DOCSLIB.ORG

Exquisite Suites

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Exquisite Suites Exquisite Suites The St. Regis Venice Cultivating the Vanguard Index The St. Regis Venice 9 The Artist Residences 10 Presidential Suite 15 Monet Suites 27 The Garden Retreats 38 Penthouse Suite 43 Santa Maria Suite 53 Roof Garden Suites 63 Grand Canal Sanctuaries 72 Terrace Grand Canal Suites 77 Grand Canal View Suites 87 The Suite Lifestyle 96 St. Regis Suites 99 Masquerade Suite 105 Venetian Suites 111 Astor Suites 115 A Spirited Tradition 118 Tastefully Disruptive 121 An Immersive Journey 122 The St. Regis Venice The Italianate Garden 8 The St. Regis Venice Supremely located beside the Grand Canal opposite iconic landmarks Punta della Dogana and Santa Maria della Salute Basilica, The St. Regis Venice has stood in various guises in this privileged position for over a century and a half, welcoming a host of illustrious guests. Home to merchants, royalty, artists and explorers, the hotel is steeped in timeless legend and impeccable character, and has been defined by the city’s artistic and cultural legacy. Made up of a unique collection of five 18th and 19th century palazzi, The St. Regis Venice features 130 guestrooms and 39 suites, many of which boast private terraces or Juliet balconies for sweeping views of Venice’s iconic landmarks. A jewel in the city, the hotel’s spacious secluded garden sets the hotel apart, making it a lifestyle destination where guests and locals alike can enjoy remarkable views of the Grand Canal, and the disruptively delicious gastronomical experiences of Gio’s Restaurant, The St. Regis Bar, and Arts Bar. The SPA Suites at The St. Regis Venice advocate an immersive enriching journey, offering moments of relaxed pleasure and sensory revitalization. Avantgarde in outlook and evolutionary in design, The St. Regis Venice merges its historic provenance as the best address in the city, with striking, modern interiors and an allure cultivated by discerning luminaries. The Artist Residences Presidential Suite Monet Suites 10 The Presidential Suite The Presidential Suite 12 True artist’s residences, the Presidential and Monet Suites are infused with artistic spirit. Inspired by the watercolours of French Impressionist painter Claude Monet, who painted from this same location in 1908 when he was a former guest of The St. Regis Venice – at the time the Grand Hotel Britannia – the interior design of the suites evidences the soft, warm Venetian light that has drawn artists to Venice over the centuries. Focal points of the living spaces alongside unrivaled outlooks are a series of bespoke contemporary artworks entitled “Hommage à Monet” commissioned to artist in residence, French painter Olivier Masmonteil, which celebrate the eternity of luminescence so unique to Venice. View of the Grand Canal and Santa Maria della Salute Basilica 14 Presidential Suite The grandest of all suites, the two-bedroom Presidential Suite occupies the entire waterfront-facing space on the second noble floor of the hotel’s palace, making it undeniably the finest address in the hotel. Enchanting is the play of light that accompanies the rise and setting of the day. Defined by expansive night and day ambiances, soaring ceilings and bespoke design furnishings by London based Sagrada, the Presidential Suite is the ultimate in contemporary Venetian luxury. Its living spaces lead out to Juliette balconies that present uninterrupted views of the entrance to Venice’s Grand Canal, with perspectives that extend 180° from the Bacino San Marco to San Giorgio Maggiore Island, across to Punta della Dogana and the beautiful Santa Maria della Salute Basilica, and beyond again to the palatial residences of notable architectural beauty that line the opposite bank of the waterway. Focal points in the interconnecting living rooms are two contemporary canvases entitled “Hommage à Monet” commissioned to artist in residence, French painter Olivier Masmonteil. Venetian mirror inserts amplify their jewel colours alongside the light and beauty that filters in from outside. Bronze and Alabaster plaster sculpture by Massimiliano Pelletti, collaborative glass art by Robin Greene and Beregno Studios, art by Aurore de la Morinerie, Tony Blackmore, and James Thomas, along with backlit shelving dotted with objets d’art, Murano glass accessories and literary works lend sophisticated eclecticism to this unique and superb artist’s residence. A Living Room in the Presidential Suite 16 A Living Room in the Presidential Suite 18 Dimensions 150-square metres Features • Two expansive living rooms presenting stunning Grand Canal Views and step out Juliette balconies, design lounge sets with Rubelli Group fabrics, tailored hand crafted design furnishings, dining tables that may be comfortably set for six and four, backlit shelving with a selection of objets d’art, custom made wet bar and cocktail trolley with a bespoke selection of spirits and beverage. • Commissioned Olivier Masmonteil paintings from the series “Hommage à Monet”. • Two bedrooms with king-size St. Regis bed dressed in crisp white Frette linens and soft down feather duvet, ample wardrobe space, an in-room safe, and USB charging ports. Views of the Italianate garden and side views to the Grand Canal may be enjoyed from the master bedroom. • Two generous ensuite bathrooms dressed in Italian Covelano Tiger and Lasa Vena Oro marbles with walk- in rainforest shower, a bathtub for deep soaking, dual vanity basins, towel warmers, Bentley hair dryers, luxurious Remède bath amenities, make-up mirror, plush terry robes. • St. Regis Butler Service. • A pantry kitchenette. • Two guest powder rooms. 