University, Venice <[email protected]> ABSTRACT: This article reconstructs and analyses the reactions and perceptions of fishers and inhabitants of the Venetian Lagoon regarding flood events, ecosystem fragility and the saFeguard project named MOSE, which seems to be perceived by residents as a greater risk than floods. Throughout the complex development of the MOSE project, which has involved protracted legislative and technical phases, public opinion has been largely ignored, local knowledge neglected in Favour oF technical agendas and environmental impact has been largely overlooked. Fishers have begun to describe the Lagoon as a ‘sick’ and rapidly changing organism. These reports will be the starting point For investigating the fishers’ interpretations oF the environmental changes they observe during their daily Fishing trips. The cause of these changes is mostly attributed to the MOSE’S invasive anthropogenic intervention. The lack of ethical, aFFective and environmental considerations in the long history of the project has also led to opposition that has involved a conFlict between local and technical knowledge. KEYWORDS: Venetian Lagoon, acqua alta, MOSE dams, traditional ecological knowledge, small-scale Fishing. Introduction Sotto acqua stanno bene solo i pesci [Only the fish are fine under the sea]1 This essay focuses on the reactions and perceptions of fishers facing flood events, ecosystem changes and the saFeguarding MOSE (Modulo Sperimentale Elettromeccanico – ‘Experimental Electromechanical Module’) project in the Venetian Lagoon. -
ART HISTORY of VENICE HA-590I (Sec
Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001). -
Adriatic Odyssey
confluence of historic cultures. Under the billowing sails of this luxurious classical archaeologist who is a curator of Greek and Roman art at The Metropolitan Museum of Art. Starting in the lustrous canals of Venice, journey to Ravenna, former capital of the Western Roman Empire, to admire the 5th- and 6th-century mosaics of its early Christian churches and the elegant Mausoleum of Galla Placidia. Across the Adriatic in the former Roman province of Dalmatia, call at Split, Croatia, to explore the ruined 4th-century palace of the emperor Diocletian. Sail to the stunning walled city of Dubrovnik, where a highlight will be an exclusive concert in a 16th-century palace. Spartan town of Taranto, home to the exceptional National Archaeological Museum. Nearby, in the UNESCO World Heritage Site of Alberobello, discover hundreds of dome-shaped limestone dwellings called Spend a delightful day at sea and call in Reggio Calabria, where you will behold the 5th-century-B.C. , heroic nude statues of Greek warriors found in the sea nearly 50 years ago. After cruising the Strait of Messina, conclude in Palermo, Sicily, where you can stroll amid its UNESCO-listed Arab-Norman architecture on an optional postlude. On previous Adriatic tours aboard , cabins filled beautiful, richly historic coastlines. At the time of publication, the world Scott Gerloff for real-time information on how we’re working to keep you safe and healthy. You’re invited to savor the pleasures of Sicily by extending your exciting Adriatic Odyssey you can also join the following voyage, “ ” from September 24 to October 2, 2021, and receive $2,500 Venice to Palermo Aboard Sea Cloud II per person off the combined fare for the two trips. -
The Ransom of Mussels in the Lagoon of Venice: When the Louses Become “Black Gold”
International Review of Social Research 2017; 7(1): 22–30 Research Article Open Access Rita Vianello The ransom of mussels in the lagoon of Venice: when the louses become “black gold”. DOI 10.1515/irsr-2017-0004 (and still call them today) “peòci”, that is to say louses. Received: February 1, 2016; Accepted: December 20, 2016 They used to consider them not edible and sometimes Abstract: The article presented here is rooted in our doctoral even poisonous. However today, they are known to have research in Ethnology and Social History developed in the an exquisite taste and all the inhabitants eat them as a lagoon of Venice in 2010-2013. It is a research based on the habit. To paraphrase Hobsbawm (Hobsbawm and Ranger methodology of ethnographic field research, in parallel 1983), we are witnessing an example of insular “invented with the bibliographic and archive research. The fieldwork