Patssi Valdez Los Angeles, California B.F.A. Otis Art Institute, Los Angeles, CA Parsons School of Design, New York, NY

Total Page:16

File Type:pdf, Size:1020Kb

Patssi Valdez Los Angeles, California B.F.A. Otis Art Institute, Los Angeles, CA Parsons School of Design, New York, NY Patssi Valdez Los Angeles, California B.F.A. Otis Art Institute, Los Angeles, CA Parsons School of Design, New York, NY Museum Solo Exhibitions 1999 A Precarious Comfort, The Mexican Museum, San Francisco, CA; Laguna Art Museum, CA (Touring Exhibition) 1995 Patssi Valdez: A Room of One’s Own, San Jose Museum of Art, CA Museum Group Exhibitions 2018 Bridges in Time of Walls: Chicano/Mexican Art from Los Angeles to Mexico City. Pacific Standard Time: LA/LA. Traveling Exhibition through 2020. Museo de Arte Carrillo Gil, Mexico City, Mexico. La Gran Galeria, Centro Cultural de Acapulco, Acapulco, Mexico; Museo de los Pintores, Oaxaca de Juarez, Mexico; Museo de las Artes de la Universidad de Guadalajara, Guadalajara, Mexico; Centro Cultural Tijuana, Tijuana, Mexico 2017 Axis Mundo: Queer Networks in Chicano L.A. Pacific Standard Time: LA/LA. Traveling Exhibition through 2020. MOCA Pacific Design Center, West Hollywood, CA. The Hunter College Art Galleries New York, NY; The Gund Gallery at Kenyon College, Gambier, OH; Lawndale Art Center, Houston, TX; Vicki Myhren Gallery, Denver, CO; Williams College of Museum of Art, Williamstown, MA; Marjorie Barrick Museum of Art, Las Vegas, NV 2017 Judithe Hernández and Patssi Valdez: One Path Two Journeys. Pacific Standard Time: LA/LA, Millard Sheets Art Center, Pomona, CA. 2017 Radical Women: Latin American Art, 1960-1985. Pacific Standard Time: LA/LA, Pomona, CA. Hammer Museum, Los Angeles, CA. Brooklyn Museum, Brooklyn, NY. 2015 Take 10: The Past Decade of Collecting by Cheech Marin, Mesa Contemporary Arts Museum, AZ 2014 ASCO and Friends: Exiled Portraits, Le Cartel Triangle France, Marseille Nuestra Historias Stories of Mexican Identity from the Permanent Collection, The National Museum of Mexican Art,Chicago, IL 2013 ASCO No Movie’s, (Touring Exhibition 2013-2014) Nottingham Contemporary, UK; De Appel, Amsterdam, Netherlands, CAPC Contemporary Arts Museum, Bordeaux 2011 ASCO: Elite of the Obscure A Retrospective, 1972-1987, Los Angeles County Museum of Art, Los Angeles, Ca, Williams College Museum of Art, Williamstown, MA (traveling exhibition) Round Trip, Vincent Price Museum, East Los Angeles College, Monterey Park, CA State of Mind, Orange County Museum of Art, Newport Beach, CA 2008 Los Angelenos / Chicano Painters of L.A. Selection from the Cheech Marin Collection, Los Angeles County Museum of Art, CA Phantom Sightings: Art After the Chicano Movement, Los Angels County Museum of Art, CA Vexing: Female Voices From East L.A. Punk, Claremont Museum of Art, and CA 2006 Los Angeles 1955-1985 / The Birth of an Art Capital, Centre Pompidou, Paris, France Latina's the Spirit of California, The CA Museum of History, Women and the Arts 2004 Illuminaciones: Days of the Dead Indigenous and Colonial Expressions, Oakland Museum of Art, CA 2003 A Not So Still Life, San Jose Museum of Art, CA 2001 Arte Latino: Treasures from the National Museum of American Art, Smithsonian Institution, Washington, DC (Traveling exhibition: Palm Springs Desert Museum, CA): Chicano Visions: American Painters on the