DOCSLIB.ORG

4 | 2017 Volume 8 (2017) Issue 4 ISSN 2190-3387

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
4 | 2017 Volume 8 (2017) Issue 4 ISSN 2190-3387 4 | 2017 Volume 8 (2017) Issue 4 ISSN 2190-3387 Editorial: A Christmas Gift by Séverine Dusollier Designing Competitive Markets for Industrial Data – Between Propertisation and Access Law and Electronic Commerce Information Technology, Intellectual Property, Journal of by Josef Drexl From Cyberpunk to Regulation – Digitised Memories as Personal and Sensitive Data within the EU Data Protection Law by Krzysztof Garstka Copyright, Doctrine and Evidence-Based Reform by Stef van Gompel Non-Commercial Quotation and Freedom of Panorama: Useful and Lawful? by Eleonora Rosati Where is the Harm in a Privacy Violation? Calculating the Damages Afforded in Privacy Cases by the European Court of Human Rights by Bart van der Sloot Editors: Thomas Dreier Axel Metzger Gerald Spindler Lucie Guibault Miquel Peguera www.jipitec.eu Séverine Dusollier Chris Reed Karin Sein Journal of Intellectual Property, Information Technology and Electronic Commerce Law Table Of Contents Volume 8 Issue 4 December 2017 www.jipitec.eu [email protected] A joint publication of: Articles Prof. Dr. Thomas Dreier, M. C. J., KIT - Karlsruher Institut für Technologie, Zentrum für Angewandte Rechtswissenschaft (ZAR), Vincenz-Prießnitz-Str. 3, Editorial: A Christmas Gift 76131 Karlsruhe Germany by Séverine Dusollier 255 Prof. Dr. Axel Metzger, LL. M., Humboldt-Universität zu Designing Competitive Markets for Industrial Data – Between Berlin, Unter den Linden 6, Propertisation and Access 10099 Berlin by Josef Drexl 257 Prof. Dr. Gerald Spindler, Dipl.-Ökonom, Georg-August- From Cyberpunk to Regulation – Digitised Memories as Personal Universität Göttingen, and Sensitive Data within the EU Data Protection Law Platz der Göttinger Sieben 6, by Krzysztof Garstka 293 37073 Göttingen Copyright, Doctrine and Evidence-Based Reform Karlsruhe Institute of Technology, by Stef van Gompel 304 Humboldt-Universität zu Berlin and Georg-August-Universität Non-Commercial Quotation and Freedom of Panorama: Göttingen are corporations under Useful and Lawful? public law, and represented by their respective presidents. by Eleonora Rosati 311 Editors: Where is the Harm in a Privacy Violation? Thomas Dreier Calculating the Damages Afforded in Privacy Cases by the Axel Metzger European Court of Human Rights Gerald Spindler Lucie Guibault by Bart van der Sloot 322 Miquel Peguera Séverine Dusollier Chris Reed Karin Sein Board of Correspondents: Graeme Dinwoodie Christophe Geiger Ejan Mackaay Rita Matulionyte Giovanni M. Riccio Cyrill P. Rigamonti Olav Torvund Mikko Välimäki Rolf H. Weber Andreas Wiebe Raquel Xalabarder Editor-in-charge for this issue: Séverine Dusollier Technical Editor: Philipp Schmechel ISSN 2190-3387 Funded by Séverine Dusollier Editorial A Christmas Gift by Séverine Dusollier, Professor, Law School, SciencesPo Paris. © 2017 Séverine Dusollier Everybody may disseminate this article by electronic means and make it available for download under the terms and conditions of the Digital Peer Publishing Licence (DPPL). A copy of the license text may be obtained at http://nbn-resolving. de/urn:nbn:de:0009-dppl-v3-en8. Recommended citation: Séverine Dusollier, Editorial: A Christmas Gift, 8 (2017) JIPITEC 255 para 1. 1 What could be a better Christmas gift than an extra is already provided by existing laws. Amongst the issue of JIPITEC? Yes, you are not dreaming, you have existing forms of protection, the article analyses in hands (or on your screen), a fourth issue of your sui generis protection in databases, trade secret favorite online journal, instead of the usual three per protection, patent right, unfair competition law, a year. What else could you wish for, than spending ‘digital’ property right, or factual and contractual the holidays curled up in your comfy armchair by the protection. Then it turns to potential economic fire, with a cup of tea, coffee, or a glass of wine on the justifications for recognising data ownership, but has table, with your clients, students, and colleagues out difficulty in finding any that would be convincing. of your mind until January, and finally some time to Therefore, Drexl argues against the creation of a new read scholarly articles in your field. system of data ownership. As to whether competition law could enhance better access to data, a thorough 2 One of the biggest pieces (not of cake, that will come analysis of the EU competition case law reveals its later) of this new issue is no doubt Josef Drexl’s article many shortcomings as regards the data economy, on ownership of data. Drexl is looking at the (once due to its very dynamic nature. Instead the article announced, then possibly left aside - for the time pleads for state intervention to promote access to being at least) project of the European Commission data, interoperability and portability, where public to adopt some legal protection for big data, in the interest considerations should play a key role. form of an exclusive property right or other form of regulation, ensuring some