DOCSLIB.ORG

Medieval Azerbaijani Weapons in European Museums

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Medieval Azerbaijani Weapons in European Museums Traditional crafts Sabuhi AHMADOV Doctor of Philosophy in History Medieval Azerbaijani weapons in European museums hile studying medieval Azerbaijani weapons, it is necessary to take into account exhib- Wits kept and displayed at world museums as material and cultural artifacts. Along with production aimed at meeting mass demand, medieval craftsmen also fulfilled orders from the military-political leader- ship of the state and made weapons that stood out not only for their combat properties, but also artistic design. Such weapons were always looked after, protected and handed down from generation to generation. In the course of historical events, these weapons were taken out of Azerbaijan in various ways and are now on dis- play in the world’s leading museums and private col- lections. Medieval Azerbaijani weapons are kept at a num- ber of European museums that have rich collections of weapons. Medieval Azerbaijani weapons in German muse- ums. Among German museums, the largest collection of weapons of Turkic peoples is kept in Dresden. Kur- furst August II began to collect Muslim weapons of the Fragment of the front part of the armor of the Aqqoyunlu state. The Turkic Chamber, Dresden Museum 24 www.irs-az.com 2(30), SPRING 2017 Armor of the Aqqoyunlu state. The Turkic Chamber, Dresden Museum www.irs-az.com 25 Traditional crafts museum in the 18th century (10, p. 314). For example, was made of branches and has a steel umbo fixed in the among the more than 600 exhibits kept at the Turkish middle (6, p. 243). Chamber (Türckische Cammer), which is an integral Medieval Azerbaijani weapons in British muse- part of the Dresden Armory (Rüstkammer), there are ums. Azerbaijani weapons are kept at the British Mu- weapons belonging to the Azerbaijani Aqqoyunlu and seum, Victoria and Albert Museum and Royal Armory. Safavid states and made by Azerbaijani craftsmen. The collection of Islamic art at London’s British Museum, One of the unique exhibits of the Dresden Turkish one of the largest museums in the world, includes more Chamber is armor belonging to a 15th century Aqqoyun- than 40,000 exhibits. Among them are quite a few his- lu fighter. This chainmail-type armor is based on a shirt torical artifacts made in Azerbaijan (1, p. 74-80). A study made from steel rings joined together. In the belly part revealed medieval Azerbaijani weapons in the British of the armor, there are eight steel pieces joined togeth- Museum, including weapons belonging to the period er and decorated with silver and gold inscriptions. In the under review. back of the armor, there are small pieces in three rows A veil-type steel helmet belonging to the end of from the collar to the waist. There are 15 pieces in each the 15th century is shown as an exhibit made in the row. On the right and left sides of the armor, there are Aqqoyunlu state. There are two semi-elliptic slots for four pieces placed vertically from the waist to the arm- the eyes in the front of the high mouth circle. The sides pits. The armor has its own arm protectors stretching of the mouth circle and eye slots are reinforced with a to the elbow, hems stretching to the knees and a collar metal frame. Between the eye slots, there is a reinforce- protecting the throat and the neck (3, No 3, p. 43). ment piece to protect the nose. The bottom part wid- The horse armor on display at the Dresden Turkish ens towards the mouth circle and gradually moves to- Chamber is believed to belong to the 15th-16th centu- wards the crest. In the bottom there are vertical narrow ries, and according to German specialists, it was used in frets. A protuberant rivet can be seen on the right and the Aqqoyunlu and Safavid states (3, No 2, p, 42). The ar- left sides of the trunk. It is believed that earplugs (metal mor consists of steel parts joined together: head, neck, pieces protecting the ears) were hung from these rivets. chest, sides and back. The part that protects the head The crest gradually becomes narrower and turns into a consists of a steel forehead and cheek parts made from crown towards the top. The crown consists of two parts. pieces and rings hanging from it. The lower part consists of a board decorated with a bak- There are also offensive weapons belonging to the lava motif; the “baklavas” look in four directions, and a Safavid state kept at the Dresden Turkish Chamber. It hole was made in the middle of each “baklava”. must be noted that although these weapons are known Another veil-type steel helmet kept at the British Mu- as those of 16th century Safavid fighters, they are shown seum is shown as an exhibit made in northwestern Iran as “Iranian” exhibits. (in other words, in South Azerbaijan) at the end of the The arms of the bows of 16th century Safavid fighters 15th century. In the front of the high mouth circle there were made from wood and the central part from horns are two semi-elliptic slots for the eyes. Both the mouth and tendons and painted in different colors (3, No 14, circle and the edges of the eye slots are reinforced with p. 50). The tips of the combat axes of 16th century Safa- a metal frame, but unlike other helmets of this type, the vid fighters have an elongated cutting part and a wide frame is extremely wide and has a flowery pattern with strong back (3, No 63, p. 80). There are delicate gold pat- holes. There are also patterns on the frame that covers terns on the axe. The blade of the 16th century Safavid the mouth circle. There are protuberances with holes in sword is slightly bent. In the small decorative cartouche the mouth circle. A metal net made of rings hangs from on the blade there is an inscription saying “The servant the metal cable going through these protuberances. of Shahi Shams, Shukrullah” and “Shukrullah, the servant The net is long enough to protect the neck completely of Shahi Shams” (3, No 140, p. 150) and the sides of the throat from blows. In the trunk there A 15th century Aqqoyunlu sword kept at the Dres- are curve-like wide diagonal stripes. The trunk becomes den History Museum stands out for its uniqueness. The wider towards the mouth circle and gradually turns into sword consists of a smooth bone handle and a slightly a crest. The crest gradually becomes narrower and turns bent steel blade. The entire surface of the blade is deco- into a crown towards the upper part, but the crown it- rated with gilded flowery patterns (6, p. 253). Another self has not survived to this day. Specialists of the mu- exhibit that belongs to the Safavid state is a shield. It seum managed to read not the whole text, but different 26 www.irs-az.com 2(30), SPRING 2017 Horse armor of the Aqqoyunlu state. The Turkic Chamber, Dresden Museum www.irs-az.com 27 Traditional crafts tions on the helmet: “This gold helmet was completed in 1035. May the head wearing it remain safe.” “This gold helmet with jewels on my head under the rule of the conqueror of the world and pillar of the world, Shah Ab- bas. His helmet looks like a shining moon, how can I de- scribe him.” “This gold helmet was completed under the rule of Shah Abbas, a king of kings like Darius, generous, glorious and well-known, conqueror of the world and a king who has influence from China to Sham. Such a helmet is becoming of a shining fighter. May those who wear this helmet be happy…” A greave kept at the British Museum is believed to belong to the end of the 15th century. The exhibition which displays the greave says that it was made in the Aqqoyunlu state. The greave consists of three steel piec- es and metal rings that connect them. The central piece follows the shape of the leg and sticks out in the lower part – in the ankle. There are holes for rivets on the small pieces in order to fasten it on the leg. The collection of the museum also has a kneepiece belonging to the end of the 15th century. This additional defensive element, which has a traditional design, con- sists of a knee pad, metal pieces that protect the thigh and a hanging ringed net. The museum also has the head of a combat axe made in the Safavid state in 1550-1600. The head of the combat axe is made from steel and is decorated with animal and flowery patterns. The axe was bought by the museum from E. Begyan. The surface of the head, which is 16.3 cm long, is straight and the lower part is shaped as a crescent. It was possible to hit with the Helmet of the Aqqoyunlu / Safavid state. Military Museum, Leeds back of the head. Prominent Egyptian researcher A. Zaki notes that there is the name of Shah Abbas on one of the kulah- expressions on the helmet: “Al-Alim al-Adil”, “al-Muiz”, khud type helmets in the British Museum (9, p. 28). “al-Mavlana”, “al-Sultan al-Azam”, “Khagan”, “al-Muazzam Among the weapons kept at the British Museum, Malik al-Umam”. a sword belonging to the 12th-13th centuries and its The British Museum also keeps a helmet of the ku- sheath stand out for their uniqueness. The sword has a lah-khud type made in the Safavid state on 1625-26.
