The Anatolian Subgroup of Indo-European in the Light of the “Minor” Languages
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Anatolian Evidence Suggests That the Indo- European Laryngeals * H2 And
Indo-European Linguistics 6 (2018) 69–94 brill.com/ieul Anatolian evidence suggests that the Indo- European laryngeals *h2 and *h3 were uvular stops Alwin Kloekhorst Leiden University [email protected] Abstract In this article it will be argued that the Indo-European laryngeals *h2 and *h3, which recently have been identified as uvular fricatives, were in fact uvular stops in Proto- Indo-Anatolian. Also in the Proto-Anatolian and Proto-Luwic stages these sounds prob- ably were stops, not fricatives. Keywords Indo-European – laryngeals – phonological change – Indo-Anatolian 1 Background It is well-known that the Indo-European laryngeals *h2 and *h3 have in some environments survived in Hittite and Luwian as consonants that are spelled with the graphemes ḫ (in the cuneiform script) and h (in the hieroglyphic script).1 Although in handbooks it was usually stated that the exact phonetic interpretation of these graphemes is unclear,2 in recent years a consensus seems to have formed that they represent uvular fricatives (Kümmel 2007: 1 Although there is no full consensus on the question exactly in which environments *h2 and *h3 were retained as ḫ and h: especially the outcome of *h3 in Anatolian is debated (e.g. Kloekhorst 2006). Nevertheless, for the remainder of this article it is not crucial in which environments *h2 and *h3 yielded ḫ and h, only that they sometimes did. 2 E.g. Melchert 1994: 22; Hoffner & Melchert 2008: 38. © alwin kloekhorst, 2018 | doi:10.1163/22125892-00601003 This is an open access article distributed under the terms of the prevailing CC-BY-NC license at the time of publication. -
Herodotus' Conception of Foreign Languages
Histos () - HERODOTUS’ CONCEPTION OF FOREIGN LANGUAGES * Introduction In one of the most famous passages in his Histories , Herodotus has the Athe- nians give the reasons why they would never betray Greece (..): first and foremost, the images and temples of the gods, burnt and requiring vengeance, and then ‘the Greek thing’, being of the same blood and the same language, having common shrines and sacrifices and the same way of life. With race or blood, and with religious cult, language appears as one of the chief determinants of Greek identity. This impression is confirmed in Herodotus’ accounts of foreign peoples: language is—with religious customs, dress, hairstyles, sexual habits—one of the key items on Herodotus’ checklist of similarities and differences with foreign peoples. That language was an important element of what, to a Greek, it meant to be a Greek, should not perhaps be thought surprising. As is well known, the Greeks called non- Greeks βάρβαροι , a term usually taken to refer pejoratively to the babble of * This paper has been delivered in a number of different versions at St. Andrews, Newcastle, and at the Classical Association AGM. I should like to express my thanks to all those who took part in the subsequent discussions, and especially to Robert Fowler, Alan Griffiths, Robert Parker, Anna Morpurgo Davies and Stephanie West for their ex- tremely valuable comments on written drafts, to Hubert Petersmann for kindly sending me offprints of his publications, to Adrian Gratwick for his expert advice on a point of detail, and to David Colclough and Lucinda Platt for the repeated hospitality which al- lowed me to undertake the bulk of the research. -
Cuneiform and Hieroglyphs 11
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
A Translation of the Malia Altar Stone
