JULY 2017 Issue 4 the Newsletter of the UK Section of IFFR
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Bcsfazine #528 | Felicity Walker
The Newsletter of the British Columbia Science Fiction Association #528 $3.00/Issue May 2017 In This Issue: This and Next Month in BCSFA..........................................0 About BCSFA.......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................6 News-Like Matter..............................................................11 Turncoat (Taral Wayne)....................................................17 Art Credits..........................................................................18 BCSFAzine © May 2017, Volume 45, #5, Issue #528 is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or Apartment 601, Manhattan Tower, 6611 Coo- ney Road, Richmond, BC, Canada, V6Y 4C5 (new address). BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. Cheques should be made pay- able to “West Coast Science Fiction Association (WCSFA).” This and Next Month in BCSFA Friday 19 May: Submission deadline for June BCSFAzine (ideally). Sunday 14 May at 7 PM: May BCSFA meeting—at Ray Seredin’s, 707 Hamilton Street (recreation room), New Westminster. -
Whole Day Download the Hansard
Tuesday Volume 623 21 March 2017 No. 128 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Tuesday 21 March 2017 © Parliamentary Copyright House of Commons 2017 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 753 21 MARCH 2017 754 Mr Hunt: The one simple thing the Government are House of Commons not going to do is refuse to listen to what the British people said when they voted on 23 June. We will do what they said—it is the right thing to do. However, the Tuesday 21 March 2017 right hon. Gentleman is absolutely right to highlight the vital role that the around 10,000 EU doctors in the The House met at half-past Eleven o’clock NHS play in this country. I can reassure him that the number of doctors joining the NHS from the EU was higher in the four months following the referendum PRAYERS result than in the same four months the previous year. 23. [909376] Helen Whately (Faversham and Mid Kent) [MR SPEAKER in the Chair] (Con): Does my right hon. Friend agree that Kent, with its excellent academic institutions and strong life sciences sector, would be an ideal location for a new medical school, and will he support emerging plans to Oral Answers to Questions establish one? Mr Hunt: I can absolutely confirm that the garden of England would be an ideal place for a new medical HEALTH school—alongside many other parts of the country that are actively competing to start medical schools as a The Secretary of State was asked— result of the expansion in doctor numbers. -
Introduction
Cambridge University Press 978-1-107-00526-6 - The Italian Renaissance and Cultural Memory Patricia Emison Excerpt More information ONE INTRODUCTION Perché delle cose rare e ben fatte ognun sa la difficultà.1 enaissance art, like that of antiquity, has suffered from Rits success. It is both loved and resented, sometimes simultaneously. High Renaissance style defined a norm for centuries afterwards, sometimes deemed Classical, sometimes termed more generically Old Master art. When the Modernists swept aside tradition and tried to start again from scratch, the Renaissance art enshrined in palatial museums soon began to seem rather dusty by comparison with newer and sleeker models. In an age of photog- raphy, repeated reproduction made it all too familiar. Additionally, the gross simplification of its theoretical aims to mimesis, or the imitation of nature, made it sound obsolete. So if the art of the fifteenth and sixteenth centuries wasn’t ignored by twentieth-century sophisticates, it was parodied – except in the hands of art historians, whose discipline was burgeoning during the middle years of the century, and in the hands of collectors who could still buy important Renaissance paintings. In the 1920s and early 30s, the Hermitage Museum (in what is now St. Petersburg) sold off many of its most admired paintings, not a few of which were purchased by Andrew Mellon and later 1 “Because everyone knows the difficulty of unusual and well done things”; Baldassare Castiglione, Il libro del Cortegiano (Venice, 1528), I, xxvi. 1 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00526-6 - The Italian Renaissance and Cultural Memory Patricia Emison Excerpt More information 2 THE ITALIAN RENAISSANCE AND CULTURAL MEMORY given to the National Gallery of Art in Washington, D.C., which opened in 1941.2 Since then the influential attention of collectors has turned elsewhere. -
