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JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
Expressions in Fan Culture
Háskóli Íslands Hugvísindasvið Japanskt mál og menning Expressions in Fan Culture Cosplay, Fan Art, Fan Fiction Ritgerð til BA-prófs í japönsku máli og menningu Ragnhildur Björk Jóhannsdóttir Kt.: 210393-2189 Leiðbeinandi: Gunnella Þorgeirsdóttir Maí 2017 Expressions in Fan Culture Abstract This composition is a BA thesis for Japanese Language and Culture at the University of Iceland. In this essay, I will give the reader a little insight into the world of fan culture and will be focusing on how fans express themselves. Fans get inspired by books, movies and television programmes to create all kinds of fan work; whether it is fan fiction, fan art, doujinshi, cosplay, or any other creations. Furthermore, the thesis will explore fan culture as it presents itself in Japan and compare it to fan culture in Europe and the USA. I will discuss the effect these creations, although mainly fan fiction, has on authors of popular media and on social media and how the Internet has made it easier for fans all over the world to connect, as well as for fans and creators to connect. 2 Expressions in Fan Culture Contents Abstract ..................................................................................................................... 2 Contents .................................................................................................................... 3 Introduction ............................................................................................................... 4 What is Fan Culture .................................................................................................. -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
Book Review: Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity Hanna, Erin NEWARK: RUTGERS UNIVERSITY PRESS, 2020
Media Industries 7.2 (2020) Book Review: Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity Hanna, Erin NEWARK: RUTGERS UNIVERSITY PRESS, 2020. Tanya D. Zuk1 GEORGIA STATE UNIVERSITY tzuk1 [AT] gsu.edu Comic-Con International: San Diego, known colloquially as Comic-Con, is one of the largest and most influential fan conventions in the world. Comic-Con as an event and as a brand has impacted fandom, popular culture, and, more importantly, for Erin Hanna, the media industries in Hollywood. Since its inception, Comic-Con has been intertwined with the media industries: comic creators and industry professionals attended the very first conven- tion. Comic-Con has, however, expanded beyond comic books to include all popular media and has opened its doors to industry creatives, synergistic promotion, and audience testing, making Comic-Con a useful event for Hollywood’s buzz machine.2 Comic-Con, as both an exclusive event and a franchise, has made fan conventions widely popular (and lucrative) with both audiences and global pop- ular culture industries. In this book, Hanna explores how Hollywood studios and related industries foster the appeal of exclusivity as a means of promotion that exploits fan labor. Media Industries 7.2 (2020) In Only at Comic-Con, Erin Hanna uses a framework of exclusivity to dismantle the power structures embedded in fan conventions generally and Comic-Con specifically. According to Hanna, “exclusivity is not defined by presences at all, but by the power to produce absences.”3 Hanna outlines the power dynamics between media industry representatives and conven- tion organizers (and fans), between fans and convention staff, and between fans themselves. -
Cons & Confusion
Cons & Confusion The almost accurate convention listing of the B.T.C.! We try to list every WHO event, and any SF event near Buffalo. updated: June 23, 2021 to add an SF/DW/Trek/Anime/etc. event; send information to: [email protected] PLEASE DOUBLECHECK ALL EVENTS, THINGS ARE STILL BE POSTPONED OR CANCELLED. SOMETIMES FACEBOOK WILL SAY CANCELLED YET WEBSITE STILL SHOWS REGULAR EVENT! JUNE 24 NYC BIG APPLE COMIC CON-Summer Event New Yorker Htl, Manhatten, NY NY www.bigapplecc.com JUNE 25 Virt ANIME: NAUSICAA OF THE VALLEY OF THE WIND group watch event (requires Netflix account) https://www.fanexpocanada.com JUNE 25 Virt STAR WARS TRIVIA: ROGUE ONE round one features Rogue One movie trivia game https://www.fanexpocanada.com JUNE 25-27 S.F. CREATION - SUPERNATURAL Hyatt Regency Htl, San Francisco CA TV series tribute https://www.creationent.com/ JUNE 26-27 N.J. CREATION - STRANGER THINGS NJ Conv Ctr, Edison, NJ (NYC) TV series tribute https://www.creationent.com/ JUNE 27 Virt WIZARD WORLD-STAR TREK GUEST STARS Virtual event w/ cast some parts free, else to buy https://wizardworld.com/ Charlie Brill, Jeremey Roberts, John Rubenstein, Gary Frank, Diane Salinger, Kevin Brief JUNE 27 BTC BUFFALO TIME COUNCIL MEETING 49 Greenwood Pl, Buffalo monthly BTC meeting buffalotime council.org YES!! WE WILL HAVE A MEETING! JULY 8-11 MA READERCON Marriott Htl, Quincy, Mass (Boston) Books & Authors http://readercon.org/ Jeffrey Ford, Ursula Vernon, Vonda N McIntyre (in Memorial) JULY 9-11 T.O. TFCON DELAYED UNTIL DEC 10-12, 2021 Transformers fan-run -
Why Trade Show Executive?