Verge, San Antonio Museum of Art, TX (Traveling exhibition: Smithsonian Institution, Washington, DC; National Hispanic Cultural Center in Albuquerque, NM; Mexican Fine Arts Center Museum, Chicago, IL; El Paso Museum of Art, TX; de Young Museum, San Francisco, CA 2000 Maiden America, Laguna Art Museum, CA 1998 Day of the Dead Exhibition, Palm Springs Desert Museum, CA Ceremony of Spirit: Nature and Memory in Contemporary Latino Art, The Mexican Museum, San Francisco, CA (traveling exhibition: Laguna Art Museum, CA; Boise Art Museum, ID; Fresno Art Museum, CA; Studio Museum of Harlem, NY) Made in California, Los Angeles County Museum of Art, CA 1995 Across the Street: Self-Help Graphics and Chicano Art in Los Angeles, Laguna Art Museum, CA (Traveling exhibition: Armand Hammer Museum of Art, Los Angeles, CA) The Mystical in Art, Carnegie Art Museum, Oxnard, CA 1990 Chicano Art: Resistance & Affirmation, 1965 – 1985, Wight Art Gallery, UC Los Angeles, CA (traveling exhibition: Denver Art Museum, CO; Albuquerque Art Museum, NM; San Francisco Museum of Modern Art, CA; National Museum of American Art, Smithsonian Institution, Washington, DC; El Paso Museum of Art, TX; Bronx Museum of the Arts, New York, NY; San Antonio Museum of Art, TX) 1988 Art of the Other Mexico: Sources and Meaning, Mexican Fine Arts Center Museum, Chicago, IL (traveling exhibition: Museo de Arte Moderno, Mexico City, Mexico; Museo del Barrio, NY; San Antonio Museum of Art, TX; Yerba Buena Center for the Arts, San Francisco, CA) Viva La Muerte Bella, The Mexican Museum, San Francisco, CA Raices Antiquas, Visiones Nuevas/Ancient Roots, New Visions, Museum of Contemporary Art, Chicago, IL Solo Exhibitions 2014 Somber Hues, Off Ramp Gallery, Pasadena, CA 2014 Picture Windows, SPACE Gallery, Pasadena, CA 2011 80’s Portraits, Thomas Paul Fine Art, Los Angeles, CA 2007 Patssi Valdez, Plaza Gallery, Oxnard CA 2006 Patssi Valdez, Angels Gate Cultural Center, San Pedro, CA 2006 Turn The Tables, Patricia Correia Gallery, Santa Monica CA 2005 Los Cuadros de Patssi Valdez, Patricia Correia Gallery, Santa Monica CA 2004 New Work: Patssi Valdez, Patricia Correia Gallery, Santa Monica CA 2003 En Casa, Patricia Correia Gallery, Santa Monica CA 2002 Hecho a Mano, Patricia Correia Gallery, Santa Monica CA 2001 Pictures of Home, Patricia Correia Gallery, Santa Monica, CA 2000 Patssi Valdez, Patricia Correia Gallery, Santa Monica, CA 1999 The Living Room, Patricia Correia Gallery, Santa Monica, CA 1998 Patssi Valdez, Private Landscapes 1988-1998, UC, Northridge Art Gallery, CA 1996 Cinco de Mayo Exhibition, Mexican Cultural Institute Gallery, Los Angeles, CA 1993 Rooms de la Vida, Julie Rico Gallery, Santa Monica, CA 1993 The Painted World of Patssi Valdez, Boat House Gallery, Plaza de la Raza, Los Angeles, CA 1993 Recent Works, Mars Art-space, Phoenix, AZ 1992 Distant Memories, Daniel Saxon Gallery, Los Angeles, CA Group Exhibitions 2011 Civic Virtue, Los Angeles Municipal Art Gallery 1950 - 1980, Los Angeles, CA 2011 Small Works: Group Show, Lora Schlesinger Gallery, Santa Monica, CA 2010 39 NOW, Den Contemporary Art, Pacific Design Center, Hollywood, CA 2009 Her Story, Napa Valley Museum, 55 Presidents Circle, Yountville, CA 2009 If I Didn’t Care, Richman Gallery, The Park School, Baltimore, MD 2007 Pintores de Aztlan, La Casa Encendida, Madrid Spain 2007 Multiple