City News 11 Flu Jabs at GP Surgeries and Pharmacies
Winter 2016 stoke.gov.uk City News STRONGER TOGETHER POPPIES TO PAGE 18 COME HOME Right time to apply for free nursery Ceramic WWI tribute display planned for 2018 places CONIC ceramic poppies created final year of its tour. Dates and a world famous ceramics able to see these poppies in the in the city to commemorate venue are yet to be announced. manufacturers. Without Johnson city where so many of them were the centenary of the First Deputy Council Leader Tiles and Potclays Ltd this crafted. This is another sign of I Councillor Abi Brown said: stunning artwork could never the fantastic cultural heritage in World War will come home to “We’re thrilled to say that our have been created. our city, as we continue to go Stoke-on-Trent as a major display poppies are coming home. It’s the “More than five million people forward with our City of Culture in 2018... a victory for the council culmination of two-and-a-half saw the Tower of London display 2021 bid.” and campaigners who pressed for years of campaigning. in 2014, and since two of the 14-18 Now Executive Producer the return. “The city council led the bid, display’s installations – the Nigel Hinds said a number of 14-18 Now – who manage but its success was only possible Weeping Window and Wave – sites for the display were being WW1 Centenary art with the enthusiastic support of a went on tour in 2015, a further considered, and the location, commissions – announced the range of partners across the local 1.5 million people have seen dates and which sculpture will art installation containing many media, museums, education them. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
Derbyshire Oatcakes
DERBYSHIRE OATCAKES Because of the climate in Derbyshire, oats are much easier to grow than wheat, so therefore before the age of transportation oats and oatmeal was often used in bakeries. Scottish oatcakes are dry digestive sized biscuits whereas the Derbyshire or Staffordshire oatcake is more like a pancake or a warm tortilla wrap and made with usually 50% oatmeal. You can make them at home or buy them from a localA baker bottle or butcher of Aldwark and they stay fresh for about 10 days in a bag in the fridge. You heat them by grilling or frying for 4 minutes,WIN turning them halfway through. You can putArtisan pretty much OR anythinga small you like on them, savoury or sweet!cuddly Roll it, rhino! wrap it or leave it open. Simply add cheese, perhaps some mushrooms and onion, meats such as bacon or sausages. Traditionally they are served up as part of a fried English breakfast. Each oatcake has approximately 175 calories. Recipe:120g fine oatmeal (or use Quaker oats and grind finely), 120g plain flour, 1 packet (7g) dried yeast, 1 tsp sugar, 1 tsp salt, 500ml warm milk and water mix (50% of each). Process: 1) Dissolve the yeast in the warm milk and water. 2) Mix in the other ingredients and leave for at least 2 hours or even overnight. 3) Pour on to a hot griddle to get an oatcake of about 6-7 inches. How do you crEATe yours? Cheese, sausage, beans, mushrooms, peanut butter, jam, pineapple or golden syrup? Rolled or flat? Best entry will win either a bottle of Aldwark Artisan Ale or a small cuddly rhino. -
Parliamentary Debates (Hansard)
Tuesday Volume 623 14 March 2017 No. 124 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Tuesday 14 March 2017 © Parliamentary Copyright House of Commons 2017 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 157 14 MARCH 2017 158 policies in 2012, will the Government conduct an urgent House of Commons review and impose a moratorium on new subsidies for biomass? Tuesday 14 March 2017 Mr Hurd: As the hon. Gentleman knows, we have reviewed and adjusted subsidies in relation to biomass, and we keep that under regular review. The House met at half-past Eleven o’clock Dr Monaghan: Given that Scotland’s renewable energy will be cheaper than that produced at Hinkley by the PRAYERS time it is complete and that Brexit is already pushing up the build costs of these reactors in an environment [MR SPEAKER in the Chair] where the UK Government have unilaterally decided to abandon the protection of Euratom, will you scrap the