control over data in order 4 After such an intense reading, allow yourself a break to make data economy thrive (or so they say). The to play with the new console your child received EU ‘Free Flow of Data’ initiative was indeed ignited from Santa. When she has humiliated you (despite by a Communication that planned to address the the fact that you were the best Mario Bros player issues of ownership and access to data. The specter of in your class as a teenager), it would be a good time commodification of data, which was already fought to come back and read the not-so-unrelated article against 20 years ago, when the sui generis right in by Krzysztof Gartska on digitised memories as databases was discussed, is coming back. Although personal and sensitive data, drawing on the fictional the ‘Free Flow of Data’ draft Regulation published setting of a video game entitled Remember Me, a few weeks ago seems to exclude property rights, that imagines a world in which human memories it is not certain that it will not eventually return in can be digitised. Not only your online movements, some form or another. consumptions, communications, and interactions are recorded and processed by commercial entities, 3 Drexl’s paper extensively reviews how the data your memories could now be turned into assets too. should be regulated, looking at the issues of data In this science-fiction world (or perhaps a forecast ownership and access to data. The paper begins by into the future), are such digitised memories to be pondering whether the question of ownership should considered as personal data and what would that be raised at all, and what the economic justification mean? When memories can be stored, shared, would be to add more protection over data than what erased, or even hacked, issues of data processing 4 255 2017 Editorial and security abound. This very exploratory article empirical study will come easy for you. Based on a analyses some of them, most notably the possible study of around 1000 decisions of the European Court qualification of digitised memories as personal data of Human Rights, this paper looks at whether and and as sensitive data for the purposes of the GDPR. how harm is compensated and damages awarded Gartska’s conclusion is that the definitions laid down in privacy cases. The assessment is based upon by the GDPR are sufficiently technology-neutral to different factors, such as the country against which address any type of personal data, including what the complaint is directed, the type and number of could come in the future, and already illustrated by applicants, the type of damage that is compensated, dystopian games and narratives. the type of privacy at stake, and the ground on which a violation is established, each of which resulting in 5 Science-fiction pieces like that are fun, but evidence- statistical information and analysis thereof. Among based scholarship equally carries virtue. This is what the findings of the paper, one can see that in most Stef van Gompel’s article posits; deploring, as many cases in which a violation of article 8 ECHR has been others, what copyright lawmaking has become, he found, damages were awarded, including for non- explores how a traditional doctrinal approach, which pecuniary damages, but for relatively small figures. looks at formal consistency and legal-theoretical The compensation of non-pecuniary damages has foundations, could gain from evidence-based policy also increased over time. The amount of awards supported by empirical research. To that end, the unexpectedly appears to depend upon the country two approaches’ strengths and weaknesses are that is held liable, or the type of privacy violation, assessed and a number of concrete recommendations as well as upon the section of Court delivering the are given to lawmakers, notably the need to remove decision, or the type of persons complaining of a unnecessary and unproven affirmations, such as the violation (prisoners and migrants having been mantra of the need for a high protection of authors, awarded more limited amounts of money). Van der that says nothing of how it would lead to a better Sloot’s paper joins a promising line of research based copyright, or the liberation from international on empirical and statistical evidence that could copyright norms, seen as imperatives that cannot nourish our legal knowledge in privacy, intellectual be changed. Additionally, van Gompel suggests property, and any other IT-related topic, which to include doctrinal principles related to social JIPITEC would be pleased to publish in the future. and fairness objectives among the evidence to be considered, and not to confine the deliberations 8 The JIPITEC editorial team wishes you a very happy about how copyright should be designed to economic holiday and a fruitful year 2018. For those of you, who evidence. To such end, all positions, from creators have deservedly spent the holiday without looking and rightholders to users and the public at large, at your emails or internet and who only open this should be considered without letting one prevail new issue coming back to work in January, we hope over another.