Vantage Points, Los Angeles Municipal Art Gallery, Barnsdall Park, Los Angeles, Ca 2007 Summer in the City, George Billis Gallery, Culver City, CA 2001 The Art of Illusion, Millard Sheets Gallery, Pomona, CA 2000 La Luz: Contemporary Latino Art in the United States, National Hispanic Cultural Center, Albuquerque, NM 2000 12 Divas, Molly Barnes Gallery, Santa Monica, CA 2000 Collaboration and Transformations, Lithographs from Hamilton Press, Montgomery Gallery, Pomona College, Claremont, CA 1996 The Mythic Present of Chagoya, Valdez, and Gronk, Fisher Gallery, University of Southern California, Los Angeles, CA 1995 Altars, Armory Center for the Arts, Pasadena, CA 1994 Coming Home, Vincent Price Gallery, East Los Angeles College, Monterey Park, CA 1994 Dia de Los Muertos, Galería La Mano Magica, Oaxaca, Mexico 1994 Hielo Caliente, Alianza Francesa de Oaxaca, Mexico 1993 Visceral Images, New Works Gallery, Costa Mesa, CA 1993 Sin Frontera, Cornerhouse Gallery, Manchester, England 1993 LAX: The Los Angeles Exhibition, Los Angeles Municipal Art Gallery, CA 1993 Domestic Allegories, Galeria de la Raza, San Francisco, CA 1989 Aqui y Alla, Los Angeles Municipal Art Gallery, CA 1989 Les Demons Des Anges, Halle du Centre de Recherche pour le Developpement Culturel, Nantes, France; (traveling exhibition: Centre d’Art Santa Monica, Barcelona, Spain; Kulterhuset, Stockholm, Sweden; Espace Lyonnais d’Art Contemporain, Lyon, France) 1985 L.A., L.A., Pico House Gallery, Olvera Street, Los Angeles, CA 1985 Farewell to the Bridal District, ASCO Group Show, Los Angeles Contemporary Exhibitions, Los Angeles, CA. Museum Collections Whitney Museum of American Art Sheldon Museum of Art, Lincoln, NE Williams College Museum of Art, Boston, MA Laguna Art Museum, CA Tucson Museum of Art, AZ Los Angeles County Museum of Art, CA Latino Museum, Los Angeles, CA El Paso Museum of Art, El Paso, TX The Mexican Museum, San Francisco, CA Mexican Fine Arts Center Museum, Chicago, IL National Museum of American Art, Smithsonian, Washington, DC National Hispanic Cultural Center of New Mexico, Albuquerque, NM National Museum of Women in the Arts, Washington, DC Selected Collections Joel Wachs, Andy Warhol Foundation Director Castulo de La Rocha, AltaMed Art Collection Latin Academy of Recording Arts and Sciences, Los Angeles CA BCA Business Committee for the Arts, Award Founded by David Rockefeller, NY Sprint Corporation, Overland Park, Kansas Hispanic Research Center, Tucson, AZ Entravision Communications Corporation, Los Angeles, CA USC Acquisitions Program Permanent Collection, Los Angeles, CA Southern California Gas Company, Los Angeles, CA The Principal Financial Group, Des Moines, IA SCN Enterprises / SI TV, Los Angeles, CA Galan Entertainment, Venice, CA Gunter Joetz, German Ambassador, Germany Cheech Marin, Malibu, CA Gerald Buck Collection, Laguna Hills, CA Art Matters, New York Gregory Nava, Ojai, CA Nicholas Cage, Los Angeles, CA Jimmy Smits, Los Angeles, CA. Awards and Honors 2011 Certificate of Appreciation, The Mayor of the City of Los Angeles Antonio R. Villaraigosa. 2011 Mujer Awards Artwork Contest, National Hispanic
Recommended publications
  • The Los Angeles
