Master Inventory of Millard Sheets Studio and Home Savings Art and Architecture-Published Version.Xlsx
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Los Angeles
Otis College of Art and Design Ben Maltz Gallery 9045 Lincoln Boulevard, Los Angeles, CA 90045 www.otis.edu/benmaltzgallery; [email protected]; (310) 665-6905 ©2014, Binding Desire: Unfolding Artists Books Otis College of Art and Design, Ben Maltz Gallery ISBN: 0-930209-34-6 This book is published in conjunction with the exhibition Binding Desire: Unfolding Artists Books, January 25-March 30, 2014, organized by the Ben Maltz Gallery at Otis College of Art and Design. The project is funded in part by The Gladys Krieble Delmas Foundation. All rights reserved. No part of this book may be reproduced in any form by any electronic or me- chanical means (including photography, recording, or information stor- age and retrieval) without permission in writing from publisher. Publisher: Otis College of Art and Design, Ben Maltz Gallery Editors: Cathy Chambers, Meg Linton, Sue Maberry Designer: Sheldon Forbes Publication Format: iBook Images: Unless noted otherwise, photography and videography by Kathleen Forrest, Derek McMullen, Sarah Morton, and Chris Warner i Contents • Introduction – Meg Linton • L.A. Bound – Kathleen Walkup • Plates of Works in the Exhibition • Curricular Connections • Public Programming • Biographies • Acknowledgements ii Introduction by Meg Linton Binding Desire: Unfolding Artists Books presents a sampling of works from the Otis Millard Sheets Library’s Spe- cial Collection of artists’ books dating from the 1960s to the present. This teaching collection is one of the larg- est in Southern California with over 2,100 objects and it includes work by such luminaries as Vito Acconci, Joseph Beuys, and Ed Ruscha as well as significant work from major pro- duction centers like Beau Geste Press, Paradise Press, Printed Matter, Red Fox Press, and Women’s Studio Workshop. -
Claremontier SPLIT DECISION Council Not in Agreement Over Police Management Contract C Claremont-Courier.Com See Page 3
Saturday 07-31-10 u 75 cents ourClaremontier SPLIT DECISION Council not in agreement over police management contract C claremont-courier.com See page 3 She’s a familiar CHS junior is t face, but in charge paving his own of a new place road on the way Story on page 5 to becoming one of the top Inside today’s paper young cyclists in California Newspapers play important watchdog role See page 2 See page 12 COURIERONLINE claremont-courier.com Vote in our new online Claremont poll Los Angeles County firefighters from stations 101 COURIER photo/Steven Felschundneff Dousing a and 186 attempt to knock down flames that have engulfed the garage of a home in the 3300 block of Mills Avenue on Tuesday in Claremont. It took 15 fiery hot spot minutes for crews to extinguish the blaze which caused major damage to the home. Story on page 4. Claremont COURIER/Saturday, July 31, 2010 2 1420 N. Claremont Blvd., Ste. 205B Claremont, CA 91711 (909) 621-4761 Office hours: Monday-Friday 9 a.m. to 5 p.m. Owners Martin and Janis Weinberger Editor and Publisher Newspapers continue to play important Peter Weinberger [email protected] Managing Editor watchdog role Kathryn Dunn [email protected] ’ve written many a column on the financial Newsroom plight of the newspaper industry over the past City Reporter I2 years. The overall situation has improved Tony Krickl somewhat because most media companies have [email protected] simply cut expenses drastically. This cost cutting Education and Sports Reporter by Peter Weinberger Landus Rigsby has offset the drop in advertising revenue due to [email protected] the recession and the Internet. -
Rupert Deese
RUPERT DEESE Born in Upland, California, 1952 EDUCATION 1976 University of California at Santa Barbara, M.F.A. 1974 University of California at Santa Barbara, B.A. 1994 Artist-in-Residence, Chinati Foundation, Marfa, Texas SOLO EXHIBITIONS 2012 “Array 1000,” Project Space, Nancy Hoffman Gallery, New York Nancy Hoffman Gallery, New York 2007 “Full Circle: Prints from Manneken Press,” Reese Bullen Gallery, Humboldt State University, Arcata, California; traveling to Marty Walker Gallery, Dallas, Texas; Diboll Art Gallery, Loyola University, New Orleans, Louisiana Nancy Hoffman Gallery, New York 2004 Compact Gallery, San Luis Obispo, California Nancy Hoffman Gallery, New York 2003 Project Space, Nancy Hoffman Gallery, New York 2001 Nancy Hoffman Gallery, New York “On the Wall,” Tobey C. Moss Gallery, Los Angeles 1999 “Rupert Deese: Recent Prints,” Project Space, Nancy Hoffman Gallery, New York 1997 Nancy Hoffman Gallery, New York 1994-95 The Chinati Foundation, Marfa, Texas 1991 “Southern Sierra Nevada Rivers: preparatory studies from geological and geographical information,” Franklin & Marshall College, Lancaster, Pennsylvania 1990 Nancy Hoffman Gallery, New York 1986 Nancy Hoffman Gallery, New York 1981 Cuesta College Art Gallery, San Luis Obispo, California 1980 San Luis Obispo Art Center, California 1976 Art Gallery, University of California, Santa Barbara GROUP EXHIBITIONS 2016 “Tiny Treasures,” Nancy Hoffman Gallery, New York 2015 “In the Pink,” Nancy Hoffman Gallery, New York 2014-15 “Cutout/Decoupage,” Nancy Hoffman Gallery, New York -
