DOCSLIB.ORG

Jack Kirby Collector Seventy-Four $ 10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jack Kirby Collector Seventy-Four $ 10 95 1 82658 00143 8 $10 JACK KIRBY COLLECTOR SEVENTY-FOUR Bullseye TM & © Joe Simon Jack Kirby Estates. Contents THE The PAST! OPENING SHOT ................2 (the past is now, the future is then) KIRBY AS A GENRE ............3 (to pulp returnest, with Tom Scioli) ISSUE #74A, SPRING 2018 Collector FOUNDATIONS ................6 (not our first Kirby romance story...) BROTHER BOYD ..............16 ( Jerry’s bro shows us Wolf Waco’s two-shot appearances) STRIP CLUB .................19 (Davy Crockett, hiding in plain sight) KIRBY OBSCURA .............21 (what did Jack do best?) RE-FOUND ..................24 ( announcing the hardcover Jack Kirby Checklist: Centennial Edition) JACK KIRBY MUSEUM .........29 (visit & join www.kirbymuseum.org) INFLUENCEES ................30 (the terrific Roy Thomas remembers Jack Kirby) COLLECTOR COMMENTS .......44 INNER-VENTIONS .............46 (take a trip in Jack’s time machines) COLLAGE: “ABOUT TIME” ......48 THE FUTURE! ...... FLIP US OVER! Numerous images in this issue are courtesy of the Jack Kirby Museum and whatifkirby.com, which have our eternal(s) thanks! (right) This issue’s “Past” cover started life as a gorgeous late- 1960s Bullseye drawing. Bullseye cover inks & colors (Version A): BILL WRAY Don’t miss our alternate TIGER 21 cover (Version B)! COPYRIGHTS: Alarming Tales, Boy Explorers, Bullseye, Stuntman, “You’re Not The First!” TM & © Joe Simon & Jack Kirby Estates • Big Jim’s P.A.C.K. TM & © Mattel • Thundarr the Barbarian TM & © Ruby-Spears Productions • Conan the Barbarian TM & © RE Howard Estate • “About Time”, Captain Victory, Egghead, Limousine Drawing, Moses, Tiger 21 TM & © Jack Kirby Estate • Davy Crockett TM & © the respective owner • Avengers, Black Panther, Bucky, Captain America, Colossus, Dr. Doom, Dr. Strange, Falcon, Fantastic Four, Giant-Man, Gunsmoke Western, Hawkeye, Howard the Duck, Hulk, Human Torch, Invaders, Iron Man, Jack Frost, Liberty Legion, Miss America, Nick Fury, Patriot, Power Man, The Jack Kirby Collector, Vol. 25, No. 74, Spring 2018. Published quarterly by and © TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614, USA. Rawhide Kid, Red Raven, Scarlet Witch, SHIELD, Spider- Man, Sub-Mariner, Thing, Thor, Toro, Two-Gun Kid, Union 919-449-0344. John Morrow, Editor/Publisher. Single issues: $12 postpaid US ($18 elsewhere). Four-issue subscriptions: $46 Economy US, $69 International, $20 Jack, Wasp, Watcher, Wolf Waco, X-Men TM & © Marvel Digital. Editorial package © TwoMorrows Publishing, a division of TwoMorrows Inc. All characters are trademarks of their respective companies. All Kirby artwork Characters, Inc. • Funky Flashman, Houseroy, Lightray, is © Jack Kirby Estate unless otherwise noted. All editorial matter is © the respective authors. Views expressed here are those of the respective authors, and not My Greatest Adventure TM & © DC Comics necessarily those of TwoMorrows Publishing or the Jack Kirby Estate. First printing. PRINTED IN CHINA. ISSN 1932-6912 1 Kirby As A Genre To Pulp Returnest A conversation with graphic biographer Tom Scioli, conducted by Adam McGovern ing Kierkegaard told us that life must be lived forward TJKC: The current, declarative form is also a medium but it can only be understood backwards; in a life for telling a historical account with as much objectivity (This page) The myths K like Kirby’s, many things are seen far ahead of their and accuracy as possible. both young Jacob time, and we can gain something new each time we look SCIOLI: I wanted to take a just-the-facts approach, no Kurtzberg and the back. One of the artists best known and regarded for taking comicbook hoopla and salesmanship. prototypical Jack Kirby Kirby’s legacy forward is undertaking a voyage to its very were born from. TJKC: And yet there is a feast of period flavor in the way beginning. Titled simply Kirby, in his signature, this new you render the story—the settings feel like we’ve walked All images by and © life story by Tom Scioli (8-Opus, Godland, Transformers Tom Scioli. into old photographs, machinery looks straight out of vs. G.I. Joe) turns back every page on what we know about a vintage catalogue, etc. How did the way we see those Jack and what we’ve seen of his achievements. Taking times influence the way you show it? Kirby’s epic approach to the quieter realities of the artist’s SCIOLI: When you’re telling Kirby’s story, you’re telling own life, Scioli’s narrative collages the comics being pro- the story of the 20th century—he’s there at the outset duced at the time with the elusive essence of the decades of comics, he serves in