MATEC Web of Conferences 125, 05018 (2017) DOI: 10.1051/ matecconf/201712505018 CSCC 2017 A Translation of the Malia Altar Stone Peter Z. Revesz1,a 1 Department of Computer Science, University of Nebraska-Lincoln, Lincoln, NE, 68588, USA Abstract. This paper presents a translation of the Malia Altar Stone inscription (CHIC 328), which is one of the longest known Cretan Hieroglyph inscriptions. The translation uses a synoptic transliteration to several scripts that are related to the Malia Altar Stone script. The synoptic transliteration strengthens the derived phonetic values and allows avoiding certain errors that would result from reliance on just a single transliteration. The synoptic transliteration is similar to a multiple alignment of related genomes in bioinformatics in order to derive the genetic sequence of a putative common ancestor of all the aligned genomes. 1 Introduction symbols. These attempts so far were not successful in deciphering the later two scripts. Cretan Hieroglyph is a writing system that existed in Using ideas and methods from bioinformatics, eastern Crete c. 2100 – 1700 BC [13, 14, 25]. The full Revesz [20] analyzed the evolutionary relationships decipherment of Cretan Hieroglyphs requires a consistent within the Cretan script family, which includes the translation of all known Cretan Hieroglyph texts not just following scripts: Cretan Hieroglyph, Linear A, Linear B the translation of some examples. In particular, many [6], Cypriot, Greek, Phoenician, South Arabic, Old authors have suggested translations for the Phaistos Disk, Hungarian [9, 10], which is also called rovásírás in the most famous and longest Cretan Hieroglyph Hungarian and also written sometimes as Rovas in inscription, but in general they were unable to show that English language publications, and Tifinagh. -
The Carian Language HANDBOOK of ORIENTAL STUDIES SECTION ONE the NEAR and MIDDLE EAST
The Carian Language HANDBOOK OF ORIENTAL STUDIES SECTION ONE THE NEAR AND MIDDLE EAST Ancient Near East Editor-in-Chief W. H. van Soldt Editors G. Beckman • C. Leitz • B. A. Levine P. Michalowski • P. Miglus Middle East R. S. O’Fahey • C. H. M. Versteegh VOLUME EIGHTY-SIX The Carian Language by Ignacio J. Adiego with an appendix by Koray Konuk BRILL LEIDEN • BOSTON 2007 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Adiego Lajara, Ignacio-Javier. The Carian language / by Ignacio J. Adiego ; with an appendix by Koray Konuk. p. cm. — (Handbook of Oriental studies. Section 1, The Near and Middle East ; v. 86). Includes bibliographical references. ISBN-13 : 978-90-04-15281-6 (hardback) ISBN-10 : 90-04-15281-4 (hardback) 1. Carian language. 2. Carian language—Writing. 3. Inscriptions, Carian—Egypt. 4. Inscriptions, Carian—Turkey—Caria. I. Title. II. P946.A35 2006 491’.998—dc22 2006051655 ISSN 0169-9423 ISBN-10 90 04 15281 4 ISBN-13 978 90 04 15281 6 © Copyright 2007 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill Hotei Publishers, IDC Publishers, Martinus Nijhoff Publishers, and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
This Document Serves As a Summary of the UC Berkeley Script Encoding Initiative's Recent Activities. Proposals Recently Submit
L2/11‐049 TO: Unicode Technical Committee FROM: Deborah Anderson, Project Leader, Script Encoding Initiative, UC Berkeley DATE: 3 February 2011 RE: Liaison Report from UC Berkeley (Script Encoding Initiative) This document serves as a summary of the UC Berkeley Script Encoding Initiative’s recent activities. Proposals recently submitted to the UTC that have involved SEI assistance include: Afaka (Everson) [preliminary] Elbasan (Everson and Elsie) Khojki (Pandey) Khudawadi (Pandey) Linear A (Everson and Younger) [revised] Nabataean (Everson) Woleai (Everson) [preliminary] Webdings/Wingdings Ongoing work continues on the following: Anatolian Hieroglyphs (Everson) Balti (Pandey) Dhives Akuru (Pandey) Gangga Malayu (Pandey) Gondi (Pandey) Hungarian Kpelle (Everson and Riley) Landa (Pandey) Loma (Everson) Mahajani (Pandey) Maithili (Pandey) Manichaean (Everson and Durkin‐Meisterernst) Mende (Everson) Modi (Pandey) Nepali script (Pandey) Old Albanian alphabets Pahawh Hmong (Everson) Pau Cin Hau Alphabet and Pau Cin Hau Logographs (Pandey) Rañjana (Everson) Siyaq (and related symbols) (Pandey) Soyombo (Pandey) Tani Lipi (Pandey) Tolong Siki (Pandey) Warang Citi (Everson) Xawtaa Dorboljin (Mongolian Horizontal Square script) (Pandey) Zou (Pandey) Proposals for unencoded Greek papyrological signs, as well as for various Byzantine Greek and Sumero‐Akkadian characters are being discussed. A proposal for the Palaeohispanic script is also underway. Deborah Anderson is encouraging additional participation from Egyptologists for future work on Ptolemaic signs. She has received funding from the National Endowment for the Humanities and support from Google to cover work through 2011. . -
