Art of the Americas
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The Los Angeles
Otis College of Art and Design Ben Maltz Gallery 9045 Lincoln Boulevard, Los Angeles, CA 90045 www.otis.edu/benmaltzgallery; [email protected]; (310) 665-6905 ©2014, Binding Desire: Unfolding Artists Books Otis College of Art and Design, Ben Maltz Gallery ISBN: 0-930209-34-6 This book is published in conjunction with the exhibition Binding Desire: Unfolding Artists Books, January 25-March 30, 2014, organized by the Ben Maltz Gallery at Otis College of Art and Design. The project is funded in part by The Gladys Krieble Delmas Foundation. All rights reserved. No part of this book may be reproduced in any form by any electronic or me- chanical means (including photography, recording, or information stor- age and retrieval) without permission in writing from publisher. Publisher: Otis College of Art and Design, Ben Maltz Gallery Editors: Cathy Chambers, Meg Linton, Sue Maberry Designer: Sheldon Forbes Publication Format: iBook Images: Unless noted otherwise, photography and videography by Kathleen Forrest, Derek McMullen, Sarah Morton, and Chris Warner i Contents • Introduction – Meg Linton • L.A. Bound – Kathleen Walkup • Plates of Works in the Exhibition • Curricular Connections • Public Programming • Biographies • Acknowledgements ii Introduction by Meg Linton Binding Desire: Unfolding Artists Books presents a sampling of works from the Otis Millard Sheets Library’s Spe- cial Collection of artists’ books dating from the 1960s to the present. This teaching collection is one of the larg- est in Southern California with over 2,100 objects and it includes work by such luminaries as Vito Acconci, Joseph Beuys, and Ed Ruscha as well as significant work from major pro- duction centers like Beau Geste Press, Paradise Press, Printed Matter, Red Fox Press, and Women’s Studio Workshop. -
Our Lady of Guadalupe, by Timothy Schmalz
Our Lady of Guada lupe Then the dragon was angry with the woman, and went off to make war on the rest of her offspring, on those who keep the commandments of God and bear testimony to Jesus. ~ Revelation 12:17 ECEMBER 12 is the feast of Our Lady of Gua- “Am I not here, I, who am your dalupe, the Mother of the Americas. The Vir- D gin of Guadalupe has been loved and hon- mother? Are you not under my ored for over four hundred fifty years by shadow and protection? Do you countless people throughout the world, particularly by the Mexican faithful. The miraculous events of need anything more?” 1531 culminated in the conversion of an entire cul- ture that had been enslaved to idolatry and massive human sacrifice. Before the coming of the Spanish conquistador Cortéz, the Aztecs were under the dominion of Mon- tezuma, a harsh tyrant and deeply superstitious king. In addition to exacting enormous taxes from those living in the outlying tribes of his empire, like his predecessors Montezuma demanded a bloody tribute of human victims to be sacrificed to the gods on the steps of the great stone temples. As many as twenty thousand victims would be brutally sacrificed when a new temple was erected. With the Spanish conquistadors came Spanish missionaries who intended to bring the saving Gos- pel to the Aztecs. But the roots of the pagan Az- tec culture were deep and their task of evangelizing them was difficult. The cruelty and rapacity of some Spaniards, those interested solely in gold and slaves, was not much improvement on the misery inflicted by the Aztecs. -
Millard Sheets Was Raised and Became Sensitive to California’S Agricultural Lifestyle
YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY I A A R R N T O F C I L L U A B C CALIFORNIA ART CLUB NEWSLETTER Documenting California’s Traditional Arts Heritage for More Than 100 Years e s 9 t a 9 0 b lis h e d 1 attracted 49,000 visitors. It was in this rural environment that Millard Sheets was raised and became sensitive to California’s agricultural lifestyle. Millard Sheets’ mother died in childbirth. His father, John Sheets, was deeply distraught and unable to raise his son on his own. Millard was sent to live with his maternal grandparents, Louis and Emma Owen, on their neighbouring horse ranch. His grandmother, at age thirty-nine, and grandfather, at age forty, were still relatively young. Additionally, with two of their four youngest daughters, ages ten and fourteen, living at home, family life appeared normal. His grandfather, whom Millard would call “father,” was an accomplished horseman and would bring horses from Illinois to race against Elias Jackson “Lucky” Baldwin (1828-1909) at Baldwin’s “Santa Anita Stable,” later to become Santa Anita Park. The older of Millard’s two aunts babysat him and kept him occupied Abandoned, 1934 with doing drawings. Oil on canvas 39 5/80 3 490 Collection of E. Gene Crain he magic of making T pictures became a fascination to Sheets, as he would later explain in Millard Sheets: an October 28, 1986 interview conducted A California Visionary by Paul Karlstrom for the Archives of American Art, Smithsonian by Gordon T. McClelland and Elaine Adams Institution: “When I was about ten, I found out erhaps more than any miles east of downtown Los Angeles. -
Saint Juan Diego Worksheet
Name _____________________________________ Date _______________ Saint Juan Diego Directions: Read the biography and answer the questions. Saint Juan Diego was born in Mexico in 1474 before European Christians arrived in the New World. As an ordinary peasant living in the Aztec Empire, he was among the first to convert to Christianity and be baptized by Franciscan missionaries in 1524. Juan Diego regularly walked from his home past Tepeyac hill on the way to the Franciscan mission for catechetical instruction. On December 9, 1531 the Virgin Mary appeared to him along this journey on top of Tepeyac hill and asked him to tell the bishop to build a chapel in her honor there. After relaying the message to the bishop, who did not approve of the idea, he made his way home and Our Lady appeared to him again disappointed that he could not convince the bishop of her request. He tried again and the bishop asked for a sign that the apparition was real. The Virgin Mary told Juan Diego to collect flowers in his tilma (cloak) and bring them to the bishop. When Saint Juan Diego unfolded his cloak to show the bishop the flowers, he was amazed to see an image of Our Lady of Guadalupe appearing as an Indian woman shining in the sun. A chapel was constructed on the hill just outside of Mexico City and the miraculous image was put on display. Devotion to Our Lady of Guadalupe became the source of many conversions to the Catholic faith and today she is the patroness of the Americas. -
When the Saints Go Marching In! Lessons Learned from Causes, Past and Present Presented by Mark G
When the Saints go marching In! Lessons learned from Causes, Past and Present Presented by Mark G. Thiel at the Tekakwitha Conference, Alexandria, Louisiana, July 2015 1. Welcome to “When the Saints Go Marching In!” and thank you for attending. My name is Mark Thiel, the Marquette University archivist who keeps the historical records of the Black and Indian Mission Office and the Tekakwitha Conference with some Lessons Learned from canonization Causes, Past and Present. 1 2. Since its earliest days, the Christian community has proclaimed its notable saints as heroes who lead the march into Heaven. From all Christians – laity, clergy, and religious of all cultures, continents, and ways of life, they have provided a mosaic of diverse models of Christian virtue who have served as our intercessors and mediators with God for granting miracles and favors. In so doing, the Catholic Church continues to teach that while Jesus holds all power and all prayer must be answered by him, he chooses to not act alone. Rather, he collaborates with his vast multitude, the Communion of Saints. 3. In 34 A.D., soon after Jesus’ crucifixion, the Apostles appointed Stephen as one of the first deacons to preach the Gospel in Jerusalem. He healed people and worked miracles too, which angered some who confronted him and stoned him to death. Then the Christian community proclaimed him a martyr and saint, and thus began the practice of proclaiming those saints those among us who lived exceptional holy Christian lives and entering their names into special canons or honor roll of saints. -