WWII, he’s there for the ’60s cul- and locales themselves, for a major work in the making. On tural revolution. And as this story progresses, we’ll see February 12, 2018, I got on the phone with Scioli to go back it progress in those styles too. to the most important drawing board in comics. TJKC: Is this unintrusion of you as the storyteller a rea- THE JACK KIRBY COLLECTOR: When son for the vérité use of untranslated languages at the did you start telling this story? beginning? TOM SCIOLI: A bit before Kirby’s SCIOLI: Yiddish is a super-interesting [hybrid] language; 100th birthday. Kirby says that’s the first language he learned. That TJKC: The full pages at your own site happens a lot with children of immigrants, and then are dynamically composed, but it also they go to school, and it’s almost like the parents learn had a feel of completeness when I was English from the kids. That’s how it was in the Kirby first seeing it one panel at a time on household. Language fascinates me so I have maybe Instagram… way too much fun with those early episodes, where it’s SCIOLI: I want this to be extremely almost a pantomime. accessible, so layouts are very no-non- TJKC: True, the unfamiliarity of many readers with the sense. When it goes to print, I might language(s) being spoken enables (and necessitates) throw in some splash pages, etc.—at pure visual storytelling; befitting for the comics medium. that stage, you’re solving book-design problems. Opening Shot Opening 3 Here’s a never-reprinted romance story, from Young Romance #29 (V4 #5), January 1951. Foundations Restoration and color by Chris Fama. 6 Brother BOyd The Western One-Shot With Two Six Guns! by Dwight Boyd he real Old West Watch Out For Wolf Waco! T was full of Wolf Waco (great moniker—it just screams cow- bullies, raging town villainy with two smoking pistols!) led a gang of sociopaths, outlaws, and it was young Johnny Bart’s misfortune to and territorial run afoul of them in Rawhide Kid #18 (Oct. 1960), in no-goods who rode just his second Lee/Kirby/Ayers issue. After a narrow from town to town, escape from the townsfolk who’ve just recognized the alone or in small outlaw, the Kid spots a seemingly abandoned mine bands, hell-bent on where he hopes to rest. Nope, Waco is there and the robbing banks, stage- two get into a fistfight. The Kid’s smaller, lighter, but coaches, ranches, or determined not to be bullied by the gruff, domineering trains. Waco. (Bullied… I’ll get back to that later.) Wolf’s men Some of their show up and point their guns in the Kid’s direction, stories are quite ending the pummeling their leader’s taking. Wolf’s ugly, and were cer- temper subsides and he offers the Kid a chance to join tainly too ugly or his group. Rawhide thinks, “And why shouldn’t I join warped for the Code- up with them? There’s no place for me anywhere else!” approved western Aloud, he announces, “All right, Waco, yuh got yoreself ten-and-twelve-centers a new man!” (Peer pressure, right? I’ll return to that that youngsters found later, as well.) enthralling during the Still, as gangs are wont to do, the Kid has to Eisenhower years. “prove” himself. He’s told to throw a bunch of lit dyna- So, the legends of mite sticks at the mail train a-comin’, a notion that the West got cleaned quickly eats at his conscience. If he doesn’t do it, Wolf up considerably and and his men tell him he’ll be shot down from behind... made homogeneous for at their hands. But Johnny outwits them and tosses the television and comics. explosive bundle back over his head at his bloodthirsty Billy the Kid, for exam- “friends.” The smoke and shock allows him some time ple, over at Charlton to make it to the train. There, he “proves” himself to Comics, wasn’t such a bad guy, especially since this the train people. He blasts their guns out of their hands Billy was a relative of his more famous relative. And and then quickly returns them, explaining that he’s (above) Just for the this Billy rode the trail to clear his family name by not going to rob them. He only wants another chance record, this scenario doing good deeds. at Waco and his men. As most of the Wolf Waco Gang wasn’t part of the Wolf Other legends “lost some of their shortcomings” turn tail, Wolf and the Kid return to throwing the Waco story, and this at other publishers’ offices, also. With Lee and Kirby in baddie wasn’t even fisticuffs. The enraged young Wolf! Still, the fusion of the early 1960s (before the Fantastic gunman and his foe move this back-up story scene Four), the western frontier was dom- unwittingly toward a cliff and and the main tale was inated by the Two-Gun Kid (a carry- the treacherous owlhoot goes another nice effort by over from the post-WWII era) and the over.
