Uncover the City's Secrets
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Uncovering the Underground's Role in the Formation of Modern London, 1855-1945
University of Kentucky UKnowledge Theses and Dissertations--History History 2016 Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945 Danielle K. Dodson University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.339 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Dodson, Danielle K., "Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945" (2016). Theses and Dissertations--History. 40. https://uknowledge.uky.edu/history_etds/40 This Doctoral Dissertation is brought to you for free and open access by the History at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--History by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Hot Tickets 2019 Food and the Gut Go on Show As Angolan ‘Sea Monsters’ Resurface and Alexander Von Humboldt Pops Into Focus
COMMENT BOOKS & ARTS A visitor examines some of Leonardo da Vinci’s writing at the Water as Microscope of Nature exhibition at the Uffizi Gallery in Florence, Italy. Hot tickets 2019 Food and the gut go on show as Angolan ‘sea monsters’ resurface and Alexander von Humboldt pops into focus. The year is also a feast of anniversaries, from the eclipse proving Albert Einstein right to Leonardo da Vinci’s death — and the first footfall on the Moon. Nicola Jones reports. Alexander von Humboldt Sea Monsters Unearthed: Life in Angola’s PaleoAngola unearthed a new dinosaur Museum Ludwig, Cologne, Germany. Ancient Seas species, the long-necked sauropod Until 27 January. National Museum of Natural History, Angolatitan adamastor; a host of sea turtles Prussian polymath and explorer Alexander Washington DC. (pictured); and giant marine reptilian von Humboldt’s 250th birthday rolls Until 2020. plesiosaurs and mosasaurs. Full-scale around this September. The ‘father Some 130 million years ago, the reconstructions and fossils will be on of environmentalism’ is credited with supercontinent Gondwana was being display at the US National Museum of envisioning geology, ecology and humanity ripped apart, forming Africa and South Natural History. Meanwhile, the museum’s as part of an interconnected web. Less well America. The South Atlantic Ocean David H. Koch Hall of Fossils will open known is his role in early photography. emerged between them. Today, Angola is a on 8 June with Deep Time, featuring INNOCENTI/UFFIZI GALLERIES M. DEGL’ In 1839, Humboldt was among the first hotspot for tracking the sea’s biological 700 specimens and the return of a established scientists to embrace the record: it is the only African nation with Tyrannosaurus rex fossil. -
London Guide Welcome to London
Visitor information Welcome to London Your guide to getting around central London on public transport and making the most of your visit. tfl.gov.uk/visitinglondon Tube and central London bus maps inside #LondonIsOpen Welcome to London Paying for your travel Public transport is the best way to get There are different ways to pay for your around London and discover all that the travel. For most people, pay as you go - city has to offer. This guide will help you paying for the trips you make - with a plan how to get around the Capital on contactless payment card, an Oyster card or public transport. a Visitor Oyster card, is the best option as it If you have just arrived at an airport and are offers value, flexibility and convenience. looking for ways to get to central London, go to page 11 in this guide. Getting around London London’s transport system is iconic. With its world famous Underground (Tube) and iconic red buses, travelling around the Capital is an experience in itself. But London is much more than just the Tube or the bus; our vast network of transport services includes: Contactless payment cards If your credit, debit, charge card or wearable device has the contactless symbol above you can use it for pay as you go travel on London’s public transport. Android Pay and Apple Pay are also accepted. Benefits of contactless • It’s quick and easy – there’s no need to queue to buy a ticket • It offers great value – pay as you go with contactless is better value than buying a single ticket and you can benefit from both Night Tube daily and weekly capping (see page 5) • 14 million people have used contactless Night Tube services run on the to travel in London – including customers Jubilee, Victoria and most of from over 90 countries the Central and Northern lines all night on Fridays and Saturdays. -
Combining Scheduled Commuter Services with Private Hire, Sightseeing and Tour Work: the London Experience by Derek Kenneth Robbins and Peter Royden White*