20 - Presidential Suite Handcrafted Artworks from the Berengo Studio in Murano A Bedroom in the Presidential Suite 22 Detail of the Presidential Suite 24 View of San Giorgio Maggiore from the Presidential Suite The Presidential Suite Master Bathroom Detail of a Monet Suite Living Room 26 Monet Suites Encapsulating true modern Venetian residences designed by London based Sagrada for connoisseurs of fine art, the Monet Suites pay homage to the great vanguard of Impressionism, French painter Claude Monet. Each is unique in design, with colour palettes inspired by the artist’s Venetian masterpieces, and by the soft, warm Venetian light. Elegant and residential, yet charged with artistic spirit, the Monet suites occupy Grand Canal front row positions in the hotel’s Tiepolo palace. A step-out Juliette balcony overlooks Venice’s iconic waterway, while slices of Venetian mirroring amplify the view and beauty outside. Accompanying artist in residence Olivier Masmonteil commissioned canvases from the series “Hommage à Monet” are bronze and Alabaster plaster sculptures by Massimiliano Pelletti, collaborative glass pieces by Luigi Benzoni and by Robin Greene with Berengo Studios, and artworks by James Thomas and Tony Blackmore. Rubelli design fabrics and a backlit bookcase contribute to the residential atmosphere showcasing modern objets d’art from Murano, and a curated selection of art and cultural volumes and novels. View of the Grand Canal from a Monet Suite 28 A Monet Suite Living Room 30 Dimensions Average size of 75-square metres Features • An expansive living room presenting step out Juliette balconies with stunning views of the Grand Canal, San Giorgio Maggiore Island, Punta della Dogana and Santa Maria della Salute Basilica, a design lounge set, a dining table that may be comfortably set for four, a backlit bookcase showcasing a curated selection of sculpture and objets d’art, an escritoire, a well-stocked wet bar and cocktail set. • Commissioned paintings by artist in residence French painter Olivier Masmonteil from the series “Hommage à Monet”. • A bedroom with king-size St. Regis bed dressed in crisp white Frette linens and soft feather duvet, ample wardrobe space, an in-room safe, and USB charging ports. • A lavishly proportioned ensuite bathroom in Superwhite and Italian Palissandro Blue marbles with walk-in rainforest shower, a bathtub for deep soaking, dual vanity basins, towel warmers, Bentley hair dryer, luxurious Remède bath amenities, make-up mirror, plush terry robes. • Bespoke handcrafted design by Sagrada of London inspired after Venetian decorative patterns, traditions and legacy craft. • St. Regis Butler Service. • A pantry kitchenette, select suites. • A guest powder room. • Low-beamed ceilings. • May connect with each other to form a two-bedroom apartment. 32 - Monet Suites View of San Giorgio Maggiore and the Grand Canal A Monet Suite Living Room 34 A Curated Collection of Objets d’Art 36 - Monet Suites A Monet Suite Bedroom A Monet Suite Bathroom The Garden Retreats Penthouse Suite Santa Maria Suite Roof Garden Suites 38 One of the views from a Roof Garden Suite The Santa Maria Suite Terrace 40 The allure of the city’s hidden gardens is both a worthy complement to the views, as well as a source of inspiration for the interiors of The St. Regis Venice’s Garden Retreats. Indulge at leisure on outdoor extensions immersed in some of the finest panoramas of Venice. The Penthouse Suite 42 Penthouse Suite The epitome of luxury the Penthouse Suite is undeniably the largest accommodation in the hotel. A hideaway retreat at one with the Venetian skyline, the Penthouse Suite immerses its guests in an engaging panorama of cupolas, bell towers, altanas and terracotta tiling just minutes from the city’s contemporary art scene, designer boutiques, and city museums. Unique to the Penthouse Suite is its wraparound furnished garden terrace, which showcases extraordinary outlooks from three separate viewpoints over Venice’s city-, canal- and lagoon-scapes. Enjoy coveted perspectives of St. Mark’s Bell Tower, the Grand Canal, the iconic landmarks of Punta della Dogana and Santa Maria della Salute Basilica, San Giorgio Maggiore island, Venice’s northern and southern lagoon and, on clear days, the Dolomite Alps in the Veneto Region. Amplifying the guest experience is the play of warm Venetian light that filters through the suite’s multiple French window doors and windows, and dapples delightfully through the suite’s spaces. Accessed by its own private elevator, the Penthouse Suite is a superbly comfortable residence for multi-generational family holidays, and getaways with friends.