    Otis College of Art and Design Ben Maltz Gallery 9045 Lincoln Boulevard, Los Angeles, CA 90045 www.otis.edu/benmaltzgallery; [email protected]; (310) 665-6905 ©2014, Binding Desire: Unfolding Artists Books Otis College of Art and Design, Ben Maltz Gallery ISBN: 0-930209-34-6 This book is published in conjunction with the exhibition Binding Desire: Unfolding Artists Books, January 25-March 30, 2014, organized by the Ben Maltz Gallery at Otis College of Art and Design. The project is funded in part by The Gladys Krieble Delmas Foundation. All rights reserved. No part of this book may be reproduced in any form by any electronic or me- chanical means (including photography, recording, or information stor- age and retrieval) without permission in writing from publisher. Publisher: Otis College of Art and Design, Ben Maltz Gallery Editors: Cathy Chambers, Meg Linton, Sue Maberry Designer: Sheldon Forbes Publication Format: iBook Images: Unless noted otherwise, photography and videography by Kathleen Forrest, Derek McMullen, Sarah Morton, and Chris Warner i Contents • Introduction – Meg Linton • L.A. Bound – Kathleen Walkup • Plates of Works in the Exhibition • Curricular Connections • Public Programming • Biographies • Acknowledgements ii Introduction by Meg Linton Binding Desire: Unfolding Artists Books presents a sampling of works from the Otis Millard Sheets Library’s Spe- cial Collection of artists’ books dating from the 1960s to the present. This teaching collection is one of the larg- est in Southern California with over 2,100 objects and it includes work by such luminaries as Vito Acconci, Joseph Beuys, and Ed Ruscha as well as significant work from major pro- duction centers like Beau Geste Press, Paradise Press, Printed Matter, Red Fox Press, and Women’s Studio Workshop.
    [Show full text]
  • Millard Sheets Was Raised and Became Sensitive to California’S Agricultural Lifestyle
    YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY I A A R R N T O F C I L L U A B C CALIFORNIA ART CLUB NEWSLETTER Documenting California’s Traditional Arts Heritage for More Than 100 Years e s 9 t a 9 0 b lis h e d 1 attracted 49,000 visitors. It was in this rural environment that Millard Sheets was raised and became sensitive to California’s agricultural lifestyle. Millard Sheets’ mother died in childbirth. His father, John Sheets, was deeply distraught and unable to raise his son on his own. Millard was sent to live with his maternal grandparents, Louis and Emma Owen, on their neighbouring horse ranch. His grandmother, at age thirty-nine, and grandfather, at age forty, were still relatively young. Additionally, with two of their four youngest daughters, ages ten and fourteen, living at home, family life appeared normal. His grandfather, whom Millard would call “father,” was an accomplished horseman and would bring horses from Illinois to race against Elias Jackson “Lucky” Baldwin (1828-1909) at Baldwin’s “Santa Anita Stable,” later to become Santa Anita Park. The older of Millard’s two aunts babysat him and kept him occupied Abandoned, 1934 with doing drawings. Oil on canvas 39 5/80 3 490 Collection of E. Gene Crain he magic of making T pictures became a fascination to Sheets, as he would later explain in Millard Sheets: an October 28, 1986 interview conducted A California Visionary by Paul Karlstrom for the Archives of American Art, Smithsonian by Gordon T. McClelland and Elaine Adams Institution: “When I was about ten, I found out erhaps more than any miles east of downtown Los Angeles.