CEE INGS Twenty-sixth Annual Meeting Theme: "Markets and Management in an Era of Deregulation" November 13-15, 1985 Amelia Island Plantation Jacksonville, Florida Volume XXVI Number 1 1985 TRANSPORTATION RESEARCH FORUM In conjunction with CANADIAN TRANSPORTATION 4 RESEARCH FORM 273 Combining Scheduled Commuter Services with Private Hire, Sightseeing and Tour Work: The London Experience By Derek Kenneth Robbins and Peter Royden White* ABSTRACT dent operators ran only 8% of stage carriage mileage but operated 91% of private hire and contract The Transport Act 1980 completely removed mileage and 86% of all excursions and tours quantity control for scheduled express services mileage.' The 1980 Transport Act removed the which carry passengers more than 30 miles meas- quantity controls for two of the types of operation, ured in a straight line. It also made road service namely scheduled express services and most excur- licenses easier to obtain for operators wishing to run sions and tours. However the quality controls were services over shorter distances by limiting the scope retained, in the case of vehicle maintenance and for objections. As a result of these legislative inspections being strengthened. The Act redefined changes a new type of service has emerged over the "scheduled express" services. Since 1930 they had last four years carrying long-distance commuters to been defined by the minimum fare charged and and from work in London. Vehicles used on such because of inflation many short distance services services would only be utilised for short periods came to be defined as "Express", despite raising the every weekday unless other work were also found minimum fare yardstick in both 1971 and 1976. -
Curating Queer British Art, 1861-1967 at Tate Britain and Being Human at Wellcome Collection, London
Rejecting Normal: Curating Queer British Art, 1861-1967 at Tate Britain and Being Human at Wellcome Collection, London Clare Barlow Independent curator This item has been published in Issue 01 ‘Transitory Parerga: Access and Inclusion in Contemporary Art,’ edited by Vlad Strukov. To cite this item: Barlow С (2020) Rejecting normal: Curating Queer British Art, 1861-1967 at Tate Britain and Being Human at Wellcome Collection, London. The Garage Journal: Studies in Art, Museums & Culture, 01: 264-280. DOI: 10.35074/GJ.2020.1.1.016 To link to this item: https://doi.org/10.35074/GJ.2020.1.1.016 Published: 30 November 2020 ISSN-2633-4534 thegaragejournal.org 18+ Full terms and conditions of access and use can be found at: https://thegaragejournal.org/en/about/faq#content Curatorial essay Rejecting Normal: Curating Queer British Art, 1861-1967 at Tate Britain and Being Human at Wellcome Collection, London Clare Barlow There has been a number of exhibi- tember 2017) and Being Human tions in the last five years that have (September 2019–present). Drawing explored queer themes and adopted on my experience of curating these queer approaches, yet the posi- projects, I consider their successes tion of queer in museums remains and limitations, particularly with precarious. This article explores regards to intersectionality, and the the challenges of this museological different ways in which queerness landscape and the transformative shaped their conceptual frameworks: potential of queer curating through from queer readings in Queer British two projects: Queer British Art, Art to the explicit rejection of ‘nor- 1861—1967 (Tate Britain, April–Sep- mal’ in Being Human. -
Watford Cross
1 WATFORD CROSS INTRODUCING WATFORD CROSS An exclusive collection of 1, 2 & 3 bedroom apartments and 2 bedroom duplexes, with easy access to London in under 20 minutes. Overlooking2 Watford from Cassiobury Park 1 WATFORD CROSS 2 Computer generated image of Watford Cross 3 WATFORD CROSS WATFORD CROSS An exclusive collection of one, two & three bedroom apartments and two bedroom duplexes situated in the vibrant town of Watford. Watford Cross is just 16 minutes from London Euston, and is a commuters dream. With just a 5 minute walk to Watford Junction, Watford Cross has great connectivity into the heart of the capital. Northampton Bury St Edmunds Cambridge M1 M40 M11 Felixstowe A1(M) Colchester Stansted Oxford Chelmsford M25 Beaconsfield Watford Henley-on-Thames Windsor London M25 M4 Reading London City Heathrow M25 M2 Guildford M20 M3 M23 Royal Tunbridge Wells Dover Gatwick 4 Grand Union Canal 5 WATFORD CROSS WATFORD JUNCTION TRAIN ROUTES London Underground interchange WATFORD WEMBLEY CENTRAL London Overground interchange UNDERGROUND National Rail interchange 11 mins via National Rail Virgin Trains route STATION Access to Wembley Stadium and the SSE Arena West Midlands Trains routes CITY Change for: London Overground London Overground route Metropolitan Underground route into and Bakerloo Line Central London (Euston Square) CONNECTIONS WILLESDEN JUNCTION 33 mins via London Overground Change for: London Overground and Bakerloo Line Watford Cross is the perfect base for commuters working in central London. STRATFORD EAST LONDON – 40 mins • Railway Operators: West Midlands Trains, from Willesden Junction Virgin Trains, London Overground. Access to Queen Elizabeth LONDON EUSTON Olympic Park and Westfield • Station: Watford Junction, 5 minutes walk CENTRAL LONDON – 16 mins via Stratford City RICHMOND Change for: Central, Jubilee from the development. -