Load more

Recommended publications
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
    [Show full text]
  • 741.5 Batman..The Joker
    Darwyn Cooke Timm Paul Dini OF..THE FLASH..SUPERBOY Kaley BATMAN..THE JOKER 741.5 GREEN LANTERN..AND THE JUSTICE LEAGUE OF AMERICA! MARCH 2021 - NO. 52 PLUS...KITTENPLUS...DC TV VS. ON CONAN DVD Cuoco Bruce TImm MEANWHILE Marv Wolfman Steve Englehart Marv Wolfman Englehart Wolfman Marshall Rogers. Jim Aparo Dave Cockrum Matt Wagner The Comics & Graphic Novel Bulletin of In celebration of its eighty- queror to the Justice League plus year history, DC has of Detroit to the grim’n’gritty released a slew of compila- throwdowns of the last two tions covering their iconic decades, the Justice League characters in all their mani- has been through it. So has festations. 80 Years of the the Green Lantern, whether Fastest Man Alive focuses in the guise of Alan Scott, The company’s name was Na- on the career of that Flash Hal Jordan, Guy Gardner or the futuristic Legion of Super- tional Periodical Publications, whose 1958 debut began any of the thousands of other heroes and the contemporary but the readers knew it as DC. the Silver Age of Comics. members of the Green Lan- Teen Titans. There’s not one But it also includes stories tern Corps. Space opera, badly drawn story in this Cele- Named after its breakout title featuring his Golden Age streetwise relevance, emo- Detective Comics, DC created predecessor, whose appear- tional epics—all these and bration of 75 Years. Not many the American comics industry ance in “The Flash of Two more fill the pages of 80 villains become as iconic as when it introduced Superman Worlds” (right) initiated the Years of the Emerald Knight.
    [Show full text]
  • Saturday Auction Preliminary Catalog
    LOT TITLE DESCRIPTION Collection of Letters from Henry Steeger — founder of 400 Popular Publications — to Nick Carr Proceeds to Wooda “Nick” Carr 1/28/28, 2/4/28, 2/18/28, 2/25/28, 3/10/28, 4/7/28, 4/21/28, 401 12 issues WESTERN STORY MAGAZINE (1928) 5/12/28, 5/19/28, 6/23/28, 7/14/28, 7/28/28 8/4/28, 8/18/28, 8/25/28, 9/8/28, 9/15/28, 9/22/28, 11/24/28, 402 10 issues WESTERN STORY MAGAZINE (1928-1929) 12/22/28, 1/5/29, 1/26/29 2/9/29, 3/9/29, 7/27/29, 8/3/29, 8/10/29, 8/17/29, 8/24/29, 403 12 issues WESTERN STORY MAGAZINE (1929) 9/7/29, 9/14/29, 9/21/29, 9/28/29, 11/16/29 1/11/30, 2/8/30, 3/22/30, 4/5/30, 5/17/30, 7/19/30, 8/2/30, 404 10 issues WESTERN STORY MAGAZINE (1930) 8/9/30, 11/8/30, 12/27/30 5/9/31, 5/23/31, 6/13/31, 7/18/31, 4/16/32, 8/13/32, 8/27/32, 405 10 issues WESTERN STORY MAGAZINE (1931-1932) 9/3/32, 10/22/32, 11/19/32 5/13/33, 5/27/33, 8/19/33, 9/9/33, 9/23/33, 11/25/33, 1/13/34, 406 10 issues WESTERN STORY MAGAZINE (1933-1934) 2/10/34, 2/17/34, 3/17/34 3/31/34, 5/12/34, 5/26/34, 12/15/34, 1/19/35, 1/26/35, 2/2/35, 407 10 issues WESTERN STORY MAGAZINE (1934-1935) 2/9/35, 2/23/35, 3/16/35 3/10/35, 4/6/35, 4/20/35, 5/4/35, 5/11/35, 5/18/35, 5/25/35, 408 10 issues WESTERN STORY MAGAZINE (1935) 6/1/35, 6/8/35, 6/15/35 2/5/44, 10/44, 2/45, 8/45, 10/45, 1/46, 2/46, 3/46, 4/46, 5/46, 409 15 issues WESTERN STORY MAGAZINE (digest size) 6/46, 7/46, 8/46, 9/46, 10/46 1/47, 3/47, 4/47, 9/47, 2/48, 5/48, 1948 annual, 3/49, 5/49, 8 & 410 10 issues WESTERN STORY MAGAZINE (digest size) 9/49 CONAN THE CONQUEROR & THE SWORD OF 411 RHIANNON
    [Show full text]