Winner of 43 editorial and design awards. WHY TRADE SHOW EXECUTIVE? 7% Trade Show Executive Convention Management reaches the prospects 7% you covet: Exhibition A BPA-Audited Staff Circulation of 5,000 54% (Source: , June 2018) Show 32% Management Executive Management EACH MONTH IN TRADE SHOW EXECUTIVE ANNUAL OVERVIEW AND MORE... 8% 2.3% 4% 1.0% 0% 0.1% POWER LUNCH TSE DASHBOARD (4)% SPONSORED BY (8)% Presents the Leading Shows (12)% m™ NSF Zo Exhibitors Coming Up in North America (16)% Attendees TSE’S TRADE SHOW CALENDAR Done Deals w BY CAROL ANDREWS, Editor-at-Large Trade Show Executive 2010 2011 2012 2013 2014 2015 2016 2017 2018 Dashboard Snapshot – CONSOLIDATED OVERVIEWS Whether you need a quick reminder industry category and contains both The of shows on the horizon or are a wide-angle and close-up view of QUARTERLY OVERVIEW Trade Show Executive studyingTrade Show the Executive market for potential the event, the organizer, the site and A monthly round-up of new and partnerships, co-locations or projected size. 8% DASHBOARD — FEBRUARY TRADE SHOW METRICS SPONSORED BY DASHBOARDacquisitions, here is a list of the most To be considered for future editions of SPONSORED BY 0.9% POWER LUNCH — SEPTEMBER TRADE SHOW METRICS 1.4% important trade shows scheduled for ZOOM, e-mail your show information to 4% 0.8% world’s January 2020. Each show is listed by [email protected]. 1.2% 0% (0.8)% BY JAMIE BARTOSCH Show Name/Management/Web Address Show Manager Show Dates Venue/City/State Projected Size (0.2)% (4)% Senior News Editor -
Aun Año De Haber Asumido El Cargo Como
04 Chihuahua.- un año de haber asumido el cargo como senador de Morena por Chihuahua, ENTREVISTA A Cruz Pérez Cuéllar hizo un balance de las acciones que, desde su trinchera, lo han colocado en el ojo público, como un legislador cercano, presente entre los ciudadanos. Cumplió su promesa de campaña: regresar al estado a trabajar, y no solo quedarse en Ciudad de México dentro del “glamour” de la política nacional. Empezó con el pie derecho el primero de los próximos cinco años que le restan en el Senado de la República. REVISTANET.MX “México se está transformando, y mi trabajo es representar a los chihuahuenses en esta nueva etapa”, aseguró Pérez Cuéllar después de presentar su Primer Informe de Actividades. “Cumplí con la promesa de regresar porque quiero ser un senador cercano a los chihuahuenses”, reiteró. Cercanía, la clave Pérez Cuéllar recorrió la entidad con la llamada #CruzadaXChihuahua, entre mayo, junio y julio de este año, un viaje de muchas horas por tierra en el que recogió las inquietudes de los ciudadanos, mismas que se tradujeron en CRUZ PÉREZ CUÉLLAR acciones de las que rindió cuentas, entre las que destacan la gestión social a través de las oficinas de enlace ubicadas en los principales municipios del estado. “Hemos instalado seis oficinas que están “Es tiempo a la orden en Chihuahua, Ciudad Juárez, Cuauhtémoc, Delicias, Parral y Nuevo Casas Grandes. Me decían que era muy arriesgado abrir seis oficinas por la cantidad de de apoyar solicitudes, no es fácil, tenemos muchas citas pendientes, apoyos pendientes pero entre asumir ese reto y cumplir con la palabra optamos por cumplir por nuestra palabra”. -
A Portrait of Fandom Women in The
DAUGHTERS OF THE DIGITAL: A PORTRAIT OF FANDOM WOMEN IN THE CONTEMPORARY INTERNET AGE ____________________________________ A Thesis Presented to The Honors TutoriAl College Ohio University _______________________________________ In PArtiAl Fulfillment of the Requirements for Graduation from the Honors TutoriAl College with the degree of Bachelor of Science in Journalism ______________________________________ by DelAney P. Murray April 2020 Murray 1 This thesis has been approved by The Honors TutoriAl College and the Department of Journalism __________________________ Dr. Eve Ng, AssociAte Professor, MediA Arts & Studies and Women’s, Gender, and Sexuality Studies Thesis Adviser ___________________________ Dr. Bernhard Debatin Director of Studies, Journalism ___________________________ Dr. Donal Skinner DeAn, Honors TutoriAl College ___________________________ Murray 