costly and inefficient nuclear obsession in favour of a low-carbon future? Oral Answers to Questions Mr Speaker: The hon. Gentleman invests me with powers that I do not possess; that is very good of him. BUSINESS, ENERGY AND INDUSTRIAL Mr Hurd: Frankly, previous Governments neglected STRATEGY their responsibility to this country to invest in upgrading its power infrastructure, but this Government are grasping that challenge. As I have said, few countries have done The Secretary of State was asked— more to make the transition to cleaner energy, with a Low-carbon Economy trebling of capacity in renewable electricity, and the commitment to Hinkley offers us the potential for 7% of 1. -
Leek's Oldest Tearoom
Welcome To Leek's Oldest Tearoom he beautiful Grade ll Solicitors. and 3 were put up for sale. the property as a popular Tlisted building that is Following the sale of what Tearoom and small shop known as The White Hart In 1871 Number 3 was still a had been their home for for many years. They also dates back to the early 17th family home, occupied by over forty years, the 1911 added the third floor of the century. Little is known the Bowcock family. They census shows Selina still building in the 1930s, giving about its early use but the were described as “Bakers living in Leek, at the age of the building the distinctive listed status entry describes & confectioners” and from 70, and still working as a shape it has to this day. the building as “House, now images of around this time confectioner in a shop on pair of shops” We have found we assume they ran a shop Market Place. Eliza,aged 48 After the departure of the no evidence of it ever being below their accommodation. and unmarried, and her son Haworths in the 1970s the a public house, despite the Charles, aged 43 and also smaller side of the building name! Harry & Selina Bowcock had unmarried were still working continued to be used as a five children and a further alongside their mother. cafe with the larger side, From census information three were born during their Number 1, as retail. we know that the building years here. All eight children In 1911 both sides of the has been two properties survived into adulthood. -
Ashmolean Papers Ashmolean Papers
ASHMOLEAN PAPERS ASHMOLEAN PAPERS 2017 1 Preface 2 Introduction: Obsolescence and Industrial Culture Tim Strangleman 10 Topographies of the Obsolete: Exploring the Site Specific and Associated Histories of Post Industry Neil Brownsword and Anne Helen Mydland 18 Deindustrialisation and Heritage in Three Crockery Capitals Maris Gillette 50 Industrial Ruination and Shared Experiences: A Brief Encounter with Stoke-on-Trent Alice Mah 58 Maintenance, Ruination and the Urban Landscape of Stoke-on-Trent Tim Edensor 72 Image Management Systems: A Model for Archiving Stoke-on-Trent’s Post-Industrial Heritage Jake Kaner 82 Margins, Wastes and the Urban Imaginary Malcolm Miles 98 Biographies Topographies of the Obsolete: Ashmolean Papers Preface First published by Topographies of the Obsolete Publications 2017. ISBN 978-82-690937 In The Natural History of Staffordshire,1 Dr Robert Plot, the first keeper of the Unless otherwise specified the Copyright © for text and artwork: Ashmolean Museum describes an early account of the county’s pre-industrial Tim Strangleman, Neil Brownsword, Anne Helen Mydland, Maris Gillette, Alice Mah, pottery manufacturing during the late 17th century. Apart from documenting Tim Edensor, Jake Kaner, Malcolm Miles potters practices and processes, Plot details the regions natural clays that were once fundamental to its rise as a world renowned industrial centre for ceramics. Edited by Neil Brownsword and Anne Helen Mydland Designed by Phil Rawle, Wren Park Creative Consultants, UK Yet in recent decades the factories and communities of labour that developed Printed by The Printing House, UK around these natural resources have been subject to significant transition. Global economics have resulted in much of the regions ceramic industry outsourcing Designed and published in Stoke-on-Trent to low-cost overseas production. -
The Hinchcliffe/Holmes Era of Doctor Who (1975-77) Matt Hills