Load more

Recommended publications
  • 8. Putting Artists and Guardians of Indigenous Works First
    8 Putting Artists and Guardians of Indigenous Works First: Towards a Restricted Scope of Freedom of Panorama in the Asian Pacific Region Jonathan Barrett1 1 Introduction ‘Freedom of panorama’2 permits use of certain copyright-protected works on public display; for example, anyone may publish and sell postcards of a public sculpture.3 The British heritage version of freedom of panorama, which is followed by many jurisdictions in the Asian Pacific region,4 applies 1 Copyright © 2018 Jonathan Barrett. Senior Lecturer, School of Accounting and Commercial Law, Victoria University of Wellington. 2 The term ‘freedom of panorama’ recently came into common usage in English. It appears to be derived from the Swiss German ‘Panoramafreiheit’, which itself has only been used since the 1990s, despite the exemption existing in German law for 170 years. See Mélanie Dulong de Rosnay and Pierre-Carl Langlais ‘Public artworks and the freedom of panorama controversy: a case of Wikimedia influence’ (2017) 6(1) Internet Policy Review. 3 Incidental copying of copyright works is not considered to be a feature of freedom of panorama. See Copyright Act 1994 (NZ), s 41. 4 Asian Pacific countries are those west of the International Date Line (IDL), as defined for the purposes of the Asian Pacific Copyright Association (APCA) in Brian Fitzgerald and Benedict Atkinson (eds) Copyright Future Copyright Freedom: Marking the 40 Year Anniversary of the Commencement of Australia’s Copyright Act 1968 (Sydney University Press, Sydney, 2011) at 236. 229 MAkING COPyRIGHT WORk FOR THE ASIAN PACIFIC? to buildings, sculptures and works of artistic craftsmanship on permanent display in a public place or premises open to the public.5 These objects may be copied in two dimensions, such as photographs.
    [Show full text]
  • Image – Action – Space
    Image – Action – Space IMAGE – ACTION – SPACE SITUATING THE SCREEN IN VISUAL PRACTICE Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner (Eds.) This publication was made possible by the Image Knowledge Gestaltung. An Interdisciplinary Laboratory Cluster of Excellence at the Humboldt-Universität zu Berlin (EXC 1027/1) with financial support from the German Research Foundation as part of the Excellence Initiative. The editors like to thank Sarah Scheidmantel, Paul Schulmeister, Lisa Weber as well as Jacob Watson, Roisin Cronin and Stefan Ernsting (Translabor GbR) for their help in editing and proofreading the texts. This work is licensed under a Creative Commons Attribution-NonCommercial-No-Derivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Copyrights for figures have been acknowledged according to best knowledge and ability. In case of legal claims please contact the editors. ISBN 978-3-11-046366-8 e-ISBN (PDF) 978-3-11-046497-9 e-ISBN (EPUB) 978-3-11-046377-4 Library of Congress Control Number: 2018956404 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche National bibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the internet at http://dnb.dnb.de. © 2018 Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com, https://www.doabooks.org and https://www.oapen.org. Cover illustration: Malte Euler Typesetting and design: Andreas Eberlein, aromaBerlin Printing and binding: Beltz Bad Langensalza GmbH, Bad Langensalza Printed in Germany www.degruyter.com Inhalt 7 Editorial 115 Nina Franz and Moritz Queisner Image – Action – Space.