Feast of the Immaculate Conception December 8Th
SECOND SUNDAY IN ADVENT DECEMBER 6, 2020 Pastor’s Column Mananitas for Our Lady Advent Penance Service of Guadalupe See inside as Fr. Justin talks about See inside for our Advent Penance this Sundays Gospel. See inside for how to celebrate Our Service and others around the Lady of Guadalupe. community. Pg. 5 & 15 (Español) Pg.13 & 16 (Español) Pg. 7 Feast of the Immaculate Conception December 8th See inside for our Mass times for the Feast of Immaculate Conception Continued on Pg. 7 Temporary Office Hours: Monday: 9:30-4:30 p.m. 7810 Cypresswood Drive Tuesday– Thursday: 9:30 –8:30 p.m. Spring, Texas 77379-7101 Friday: 9:30-12:30 p.m. Archdiocese of Galveston-Houston Office: 281-370-3401 Saturday: 11-1 p.m. www.silcc.org Fax: 281-605-1640 WELCOME TO ST. IGNATIUS OF LOYOLA YouTube: See our Live-stream Masses on our YouTube channel. Search for St. Ignatius Loyola Spring on YouTube and subscribe. Facebook: Visit us on Facebook for our Live stream of liturgical events. See liturgy page for more information. @ignatiusloyolacc Very Rev. Norbert Maduzia Rev. Justin Cormie WEEKLY WORSHIP SCHEDULE/ HORARIO DE LITURGIA Jr., E. V., D. Min. Pastor Parochial Vicar EUCHARISTIC CELEBRATIONS PASTORAL OFFICE/ OFICINA PASTORAL Monday– Friday: 9 a.m. Daily Mass (Also on Live-stream) Wednesday: Clergy 6:45 p.m. Mass Dcn. Billy Chen Permanent Deacon Saturday: Dcn. Scott Glueck Permanent Deacon 5:15 p.m. Mass (Also on Live-stream) Dcn. Mike Higgins Permanent Deacon Sunday: 7:30 a.m. Mass Dcn. Greg Mouton Permanent Deacon 10 a.m. -
Our Lady of Guadalupe
Feast Day—December 12 Our Lady of Guadalupe A Beautiful Lady Her Miraculous Image Juan Diego was an Aztec In the meantime, Juan’s uncle became very ill, in Mexico and a convert and Juan had to stay home to care for him. He to the Catholic faith. On was unable to return on Monday for Mary’s Saturday, December 9, 1531, sign. By Tuesday, his uncle was dying, so Juan he was walking to church for set off to get a priest. On the way, he met the Mass when a beautiful lady Holy Virgin. Embarrassed, he apologized for Juan Diego appeared to him, surrounded not meeting her. Mary replied, by light. She told him she was the Immaculate “Do not let anything bother you, and Virgin Mary, the Mother of the true God. She do not be afraid of any illness, pain, or wanted to have a shrine built at Tepeyac Hill accident. Am I, your mother, not here? so that she could show her love for the people. Are you not under my shadow and She said, protection? What more could you want? “Ask for my help. Here I will listen to Don’t worry about your uncle. He is well people’s prayers, and I will help them.” already.” Mary then asked Juan to tell the bishop her Mary told Juan to go to the top of a hill and wishes. Juan did so, but the bishop didn’t gather the flowers he would find growing believe him. Juan returned to the lady and there. Juan knew that nothing ever grew on suggested she send to the bishop someone that rock hill, let alone in the middle of winter. -
BRUNA STUDE PUBLIC COLLECTIONS Hawaii State