Load more

Recommended publications
  • Brill's Series of Primary Sources: Western Travelers in the Islamic World (Http: // Brill'
    134 Book Reviews / Iran and the Caucasus 16 (2012) 134-136 Brill’s Series of Primary Sources: Western Travelers in the Islamic World (http: //www.primarysourcesonline.nl/c19/). Brill’s online Series of Western travel literature on the Islamic World contains more than 220 main written sources by Western travellers, missioners, merchants, diplomatic representatives from early mediaeval period till the 20th century. It is a huge collection of important primary sources for the political, cultural, economic, ethnographical and differ- ent other issues of the history of late mediaeval and early modern Islamic societies from Africa to India and from the Caucasus to Arabic peninsula. In this review, we will focus only on some main sources listed in the Series concerning Iran and especially the history of the Safavids. However, for the Timurid period one of the most valuable sources is the narrative of the embassy of Ruy Gonzalez de Clavijo to the court of Timur at Samarcand in 1403-1406 whose travel laid through Iran. This narrative was translated from Spanish into English for the first time in 1859 by Clemente Ri Markham with notes, preface and an introduction on Timur Lang’s life. There is also the publication of the Spanish text with Russian translation by I. I. Sreznevskij in St. Petersburg in 1881. The next source to be introduced relates the 15th century’s history of Iran and includes the reports of Venetian ambassadors to the court of Uzun Hasan Aq Qoyunlu who was the ruler of Western Iran and Aturpa- takan (Azerbaijan). Those are Caterino Zeno, ambassador in 1471-1473; Giosofat Barbaro, ambassador in 1471-1478; and Ambrogio Contarini, ambassador in 1474-1476.
    [Show full text]
  • Turkomans Between Two Empires
    TURKOMANS BETWEEN TWO EMPIRES: THE ORIGINS OF THE QIZILBASH IDENTITY IN ANATOLIA (1447-1514) A Ph.D. Dissertation by RIZA YILDIRIM Department of History Bilkent University Ankara February 2008 To Sufis of Lāhijan TURKOMANS BETWEEN TWO EMPIRES: THE ORIGINS OF THE QIZILBASH IDENTITY IN ANATOLIA (1447-1514) The Institute of Economics and Social Sciences of Bilkent University by RIZA YILDIRIM In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in THE DEPARTMENT OF HISTORY BILKENT UNIVERSITY ANKARA February 2008 I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in History. …………………….. Assist. Prof. Oktay Özel Supervisor I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in History. …………………….. Prof. Dr. Halil Đnalcık Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in History. …………………….. Prof. Dr. Ahmet Yaşar Ocak Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in History. …………………….. Assist. Prof. Evgeni Radushev Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in History.
    [Show full text]
  • Orta Asya'dan Diyarbakir Ve Çevresine Göçler
    T.C. KAHRAMANMARAŞ SÜTÇÜ İMAM ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TARİH ANABİLİMDALI ORTA ASYA’DAN DİYARBAKIR VE ÇEVRESİNE GÖÇLER Senem ÖZDOĞAN YÜKSEK LİSANS TEZİ KAHRAMANMARAŞ 2007 T.C. KAHRAMANMARAŞ SÜTÇÜ İMAM ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TARİH ANABİLİMDALI ORTA ASYA’DAN DİYARBAKIR VE ÇEVRESİNE GÖÇLER DANIŞMAN YRD. DOÇ. DR. İlyas GÖKHAN Senem ÖZDOĞAN YÜKSEK LİSANS TEZİ KAHRAMANMARAŞ 2007 T.C. KAHRAMANMARAŞ SÜTÇÜ İMAM ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TARİH ANABİLİMDALI ORTA ASYA’DAN DİYARBAKIR VE ÇEVRESİNE GÖÇLER Senem ÖZDOĞAN YÜKSEK LİSANS TEZİ TARİH ANA BİLİM DALI Bu tez …/…/2007 Tarihinde Aşağıdaki Jüri Üyeleri Tarafından Oy Birliği İle Kabul Edilmiştir. Yrd. Doç. Dr. Doç. Dr. Yrd. Doç. Dr. DANIŞMAN Orhan DOĞAN Mehmet GÜRBÜZ İlyas GÖKHAN Yukarıdaki imzaların adı geçen öğretim üyelerine ait olduğunu onaylarım. Kod No: Prof. Dr. Ahmet Hamdi AYDIN Enstitü Müdür Vekili Not: Bu tezde kullanılan özgün ve başka kaynaktan yapılan bildirişlerin çizelge, şekil ve fotoğrafların kaynak gösterilmeden kullanımı, 5846 sayılı Fikir ve Sanat Eserleri Kanunundaki hükümlere tabidir. T.C. KAHRAMANMARAŞ SÜTÇÜ İMAM ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TARİH ANABİLİMDALI ÖZET YÜKSEK LİSANS TEZİ ORTA ASYA’DAN DİYARBAKIR VE ÇEVRESİNE GÖÇLER