    [Show full text]
  • Wall" COUNTRY Jessica Breaks Top 20
    FEBRUARY 25, 2000 ISSUE 2293 THE MOST TRUSTED NAME IN RADIO $PCAIN$1ill "Deliriously wonderful! Twangy Can Country Slow Dance? guitars, rhythmic thump, vocal personality, and a classic of a MUSIC country song. This just might be my favorite single released so far in TOP 40 2000. A star is born!" Faith Causes - /2a6 7C CUen«m Heavy Breathing RHYTHM CROSSOVER Thong Song Exthplodes "flowersi on the wall" COUNTRY Jessica Breaks Top 20 NEWS Tony, Elton "Stunning" In SF Sirius, XM In Joint Venture from the Gets Of '99 Ad $$$ Radio 8.2% forthcoming Mercury Records CO Er Cassette Home of thee Seminar in Radio 44>NASHVILLE swimming in champagne c 2000 Mercury Records From the Publishers of Music Week, MBI and fono visit www.mercurynashville.coin A Miller Freeman Publication praRisaed ericheatherly.com . Fslairayea'drj !da eddy TCoderfss Co,:aae, www.americanradiohistory.com ark. -.ills Kathy .attea Neffi Coty Jafflie I'Neal Eric Heatherly LkA T Terri Clark M Ei,3CLIAY 1-) i ill you experence the future 111. YYlI<COMar 03000 MaRury Records, a Universal Musk Colnpar y www.americanradiohistory.com Tony, Elton Kick Off "Super Thursday" "That was one super Thursdar, That's how one radio programming vi- üesuiueu mu /C13 ,11 ill n lull Llay I GAVIN Seminar 2000, which led off with Tony Bennett delivering a stellar SRO performance at noon at the Hyatt Regency, and Elton John cappine ! -L-ow th' unt"l Riveting with a phennrrrr. just up the h I! -et Fáirmort "Congratulations on yet another successful GAVIN seminar. The panels were riveting, the Internet day was cutting edge, the acts were solid and Bennett Stuns Sir Elton Delivers wonderful.
    [Show full text]
  • M-Phazes | Primary Wave Music
    M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft.
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • Xzibit, My Writes (Feat
    Xzibit, My Writes (feat. de la Soul, Tha Alkaholics) (dove) Yo - who hold guns and rock ice bigger than life; Got bitches throwin they drawers on stage - that ain't me! I raise kids, push whips, piss an mc Love money like I love my moms Love my nigga com sense when he bang dents all up in they wallets Wall to wall bullshit I got hardwood floors Set sail for tour ever since eighty-nine So y'all are fuckin the same hoes who used to be mine (tash) And I've been waitin three summers to rhyme longside my people Rico, de la, inject you with the lethal Dose of hop-hippin if you thought catash was slippin Then put that drink down, you drunk off what you sippin Catash put the dip in dip dive socialize Fuck around with me and next you'll find yo' crib burglarized (xzibit) Yo you better recognize and try to analyze this Hand over fist - how can a man act like a bitch? Change and switch, snitch on his crew Yo get rid of the niggaz before the same thing happen to you (pos) And they'll leave your ass sticky like glue Blood leakin out, girls freakin out, motherfuckin cops tweakin out Got you on your knees like a freak, jugglin deez nuts Smugglin these cuts from s.c., you best be- -lieve there's no web or leave a net We done swallowed 40 bottles of threat, yo Chorus: all together What you know about my writes? (my writes) What you know about what's weak, what's tight? And what you know about an off night? (uhh) What you know about niggaz frontin for the light? And what you know about them gun fights? (gun fights) Got a nigga duckin while them girls show
    [Show full text]
  • Issue 1 Page 8 FINAL.Indd
    PAGE 8 Entertainment ‘Compton’ brings rapper Dr. Dre full circle Compton: A he got in the studio. Elliot Bauman Soundtrack by Dr. Before I noticed anything PRINT EDITOR-IN- Dre. Wow, the day sonically from this project though, CHIEF has finally come. before I even pressed play I was in awe Dre has released by the crazy features list. Dr. Dre is so a new album. For good about taking both superstars and the first time since I was two years old, underground artists and producers and Andre Young from Compton, California melding their talents to make some has produced and released a full-length great music. This is a recurring theme LP. stemming from the respect anyone in As alluded to, Compton is rapper/ the rap game must pay Dr. Dre. Names producer Dr. Dre’s first commercial like Snoop Dogg, XZibit and some release since the widely acclaimed of Compton’s own like The Game, release of his album “2001” in 1999. Kendrick Lamar, Anderson .Paak and, of Contrary to popular belief, it is not course, N.W.A. partner Ice Cube. The list a soundtrack for the movie “Straight is insane but all the credit goes to Dre Outta Compton,” although the two do for figuring out how to manage all of make nice companions. The album is a the egos and truly get the best qualities separate project dealing with Dr. Dre’s from everyone. The result is some of early life in Compton while alluding to the best feature work I’ve heard in 2015.