    [Show full text]
  • BRUNA STUDE PUBLIC COLLECTIONS Hawaii State
    BRUNA STUDE PUBLIC COLLECTIONS Hawaii State Foundation for Culture and the Arts, Honolulu, Hawai`i The Contemporary Museum, [Honolulu Museum Of Art] Honolulu, Hawai`i The Honolulu Academy of Arts, [Honolulu Museum Of Art] Honolulu, Hawai`i Bibliothèque Nationale de France, Paris, France SOLO EXHIBITIONS 2016 Honolulu Museum of Art, at FHC Honolulu, Hawai`i 2015 Shark Fin Soup, Alfstad& Contemporary, Sarasota, FL 2013 Maui Arts & Cultural Center (MACC), Maui, Hawai`i 2008 Kaua`i Museum, Lihue, Hawai`i 2007 TIMESPACE, Hanapepe, Kauai, Hawai`i 2006 Sulkin/Secant Gallery, Bergamot Station Art Center, Santa Monica, California SELECTED GROUP EXHIBITIONS 2015 Change & Continuity, Hawai`i State Art Museum, Honolulu, Hawai`i Oil + Water, galerie 103, Kaua`i, Hawai`i 2014 PRINT, PAPER + SANDBOX, galerie 103, Kaua`i, Hawaii 2013 Grand Prix De La Decouverte, Paris, France Uniques, Maui Arts & Cultural Center (MACC), Maui, Hawai`i 2012 Fish Out of Water, galerie 103, Kaua`i, Hawai`i Biennial of Hawai`i Artists X, Spalding House, Honolulu Museum of Art Hawai`i, Curator: Inger Tully, Honolulu, Hawai`i 2011 Artists of Hawai`i 2011, 59th Bienniall Juried Exhibition, The Honolulu Academy of Arts, Honolulu, Hawai`i 2010 Winter Kunstkammer - Part II, Walter Randel Gallery, New York, NY 2009 20 Going On 21: Honoring the Past, Celebrating the Present The Contemporary Museum, Honolulu, Hawai`i DREAMSCAPES, LOOK Gallery, Los Angeles, California Artists of Hawai`i 2009, 58th Biennial Juried Exhibition, The Honolulu Academy of Arts, Honolulu, Hawai`i The Art Studio
    [Show full text]
  • Master Inventory of Millard Sheets Studio and Home Savings Art and Architecture-Published Version August 2018.Xlsx
    Master Inventory of Millard Sheets Studio and Home Savings Art and Architecture-Published Version August 2018.xlsx Branch Name Owner Date Acquired Art Construction Branch (if different before Date Last Stained Fabric Painted Archival Firm Address City State or Opened Date Location Closed Number than city) Home Status Seen Mosaic? Glass? Sculpture? work? Furnishings? mural? No Art? Subject(s) Worked On By Records Copyright 2018 by Adam Arenson - please use to support documentation and preservation efforts, crediting the source. South Pasadena Junior High frescoes - School 1500 Fair Oaks Avenue South Pasadena CA 1929 1929 destroyed by 1935 Y California Millard Sheets (Unknown Name) beach club Long Beach CA before 1932 1930 Millard Sheets, Phil Dike (date and Scripps College Art Building Claremont CA 1930 specifics before 1932, before 1932, likely destroyed before Sheets Robinson’s Company Los Angeles CA likely 1929-1932 1929-1932 1975 Y Y Fantasie Millard Sheets exhibit State Mutual Building and before 1932, before 1932, likely AAA- Loan Los Angeles CA likely 1929-1932 1929-1932 Y Millard Sheets Millard before 1932, before 1932, likely Sheets YMCA Pasadena CA likely 1929-1932 1929-1932 Y exhibit covered then Modern Bullock’s Men’s Store 640 S Hill St Los Angeles CA 1934 1934 uncovered in 1975; Y World Millard Sheets mural in Beverly Hills Hotel 9641 Sunset Blvd Beverly Hills CA 1935 main lobby: Millard Sheets (date and Beverly Hills Tennis Club 340 North Maple Drive Beverly Hills CA 1935 not there, if ever 2014 Y specifics Millard Sheets
    [Show full text]
  • Selected Works Selected Works Works Selected
    Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 SELECTED WORKS SELECTED WORKS S Snite Museum of Art nite University of Notre Dame M useum of Art SELECTED WORKS SELECTED WORKS Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 S nite M useum of Art Snite Museum of Art University of Notre Dame SELECTED WORKS Snite Museum of Art University of Notre Dame Published in commemoration of the 25th anniversary of the opening of the Snite Museum of Art building. Dedicated to Rev. Anthony J. Lauck, C.S.C., and Dean A. Porter Second Edition Copyright © 2005 University of Notre Dame ISBN 978-0-9753984-1-8 CONTENTS 5 Foreword 8 Benefactors 11 Authors 12 Pre-Columbian and Spanish Colonial Art 68 Native North American Art 86 African Art 100 Western Arts 264 Photography FOREWORD From its earliest years, the University of Notre Dame has understood the importance of the visual arts to the academy. In 1874 Notre Dame’s founder, Rev. Edward Sorin, C.S.C., brought Vatican artist Luigi Gregori to campus. For the next seventeen years, Gregori beautified the school’s interiors––painting scenes on the interior of the Golden Dome and the Columbus murals within the Main Building, as well as creating murals and the Stations of the Cross for the Basilica of the Sacred Heart. In 1875 the Bishops Gallery and the Museum of Indian Antiquities opened in the Main Building. The Bishops Gallery featured sixty portraits of bishops painted by Gregori. In 1899 Rev. Edward W. J.