Senem ÖZDOĞAN DANIŞMAN: Yrd. Doç. Dr. İlyas GÖKHAN YIL: 2007, Sayfa: 105 Jüri: Yrd. Doç. Dr. İlyas GÖKHAN Doç. Dr. Orhan DOĞAN Yrd. Doç. Dr. Mehmet GÜRBÜZ Bu tez, Orta Asya’dan Diyarbakır ve çevresine yapılan göçler sonucunda bölgeye yerleşen Türkmenleri ve onların bölgede bıraktıkları eserleri incelemektedir. Orta Asya’dan yapılan göçler sonucunda Diyarbakır ve çevresinde hâkimiyet kuran Türk devletlerinin bölgede yaptıkları sosyal ve siyasi faaliyetler hakkında bilgiler içermektedir. Ayrıca bu devletlerden günümüze ulaşan eserler hakkındaki bilgileri içermektedir. Günümüzde Diyarbakır ve çevresi için yapılan karalamaların aslında belgelere dayanarak gerçek olmadığını ve Diyarbakır ‘ın eskiden beri bir Türkmen şehri olduğunu ortaya koymaktadır.
    [Show full text]
  • Relations Between Akkoyunlu and Karamanogullari
    RELATIONS BETWEEN AKKOYUNLUS AND KARAMANOGULLARI Ilhan ERDEM (University of Ankara, Turkey) Karamanogullari, one of the largest groups among those Turkish communities who lived in Anatolia, immigrated to Anatolia in the first half of the 13th century and settled in the southern parts of Toros Region, Ermenek Mut, Larende, etc., where they became a sovereign power in a short time and left their marks on the political, ethical and cultural areas. Their crowdedness and sound organizational structure distracted the attention of Seljuk Government, and Turkish Seljuks availed themselves of Karamans as a military power for their invasion raids. However, Karamans ran counter to the Government following the death of Aladdin Keykubad, which resulted in the Mogulian invasion of Anatolia (July, 1243 AD). As the Mogulian sovereignty lessened the central authority of Turkish Seljuks, the balance of political powers in Anatolia began to re-shape. Turkmens proceeded to take action on the one hand, while the decentralized feudal aristocracy gained power in the state on the other. Karamans were the first group who took action for independence and fought against Moguls. In 1256, the process of establishment of principalities was completely carried out with the besiegement of Ermenek by IV Kilij Arslan, the Sultan of Seljuks in that period. Karaman Beg (1256-61), the founder of the principality had it as a motto to fight against Moguls, and with this slogan, made a raid on Konya in 1261, in the name of the overthrown Sultan İzzeddin Keykavus. However, the alerted Seljuk-Mogulian forces blocked them in front of the Castle Gevele, and here Turkmens lost the battle.
    [Show full text]
  • Jnasci-2015-1195-1202
    Journal of Novel Applied Sciences Available online at www.jnasci.org ©2015 JNAS Journal-2015-4-11/1195-1202 ISSN 2322-5149 ©2015 JNAS Relationships between Timurid Empire and Qara Qoyunlu & Aq Qoyunlu Turkmens Jamshid Norouzi1 and Wirya Azizi2* 1- Assistant Professor of History Department of Payame Noor University 2- M.A of Iran’s Islamic Era History of Payame Noor University Corresponding author: Wirya Azizi ABSTRACT: Following Abu Saeed Ilkhan’s death (from Mongol Empire), for half a century, Iranian lands were reigned by local rules. Finally, lately in the 8th century, Amir Timur thrived from Transoxiana in northeastern Iran, and gradually made obedient Iran and surrounding countries. However, in the Northwest of Iran, Turkmen tribes reigned but during the Timurid raids they had returned to obedience, and just as withdrawal of the Timurid troops, they were quickly back their former power. These clans and tribes sometimes were troublesome to the Ottoman Empires and Mamluk Sultanate of Egypt. Due to the remoteness of these regions of Timurid Capital and, more importantly, lack of permanent government administrations and organizations of the Timurid capital, following Amir Timur’s death, because of dynastic struggles among his Sons and Grandsons, the Turkmens under these conditions were increasing their power and then they had challenged the Timurid princes. The most important goals of this study has focused on investigation of their relationships and struggles. How and why Timurid Empire has begun to combat against Qara Qoyunlu and Aq Qoyunlu Turkmens; what were the reasons for the failure of the Timurid deal with them, these are the questions that we try to find the answers in our study.