Download Applications for Smartphones
City Research Online City, University of London Institutional Repository Citation: Ntalla, Irida (2017). The interactive museum experience: investigating experiential tendencies and audience focus in the Galleries of Modern London and the High Arctic exhibition. (Unpublished Post-Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17280/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] The Interactive Museum Experience: Investigating experiential tendencies and audience focus in the Galleries of Modern London and the High Arctic exhibition Irida Ntalla Ph.D. Thesis This thesis is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Culture and Creative Industries. Centre for Culture and Creative Industries Department of Sociology School of Arts and Social Sciences January 2017 i Table of Contents Introduction ...................................................................... 1 i. -
PRESS RELEASE the Goldsmiths' Company Becomes a Founding
PRESS RELEASE The Goldsmiths’ Company becomes a Founding Partner of the new Museum of London and pledges £10m donation Queen Elizabeth II Coronation Cup, designed by Goldsmith R.Y. Goodden in 1953 is pictured in the Corporation of London’s current salt store, which by 2022 will have been transformed into galleries at the new Museum of London in West Smithfield with the Thameslink track running through them. Image © Museum of London. Collection: The Worshipful Company of Goldsmiths. The Museum of London and the Worshipful Company of Goldsmiths (one of the major City Livery Companies) today announced that the Goldsmiths' Company is to become a Founding Partner of the new Museum of London, due to open in West Smithfield in 2022. The Goldsmiths' Company and its affiliated Charity have pledged £10 million to the Museum project. This landmark donation goes towards the Museum’s plans to create a spectacular new home for the history of London and its people in the beautiful but disused market buildings at West Smithfield. This follows the news earlier this year that the City of London Corporation and Mayor of London have together pledged £180 million. Counting the donation from the Goldsmiths’ Company and its affiliated Charity, the Museum has £60 million left to raise. A gallery bearing the Goldsmiths’ name will be at the heart of the new Museum, showcasing the Cheapside Hoard together with highlights from the Company’s world-renowned Collection of historic and contemporary silver. Judith Cobham-Lowe, Prime Warden of the Goldsmiths' Company, said: "We are thrilled to be playing our part in the new Museum of London as a Founding Partner. -
The Growth of London Through Transport Map of London’S Boroughs
Kingston The growth of London through transport Map of London’s boroughs 10 The map shows the current boundaries of London’s Key boroughs. The content of 2 1 Barking 17 Hillingdon this album relates to the & Dagenham 15 31 18 Hounslow area highlighted on the map. 14 26 2 Barnet 16 19 Islington This album is one of a 3 Bexley 20 Kensington series looking at London 17 4 6 12 19 4 Brent & Chelsea boroughs and their transport 1 25 stories from 1800 to the 5 Bromley 21 Kingston 9 30 present day. 33 7 6 Camden 22 Lambeth 23 Lewisham 7 City of London 13 20 28 8 Croydon 24 Merton 18 11 3 9 Ealing 25 Newham 22 32 23 26 Redbridge 27 10 Enfield 11 Greenwich 27 Richmond 28 Southwark 24 12 Hackney 29 Sutton Kingston 13 Hammersmith 21 5 & Fulham 30 Tower Hamlets 29 8 14 Haringey 31 Waltham Forest 15 Harrow 32 Wandsworth 16 Havering 33 Westminster A3 RICHMOND RIVER A307 THAMES ROAD KINGSTON A308 UPON Kingston Hill THAMES * * Kings Road Kingston A238 Turks Pier Norbiton * * Bentalls A3 * Market Place NEW * Cambridge* A2043 Road MALDEN Estates New Malden A307 Kingston Bridge Berrylands KINGSTON SURBITON RIVER THAMES UPON KINGSTON BY PASS THAMES Surbiton A240 A3 Malden Beresford Avenue* Manor Worcester Park A243 A309 A240 A3 Tolworth Haycroft* Estate HOOK A3 0 miles ½ 1 Manseld* Chessington Road North 0 kilometres 1 Chessington South A243 A3 A243 * RBK. marked are at theLocalHistoryRoom page. Thoseinthecollection atthebottomofeach are fortheimages References the book. can befoundatthebackof contributing tothisalbum Details ofthepartner theseries. -
'Abstract' Portraits
‘Abstract’ portraits A learning resource featuring works from the National Portrait Gallery Collection, one of a series focusing on particular artists or themes which has changed the way we think about the art of portraiture. Page 2 of 16 National Portrait Gallery ‘Abstract’ portraits Contents Introduction ⁄ 2 1: A conceptual portrait ⁄ 3 2: Dominant features ⁄ 6 3: Mixed media and text ⁄ 8 4: Pattern and form ⁄ 10 5: Mass and material ⁄ 12 General enquiry questions ⁄ 14 Further research ⁄ 15 Introduction This resource looks at the broad themes encapsulated in the idea of an ‘abstracted’ portrait and questions whether such a portrait is possible and viable. A variety of themes group different types of portraits that could be termed ‘abstract’. The portraits selected in this