    [Show full text]
  • A L a N W O F S Y F I N E a R T S Millard Sheets
    A L A N W O F S Y F I N E A R T S Millard Sheets - Architectural Illustration 03-0117 Sheets, Millard. 03-0103 Sheets, Millard. $150.00 Design for a Building with Dome and $1100.00 Elevation. Mosaics over Entrance. Relief Frieze. Sculpture. Los Angeles California. Reproduction on brownprint. Signed and Wash over brownprint. Scottish Rite dated 1961 in the image. 12 x 30 inches. Temple, Wilshire Boulevard, Los Angeles. Circa 1958. 17 x 28. inches. Signed in pencil by the artist. On board. 03-0118 Sheets, Millard. $1200.00 Monumental Globe of the World in a Park . 03-0111 Sheets, Millard. Gouache. On board. 8.5 x 11.5 inches. $1100.00 South elevation. Stained Glass Window. Unsigned. Scottish Rite Temple, Wilshire Boulevard, Los Angeles. Wash over brownprint. Circa 1958. 17 x 26. inches. Signed in pencil by the artist. On board. M: 1109 GEARY STREET, SAN FRANCISCO, CA 94109 P: 415 292 6500 F: 415 292 6594 W: ART-BOOKS.COM E: [email protected] 03-0099 Sheets, Millard. 03-0060 Sheets, Millard. $1100.00 West Elevation. Mosaics over Entrance. $3800.00 Design for Home Savings, Anaheim, Relief Sculpture. Scottish Rite Temple, California. Wilshire Boulevard, Los Angeles. Gouache. Circa late 1950s. 20 x 27. Wash over brown diazo print. Circa 1958. inches. Signed in pencil by the artist. 16.5 x 19.25. inches. Signed and titled in Annotated and authenticated by Tony pencil by the artist. On board. Sheets, the artist’s son in 2003. On board. 03-0076 Sheets, Millard. 03-0066 Sheets, Millard.
    [Show full text]
  • United States Department of the Interior National Park Service
    NFS FORM 10-900 (REV. 10-90) CMB NO. 10024001 United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM This form is for use in nominating or requesting determination for individual properties and districts. See instmctionTid llow&iOhttplete the N...._ ,,_.7 _wc_, Historic Places Registration Bulletin 16A. Complete each item by marking "x" in the appropriate box or by entering the information requested. If an iWm does apply to the property being documented, enter "NA" for "not applicable". For functions, architectural classification, materials. an<1 areas of significance, enter-? categories and subcategories from the instructions. Place additiobnai entries and narrative items on continuation sheets (NFS Form 10-900a) Use a typc-vvsitei, word processor, or computer to complete the items. 1. Name of Property historic name: PADUA HILLS THEATRE other name / site number: 2. Location street & number: 4467 Via Padova city / town: Claremont not for publication )MA state: CA county: Los Angeles code: 037 zip code: 91711 vitiniry: NA 3, State / Federal Agency Certification AS the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that, mis •S^noiitifiation D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places ar.d meets the procedural and professional requirements set forth in 36CFR Pait 60. In my opinion, the property 3 meets D does not meet the National Regisitv Criteria. I recommend that this property be considered significant D nationally CD statewide I2t locally. G (See contimmton sheet tor ad'Jiaor.iu com­ ments).