2 Abstract MediA fandom — defined here by the curation of fiction, art, “zines” (independently printed mAgazines) and other forms of mediA creAted by fans of various pop culture franchises — is a rich subculture mAinly led by women and other mArginalized groups that has attracted mAinstreAm mediA attention in the past decAde. However, journalistic coverage of mediA fandom cAn be misinformed and include condescending framing. In order to remedy negatively biAsed framing seen in journalistic reporting on fandom, I wrote my own long form feAture showing the modern stAte of FAndom based on the generation of lAte millenniAl women who engaged in fandom between the eArly age of the Internet and today. This piece is mAinly focused on the modern experiences of women in fandom spaces and how they balAnce a lifelong connection to fandom, professional and personal connections, and ongoing issues they experience within fandom. My study is also contextualized by my studies in the contemporary history of mediA fan culture in the Internet age, beginning in the 1990’s And to the present day. -
Fanzines: Their Production, Culture and Future
Fanzines: Their Production, Culture and Future Phil Stoneman 0021697 Submitted in part fulfilment of the requirements for the degree of Master of Philosophy in Publishing Studies University of Stirling May 2001 1 Acknowledgements I would like to thank Andrew Wheatcroft for his help during the writing of this dissertation and all the fanzine publishers who assisted me in my research, particularly Ruth Stowell who gave me numerous places to start looking within the world of fanzines. 2 Contents Acknowledgements ii Chapter 1 - Introduction 4 Chapter 2 - Literature Review 9 Chapter 3 - Methodology 21 Chapter 4 - Fanzine history and the establishment of a fanzine culture 24 Chapter 5 - Fanzine Production and Distribution 44 Chapter 6 - From Zine to E-Zine 62 Chapter 7 - Conclusion 79 Bibliography 82 Appendix A – Fanzine Questionnaire 83 Appendix B – List of Fanzines researched 84 3 Chapter 1 - Introduction In this dissertation I wish to look at the production, distribution and social aspects involved in fanzine publishing. I have been interested in fanzines for a number of years. When I was about 15, I had an article published in Bamber's Right Foot, a fanzine dedicated to Torquay United Football Club. Since then I have bought copies of various types of zines and worked on the publication of a horror film fanzine, Firelight Shocks, and its related web site. What I slowly became aware of was the volume of fanzines being published regularly and the wide breadth of subjects that these cover, despite very few shops stocking them (and even then it is generally only music zines that can persuade independent record shops to take a few copies). -
Geeks for Consent Assessing the Safety of San Diego’S Comic Con International 2014 July 1, 2015
GEEKS FOR CONSENT ASSESSING THE SAFETY OF SAN DIEGO’S COMIC CON INTERNATIONAL 2014 JULY 1, 2015 SUMMARY The following is a 20+ page report detailing the significant harassment issues in convention spaces, San Diego Comic Con’s (SDCC) inferior response to harassment, and a discussion of the legal and moral requirements for SDCC to do better. SDCC has a vague anti harassment policy with no clear mechanisms for reporting harassment or enforcing the policy. Leading up to SDCC 2014, GeeksForCONsent launched a petition and championed significant fan-based pressure on SDCC to improve their anti harassment efforts. The petition received over 3,0001 signatures. David Glanzer, SDCC’s PR representative, responded that harassment was not a significant problem and that common sense was enough, and that a thorough, prominent policy might lead to bad press. At San Diego Comic Con in 2014, multiple incidents of harassment were reported to GeeksForCONsent staff, including photographic and verbal harassment. Alicia Marie and Adrienne Curry, prominent cosplayers, experienced physical harassment. San Diego Comic Con has still not revised their anti harassment policy or released a statement, despite the significant national press they received for their failed anti- harassment efforts during the 2014 convention. A few weeks after SDCC 2014, New York Comic Con (NYCC) convened a panel and revamped their entire policy, creating thorough, detailed signs, explicit enforcement mechanisms and multiple ways to report harassment, including an app that will allow for immediate and thorough response by convention staff. And NYCC surpassed SDCC by over 20,000 attendees, proving that it is possible to implement in large spaces, and only results in positive press and feelings of safety and security for attendees. -