Load more

Recommended publications
  • Wall Street Journal Sept 7 2005
    THE WALL STREET JOURNAL. LEISURE V ARTS WEDNESDAY, SEPTEMBER 7, 2005 ,n. Some People Are Idiots. Painting in Italy in a Time of Plague up to the parking lot del. The clouds rising rapidly from the By Tom L. Freudenheim Merriam Peak, Eric west look threatening and most of the gas tank is on empty group at the pass decide not to risk sum- Worcester, Mass. a if we will be able to miting in a storm. Eric and I plunge on- onfession: The Worcester Art Mu- the end of the day. We ward toward Mendel. We climb separate seum has made me rethink my ap- el in Bishop and as a routes up a ridge toward what looks like proach to exhibitions. I generally trting an hour later the top. It actually turns out to be the C [p, around 7 a.m. first of a series of towers. Ninety minutes just like the direct experience of visually feasting on a show, eschewing the various 7 of Bob's group as we later I'm standing on the last tower be- fore the summit, only a few feet lower, gallery assists—audio systems that have 'e stay on the trail too migrated to iPod mode, free brochures in [ the peak from the but a long down climb, traverse and climb from the mountain's apex. It's 1 large type for the visually impaired, jazzy LI blame Bob for this designer text panels of a size and force to rig late and we're still p.m., our turn-around time.
    [Show full text]
  • SINA Centurion Palace
    SINA Centurion Palace Located in the quiet Dorsoduro residential area of Venice between the Guggenheim and Punta della Dogana museums, the SINA Centurion Palace sits directly on the Grand Canal opposite San Marco. Next door to the famous church of Santa Maria della Salute, the hotel blends the antiquity of its former ‘Palazzetto’ with vibrant modern furnishings, and is an oasis of calm, just a short walk or gondola ride to the city’s many attractions. www.sinahotels.com GDS Code: LX +39 041 34281 Email: sinacenturionpalace@sinahotels.com VENICE, ITALY Paolo Morra Paolo Morra has worked in Services, Experiences and Highlights: Venetian luxury hotels practically his • 50 rooms with truly exceptional views of Venice’s skyline entire professional life. Yet he is not originally from Venice. Paolo is a proud • Quiet residential location, yet centrally located Neapolitan and with that comes his easy • Features an intimate and charming courtyard where laugh, his great humor, his gentle ways guests can relax after a day of sightseeing and his love of life, which he brings to • Antinoo’s Lounge & Restaurant, with lovely terrace his beloved SINA Centurion Palace. seating on the Grand Canal Paolo is omnipresent at the SINA • Private pier on the Grand Canal for easy water Centurion Palace. He is an old school taxi transfers general manager who treasures • Private seasonal shuttle taking guests to San Marco customer contact above all. As guests • Member of SINA Hotels, Small Luxury Hotels of the arrive by water taxi at the private pier World, American Express Hotel Collection, Travel of the hotel, Paolo is never far away, Leaders Select and Conde Nast Johansens impeccably attired, extending his hand and welcoming guests as though they were arriving at their very own Palazzo “ My stay at SINA Centurion Palace was amazing and I on the Grand Canal.