BRUNA STUDE PUBLIC COLLECTIONS Hawaii State Foundation for Culture and the Arts, Honolulu, Hawai`i The Contemporary Museum, [Honolulu Museum Of Art] Honolulu, Hawai`i The Honolulu Academy of Arts, [Honolulu Museum Of Art] Honolulu, Hawai`i Bibliothèque Nationale de France, Paris, France SOLO EXHIBITIONS 2016 Honolulu Museum of Art, at FHC Honolulu, Hawai`i 2015 Shark Fin Soup, Alfstad& Contemporary, Sarasota, FL 2013 Maui Arts & Cultural Center (MACC), Maui, Hawai`i 2008 Kaua`i Museum, Lihue, Hawai`i 2007 TIMESPACE, Hanapepe, Kauai, Hawai`i 2006 Sulkin/Secant Gallery, Bergamot Station Art Center, Santa Monica, California SELECTED GROUP EXHIBITIONS 2015 Change & Continuity, Hawai`i State Art Museum, Honolulu, Hawai`i Oil + Water, galerie 103, Kaua`i, Hawai`i 2014 PRINT, PAPER + SANDBOX, galerie 103, Kaua`i, Hawaii 2013 Grand Prix De La Decouverte, Paris, France Uniques, Maui Arts & Cultural Center (MACC), Maui, Hawai`i 2012 Fish Out of Water, galerie 103, Kaua`i, Hawai`i Biennial of Hawai`i Artists X, Spalding House, Honolulu Museum of Art Hawai`i, Curator: Inger Tully, Honolulu, Hawai`i 2011 Artists of Hawai`i 2011, 59th Bienniall Juried Exhibition, The Honolulu Academy of Arts, Honolulu, Hawai`i 2010 Winter Kunstkammer - Part II, Walter Randel Gallery, New York, NY 2009 20 Going On 21: Honoring the Past, Celebrating the Present The Contemporary Museum, Honolulu, Hawai`i DREAMSCAPES, LOOK Gallery, Los Angeles, California Artists of Hawai`i 2009, 58th Biennial Juried Exhibition, The Honolulu Academy of Arts, Honolulu, Hawai`i The Art Studio -
“The Parishes of the Upper Yakima Valley”
THE HOLY FAMILY OF JESUS, MARY AND JOSEPH December 27, 2020 SAINT JOHN CATHOLIC CHURCH SAINT JUAN DIEGO CATHOLIC CHURCH “THE PARISHES OF THE UPPER YAKIMA VALLEY” REV. BROOKS BEAULAURIER PASTOR PARISH BOOKKEEPER CARRIE PETERSON 509-653-2534 CARRIE.PETERSON@ YAKIMADIOCESE.ORG SACRAMENT OF RECONCILIATION AND ADORATION: St. John’s—Naches—Tuesday 6:00 to 7:00 PM WEEKEND MASSES St. Juan Diego—Cowiche—6:00 to 6:30 PM ST . J O H N ’ S P AR I S H Or by appointment with the Pastor VIGIL MASS 5 : 0 0 P M CONTACT INFORMATION SUNDAY MASS 8 : 0 0 AM SAINT JOHN’S SAINT JUAN DIEGO SAINT JUAN DIEGO PAR ISH MAILING & STREET ADDRESS: THURSDAY MASS / MAILING ADDRESS: P.O. BOX 128 ADORATION NACHES, WA 98937-0128 15800 SUMMITVIEW ROAD ADORATION 6:00 PM COWICHE, WA 98923 STREET ADDRESS: 204 MOXEE AVE MASS 6:30 PM OFFICE: (509)678-4164 NACHES, WA 98937-9717 EMAIL: [email protected] V I G I L M AS S — 7 : 0 0 PM OFFICE: (509)653-2534 FACEBOOK: SUNDAY MASSES HTTPS://WWW.FACEBOOK.COM/STJUANDIEGOCOWICHE OR 10:00 AM ENGLISH EMAIL: [email protected] WEBSITE: STJOHNNACHES.ORG HTTPS://WWW.FACEBOOK.COM/JUANDIEGOCOWICHE 11:30 AM SPANISH 1 SACRIFICIAL OFFERING Please don’t forget your Sunday Envelope! Average weekly cost to operate St. Juan Diego (SJD) for July 2019—June 2020, based on $2,130.00 previous years’ cost. Collection Figure for weekend of December 19 & 20, 2020 for St. Juan Diego $1,411.00 Average weekly cost to operate St. John (SJ) for July 2017—June 2018, based on $2,011.00 previous years’ cost. -
Guadalupe at Calvary: Patristic Theology in Miguel Sa´ Nchez’S Imagen De La Virgen Mari´A (1648)
Theological Studies 64 (2003) GUADALUPE AT CALVARY: PATRISTIC THEOLOGY IN MIGUEL SA´ NCHEZ’S IMAGEN DE LA VIRGEN MARI´A (1648) TIMOTHY MATOVINA [Readers of Miguel Sa´nchez’s Imagen de la Virgen Marı´a, which contained the first published account of Our Lady of Guadalupe’s acclaimed apparitions to the indigenous neophyte Juan Diego, rarely recognize that he was trained in the theology of the Church Fathers, particularly in the writings of St. Augustine. Here the au- thor illuminates the influence of patristic thought and theological method on Sa´nchez, as well as the frequently ignored but founda- tional role of his theology and that of the Church Fathers on the Guadalupe tradition.] 1 IGUEL SA´NCHEZ’S Imagen de la Virgen Marı´a contained the first M published account of Our Lady of Guadalupe’s acclaimed appari- tions to the indigenous neophyte Juan Diego on the hill of Tepeyac. Though the vast majority of devotees maintain that the foundational text of the Guadalupe tradition is the Nican mopohua, the Nahuatl version of the apparition narrative first published in Luis Laso de la Vega’s 1649 volume Huei tlamahuic¸oltica,2 Sa´nchez is heralded with Laso de la Vega and their fellow American-born priests Luis Becerra Tanco and Francisco de Flo- TIMOTHY MATOVINA received his Ph.D. from the Catholic University of America. He is associate professor of theology and director of the Cushwa Center for the Study of American Catholicism at the University of Notre Dame. He has recently edited Beyond Borders: Writings of Virgilio Elizondo and Friends (Orbis, 2000) and co-edited with Gary Riebe-Estrella, Horizons of the Sacred: Mexican Traditions in U.S. -