Oral History Interview with Harrison Mcintosh
Oral history interview with Harrison McIntosh Funding for this interview provided by the Pacific Art Foundation. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ..................................................................................................... -
Millard Sheets Was Raised and Became Sensitive to California’S Agricultural Lifestyle
YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY I A A R R N T O F C I L L U A B C CALIFORNIA ART CLUB NEWSLETTER Documenting California’s Traditional Arts Heritage for More Than 100 Years e s 9 t a 9 0 b lis h e d 1 attracted 49,000 visitors. It was in this rural environment that Millard Sheets was raised and became sensitive to California’s agricultural lifestyle. Millard Sheets’ mother died in childbirth. His father, John Sheets, was deeply distraught and unable to raise his son on his own. Millard was sent to live with his maternal grandparents, Louis and Emma Owen, on their neighbouring horse ranch. His grandmother, at age thirty-nine, and grandfather, at age forty, were still relatively young. Additionally, with two of their four youngest daughters, ages ten and fourteen, living at home, family life appeared normal. His grandfather, whom Millard would call “father,” was an accomplished horseman and would bring horses from Illinois to race against Elias Jackson “Lucky” Baldwin (1828-1909) at Baldwin’s “Santa Anita Stable,” later to become Santa Anita Park. The older of Millard’s two aunts babysat him and kept him occupied Abandoned, 1934 with doing drawings. Oil on canvas 39 5/80 3 490 Collection of E. Gene Crain he magic of making T pictures became a fascination to Sheets, as he would later explain in Millard Sheets: an October 28, 1986 interview conducted A California Visionary by Paul Karlstrom for the Archives of American Art, Smithsonian by Gordon T. McClelland and Elaine Adams Institution: “When I was about ten, I found out erhaps more than any miles east of downtown Los Angeles. -
The Summer Reading Issue
US $30 The Global Journal of Prints and Ideas July – August 2019 Volume 9, Number 2 The Summer Reading Issue: Recommended Reading for the Print-Curious, from History to Fiction Léon Spilliaert in the Margins • Turning the Pages with Ed Ruscha • Jan Svenungsson • Prix de Print • News THE LARGEST INTERNATIONAL ART FAIR CELEBRATING 500 YEARS OF PRINTMAKING OCTOBER 23–27 2019 JAVITS CENTER I NEW YORK CITY EXHIBITORS Alan Cristea Gallery Goya Contemporary/ Paulson Fontaine Press Alice Adam Ltd. Goya-Girl Press Paupers Press August Laube Buch Graphicstudio/USF Polígrafa Obra Gráfica & Kunstantiquariat Harris Schrank Fine Prints R. S. Johnson Fine Art Bernard Jacobson Graphics Hauser & Wirth Redfern Gallery Ltd. Brooke Alexander, Inc. Hill-Stone, Inc. Ruiz-Healy Art C. G. Boerner Isselbacher Gallery Scholten Japanese Art Carolina Nitsch Jim Kempner Fine Art Shark's Ink. Catherine Burns Fine Art John Szoke Gallery Sims Reed Gallery Childs Gallery Krakow Witkin Gallery Sragow Gallery Cirrus Gallery Kunsthandlung Stanza del Borgo Crown Point Press Helmut H. Rumbler Stoney Road Press David Tunick, Inc. Lelong Editions STPI Dolan/Maxwell Marlborough Graphics Susan Sheehan Gallery Durham Press, Inc. Mary Ryan Gallery Susan Teller Gallery Emanuel von Baeyer mfc-michèle didier Tamarind Institute Flowers Gallery Mike Karstens Tandem Press Flying Horse Editions/UCF Mixografia® The Old Print Shop, Inc. G. W. Einstein Company, Inc. Niels Borch Jensen The Tolman Collection of Tokyo Gallery & Editions Galeria Toni Tàpies - Edicions T Thomas French Fine Art Osborne Samuel Ltd. Galerie Maximillian Two Palms Pace PrintsParagon Galerie Sabine Knust Universal Limited Art Editions, Inc Paramour Fine Arts Gallery Neptune & Brown Ursus Rare Books Paul Prouté s.a. -
Newsletter/Spring 2016 the DAS DAS DAS News the Decorative Arts Society, Inc