    [Show full text]
  • Infrared Thermografic Investigation of Basilica Della Salute Floor
    Proceedings of COBEM 2009 20th International Congress of Mechanical Engineering Copyright © 2009 by ABCM November 15-20, 2009, Gramado, RS, Brazil INFRARED THERMOGRAFIC INVESTIGATION OF BASILICA DELLA SALUTE FLOOR Antonio del Conte, delconte@mm.univpm.it Artemis s.r.l. c/o Facoltà di Ingegneria Università Politecnica delle Marche, Via Brecce Bianche, 1 – 60131 Ancona (Italy) Enrico Espósito, esposito@mm.univpm.it Dipartimento di Meccanica – Università Politecnica delle Marche, Via Brecce Bianche, 1 – 60131 Ancona (Italy) Roberto Márcio de Andrade, rma@ufmg.br Departamento de Engenharia Mecânica da Universidade Federal de Minas Gerais, Av. Antônio Carlos 6627 – Pampulha – Belo Horizonte – MG – 31270-901 (Brasil) Sinthya Gonçalves Tavares, sinthya.tavares@unibh.br Departamento de Ciências Exatas e Tecnologia do Centro Universitário de Belo Horizonte – UNI-BH, Av. Professor Mário Werneck, 1685 – Estoril – Belo Horizonte, MG – 30455-610 (Brasil) Abstract. The infrared thermography applied to cultural and monumental goods diagnostic is one of more consolidated non-invasive techniques used actually. Its popularity is mainly due to its capacity to indentify non visible faults, humidity and others normal occurrences in works of art. In this work the experimental results obtained through the infrared thermography implementation on samples of the Basilica della Salute (Venice – Italy) floor are presented. The experimental procedures have been carried out using active thermography where the artificial heating has been obtained through the use of tungsten lamps. The thermal analysis allowed to identify restoration operations due to materials used which have different origin of the base material and, consequently, different thermal diffusivity and emissivity. The influence of the superficial color over the results is also discussed.
    [Show full text]
  • Canal Grande (The Grand Canal)
    Canal Grande (The Grand Canal) Night shot of the Canal Grande or Grand Canal of Venice, Italy The Canal Grande and the Canale della Giudecca are the two most important waterways in Venice. They undoubtedly fall into the category of one of the premier tourist attractions in Venice. The Canal Grande separates Venice into two distinct parts, which were once popularly referred to as 'de citra' and 'de ultra' from the point of view of Saint Mark's Basilica, and these two parts of Venice are linked by the Rialto bridge. The Rialto Bridge is the most ancient bridge in Venice.; it is completely made of stone and its construction dates back to the 16th century. The Canal Grande or the Grand Canal forms one of the major water-traffic corridors in the beautiful city of Venice. The most popular mode of public transportation is traveling by the water bus and by private water taxis. This canal crisscrosses the entire city of Venice, and it begins its journey from the lagoon near the train station and resembles a large S-shape through the central districts of the "sestiere" in Venice, and then comes to an end at the Basilica di Santa Maria della Salute near the Piazza San Marco. The major portion of the traffic of the city of Venice goes along the Canal Grande, and thus to avoid congestion of traffic there are already three bridges – the Ponte dei Scalzi, the Ponte dell'Accademia, and the Rialto Bridge, while another bridge is being constructed. The new bridge is designed by Santiago Calatrava, and it will link the train station to the Piazzale Roma.
    [Show full text]
  • Carnevale Di Venezia Venice...This Is Breath!” ~ Lord Byron Art and Love in the Venetian Renaissance
    ISADORA DUNCAN INTERNATIONAL INSTITUTE Celebrating Our 40 th Anniversary Season Renaissance unto Rapture: “My own, My beautiful, My only Carnevale di Venezia Venice...this is Breath!” ~ Lord Byron Art and Love in the Venetian Renaissance Venice the pearl, poised between earth February 7th to 15th, 2018 and sky, and upon misted waters, becomes the proactive and Guided Travel Tour to Venice, Italy and promising locus of the aesthetic Environs in the Fine and Lively Arts experience at the pinnacle of with fanfare, known for centuries as Exclusive Entrée to Private Balls Carnevale. Unsurpassed, art grows & and abounds into spirit and matter Rare Venetian Experiences at every bend in her waters. Her churches, whether grand cathedral or intimate chapel - her palazzi, her scuole - her ‘ca’ - are enveloped In a manner from the worldly set in auras of mystery where air apart,Venice is built upon the water makes way for both sense like a celestial, supernatural decree: and spirit. In Venice’s fluid and the King of Heaven was pleased realm amidst stone, the to found in her the safe, eternal nest of omnipresent aura of art, his faith,which elsewhere lay oppressed; and music, painting, poetry, for his own delight on this shore he placed all magic and intrigue, incarnate the most esteemed and vaunted sweetness... within us, as in no other city. ~ Veronica Franco, 1546-1595 Itinerary Highlights Include: • The Doge’s Palace - the titular home of the Doge, Dogaressa, Lady Venice and Renaissance unto Rapture: Cost: $4,000 the four Marco treasuries Based on double occupancy, single supplement at extra cost.