    [Show full text]
  • Eminem 1 Eminem
    Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005.
    [Show full text]
  • Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
    Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de.
    [Show full text]
  • Salomon Smith Barney RBC Dain Rauscher Inc
    NEW ISSUE - BOOK ENTRY ONLY $69,475,000 $5,000,000 California State University, Fresno Association, Inc. California State University, Fresno Association, Inc. Auxiliary Organization Event Center Revenue Bonds, Auxiliary Organization Event Center Subordinate Revenue Bonds, Senior Series 2002 Subordinate Series 2002 Dated: January 15, 2002 Due: July 1, as shown on inside front cover The CaliforniaState University, Fresno Association, Inc. Auxiliary Organization Event Center Revenue Bonds, Senior Series 2002 and the California State University, Fresno Association, Inc. Auxiliary Organization Event Center Subordinate Revenue Bonds, Subordinate Series 2002 will be issued pursuant to an Indenture dated as of January 15, 2002 by and between the California State University, Fresno Association, Inc., a California nonprofit public benefit corporation, and U.S. Bank, N.A., as trustee. The Series 2002 Bonds will mature on the dates and in the amounts listed on the inside front cover page. The Series 2002 Bonds will bear interest at the rates listed on the inside front cover page, payable on July 1, 2002 and on each January 1 and July 1 thereafter. Proceeds of the Series 2002 Bonds will be used to (i) finance the construction of a multi-purpose event center on the campus of the California State University, Fresno, to be known as "Save Mart Center," (ii) fund capitalized interest on the Series 2002 Bonds, (iii) fund reserve accounts and (iv) pay the costs of issuing the Series 2002 Bonds. The Series 2002 Bonds are limited obligations of the Corporation secured by the Event Center Project Revenues, and the Corporation's interest in a Ground Lease, the Bulldog Foundation MOU, the Student Seating Purchase Agreement and certain Project Documents, as described herein.
    [Show full text]
  • Mary in Film
    PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas
    [Show full text]
  • A Peruvian Perspective for the Conservation and Sustainable Use of Marine Biological Diversity in Areas Beyond National Jurisdiction
    A PERUVIAN PERSPECTIVE FOR THE CONSERVATION AND SUSTAINABLE USE OF MARINE BIOLOGICAL DIVERSITY IN AREAS BEYOND NATIONAL JURISDICTION FRANCISCO GUTIERREZ FIGUEROA The United Nations – Nippon Foundation of Japan Fellowship Programme 2015-2016 New York/Newark (Delaware) December 2015 DISCLAIMER The views expressed herein are those of the author and do not necessarily reflect the views of the Government of Peru, the United Nations, the Nippon Foundation of Japan or the University of Delaware. Copyright Statement This copy of the research paper has been supplied on condition that anyone who consults it is understood to recognize that its copyright rests with its author and that no quotation, diagrams and information derived from it may be published without accurate citation. Contact information Francisco Gutierrez Figueroa Email: [email protected] Email: [email protected] Suggested Citation Gutierrez Figueroa, Francisco. A Peruvian perspective for the conservation and sustainable use of marine biological diversity beyond areas of national jurisdiction. Research Paper. United Nations–Nippon Foundation of Japan Fellowship Programme, 2015. Supervisors Dr. Biliana Cicin-Sain Director Gerard J. Mangone Center for Marine Policy University of Delaware Newark (Delaware), United States of America Ms. Valentina Germani Legal Officer, Programme Advisor Division for Ocean Affairs and the Law of the Sea (DOALOS) Office of Legal Affairs of the United Nations New York, United States of America ABSTRACT One of the biggest current challenges for the international community is the need to protect marine biodiversity in ABNJ. This issue is currently in the center of numerous debates in several international fora given that it seems that the current legal framework is not completely appropriate and efficient to address the threats and diverse impacts linked to human activities in these areas.
    [Show full text]