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • Earth-717: Avengers Vol 1 Chapter 10: Suicide Mission “My, My, My! to Have So Many of Our Friends Together in the Same Place!
    Earth-717: Avengers Vol 1 Chapter 10: Suicide Mission “My, my, my! To have so many of our friends together in the same place! I know that it is under quite distressing circumstances, but still, it's wonderful to have such a congregation!” Steve, Tasha, Thor, Bruce, Carol, Reed, Susan, Johnny, Ben and Herbie were all in one of the hangars on board the Valiant. The Rogue One had been moved from the Senatorium to the Valiant earlier that day, and Tasha had finished installing her new upgrade to the ship. Hundreds of other Nova pilots and officers were moving around the hangar, preparing for the battle ahead. Herbie bounced up and down as he looked around at the group. “To see the Fantastic Four ready to go into battle alongside such brave and noble heroes like yourselves! It is truly remarkable, is it not, Doctor Richards?” “It sure is,” said Reed. “You've got quite a team.” “Put it together at the last minute,” said Tasha. “Since somebody decided that they wanted an interstellar vacation at the worst possible time.” “Hey!” said Johnny. “Wasn't my fault! Blame these guys! I just went along for the ride!” Ben gave Johnny a light smack on the back of the head. “Nobody asked you, junior.” Johnny grumbled as he tried to fix his hair. Reed laughed before looking back Steve. “Don't suppose you'd like to tell me how I'm standing across from Captain America?” “I guess that a man of science like yourself would be interested in that sort of thing,” said Steve.
    [Show full text]
  • Click Above for a Preview, Or Download
    JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc.
    [Show full text]
  • Click Above for a Preview, Or Download
    JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! .
    [Show full text]
  • Click Above for a Preview, Or Download
    Fully $9.95 Authorized THE NEW By The In The US Kirby Estate SPOTLIGHTING KIRBY’S LEAST- KNOWN WORK! In The Days Of The Mob ISSUE #32, JULY 2001 Collector Dingbats of Danger Street Soul Love True Divorce Cases The Black Hole The Prisoner Marvel Westerns The Horde and more! A Long-Lost Kirby Interview Mark Evanier on the Fourth World Kirby Checklist UPDATE Unpublished Art including published pages Before They Were Inked, And Much More!! Contents OPENING SHOT . .2 THE NEW (to those who say “We don’t need no stinkin’ unknown Kirby work”, the editor politely says “Phooey”) UNDER THE COVERS . .4 (the story behind the somewhat Glen Campbell-looking fellow on our covers) JACK F.A.Q. s . .6 (Mark Evanier answers a reader’s ISSUE #32, JULY 2001 Collector Frequently Asked Questions about the Fourth World) ANIMATED GESTURES . .11 (Eric Nolen-Weathington begins his ongoing crusade to make sense of some of the animation art Kirby drew) IN HIS OWN WORDS . .12 (Kirby speaks in this long-lost interview from France—oui!) CREDIT CHECK . .22 (Kirby sets a new record, as we present the long-awaited update to the Kirby Checklist, courtesy of Richard Kolkman) GALLERY . .32 (some of Kirby’s least-known and/or never-seen art gets its day in the sun) KIRBY AS A GENRE . .44 (Adam McGovern takes another swat at those pesky Kirby homages that are swarming around his mailbox) INTERNATIONALITIES . .46 (this issue’s look at Jack’s international influence finds Jean-Marie Arnon owes the King a huge debt) TRIVIA .