    [Show full text]
  • Itinerary:​ Venice Past and Modern Googel Maps LINK : ​Https
    Itinerary:​ Venice Past and Modern Googel Maps LINK : ​https://goo.gl/maps/wCXfm7jyrmuu9eR6A HOME INDEX 00. Start : 1279 Sotoportego Ca’ Pozzo 01. Ponte Guglie 02.Campo San Geremia 03.Lista di Spagna 04. Ponte degli Scalzi 05.Fondamenta San Simeon Piccolo 06.Fondamenta dei Tolentini 07.Campo dei Tolentini 08.Minotto Fondamenta 09.Salizzada San Pantalon 10.Campiello Mosche 11.Campo San Pantalon 12. Calle de la Chiesa 13.Campo Santa Margherita 14. Campo Carmini 15.Fondamenta del Soccorso 16.Fondamenta Briati Bridge 17.Fondamenta Briati 18.Fondamenta Barbarigo 19.Calle Riello 20. Tron Fondamenta 21. Fondamenta Lizza Fusina 22. Campo San Angelo Raffaele 23.Chiesa di San Sebastiano 24 Fondamenta San Basilio 25. Campo San Basegio 26.Fondamneta Zattera al Ponte Lungo 27. Fondamenta Zattere ai Gesuati 28.Fondamenta Zattere allo Spirito Santo 29. Fondamenta Zattere ai Saloni 30. Punta della Dogana 31. Fondamenta Dogana alla Salute 32.Calle Bastion 33. Calle San Cristoforo 34.Arrival: Peggy Guggenheim Collection _____________ Itinerary name: "Past and Modern Venice" Approximate distance:4.8 km Average walking time :90 minutes / 2, 00 hours _____________ Short description of the itinerary: What's this?... a cultural itinerary that will lead you through a mysterious Venice and out of the usual paths to discover a Venice that never ceases to amaze and an attentive and curious eye. This cultural itinerary consists of 34 points which correspond to points that can be viewed on the online linked google map with a zoom in / out function A list of the main squares or "campo" so called in Venetian (ie in Venice the name square is "campo") will help you to find your way passing through : Campo San Geremia, Campo Santa Margherita.
    [Show full text]
  • Introducing Venice
    INTRODUCING VENICE A fleet of gondoliers, among others, navigates the riches of the Grand Canal (p125) From the look of it, you'd think Venice spent all its time primping. Bask in the glory of Grand Canal pal- aces, but make no mistake: this city's a powerhouse. You may have heard that Venice is an engineering marvel, with marble cathedrals built atop ancient posts driven deep into the barene (mud banks) – but the truth is that this city is built on sheer nerve. Reasonable people might blanch at water approaching their doorsteps and flee at the first sign of acqua alta (high tide). But reason can’t compare to Venetian resolve. Instead of bailing out, Venetians have flooded the world with voluptuous Venetian-red paintings and wines, music, Marco Polo spice-route flavours, and bohemian-chic fashion. And they’re not done yet. VENICE LIFE With the world’s most artistic masterpieces per square kilometre, you’d think the city would take it easy, maybe rest on its laurels. But Venice refuses to retire from the inspiration business. In narrow calli (alleyways), you’ll glimpse artisans hammering out shoes crested like lagoon birds, cooks whipping up four-star dishes on single-burner hotplates, and musicians lugging 18th-century cellos to riveting baroque concerts played with punk-rock bravado. As you can see, all those 19th-century Romantics got it wrong. Venice is not destined for genteel decay. Billion- aire benefactors and cutting-edge biennales are filling up those ancient palazzi (palaces) with restored masterpieces and eyebrow-raising contemporary art and architecture, and back-alley galleries and artisan showrooms are springing up in their shadows.