    [Show full text]
  • History of Azerbaijan (Textbook)
    DILGAM ISMAILOV HISTORY OF AZERBAIJAN (TEXTBOOK) Azerbaijan Architecture and Construction University Methodological Council of the meeting dated July 7, 2017, was published at the direction of № 6 BAKU - 2017 Dilgam Yunis Ismailov. History of Azerbaijan, AzMİU NPM, Baku, 2017, p.p.352 Referents: Anar Jamal Iskenderov Konul Ramiq Aliyeva All rights reserved. No part of this book may be reproduced or transmitted in any form by any means. Electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the copyright owner. In Azerbaijan University of Architecture and Construction, the book “History of Azerbaijan” is written on the basis of a syllabus covering all topics of the subject. Author paid special attention to the current events when analyzing the different periods of Azerbaijan. This book can be used by other high schools that also teach “History of Azerbaijan” in English to bachelor students, master students, teachers, as well as to the independent learners of our country’s history. 2 © Dilgam Ismailov, 2017 TABLE OF CONTENTS Foreword…………………………………….……… 9 I Theme. Introduction to the history of Azerbaijan 10 II Theme: The Primitive Society in Azerbaijan…. 18 1.The Initial Residential Dwellings……….............… 18 2.The Stone Age in Azerbaijan……………………… 19 3.The Copper, Bronze and Iron Ages in Azerbaijan… 23 4.The Collapse of the Primitive Communal System in Azerbaijan………………………………………….... 28 III Theme: The Ancient and Early States in Azer- baijan. The Atropatena and Albanian Kingdoms.. 30 1.The First Tribal Alliances and Initial Public Institutions in Azerbaijan……………………………. 30 2.The Kingdom of Manna…………………………… 34 3.The Atropatena and Albanian Kingdoms………….
    [Show full text]
  • Fall of Constantinople] Pmunc 2018 ​ ​ Contents
    [FALL OF CONSTANTINOPLE] PMUNC 2018 ​ ​ CONTENTS Letter from the Chair and CD………....…………………………………………....[3] Committee Description…………………………………………………………….[4] The Siege of Constantinople: Introduction………………………………………………………….……. [5] Sailing to Byzantium: A Brief History……...………....……………………...[6] Current Status………………………………………………………………[9] Keywords………………………………………………………………….[12] Questions for Consideration……………………………………………….[14] Character List…………………...………………………………………….[15] Citations……..…………………...………………………………………...[23] 2 [FALL OF CONSTANTINOPLE] PMUNC 2018 ​ ​ LETTER FROM THE CHAIR Dear delegates, Welcome to PMUNC! My name is Atakan Baltaci, and I’m super excited to conquer a city! I will be your chair for the Fall of Constantinople Committee at PMUNC 2018. We have gathered the mightiest commanders, the most cunning statesmen and the most renowned scholars the Ottoman Empire has ever seen to achieve the toughest of goals: conquering Constantinople. This Sultan is clever and more than eager, but he is also young and wants your advice. Let’s see what comes of this! Sincerely, Atakan Baltaci Dear delegates, Hello and welcome to PMUNC! I am Kris Hristov and I will be your crisis director for the siege of Constantinople. I am pleased to say this will not be your typical committee as we will focus more on enacting more small directives, building up to the siege of Constantinople, which will require military mobilization, finding the funds for an invasion and the political will on the part of all delegates.. Sincerely, Kris Hristov 3 [FALL OF CONSTANTINOPLE] PMUNC 2018 ​ ​ COMMITTEE DESCRIPTION The year is 1451, and a 19 year old has re-ascended to the throne of the Ottoman Empire. Mehmed II is now assembling his Imperial Court for the grandest city of all: Constantinople! The Fall of Constantinople (affectionately called the Conquest of Istanbul by the Turks) was the capture of the Byzantine Empire's capital by the Ottoman Empire.