    [Show full text]
  • M AA Teamups.Wps
    Marvel : Avengers Alliance team-ups by Team-Up name _ Agents of S.H.I.E.L.D. (50 points) = Black Widow / Hawkeye / Mockingbird Ambulancechasers (50 points) = Dare Devil / She Hulk Arachnophobia (50 points) = Spiderman / Black Widow / Spiderwoman Asgard (50 points) = Thor / Sif Assemble (50 points) = Thor / Hulk / Hawkeye / Black Widow / Ironman / Captain America Aviary (50 points) = all Heroes with a Flying ability Best Coast (50 points) = Hawkeye / Mockingbird / War Machine Birds of a Feather (50 points)= Hawkeye / Mockingbird Bloodlust (50 points) = Wolverine / Black Cat / Sif Cat Fight (50 points) = Kitty Pryde / Black Cat Cosplayers (50 points) = Spiderman / Black Cat Defenders (50 points) = Dr.Strange / Hulk Egghead (50 points) = Hulk / Spiderman / Ironman / Mr.Fantastic Fantastic 4 (50 points) = all Fantastic 4 members Frenemies, Assemble (50 points) = Hawkeye / Black Widow Green Giants (50 points) = She-Hulk / Hulk Heroesforhire (50 points) = Luke Cage / Iron Fist Hard and Soft (50 points) = Kitty Pryde / Colossus Hotstuff (50 points) = Phoenix / Human Torch Illuminati (50 points) = Dr.Strange / Mr.Fantastic / Ironman King&Queen (50 points) = Black Panther / Storm Marvelous (50 points) = Phoenix / Ms. Marvel Sibling Rivalry (50 points) = Invisible Woman / Human Torch Tinmen (50 points) = War Machine / Iron Man Tossers (50 points) = Thing / Hulk / She-Hulk / Phoenix X-Force (50 points) = all X-Men members X-lovers (50 points) = Cyclops / Phoenix by Hero name _ Black Cat + Wolverine / Black Cat / Sif = Bloodlust (50 points) Black Cat + Kitty Pryde = Cat Fight (50 points) Black Cat + Spiderman = Cosplayers (50 points) Black Panther + Storm = King&Queen (50 points) Black Widow + Hawkeye / Mockingbird = Agents of S.H.I.E.L.D.
    [Show full text]
  • 741.5 June 2018 — No. Eighteen
    MEANWHILE 741.5 JUNE 2018 — NO. EIGHTEEN Aline Kominsky-Crumb Ho Che Anderson Kominsky Che Guevara Aline Ho Chi Minh Anderson Rob- ert Crumb Komin- Gilbert sky-Crumb Hernandez Joe Pruett Jim Starlin Brian Az- zarello Phil Hester Michael Gaydos Mike Carey 741.5 COLLECTIONS I’d forgotten that Jack “King” Kirby had drawn Deadman. But yeah, he did, slapping that astral avenger smack dab in the middle of the Forever People. Said quintet of space hippies were the junior partners in Kirby’s Fourth World saga. Published by DC in the early 1970s, it was an epic that sprawled across four titles. In those comics, Kirby’s indefatigable imagination spun off one amazing character after another. The least of these was Forager. Introduced in New Gods #9 June-July 1972 (below) Forager was a Bug. Semi-human insectoids who scavenge a sorry lif from the scraps of New Genesis, home of the New Gods, the Bugs wer Kirby’s way of showing that even Utopia isn’t perfect. Such was the pow- er of the King’s ideas that characters like Bug which failed in their day have led second lives thanks to later generations of fans turned pro. His Ed Piskor is the cartoonist behind the award-winning series Hip Hop Family Tree (available from Northside). The influence of Mar- vel comics always showed in Piskor’s art, but no one knew how intense the connection between the alternative star and the House of Ideas truly was. Piskor learned how to chase down the details of rap history thanks to his life-long immersion in the complicated lore of the X-Men.