    [Show full text]
  • 1 ARTS1175 Drawing from the Venetian Masters 2016 by Stoney
    ARTS1175 Drawing from the Venetian Masters 2016 By Stoney Conley May 29 to June 26th, 2016 In this class students connect to the visual arts tradition by visually internalizing it through drawing. Drawing forces one to slowly observe each aspect of the master picture: underlying narrative, the formal organization, and structure of the image. One distills the organization into a drawing that reveals the underlying composition. Drawing from a master forces one to understand the visual language used to construct the image, how the dark and light forms are organized, the arrangement and use of color, the role of light and space. Each drawing is a problem to solve. Which quality of the original does one want to keep as a reminder of the primary experience? Students will strive to ensnare a sense of the whole picture with a few lines, or simplified forms, to distill the organization of a masterwork into a small sketch. This introductory level Fine Arts Studio course will introduce students to the process, materials, and issues addressed in exploration of the basic principles and concepts of making visual artworks. The class assignments will examine historical approaches, concepts, techniques and skills involved through drawing assignments. Drawing is a crucial companion to seeing, an opportunity for the student to train their vision, and is the fundamental skill, the beginning of an understanding of the language of visual art. Classes will introduce basic drawing skills and then we will apply them by drawing from masterworks. The course emphasis therefore is twofold: first, the command of basic formal concepts and skills: the page, how mark, shape, value, scale, and composition interact to become a visual language, and secondly, an introduction to the great masterworks of Venice.
    [Show full text]
  • The Veneto and Friuli Venezia Giulia Regions
    DEPAUW SUMMER 2015 Explore Italy REGIONS AND CITIES OF NORTHEASTERN ITALY The Authentic Italy Northeastern Italy is composed of two regions, Veneto and Friuli Venezia-Giulia. At the geographical heart of Europe, the area has played host to many different peoples and cultures, including the Celts, Romans, Huns, Byzantines, Lombards, Franks, Venetians, French, and Hapsburgs, before becoming regions of Italy. The result is an area rich in diverse architecture and art, and one with world-class cuisine and wine. The two regions are home to no less than eight UNESCO World Heritage Sites. The New York Times recently called Friuli “Italy’s Secret Garden,” and the region has only lately been discovered by non- The Veneto and Friuli Venezia Europeans. Giulia Regions “Friuli is the great undiscovered region of Italy: It has beautiful beaches on the Adriatic, stunning undiscovered alps in Carnia, idyllic scenery in the winegrowing district known as Collio, vibrant and handsome cities such as Udine and mysterious Trieste, historical centers such as Aquileia and Cividale del Friuli, wonderful food and wine, great coffee, good cultural facilities, and above all some of the warmest, most welcoming people you will ever meet.” Slovenia & Croatia A town of ancient origins on the coast of the Istrian peninsula, 25 km from Italy, Piran was voluntarily absorbed into the Venetian empire in 1283 when Croatian pirates were continually threatening the Dalmatian coast. Many Venetian artists visited and worked in Piran, including the famed Piranese violinist Giuseppe Tartini (born in Piran) and the Venetian master painter Tintoretto, one of whose paintings can be seen in the local museum.