    [Show full text]
  • October 21, 2011 VIA E-MAIL Mr. Ken Kutcher
    October 21, 2011 VIA E-MAIL Mr. Ken Kutcher Harding, Larmore, Kutcher & Kozal, LLP 1250 6th Street, Suite 200 Santa Monica, CA 90401 Re: Historic Resource Assessment 2600 Wilshire Boulevard, Santa Monica, California Dear Ken, We have been asked to evaluate the building located at 2600 Wilshire Boulevard (2600 Wilshire) in Santa Monica, California for eligibility for listing in the California Register of Historical Resources (California Register) and under applicable statutes and regulations of the City of Santa Monica Landmark and Historic District Ordinance. We understand the subject property has been taken under consideration by the Landmarks Commission for potential designation under the local ordinance. The subject property occupies one parcel at the southeast corner of 26th Street and Wilshire Boulevard (Assessor’s Parcel Number 4267-007-001). Completed in 1970, the building on the parcel is a former Home Savings & Loan Association (Home Savings)1 branch bank. It is set at a diagonal to the intersection, fronting a paved plaza at the northwest corner of the parcel. Two parcels to the east contain surface parking for the building (APN 4267-007-002 and APN 4267-007- 003). An alley runs along the south property line of the parcel containing the building. Additional parking is located south of this alley on a separate parcel (APN 4267-007-030), which is zoned for residential use. The building was constructed as part of a campaign of approximately 40 branch bank/office properties implemented by H.F. Ahmanson & Co. (Ahmanson & Co.) and subsidiaries, including Home Savings & Loan Association, and built between 1954 and 1975.
    [Show full text]
  • Carroll Barnes (American, 1906–1997) Worked in Various Careers Before Turning His Attention to Sculpture Full Time at the Age of Thirty
    1950 Sculpture in Wood and Stone by Carroll Barnes (March 1–March 15) Carroll Barnes (American, 1906–1997) worked in various careers before turning his attention to sculpture full time at the age of thirty. His skills earned him a position as a professor of art at the University of Texas and commissions from many public and private institutions. His sculptures are created in various media, such as Lucite and steel. This exhibition of the California-based artist’s work presented thirty-seven of his sculptures. Barnes studied with Carl Milles (American, 1875–1955) at the Cranbrook Academy of Art. [File contents: exhibition flier] Color Compositions by June Wayne (March) June Wayne’s (American, 1918–2011) work received publicity in an article by Jules Langsner, who praised her for developing techniques of drawing the viewer’s eye through imagery and producing a sense of movement in her subjects. Her more recent works (as presented in the show) were drawn from the dilemmas to be found in Franz Kafka’s works. [File contents: two articles, one more appropriate for a later show of 1953 in memoriam Director Donald Bear] Prints by Ralph Scharff (April) Sixteen pieces by Ralph Scharff (American, 1922–1993) were exhibited in the Thayer Gallery. Some of the works included in this exhibition were Apocrypha, I Hate Birds, Walpurgisnacht, Winter 1940, Nine Cats, and Four Cows and Tree Oranges. Watercolors by James Couper Wright (April 3–April 15) Eighteen of James Couper Wright’s (1906–1969) watercolors were presented in this exhibition. Wright was born in Scotland, but made his home in Southern California for the previous eleven years.