Embodying Cosplay: Fandom Communities in the Usa Natasha L
Georgia State University ScholarWorks @ Georgia State University Anthropology Theses Department of Anthropology 5-3-2017 EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA NATASHA L. HILL Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/anthro_theses Recommended Citation HILL, NATASHA L., "EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/anthro_theses/119 This Thesis is brought to you for free and open access by the Department of Anthropology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Anthropology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA by NATASHA LOREN HILL Under the Direction of Emanuela Guano ABSTRACT Cosplay is a portmanteau of costume and play, referring specifically to role-play. Cosplay consists of various costumed role-playing, such as anime, manga, video games, science-fiction, fantasy, horror, mythology, etc. In the 1990s, cosplay emerged as a popular street fashion subculture in Japan that has become a worldwide phenomenon. Cosplay was already present in North American popular culture in association with comic and science-fiction conventions. These events at the time were considered masquerades, not cosplay. Cosplay communities rely primarily on maintaining social relationships via internet communication and word of mouth. The standards for what constitutes cosplay are upheld by individuals, the community, and organizations. These organizations are made of security personnel, cosplay contest judges, local police, and convention staff. Through this ethnography on cosplayers, I will identify the hidden power structures, agency, and resistance or replication of hegemony in the community; by using a combination of interviews, participant observation, and auto-ethnography. -
Transportation Trips, Excursions, Special Journeys, Outings, Tours, and Milestones In, To, from Or Through New Jersey
TRANSPORTATION TRIPS, EXCURSIONS, SPECIAL JOURNEYS, OUTINGS, TOURS, AND MILESTONES IN, TO, FROM OR THROUGH NEW JERSEY Bill McKelvey, Editor, Updated to Mon., Mar. 8, 2021 INTRODUCTION This is a reference work which we hope will be useful to historians and researchers. For those researchers wanting to do a deeper dive into the history of a particular event or series of events, copious resources are given for most of the fantrips, excursions, special moves, etc. in this compilation. You may find it much easier to search for the RR, event, city, etc. you are interested in than to read the entire document. We also think it will provide interesting, educational, and sometimes entertaining reading. Perhaps it will give ideas to future fantrip or excursion leaders for trips which may still be possible. In any such work like this there is always the question of what to include or exclude or where to draw the line. Our first thought was to limit this work to railfan excursions, but that soon got broadened to include rail specials for the general public and officials, special moves, trolley trips, bus outings, waterway and canal journeys, etc. The focus has been on such trips which operated within NJ; from NJ; into NJ from other states; or, passed through NJ. We have excluded regularly scheduled tourist type rides, automobile journeys, air trips, amusement park rides, etc. NOTE: Since many of the following items were taken from promotional literature we can not guarantee that each and every trip was actually operated. Early on the railways explored and promoted special journeys for the public as a way to improve their bottom line.