    [Show full text]
  • Hellboy in the Chapel of Moloch #1 (1 Shot) Blade of the Immortal Vol. 20 (OGN) Savage #1 (4 Issues) Soulfire Shadow Magic #0 (
    H M ADVS AVENGERS V.7 DIGEST collects #24-27, $9 H ULT FF V. 11 TPB H SECRET WARS OMNIBUS collects #54-57, $13 collects #1-12 & MORE, $100 H ULT X-MEN V. 19 TPB H MMW ATLAS ERA JIM V.1 HC collects #94-97, $13 collects #1-10, $60 H MARVEL ZOMBIES TPB Hellboy in the Chapel of Moloch #1 (1 shot) H MMW X-MEN V. 7 HC collects #1-5, $16 Mike Mignola (W/A) and Dave Stewart © On the heels of the second Hellboy feature collects #67-80 LOTS MORE, $55 H MIGHTY AVENGERS V. 2 TPB film, legendary artist and Hellboy creator Mike Mignola returns to the drawing table H CIVIL WAR HC collects #7-11, $25 for this standalone adventure of the world’s greatest paranormal detective! Hellboy collects #1-7 & MORE $40 H investigates an ancient chapel in Eastern Europe where an artist compelled by some- SPIDEY BND V. 1 TPB thing more sinister than any muse has sequestered himself to complete his “life’s work.” H HALO UPRISING HC collects #546-551 & MORE, $20 collects #1-4 & SPOTLIGHT, $25 H X-MEN MESSIAH COMP TPB Blade of The Immortal vol. 20 (OGN) H HULK VOL 1 RED HULK HC collects #1-13 &MORE, $30 By Hiroaki Samura. The continuing tales of Manji and Rin. This picks up after the final collects #1-6 & WOLVIE #50, $25 H ANN CONQUEST BK 1 TPB issue #131. This is the only place to get new stories! Several old teams are reunited, a H IMM IRON FIST V.3 HC collects A LOT, $25 mind-blowing battle quickly starts and races us through most of this astonishing volume, and collects #7,15,16 & MORE, $25 H YOUNG AVENGERS PRESENTS TPB an old villain finally sees some pointed retribution at the hands of one of his prisoners! Let H INC HERCULES SI HC collects #1-6, $17 the breakout battle in the "Demon Lair" begin! collects #116-120, $20 H DAREDEVIL CRUEL & UNUSUAL TP H MI ILLIAD HC collects #106-110, $15 Spawn #185 (still on-going) collects #1-8, $25 H AMERCIAN DREAM TPB story TODD McFARLANE & BRIAN HOLGUIN art WHILCE PORTACIO & TODD H MS.
    [Show full text]
  • Since I Began Reading the Work of Steve Ditko I Wanted to Have a Checklist So I Could Catalogue the Books I Had Read but Most Im
    Since I began reading the work of Steve Ditko I wanted to have a checklist so I could catalogue the books I had read but most importantly see what other original works by the illustrator I can find and enjoy. With the help of Brian Franczak’s vast Steve Ditko compendium, Ditko-fever.com, I compiled the following check-list that could be shared, printed, built-on and probably corrected so that the fan’s, whom his work means the most, can have a simple quick reference where they can quickly build their reading list and knowledge of the artist. It has deliberately been simplified with no cover art and information to the contents of the issue. It was my intension with this check-list to be used in accompaniment with ditko-fever.com so more information on each publication can be sought when needed or if you get curious! The checklist only contains the issues where original art is first seen and printed. No reprints, no messing about. All issues in the check-list are original and contain original Steve Ditko illustrations! Although Steve Ditko did many interviews and responded in letters to many fanzines these were not included because the checklist is on the art (or illustration) of Steve Ditko not his responses to it. I hope you get some use out of this check-list! If you think I have missed anything out, made an error, or should consider adding something visit then email me at ditkocultist.com One more thing… share this, and spread the art of Steve Ditko! Regards, R.S.
    [Show full text]