The Whiteness of South African English Radio Drama
THE WHITENESS OF SOUTH AFRICAN ENGLISH RADIO DRAMA: A POSTCOLONIAL STUDY OF THE RISE, DECLINE AND DEMISE OF A DRAMATIC SUB-GENRE by MARGARET ELAINE LOGAN submitted in fulfilment of the requirements for the degree of MASTER OF ARTS in the subject THEORY OF LITERATURE at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROF MARISA KEURIS NOVEMBER 2009 ACKNOWLEDGEMENTS The author would like to express her appreciation to the following for their contribution to the formulation, execution and presentation of this study: Prof. Marisa Keuris, Head of the Department of Afrikaans and Theory of Literature, UNISA, Pretoria, for her encouragement, guidance and support. Her interest in radio drama, expressed at an early stage in my studies at UNISA, has been a source of inspiration for me: Retha Roux of the SABC Sound Archives, Johannesburg, for the provision of invaluable information, and her unfailingly prompt response to my many queries: Former radio drama practitioners, friends and former colleagues, who completed my questionnaires or gave interviews, most notably Nigel Vermaas, Jack Mullen and Bev Peirce, whose valuable insights, opinions and recollections form such an important contribution to this work: Old Time Radio experts and archivists Frans Erasmus and Kevan Mardon, for their readiness to share their expertise, including recordings and magazine articles: Claire Welch, Technical Support Executive of the South African Advertising Foundation, for her helpful assistance, and the provision of radio audience statistics: My husband and children for their patience and encouragement. ii ABSTRACT An exposition of South African English radio drama tracing the historical, cultural and political issues which led to the demise of the art form in 1999, and its resurrection at ICASA’s insistence in 2006.
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