    [Show full text]
  • John Kilduff Education: Solo Exhibitions
    John Kilduff Education: 2008 MFA, UCLA, Los Angeles, CA 1987 BFA, Otis Art Institute of Parsons School of Design, Los Angeles, CA Solo Exhibitions: 2017 MOCA-Tucson, Tucson, AZ 2016 Woodbury Unicersity, Burbank, CA 2015 Daniel Rolnik Gallery, Santa Monica, CA 2015 Blackstone Gallery, Los Angeles, CA 2014 Julius Caesar Gallery, Chicago, IL 2014 Steven Wolf Gallery, San Francisco, CA 2013 Blackstone Gallery, Los Angeles, CA 2009 Denler Art Center, St Paul, MN 2009 Jancar Gallery, Los Angeles, CA 2002 Brand Library, Glendale, CA 2000 Ojala Gallery, Los Angeles, CA 1990 Koplin Gallery, Santa Monica, CA Group Exhibitions: 2013 Space4Art, San Diego, CA 2012 Little Berlin Gallery, Philadelphia, PA 2011 Arthouse, Austin,TX 2010 Kavi Gupta Gallery, Berlin,GER 2010 L.A.C.E., Los Angleles,CA 2010 UC Irvine, Irvine,CA 2009 Lora Reynolds Gallery, Austin TX 2008 Embassy Gallery, Edinburgh, Scotland 2008 Black Dragon Society, Los Angeles, CA 2008 LA Weekly Biennial, Santa Monica, CA 2003 Lois Lambert Gallery, Santa Monica, CA 2001 OSP Gallery, Boston, MA 1996 Tatistcheff/Rogers Gallery, Santa Monica, CA 1995 California State University, Northridge 1994 Millard Sheets Gallery, Pomona, CA 1993 Angels Gate Cultural Center, San Pedro, CA 1991 San Diego Museum of Art, San Diego, CA (catalog) Publications Los Angeles Weekly, 3/9/2004 New American Paintings, 2013,1997,2001 American Artist, 7/98 Los Angeles Times, 8/19/90; 4/29/95 Performances High Zero Festival, Baltimore, MD 2014 The Satellite, Los Angels, CA 2013 Silent Barn,Brooklyn, NY 2013 SUNY-Purchase,
    [Show full text]
  • Contemporary Works ‘Toon Up
    CONTEMPORARY WORKS ‘TOON UP In the 1940s and 50s, the popular culture of the United States was saturated with images of cartoons. The baby boom inspired the use of cartoons in advertising; lure in the kids, and the parents will spend more money. But whether for advertising or entertainment, cartoons were the order of the day, and the visual language through which they communicated was seen on a massive scale. Accessibility is one aspect of cartoons that makes them excellent inspirations for visual art. A vast majority of the population has seen a cartoon on television, in a movie, or as part of a comic strip or graphic novel. This widespread familiarity with the construct of cartoons allows people of all ages and sensibilities to enjoy and understand the message contained therein. Presently on view at the Ball State University John Clem Clarke (American, born 1937) • Heater and Tub—Pentimenti, 1997 Museum of Art, Art in the ‘Toon Age, an international Acrylic on linen on mylar • Ball State University Museum of Art Collection exhibition of forty-two contemporary works of art. Featured artists include Roger Brown, John Clem Clarke, such inspired pieces is much deeper. Selected pieces from the exhibition belie Takashi Murakami, Chicago Imagists Jim Nutt and Karl their mild-mannered appearance by divulging themes of genocide, despair, and Wirsum, and many more. These artists grew up seeing aggression upon closer inspection. In this way cartoons have come of age and cartoons used frequently in the world around them. In been adapted to speak of more aspects of human life than ever before.
    [Show full text]
  • Tuesday of Holy Week - March 30, 2021 Isaiah 49:1-7 • Psalm 71:1-14 • 1 Corinthians 1:18-31 • John 12:20-36
    Tuesday of Holy Week - March 30, 2021 Isaiah 49:1-7 • Psalm 71:1-14 • 1 Corinthians 1:18-31 • John 12:20-36 John 12:20-36 Word of Life, 1964, by Millard Owen Sheets, American, 1907-1989 Stone mural Hesburgh Library, University of Notre Dame, South Bend, Indiana Continued Lectionary Texts for the Tuesday of Holy Week 2021- March 30 • Page 2 At 68 feet wide and 134 feet tall, this large mural decorates the exterior entrance to the Hes- burgh Library at the University of Notre Dame. The resurrected Jesus Christ is leading a proces- sion of saints, thinkers, teachers, and writers from different centuries and locations to convey the concept of the Roman Catholic Church’s historical continuity. n the words of Millard Sheets: “What they asked me to do was to suggest in a great processional the idea of a never-ending line of great scholars, thinkers, and teachers — saints that represented the best that man has recorded, and which are found represented in a library. The thought was that the various peri- ods that are suggested in the theme have unfolded in the continuous process of one generation giving to the next. I put Christ at the top with the disciples to suggest that He is the great teach- er — that is really the thematic idea.” Composed of 324 panels, the mural has 81 different stones from 16 countries in 171 finish- es, including granite, marble, and limestone. Sheets first made a painting of the design, and the Cold Spring Granite Company translated the design into a pattern of more than 6,000 separate pieces.
    [Show full text]