resource are all in the Collection of the National Portrait Gallery. The resource is aimed primarily at teachers of pupils studying GCSE and A level art. Those studying art history may also find the images, concepts and discussions of relevance to their study. The content aims to give teachers information on the significance and stories of the sitter and artist, the purpose of the image and its impact at the time, and to examine connections between those sitters, artists and their images. The general enquiry questions together with themes and ideas for further discussion between teachers and students are designed to encourage ways to research, develop and record ideas and personal responses. Finally, there are web links for additional research. This resource complements and supports the learning programmes developed by the National Portrait Gallery. ‘Abstract’ portraits in context Can men and women be represented in ‘abstract ways’? Is the essential function of a portrait that it communicates what the sitter looks like and that it can be used for identity purposes? If this factor is subverted and the portrait no longer has this function, can it be true to the genre? Recognisable features from distinctive and famous faces can help make an ‘abstract’ portrait look more realistic and believable. -
No 424, February 2020
The Clapham Society Newsletter Issue 424 February 2020 We meet at Omnibus Theatre, 1 Clapham Common North Side, SW4 0QW. Our guests normally speak for about 45 minutes, followed by around 15 minutes for questions and discussion. The bar is open before and after. Meetings are free and open to non-members, who are strongly urged to make a donation. Please arrive in good time before the start to avoid disappointment. Gems of the London Underground Monday 17 February On 18 November, we were treated to a talk about the London Underground network, Sharing your personal data in the the oldest in the world, by architectural historian Edmund Bird, Heritage Manager of Health and Care System. Dr Jack Transport for London. He has just signed off on a project to record every heritage asset Barker, consultant physician at King’s and item of architectural and historic interest at its 270 stations. With photographs and College Hospital, is also the Chief back stories, he took us on a Tube ride like no other. Clinical Information Officer for the six One of his key tools is the London Underground Station Design Idiom, which boroughs of southeast London. He is groups the stations into 20 subsets, based on their era or architectural genre, and the driving force behind attempting to specifies the authentic historic colour schemes, tile/masonry repairs, etc, to be used improve the effectiveness and efficiency for station refurbishments. Another important tool is the London Underground Station of local health and care through the use of Heritage Register, which is an inventory of everything from signs, clocks, station information technology, and he will tell us benches, ticket offices and tiling to station histories. -
Museum of London Museum of London Mastertop, Ucrete Location: London (United Kingdom)
Project: Museum of London Museum of London MasterTop, Ucrete Location: London (United Kingdom) Owner/s: Corporation of London Applicator/Contractor: Surtec Designer/Architect/Specifier: Corporation of London – Design Team Market sector: Public buildings Products used & amounts: MasterTop 1325, MasterTop 1325/REG, MasterTop 1324/Flake, MasterTop 1255 Our reference in London (United Kingdom): Museum of London Stone Carpet, MasterTop DAP, The background The challenge Ucrete UD200 This extensive project at the Museum of The ability to provide many solutions from a London, one of the world’s largest urban single source was an important contribution history museums, involved a £ 20 million to the creative continuity of each area’s design. investment in the new Galleries of Modern Hygiene and an easy-to-clean surface were London and the Clore Learning Centre. The also essential requirements. Many different new permanent exhibitions transport the areas needed to meet a range of aesthetic visitor through the capital‘s tumultuous history demands. Varying substrates were found in the from 1666 to today, through five galleries and existing structure, some of them extremely 7,000 objects. The installation of a number old. A durable, comfortable flooring system of Master Builders Solutions from BASF was further needed to minimise footfall noise. resin flooring systems by Surtech enabled the museum to use different flooring finishes in the same environment as a holistic part of each new exhibition area. Aesthetics and performance were crucial to the specification. Contact: BASF plc, Construction Chemicals Earl Road, Cheadle Hulme, Cheadle, Cheshire, SK8 6QG T: 0161 485 6222 F: 0161 488 5220 Museum of London MasterTop, Ucrete Our reference in London (United Kingdom): Museum of London Our solution Project facts at a glance The comprehensive range of MasterTop and Ucrete resin § Scope of project: 3,000 m².