4 | 2017 Volume 8 (2017) Issue 4 ISSN 2190-3387
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8. Putting Artists and Guardians of Indigenous Works First
8 Putting Artists and Guardians of Indigenous Works First: Towards a Restricted Scope of Freedom of Panorama in the Asian Pacific Region Jonathan Barrett1 1 Introduction ‘Freedom of panorama’2 permits use of certain copyright-protected works on public display; for example, anyone may publish and sell postcards of a public sculpture.3 The British heritage version of freedom of panorama, which is followed by many jurisdictions in the Asian Pacific region,4 applies 1 Copyright © 2018 Jonathan Barrett. Senior Lecturer, School of Accounting and Commercial Law, Victoria University of Wellington. 2 The term ‘freedom of panorama’ recently came into common usage in English. It appears to be derived from the Swiss German ‘Panoramafreiheit’, which itself has only been used since the 1990s, despite the exemption existing in German law for 170 years. See Mélanie Dulong de Rosnay and Pierre-Carl Langlais ‘Public artworks and the freedom of panorama controversy: a case of Wikimedia influence’ (2017) 6(1) Internet Policy Review. 3 Incidental copying of copyright works is not considered to be a feature of freedom of panorama. See Copyright Act 1994 (NZ), s 41. 4 Asian Pacific countries are those west of the International Date Line (IDL), as defined for the purposes of the Asian Pacific Copyright Association (APCA) in Brian Fitzgerald and Benedict Atkinson (eds) Copyright Future Copyright Freedom: Marking the 40 Year Anniversary of the Commencement of Australia’s Copyright Act 1968 (Sydney University Press, Sydney, 2011) at 236. 229 MAkING COPyRIGHT WORk FOR THE ASIAN PACIFIC? to buildings, sculptures and works of artistic craftsmanship on permanent display in a public place or premises open to the public.5 These objects may be copied in two dimensions, such as photographs. -
Image – Action – Space
Image – Action – Space IMAGE – ACTION – SPACE SITUATING THE SCREEN IN VISUAL PRACTICE Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner (Eds.) This publication was made possible by the Image Knowledge Gestaltung. An Interdisciplinary Laboratory Cluster of Excellence at the Humboldt-Universität zu Berlin (EXC 1027/1) with financial support from the German Research Foundation as part of the Excellence Initiative. The editors like to thank Sarah Scheidmantel, Paul Schulmeister, Lisa Weber as well as Jacob Watson, Roisin Cronin and Stefan Ernsting (Translabor GbR) for their help in editing and proofreading the texts. This work is licensed under a Creative Commons Attribution-NonCommercial-No-Derivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Copyrights for figures have been acknowledged according to best knowledge and ability. In case of legal claims please contact the editors. ISBN 978-3-11-046366-8 e-ISBN (PDF) 978-3-11-046497-9 e-ISBN (EPUB) 978-3-11-046377-4 Library of Congress Control Number: 2018956404 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche National bibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the internet at http://dnb.dnb.de. © 2018 Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com, https://www.doabooks.org and https://www.oapen.org. Cover illustration: Malte Euler Typesetting and design: Andreas Eberlein, aromaBerlin Printing and binding: Beltz Bad Langensalza GmbH, Bad Langensalza Printed in Germany www.degruyter.com Inhalt 7 Editorial 115 Nina Franz and Moritz Queisner Image – Action – Space. -
Wall" COUNTRY Jessica Breaks Top 20