    [Show full text]
  • Naqshbandi Sufi, Persian Poet
    ABD AL-RAHMAN JAMI: “NAQSHBANDI SUFI, PERSIAN POET A Dissertation Presented in Partial Fulfillment of the Requirement for The Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Farah Fatima Golparvaran Shadchehr, M.A. The Ohio State University 2008 Approved by Professor Stephen Dale, Advisor Professor Dick Davis Professor Joseph Zeidan ____________________ Advisor Graduate Program in History Copyright by Farah Shadchehr 2008 ABSTRACT The era of the Timurids, the dynasty that ruled Transoxiana, Iran, and Afghanistan from 1370 to 1506 had a profound cultural and artistic impact on the history of Central Asia, the Ottoman Empire, and Mughal India in the early modern era. While Timurid fine art such as miniature painting has been extensively studied, the literary production of the era has not been fully explored. Abd al-Rahman Jami (817/1414- 898/1492), the most renowned poet of the Timurids, is among those Timurid poets who have not been methodically studied in Iran and the West. Although, Jami was recognized by his contemporaries as a major authority in several disciplines, such as science, philosophy, astronomy, music, art, and most important of all poetry, he has yet not been entirely acknowledged in the post Timurid era. This dissertation highlights the significant contribution of Jami, the great poet and Sufi thinker of the fifteenth century, who is regarded as the last great classical poet of Persian literature. It discusses his influence on Persian literature, his central role in the Naqshbandi Order, and his input in clarifying Ibn Arabi's thought. Jami spent most of his life in Herat, the main center for artistic ability and aptitude in the fifteenth century; the city where Jami grew up, studied, flourished and produced a variety of prose and poetry.
    [Show full text]
  • Zeynel Bey Tomb: the Unique Persian Tomb in Anatolian Plateau
    Archi-Cultural Translations through the Silk Road 615 2nd International Conference, Mukogawa Women’s Univ., Nishinomiya, Japan, July 14-16, 2012 Proceedings ZEYNEL BEY TOMB: THE UNIQUE PERSIAN TOMB IN ANATOLIAN PLATEAU Ashkan Mansouri 1, Mustafa Cağhan keskin1 1 Istanbul Technical University, Turkey Keywords: Tomb, Aq Qoyunlu, Silk Road. Introduction Zeynel Bey Tomb is the architectural result of political changes and power transitions along the Silk Road. It is located in, Hasankeyf region in Batman province, Southeastern Turkey near the border of Iran (West Azarbaijan province). The main reason leading to construct this tomb was the Battle of Otlukbeli which take place between Aq Qoyunlu and Ottoman Empire in 1472[3]. In 1453, Uzun Hasan has ascended the throne of Aq Qoyunlu in Diyarbakir and he unified the Roman Empire of Trabzon and the Safavids of Ardabil with his marriage which made him center of power in the region. These events caused problems with Sultan Mehmed II, ruler of the Ottoman Empire, but when Mehmet II toke over Roman Empire in Trabzon Uzun Hasan couldn’t dare to come up against Ottoman army [7]. In 1467, Uzun hasan has defeated Jahan Shah, the king of Qara Qolunlu, who had good relations with Ottomans and destroyed the Qara Qounlu dynasty and became the king of Iran and Azarbaijan. Abu Said Gurkani, Timurid Khan, wanted to possess the lands which Qara Qolyunlus had lost after Jahan Shah’s death, but he was arrested and killed by Uzun Hasan’s son [7] [14]. Uzun Hasan claimed himself as an heir of Timur when he had the trait of being resolute of his sovereignty in Iran [7] and he was protecting all dynasties and tribes in Anatolia against Ottomans.