‘Gothic’ Body Parts in a ‘Postmodern’ Body of Work? The Hinchcliffe/Holmes Era of Doctor Who (1975-77) Matt Hills (1) The names Philip Hinchcliffe and Robert Holmes may not be greatly familiar to many academic readers of this volume, unless, that is, they also happen to be fans of the (1963-1989, 1996, 2005-) BBC TV series Doctor Who. Hinchcliffe was the producer of this series on all episodes originally transmitted in the UK between 25/1/1975 and 2/4/77, while Holmes was script editor on all material broadcast between 28/12/74 and 17/12/77. However, he went un-credited in this role on stories where he was named as writer, due to BBC regulations which forbade script editors to commission from themselves (see Howe and Walker, 1998). In story terms, Philip Hinchcliffe produced ‘The Ark in Space’ through to ‘The Talons of Weng-Chiang’, whilst Holmes script-edited stories running from ‘Robot’ through to ‘The Sun Makers’ (1977). Under Hinchcliffe as producer, Holmes also wrote ‘The Ark in Space’, ‘The Deadly Assassin’ and ‘The Talons of Weng-Chiang’, and effectively wrote, or at least heavily reworked, ‘The Pyramids of Mars’ and ‘The Brain of Morbius’ (on-screen, these were attributed to the pseudonyms Stephen Harris and Robin Bland). Today, Philip Hinchcliffe is a regular contributor to DVD commentaries and features accompanying ‘his’ Doctor Who stories. Robert Holmes passed away on 24th May, 1986: his overall contribution to Doctor Who is the subject of a documentary on the DVD release of the (1985) story ‘The Two Doctors’. -
The Dining Hall, a Modern and Contemporary Take on the Original Worker’S Canteen Here at Barlaston
Welcome to The Dining Hall, a modern and contemporary take on the original worker’s canteen here at Barlaston. Relax and take time to enjoy the company of your guests, friends or family. Choose from a range of traditional dishes chosen by our chefs to harness locally sourced seasonal Staffordshire produce. The Dining Hall uses authentic Wedgwood ceramic ware. The Edme pattern is available to purchase in our Flagship Store. Brunch Served Daily from 9.30am - 12noon Main Plates Served Daily from 12 noon - 3pm Potter’s Full English £9.00 The Dining Hall Steak Sandwich £11.00 Sweet cure bacon, sausage, Staffordshire oatcake, black pudding, A duo of Staffordshire beef - Pulled shin of slow cooked beef plum tomato, field mushroom, free range egg, baked beans, fried bread. and seared minute steak, confit of mushroom, onion and garlic, toasted sub role, homemade coleslaw, rocket salad. Staffordshire Breakfast £7.00 Two rolled Staffordshire oatcakes, Cheddleton mature Cheddar, Roasted Vegetable and Feta Tart £9.00 (v) sweet cure bacon, plum tomato. Roasted Mediterranean vegetable tart served warm with new potatoes and a mixed leaf salad. Vegetarian Breakfast £8.00 (v) Quorn sausages, Staffordshire oatcake, plum tomato, field mushroom, Belly of Pork £11.00 free range egg, baked beans, fried bread. Twice cooked pork belly, black pudding mash, wilted summer greens, apple and calvados sauce. Smoked Salmon £8.50 Oak smoked salmon, scrambled eggs, toasted farmhouse bloomer. Cider Battered Fish and Chips £9.50 Fillet of cod, gluten free cider batter, hand cut chips, mushy peas, Baker’s Basket £4.00 (v) tartar sauce, lemon. -
Bcsfazine #442 • Felicity Walker
The Newsletter of the British Columbia Science Fiction Association #442 $3.00/Issue March 2010 i In This Issue: This Month in BCSFA.........................................................0 Letters of Comment............................................................1 Calendar...............................................................................4 News-Like Matter...............................................................15 Why Time Travel Sucks....................................................18 Media File...........................................................................21 Upcoming Nifty Film Projects..........................................22 Ask Mr. Guess-It-All!.........................................................23 Zines Received..................................................................24 E-Zines Received..............................................................24 About BCSFA....................................................................26 Why You Got This.............................................................26 BCSFAzine © March 2010, Volume 38, #3, Issue #442 is the monthly club newslet- ter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or #209–3851 Francis Road, Richmond, BC, Canada, V7C 1J6. BCSFAzine solicits electronic submissions and black-and-white line illustrations in JPG, GIF, BMP, or PSD format, and