FEBRUARY 25, 2000 ISSUE 2293 THE MOST TRUSTED NAME IN RADIO $PCAIN$1ill "Deliriously wonderful! Twangy Can Country Slow Dance? guitars, rhythmic thump, vocal personality, and a classic of a MUSIC country song. This just might be my favorite single released so far in TOP 40 2000. A star is born!" Faith Causes - /2a6 7C CUen«m Heavy Breathing RHYTHM CROSSOVER Thong Song Exthplodes "flowersi on the wall" COUNTRY Jessica Breaks Top 20 NEWS Tony, Elton "Stunning" In SF Sirius, XM In Joint Venture from the Gets Of '99 Ad $$$ Radio 8.2% forthcoming Mercury Records CO Er Cassette Home of thee Seminar in Radio 44>NASHVILLE swimming in champagne c 2000 Mercury Records From the Publishers of Music Week, MBI and fono visit www.mercurynashville.coin A Miller Freeman Publication praRisaed ericheatherly.com . Fslairayea'drj !da eddy TCoderfss Co,:aae, www.americanradiohistory.com ark. -.ills Kathy .attea Neffi Coty Jafflie I'Neal Eric Heatherly LkA T Terri Clark M Ei,3CLIAY 1-) i ill you experence the future 111. YYlI<COMar 03000 MaRury Records, a Universal Musk Colnpar y www.americanradiohistory.com Tony, Elton Kick Off "Super Thursday" "That was one super Thursdar, That's how one radio programming vi- üesuiueu mu /C13 ,11 ill n lull Llay I GAVIN Seminar 2000, which led off with Tony Bennett delivering a stellar SRO performance at noon at the Hyatt Regency, and Elton John cappine ! -L-ow th' unt"l Riveting with a phennrrrr. just up the h I! -et Fáirmort "Congratulations on yet another successful GAVIN seminar. The panels were riveting, the Internet day was cutting edge, the acts were solid and Bennett Stuns Sir Elton Delivers wonderful. -
M-Phazes | Primary Wave Music
M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Xzibit, My Writes (Feat
Xzibit, My Writes (feat. de la Soul, Tha Alkaholics) (dove) Yo - who hold guns and rock ice bigger than life; Got bitches throwin they drawers on stage - that ain't me! I raise kids, push whips, piss an mc Love money like I love my moms Love my nigga com sense when he bang dents all up in they wallets Wall to wall bullshit I got hardwood floors Set sail for tour ever since eighty-nine So y'all are fuckin the same hoes who used to be mine (tash) And I've been waitin three summers to rhyme longside my people Rico, de la, inject you with the lethal Dose of hop-hippin if you thought catash was slippin Then put that drink down, you drunk off what you sippin Catash put the dip in dip dive socialize Fuck around with me and next you'll find yo' crib burglarized (xzibit) Yo you better recognize and try to analyze this Hand over fist - how can a man act like a bitch? Change and switch, snitch on his crew Yo get rid of the niggaz before the same thing happen to you (pos) And they'll leave your ass sticky like glue Blood leakin out, girls freakin out, motherfuckin cops tweakin out Got you on your knees like a freak, jugglin deez nuts Smugglin these cuts from s.c., you best be- -lieve there's no web or leave a net We done swallowed 40 bottles of threat, yo Chorus: all together What you know about my writes? (my writes) What you know about what's weak, what's tight? And what you know about an off night? (uhh) What you know about niggaz frontin for the light? And what you know about them gun fights? (gun fights) Got a nigga duckin while them girls show -
Issue 1 Page 8 FINAL.Indd
PAGE 8 Entertainment ‘Compton’ brings rapper Dr. Dre full circle Compton: A he got in the studio. Elliot Bauman Soundtrack by Dr. Before I noticed anything PRINT EDITOR-IN- Dre. Wow, the day sonically from this project though, CHIEF has finally come. before I even pressed play I was in awe Dre has released by the crazy features list. Dr. Dre is so a new album. For good about taking both superstars and the first time since I was two years old, underground artists and producers and Andre Young from Compton, California melding their talents to make some has produced and released a full-length great music. This is a recurring theme LP. stemming from the respect anyone in As alluded to, Compton is rapper/ the rap game must pay Dr. Dre. Names producer Dr. Dre’s first commercial like Snoop Dogg, XZibit and some release since the widely acclaimed of Compton’s own like The Game, release of his album “2001” in 1999. Kendrick Lamar, Anderson .Paak and, of Contrary to popular belief, it is not course, N.W.A. partner Ice Cube. The list a soundtrack for the movie “Straight is insane but all the credit goes to Dre Outta Compton,” although the two do for figuring out how to manage all of make nice companions. The album is a the egos and truly get the best qualities separate project dealing with Dr. Dre’s from everyone. The result is some of early life in Compton while alluding to the best feature work I’ve heard in 2015. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de. -