Patssi Valdez Los Angeles, California B.F.A. Otis Art Institute, Los Angeles, CA Parsons School of Design, New York, NY
Patssi Valdez Los Angeles, California B.F.A. Otis Art Institute, Los Angeles, CA Parsons School of Design, New York, NY Museum Solo Exhibitions 1999 A Precarious Comfort, The Mexican Museum, San Francisco, CA; Laguna Art Museum, CA (Touring Exhibition) 1995 Patssi Valdez: A Room of One’s Own, San Jose Museum of Art, CA Museum Group Exhibitions 2018 Bridges in Time of Walls: Chicano/Mexican Art from Los Angeles to Mexico City. Pacific Standard Time: LA/LA. Traveling Exhibition through 2020. Museo de Arte Carrillo Gil, Mexico City, Mexico. La Gran Galeria, Centro Cultural de Acapulco, Acapulco, Mexico; Museo de los Pintores, Oaxaca de Juarez, Mexico; Museo de las Artes de la Universidad de Guadalajara, Guadalajara, Mexico; Centro Cultural Tijuana, Tijuana, Mexico 2017 Axis Mundo: Queer Networks in Chicano L.A. Pacific Standard Time: LA/LA. Traveling Exhibition through 2020. MOCA Pacific Design Center, West Hollywood, CA. The Hunter College Art Galleries New York, NY; The Gund Gallery at Kenyon College, Gambier, OH; Lawndale Art Center, Houston, TX; Vicki Myhren Gallery, Denver, CO; Williams College of Museum of Art, Williamstown, MA; Marjorie Barrick Museum of Art, Las Vegas, NV 2017 Judithe Hernández and Patssi Valdez: One Path Two Journeys. Pacific Standard Time: LA/LA, Millard Sheets Art Center, Pomona, CA. 2017 Radical Women: Latin American Art, 1960-1985. Pacific Standard Time: LA/LA, Pomona, CA. Hammer Museum, Los Angeles, CA. Brooklyn Museum, Brooklyn, NY. 2015 Take 10: The Past Decade of Collecting by Cheech Marin, Mesa Contemporary -
Master Inventory of Millard Sheets Studio and Home Savings Art and Architecture-Published Version August 2018.Xlsx
Master Inventory of Millard Sheets Studio and Home Savings Art and Architecture-Published Version August 2018.xlsx Branch Name Owner Date Acquired Art Construction Branch (if different before Date Last Stained Fabric Painted Archival Firm Address City State or Opened Date Location Closed Number than city) Home Status Seen Mosaic? Glass? Sculpture? work? Furnishings? mural? No Art? Subject(s) Worked On By Records Copyright 2018 by Adam Arenson - please use to support documentation and preservation efforts, crediting the source. South Pasadena Junior High frescoes - School 1500 Fair Oaks Avenue South Pasadena CA 1929 1929 destroyed by 1935 Y California Millard Sheets (Unknown Name) beach club Long Beach CA before 1932 1930 Millard Sheets, Phil Dike (date and Scripps College Art Building Claremont CA 1930 specifics before 1932, before 1932, likely destroyed before Sheets Robinson’s Company Los Angeles CA likely 1929-1932 1929-1932 1975 Y Y Fantasie Millard Sheets exhibit State Mutual Building and before 1932, before 1932, likely AAA- Loan Los Angeles CA likely 1929-1932 1929-1932 Y Millard Sheets Millard before 1932, before 1932, likely Sheets YMCA Pasadena CA likely 1929-1932 1929-1932 Y exhibit covered then Modern Bullock’s Men’s Store 640 S Hill St Los Angeles CA 1934 1934 uncovered in 1975; Y World Millard Sheets mural in Beverly Hills Hotel 9641 Sunset Blvd Beverly Hills CA 1935 main lobby: Millard Sheets (date and Beverly Hills Tennis Club 340 North Maple Drive Beverly Hills CA 1935 not there, if ever 2014 Y specifics Millard Sheets