    [Show full text]
  • Jalal Al-Din Davani Political Thought Reflection on the Leaf of Khamsah of Nezami in the Period of Khalil Sultan Aq Qoyunlu
    IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 6, Ver.11 (June. 2017) PP 99-102 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Jalal al-Din Davani political thought reflection on the leaf of Khamsah of Nezami in the period of Khalil Sultan Aq Qoyunlu Dr. Masoumeh abachi1, Dr. Asghar Fahimifar2, Dr. Reza Afhami3 1(Assistant professor& Academic staff, Department of Art and architecture, Shahid Bahonar University, Iran) (Responsible author) 2(Associate professor, Department of Art Studies, Tarbiat Modares University, Iran ) 3(Associate professor, Department of Art Studies, Tarbiat Modares University, Iran) Abstract: Check hidden layers in the painting "Alexander War with Russia" of Khamseh of Nizami, belonging to the period of Khalil Sultan announced the existence of political thought in the age of Turkmen Aq Quyunlu in the Shiraz (Iran). It seems political thought of Jalal al-Din Davani caused to Continuity Iranshahri political thought and aesthetic and cultural elements of ancient Persia in this period. The aim of the research is to achieve a different interpretation of the Scene "Alexander war with Russian" with descriptive, analytical approach. The results indicate, this painting has a political strains and beyond its formal aesthetic elements, the implications are profound, leading to political power of Khalil Sultan, through Iranshahri political thought, by influence of the ideas of philosopher of Shiraz school, Jalal al-Din Davani, one of the most political man in the Turkmen court and the Founder of Davanies school placed in Shiraz. Key words:- Political Thought, Khalil Sultan Aq Quyunlu, Jalal al-Din Davani, Khamseh of Nizami I.
    [Show full text]
  • Zeren Tanındı
    the illustration of the shahnama 141 THE ILLUSTRATION OF THE SHAHNAMA AND THE ART OF THE BOOK IN OTTOMAN TURKEY Zeren Tanındı The evidence of the illustrated and illuminated manuscripts shows that Firdausi’s Shahnama became popular in the Ottoman court in the early 15th century. Firdausi’s text was translated into Turkish prose for the Ottoman sultan Murad II (r. 1421-44; 1446-51).1 A selected Persian text from Firdausi’s Shahnama was also copied, and illuminated for Sultan Mehmed II (r. 1444-46; 1451-81), in the first half of the 15th century.2 One of the historical sources mentioned that during the reign of Mehmed II, the court historian Şehdi composed an Ottoman history in the style of the Shahnama of Firdausi, but no work written by Şehdi is known today.3 Interest in Firdausi’s work increased in the Ottoman court, as well as in Persia during the Timurid period in the early 15th century. Later during the Aq Qoyunlu Turkman period, richly illustrated, illuminated and expertly bound or unillustrated but richly illuminated and expertly bound Shahnama manuscripts were executed mainly in Shiraz.4 We know that wandering artists from the Timurid Herat and Aq Qoyunlu Turkman periods of Tabriz and Shiraz migrated to Bursa–Edirne and Istanbul. Scientists and poets also came to Amasya and Istanbul from the Timurid and Aq Qoyunlu lands beginning in the early 15th century. As a result, the artists carried their styles from one place to another, and the cultural dialogue increased.5 1 The names of the Anatolian Saljuq rulers show that in the pre-Ottoman period there was a great interest in Firdausi’s epic in Anatolia, but there are no illustrated copies of it: however, an illuminated copy is known from that time, see: A.M.
    [Show full text]
  • A Catalogue of Known Gardens in Safavid Iran
    A Catalogue of Known Gardens in Safavid Iran Mahvash Alemi* The custom of Iranian kings to move from cool to smaller cities such as Khuy, Shiraz, Kashan, warm places depending on the seasons, hunting Mashhad, Farhabad, Ashraf, and Sari. along the way as well as the need to have different 2. A suburban pleasance garden type defined as residences in different provinces for political reasons bāgh-i shāh (royal garden), bāgh-i takht (throne has led to the creation of a network of gardens in all garden) or chahār bāgh that were great gardens the provinces and along the main communication placed in suburban areas used for the private roads. These gardens can be divided in three main pleasure of the king and his family. Examples types. of this type are the bāgh-i hizār jarīb in Isfahan, 1. An urban type defined as dawlatkhāna (literal- bāgh-i shāh in Shiraz and bāgh-i shāh at Fin ly house of government) that were royal com- near Kashan. A promenade lined with trees plexes consisting of a fabric of courtyards and and watered by water channels called khīyābān gardens that contained the residence for the usually connected the suburban gardens to the king and his family (haram), buildings used urban centre. for official audiencesdivān ( khāna), or the 3. A type of garden created in hunting resorts private audiences of the king (khalvat khāna), by adding small pavilions or water basins to a officesdaftar ( khāna), and services. The latter, natural landscape in the woods or on natural called buyūtāt, consisted of baths (hammām), fountains.
    [Show full text]