Salomon Smith Barney RBC Dain Rauscher Inc
NEW ISSUE - BOOK ENTRY ONLY $69,475,000 $5,000,000 California State University, Fresno Association, Inc. California State University, Fresno Association, Inc. Auxiliary Organization Event Center Revenue Bonds, Auxiliary Organization Event Center Subordinate Revenue Bonds, Senior Series 2002 Subordinate Series 2002 Dated: January 15, 2002 Due: July 1, as shown on inside front cover The CaliforniaState University, Fresno Association, Inc. Auxiliary Organization Event Center Revenue Bonds, Senior Series 2002 and the California State University, Fresno Association, Inc. Auxiliary Organization Event Center Subordinate Revenue Bonds, Subordinate Series 2002 will be issued pursuant to an Indenture dated as of January 15, 2002 by and between the California State University, Fresno Association, Inc., a California nonprofit public benefit corporation, and U.S. Bank, N.A., as trustee. The Series 2002 Bonds will mature on the dates and in the amounts listed on the inside front cover page. The Series 2002 Bonds will bear interest at the rates listed on the inside front cover page, payable on July 1, 2002 and on each January 1 and July 1 thereafter. Proceeds of the Series 2002 Bonds will be used to (i) finance the construction of a multi-purpose event center on the campus of the California State University, Fresno, to be known as "Save Mart Center," (ii) fund capitalized interest on the Series 2002 Bonds, (iii) fund reserve accounts and (iv) pay the costs of issuing the Series 2002 Bonds. The Series 2002 Bonds are limited obligations of the Corporation secured by the Event Center Project Revenues, and the Corporation's interest in a Ground Lease, the Bulldog Foundation MOU, the Student Seating Purchase Agreement and certain Project Documents, as described herein. -
Mary in Film
PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas -
A Peruvian Perspective for the Conservation and Sustainable Use of Marine Biological Diversity in Areas Beyond National Jurisdiction
A PERUVIAN PERSPECTIVE FOR THE CONSERVATION AND SUSTAINABLE USE OF MARINE BIOLOGICAL DIVERSITY IN AREAS BEYOND NATIONAL JURISDICTION FRANCISCO GUTIERREZ FIGUEROA The United Nations – Nippon Foundation of Japan Fellowship Programme 2015-2016 New York/Newark (Delaware) December 2015 DISCLAIMER The views expressed herein are those of the author and do not necessarily reflect the views of the Government of Peru, the United Nations, the Nippon Foundation of Japan or the University of Delaware. Copyright Statement This copy of the research paper has been supplied on condition that anyone who consults it is understood to recognize that its copyright rests with its author and that no quotation, diagrams and information derived from it may be published without accurate citation. Contact information Francisco Gutierrez Figueroa Email: [email protected] Email: [email protected] Suggested Citation Gutierrez Figueroa, Francisco. A Peruvian perspective for the conservation and sustainable use of marine biological diversity beyond areas of national jurisdiction. Research Paper. United Nations–Nippon Foundation of Japan Fellowship Programme, 2015. Supervisors Dr. Biliana Cicin-Sain Director Gerard J. Mangone Center for Marine Policy University of Delaware Newark (Delaware), United States of America Ms. Valentina Germani Legal Officer, Programme Advisor Division for Ocean Affairs and the Law of the Sea (DOALOS) Office of Legal Affairs of the United Nations New York, United States of America ABSTRACT One of the biggest current challenges for the international community is the need to protect marine biodiversity in ABNJ. This issue is currently in the center of numerous debates in several international fora given that it seems that the current legal framework is not completely appropriate and efficient to address the threats and diverse impacts linked to human activities in these areas.