    [Show full text]
  • Love, Sex and Death in Venice
    Art Appreciation Lecture Series 2021 Love, sex and death: The constant companions of art LOVE, SEX ... AND DEATH IN VENICE – THE PERFECT LOCATION FOR ALL Ron Ramsey 3 & 4 February 2021 Lecture summary: Whilst known as La Serenissima, Venice can be anything but...a city simply like no other, it continues to fascinate and draw to it an audience ready to be immersed in its many offerings. Whilst some read its sinking back into the sea as a metaphor for death and its ultimate demise, others see Venice as a resilient and romantic escape. Looking at the art, architecture and people that have made Venice the alluring city it continues to be, this talk explores the carnal more than the Carnevale and cites examples of the colourful characters who have been drawn to it for love, sex and or to die. Slide list 1. Maps of Venice 2. Villa Alemerico Capra ‘La Rotonda’, Andrea Palladio 1567 3. Aerial view, Villa Alemerico Capra 4. Palazzo Barbarano, Vincenza 1570, Andrea Palladio 5. Chiswick House London, 1729, Ricard Boyle, 3rd Earl of Burlington, William Kent, Francis Fowke 6. Monticello Virginia USA 1772, Thomas Jefferson 7. Vintage postcard: Public Library, Museum and National Gallery, Melbourne 8. Villa Foscari ‘La Malcontenta’ 1558-1560, Andrea Palladio 9. Ca Foscari, 1453 10. Arthur Streeton, The Grand Canal, 1908, 11. Richard Westall, Lord Byron, 1813 12. Palazzo Mocenigo c 1579 13. Postcard: Venezia. Canal grande. Palazzo Foscari, Guistinian, Rezzonico 14. Minna Wagner, Richard Wagner, Mathilde Wesendonck and Ca Giustinian 15. Photograph: Cosima and Richard Wagner 16. Ca Vendramin Calergi 17.
    [Show full text]
  • Your Wedding in Venice
    Your Wedding in Venice Hilton Molino Stucky Venice The location of your dreams... Exchange vows with a sweeping view over the glistening canals of the world’s most romantic city at the Hilton Molino Stucky, Venice. Once a flourishing flourmill, the elegantly restored hotel on the rustic banks of Giudecca Island provide idyllic surroundings for a wedding that is uniquely yours. Create a truly bespoke day and let our experienced and dedicated wedding team bring your dream wedding to life with style and sophistication at the Hilton Molino Stucky. 3 Tying the knot Get married – a modern celebration… From intimate to extravagant and traditional to unexpected we can make your ideal wedding come to life. If you’ve dreamt of a traditional marriage ceremony with a stylish and modern reception, we will even combine the two! Host your symbolic ceremony in our lush Stucky Garden, glamorous Skyline Rooftop Bar or take in the classy atmosphere and spectacular views of Venice and the Giudecca Canal from the Aromi & Bacaromi outdoor terrace. Say “I do” at the Hilton Molino Stucky and your wedding will be truly unforgettable. 5 …or a traditional religious ceremony With 148 churches of various denominations, you will be sure to find a suitable church venue for your religious ceremony in Venice. The choice includes the beautifully crafted Redentore Church located on Giudecca Island, Santa Maria della Salute on Punta della Dogana and St. Mark’s Chapel that is ideal for a special wedding with family and friends. 6 An unforgettable celebration 5 Bacaromi Restaurant – Venetian tradition Add a touch of Venetian tradition to your intimate celebration in the Bacaromi Restaurant.
    [Show full text]
  • Lovers' Venice
    ✂ instant escapes CUT-OUT-AND-GO GUIDE I LOVERS’ VENICE See & DO practised at their former home, the l The most serene wake- deluxe Palladio Hotel and Spa (see up call in town is breakfast on the Stay, overleaf; 6 )? Some are sinful waterfront terrace at Angiò Bar (Riva — ergo perfect for lovers. The San Biasio, Castello 2142; 1 on map). two-hour Ritual of Dreams ticks off a Puff-perfect croissants, espressos Turkish bath, scalp massage and Feng with a kick, perhaps a splash of Shui facial massage, before a foot rub Prosecco in your fresh orange juice with goat’s-milk mousse (£213pp). — and the Bay of St Mark’s before Beats a box of Milk Tray. you, like your own private beach. l Quirky keepsakes to take home? l Remember your vows over Sunday In Cannaregio, the rafters of Roberto Mass at the jewel-box church of Comin’s top-floor workshop (www. Castello's San Giovanni Il Bragora marionettesinvenice.com; 7 ) are (sgbattistainbragora.it; 2 ), set in CELEBRITY hung with Pinocchios, Casanovas a pretty square. The priest gives APPROVAL and Carnival Queens redolent of the The craftsman is his blessing to the community, from 18th century, when most of these cagey about elderly ladies to young believers, clients, but a little characters were born (prices from under one of the most moving bird told us that £170). Roberto has been carving posh paintings in art history, the Baptism a certain Jack puppets quietly up here for nearly Sparrow has of Christ by Cima da Conegliano. Its one in his own 30 years, while his sister, Manuela, languid limbs and limpid light seem dastardly image makes the sumptuous costumes.
    [Show full text]