Bryn Mawr Classical Review 2017.08.38
Bryn Mawr Classical Review 2017.08.38 http://bmcr.brynmawr.edu/2017/2017-08-38 BMCR 2017.08.38 on the BMCR blog Bryn Mawr Classical Review 2017.08.38 Paola Cotticelli-Kurras, Alfredo Rizza (ed.), Variation within and among Writing Systems: Concepts and Methods in the Analysis of Ancient Written Documents. LautSchriftSprache / ScriptandSound. Wiesbaden: Dr. Ludwig Reichert Verlag, 2017. Pp. 384. ISBN 9783954901456. €98.00. Reviewed by Anna P. Judson, Gonville & Caius College, University of Cambridge ([email protected]) Table of Contents [Authors and titles are listed at the end of the review.] This book is the first of a new series, ‘LautSchriftSprache / ScriptandSound’, focusing on the field of graphemics (the study of writing systems), in particular historical graphemics. As the traditional view of writing as (merely) a way of representing speech has given way to a more nuanced understanding of writing as a different, rather than secondary, means of communication,1 graphemics has become an increasingly popular field; it is also necessarily an interdisciplinary field, since it incorporates the study not only of written texts’ linguistic features, but also broader aspects such as their visual features, material supports, and contexts of production and reading. A series dedicated to the study of graphemics across multiple academic disciplines is therefore a very welcome development. This first volume presents twenty-one papers from the third ‘LautSchriftSprache’ conference, held in Verona in 2013. In their introduction, the editors stress that the aim is to present studies of writing systems with as wide a scope as possible in terms of location, chronology, writing support, cultural context, and function. -
Download Article (PDF)
Miguel Valério University of Barcelona; [email protected] ̔ΌЁΙΓΖΒΘΚ and word-initial lambdacism in Anatolian Greek The lexical pair formed by Mycenaean da-pu(2)-ri-to- and later Greek ΦΜΝВΪΤΧΣΩΫ presents a contrast between Linear B d and alphabetical Φ in a position where one would expect to find a similar sound represented. This orthographic inconsistency has been taken as a synchronic fluctuation between /d/ and /l/, both optimal adaptations of what is assumed to be a non- Greek (Minoan) sound in da-pu(2)-ri-to-. In turn, it has been proposed that this “special” and wholly theoretical sound, which according to some suggestions was a coronal fricative, was behind the Linear A d series. Here it is argued that there is actually no evidence that /d/ and /l/ alternated synchronically in Mycenaean Greek, and that therefore the /l-/ of ΦΜΝВΪΤΧΣΩΫ is more likely the result of a later shift. Starting from this premise, it is hypothesized that ΦΜΝВΪΤΧΣΩΫ derives from a form closer to Mycenaean da-pu(2)-ri-to-, an unattested *ΟΜΝВΪΤΧΣΩΫ, that underwent a shift /d-/ > /l-/ in Southern or Western Anatolia. The pro- posed motivation is the influence of some local Anatolian language that prohibited /d/ word- initially. The same development is considered for ΦηίΧ and ΦϲάΥΩΫ, which Hesychius glossed as Pergaean (Pamphylian) forms of standard Greek ΟηίΧ ‘sweet bay’ and ΟϲάΥΩΫ ‘discus, quoit’, and possibly also for the Cimmerian personal name Dugdammê/̥ВΞΟΜ÷ΤΫ. Of course, this hypothesis has implications for our perception of the Linear A d series and certain open questions that concern the Aegean-Cypriot syllabaries. -
The Cretan Script Family Includes the Carian Alphabet
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln CSE Journal Articles Computer Science and Engineering, Department of 2017 The rC etan Script Family Includes the Carian Alphabet Peter Z. Revesz University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/csearticles Revesz, Peter Z., "The rC etan Script Family Includes the Carian Alphabet" (2017). CSE Journal Articles. 