tradition”, applied to the local feeding. The mussels have was conducted between March 2010 and August 2012 become the object of a curious process: if beforehand they with 21 informants, fishermen aged 20 to 90 years. In this were perceived as venomous, as undesirable shells which article we analyze how the formation of a new food taste were damaging fishing nets, they then became a refined is a process that can be defined “cultural”. We can meet an and sought food served in restaurants and in the festive example in the history of mussel-farming on the island of moments and user-friendly. Pellestrina, an island of fishermen in the southern lagoon The main phenomenon of our study is the change of Venice, where the exploitation of this mollusk as food of attitude particularly interesting from an ethnological and economic resource appears rather late in history. -
Carnevale Di Venezia Venice...This Is Breath!” ~ Lord Byron Art and Love in the Venetian Renaissance
ISADORA DUNCAN INTERNATIONAL INSTITUTE Celebrating Our 40 th Anniversary Season Renaissance unto Rapture: “My own, My beautiful, My only Carnevale di Venezia Venice...this is Breath!” ~ Lord Byron Art and Love in the Venetian Renaissance Venice the pearl, poised between earth February 7th to 15th, 2018 and sky, and upon misted waters, becomes the proactive and Guided Travel Tour to Venice, Italy and promising locus of the aesthetic Environs in the Fine and Lively Arts experience at the pinnacle of with fanfare, known for centuries as Exclusive Entrée to Private Balls Carnevale. Unsurpassed, art grows & and abounds into spirit and matter Rare Venetian Experiences at every bend in her waters. Her churches, whether grand cathedral or intimate chapel - her palazzi, her scuole - her ‘ca’ - are enveloped In a manner from the worldly set in auras of mystery where air apart,Venice is built upon the water makes way for both sense like a celestial, supernatural decree: and spirit. In Venice’s fluid and the King of Heaven was pleased realm amidst stone, the to found in her the safe, eternal nest of omnipresent aura of art, his faith,which elsewhere lay oppressed; and music, painting, poetry, for his own delight on this shore he placed all magic and intrigue, incarnate the most esteemed and vaunted sweetness... within us, as in no other city. ~ Veronica Franco, 1546-1595 Itinerary Highlights Include: • The Doge’s Palace - the titular home of the Doge, Dogaressa, Lady Venice and Renaissance unto Rapture: Cost: $4,000 the four Marco treasuries Based on double occupancy, single supplement at extra cost. -
Itinerary: Venice Past and Modern Googel Maps LINK : Https
Itinerary: Venice Past and Modern Googel Maps LINK : https://goo.gl/maps/wCXfm7jyrmuu9eR6A HOME INDEX 00. Start : 1279 Sotoportego Ca’ Pozzo 01. Ponte Guglie 02.Campo San Geremia 03.Lista di Spagna 04. Ponte degli Scalzi 05.Fondamenta San Simeon Piccolo 06.Fondamenta dei Tolentini 07.Campo dei Tolentini 08.Minotto Fondamenta 09.Salizzada San Pantalon 10.Campiello Mosche 11.Campo San Pantalon 12. Calle de la Chiesa 13.Campo Santa Margherita 14. Campo Carmini 15.Fondamenta del Soccorso 16.Fondamenta Briati Bridge 17.Fondamenta Briati 18.Fondamenta Barbarigo 19.Calle Riello 20. Tron Fondamenta 21. Fondamenta Lizza Fusina 22. Campo San Angelo Raffaele 23.Chiesa di San Sebastiano 24 Fondamenta San Basilio 25. Campo San Basegio 26.Fondamneta Zattera al Ponte Lungo 27. Fondamenta Zattere ai Gesuati 28.Fondamenta Zattere allo Spirito Santo 29. Fondamenta Zattere ai Saloni 30. Punta della Dogana 31. Fondamenta Dogana alla Salute 32.Calle Bastion 33. Calle San Cristoforo 34.Arrival: Peggy Guggenheim Collection _____________ Itinerary name: "Past and Modern Venice" Approximate distance:4.8 km Average walking time :90 minutes / 2, 00 hours _____________ Short description of the itinerary: What's this?... a cultural itinerary that will lead you through a mysterious Venice and out of the usual paths to discover a Venice that never ceases to amaze and an attentive and curious eye. This cultural itinerary consists of 34 points which correspond to points that can be viewed on the online linked google map with a zoom in / out function A list of the main squares or "campo" so called in Venetian (ie in Venice the name square is "campo") will help you to find your way passing through : Campo San Geremia, Campo Santa Margherita.