196. https://digitalcommons.unl.edu/csearticles/196 This Article is brought to you for free and open access by the Computer Science and Engineering, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in CSE Journal Articles by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. MATEC Web of Conferences 125, 05019 (2017) DOI: 10.1051/ matecconf/201712505019 CSCC 2017 The Cretan Script Family Includes the Carian Alphabet Peter Z. Revesz1,a 1 Department of Computer Science, University of Nebraska-Lincoln, Lincoln, NE, 68588, USA Abstract. The Cretan Script Family is a set of related writing systems that have a putative origin in Crete. Recently, Revesz [11] identified the Cretan Hieroglyphs, Linear A, Linear B, the Cypriot syllabary, and the Greek, Old Hungarian, Phoenician, South Arabic and Tifinagh alphabets as members of this script family and using bioinformatics algorithms gave a hypothetical evolutionary tree for their development and presented a map for their likely spread in the Mediterranean and Black Sea areas. The evolutionary tree and the map indicated some unknown writing system in western Anatolia to be the common origin of the Cypriot syllabary and the Old Hungarian alphabet. -
Ancient and Other Scripts
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
Name Hierarchy Methods Enums and Flags
Pango::Gravity(3pm) User Contributed Perl Documentation Pango::Gravity(3pm) NAME Pango::Gravity − represents the orientation of glyphs in a segment of text HIERARCHY Glib::Enum +−−−−Pango::Gravity METHODS gravity = Pango::Gravity::get_for_matrix ($matrix) • $matrix (Pango::Matrix) gravity = Pango::Gravity::get_for_script ($script, $base_gravity, $hint) • $script (Pango::Script) • $base_gravity (Pango::Gravity) • $hint (Pango::GravityHint) boolean = Pango::Gravity::is_vertical ($gravity) • $gravity (Pango::Gravity) double = Pango::Gravity::to_rotation ($gravity) • $gravity (Pango::Gravity) ENUMS AND FLAGS enum Pango::Gravity • ’south’ / ’PANGO_GRAVITY_SOUTH’ • ’east’ / ’PANGO_GRAVITY_EAST’ • ’north’ / ’PANGO_GRAVITY_NORTH’ • ’west’ / ’PANGO_GRAVITY_WEST’ • ’auto’ / ’PANGO_GRAVITY_AUTO’ enum Pango::GravityHint • ’natural’ / ’PANGO_GRAVITY_HINT_NATURAL’ • ’strong’ / ’PANGO_GRAVITY_HINT_STRONG’ • ’line’ / ’PANGO_GRAVITY_HINT_LINE’ enum Pango::Script • ’invalid−code’ / ’PANGO_SCRIPT_INVALID_CODE’ • ’common’ / ’PANGO_SCRIPT_COMMON’ • ’inherited’ / ’PANGO_SCRIPT_INHERITED’ • ’arabic’ / ’PANGO_SCRIPT_ARABIC’ • ’armenian’ / ’PANGO_SCRIPT_ARMENIAN’ • ’bengali’ / ’PANGO_SCRIPT_BENGALI’ • ’bopomofo’ / ’PANGO_SCRIPT_BOPOMOFO’ • ’cherokee’ / ’PANGO_SCRIPT_CHEROKEE’ • ’coptic’ / ’PANGO_SCRIPT_COPTIC’ • ’cyrillic’ / ’PANGO_SCRIPT_CYRILLIC’ • ’deseret’ / ’PANGO_SCRIPT_DESERET’ • ’devanagari’ / ’PANGO_SCRIPT_DEVANAGARI’ • ’ethiopic’ / ’PANGO_SCRIPT_ETHIOPIC’ • ’georgian’ / ’PANGO_SCRIPT_GEORGIAN’ perl v5.28.0 2018-10-29 1 Pango::Gravity(3pm) User Contributed -
Writing in Anatolia: the Origins of the Anatolian Hieroglyphs and the Introductions of the Cuneiform Script 1
Altoriental. Forsch., Akademie Verlag, 39 (2012) 2, 287–315 Willemijn Waal Writing in Anatolia: The Origins of the Anatolian Hieroglyphs and the Introductions of the Cuneiform Script 1 Abstract This article argues that the Anatolian hieroglyphic script, which is generally thought to have been an invention of the second half of the second millennium BCE, has its origins already in the late third/early second millennium BCE. The argument that Anatolian hieroglyphs are much older than hitherto assumed is based on a wide array of evidence, such as (signs on) seals and textual data from both Ana- tolia and the Aegean. These data imply that Anatolian hieroglyphs, like virtually any other writing system, started out as a simple pictographic script used for basic economic and administrative records and over time developed into a full-fledged writing system, rather than being ‘invented’ in the Hittite Period. It is demonstrated that the enigmatic is.urtum-documents found in Old Assyrian texts refer to documents written in Ana- tolian hieroglyphs, similar to the gisˇ.hur/US. URTUM/gulzattar documents in the Hittite Period.These docu- ments, which have not been preserved because they were written on the perishable material wood, contained those types of texts that are conspicuously absent from the Old Assyrian and Hittite Periods. Since the Anatolians already had a script of their own, the cuneiform script never became firmly rooted within Anatolian society, and its usage was restricted to certain domains. This would explain why the cuneiform script was introduced (and subsequently abandoned) twice in Bronze Age Anatolia, whereas the Anatolian hieroglyphs continued to be used well into the first millennium BCE.