newsletter/spring 2016 Volume 24, Number 1 Decorative Arts Society The DAS DAS DAS news The Decorative Arts Society, Inc. in 1990 for the encouragement of interest in, the appreciation of, and the exchange of DAS sees changes on board, information about the decorative arts. To, is pursuea not-for-profit its purposes, New theYork DAS corporation sponsors foundedmeetings, Newsletter programs, seminars, tours and a newsletter on the decorative arts. Its supporters include museum curators, academics, collectors and dealers. is at peak of service and vitality Please send change-of-address information by e-mail to [email protected]. or the past 10 years, I have had to the chairs of the Robert C. Smith for the fall Board of Directors Gerald W. R. Ward Editor the honor and pleasure to serve and Charles F. Montgomery Award of 2016: to President Senior Consulting Curator Gerald W. R. Ward as president of the Decorative committees, and to Gerry Ward and New Haven, Senior Consulting Curator & F Susan P. Schoelwer Katharine Lane Weems Senior Curator of Arts Society (DAS). Believing strongly Ruth Thaler-Carter for their dedica- CT, to see Katharine Lane Weems Senior Curator Robert H. Smith Senior Curator American Decorative Arts and - tion in bringing out each new issue of the exhibi- Sculpture Emeritus of American Decorative Arts and George Washington’s Mount Vernon cial to every organization (not to men- the newsletter. tion Art and Museum of Fine Arts, Boston Sculpture Emeritus Mount Vernon, VA that changes in leadership are benefi Boston, MA Museum of Fine Arts, Boston I owe special thanks to Nicholas Industry Boston, MA decided to step down. -
811 Bed VA Hospital Opens
811 bed VA hospital opens Kathy Kluzek Located on the edge of the UCSD campus Situated as close as it is to the CSD behind the school of medicine, the six -story medical school , the VA hospital plans to VA hospital has just recently opened its doors coop rate extensively With It. All of the Ultimately planned to accomodate 811 beds. ho spital ph YSicians Will have staff the hospital now has 120 of those operative and appointments at the med school , and the ha s admitted its first 60 patients. The e sc hool will have many students. residents. and patients came from the Los Angeles VA trainees working at the ho pltal hospital at Wadsworth. that is being closed The sums of money essential to runntng any down . hospital are high and the VA hospital is no In March . many more VA patients will be exception Con trucllon co ts amount to transferred to thl new site. although the somewhere around $35 million whil e the hospital will not become fully operatIOnal until purchase of equipment requires anoth r 9 next fall . million When fully operatIOnal. the operating costs will b clos to 15 million. 85 p r cent of Highly innovative. the new VA hospital ha s which goes toward ·taffing man y specia . features It is complet Iy earthquake-proof. being built upon 16 "seismiC Presentl v the tare numbers 600 p rsons. but towers" arranged in groups of four this figure w1ll continue to n e until It reache Its maximum of 1550 sometime next fall Th exterior wall IS movable. -
California Design, 1930-1965: “Living in a Modern Way” CHECKLIST
^ California design, 1930-1965: “living in a modern way” CHECKLIST 1. Evelyn Ackerman (b. 1924, active Culver City) Jerome Ackerman (b. 1920, active Culver City) ERA Industries (Culver City, 1956–present) Ellipses mosaic, c. 1958 Glass mosaic 12 3 ⁄4 x 60 1 ⁄2 x 1 in. (32.4 x 153.7 x 2.5 cm) Collection of Hilary and James McQuaide 2. Acme Boots (Clarksville, Tennessee, founded 1929) Woman’s cowboy boots, 1930s Leather Each: 11 1 ⁄4 x 10 1⁄4 x 3 7⁄8 in. (28.6 x 26 x 9.8 cm) Courtesy of Museum of the American West, Autry National Center 3. Allan Adler (1916–2002, active Los Angeles) Teardrop coffeepot, teapot, creamer and sugar, c. 1957 Silver, ebony Coffeepot, height: 10 in. (25.4 cm); diameter: 9 in. (22.7 cm) Collection of Rebecca Adler (Mrs. Allan Adler) 4. Gilbert Adrian (1903–1959, active Los Angeles) Adrian Ltd. (Beverly Hills, 1942–52) Two-piece dress from The Atomic 50s collection, 1950 Rayon crepe, rayon faille Dress, center-back length: 37 in. (94 cm); bolero, center-back length: 14 in. (35.6 cm) LACMA, Gift of Mrs. Houston Rehrig 5. Gregory Ain (1908–1988, active Los Angeles) Dunsmuir Flats, Los Angeles (exterior perspective), 1937 Graphite on paper 9 3 ⁄4 x 19 1⁄4 in. (24.8 x 48.9 cm) Gregory Ain Collection, Architecture and Design Collection, Museum of Art, Design + Architecture, UC Santa Barbara 6. Gregory Ain (1908–1988, active Los Angeles) Dunsmuir Flats, Los Angeles (plan), 1937 Ink on paper 9 1 ⁄4 x 24 3⁄8 in. -
BRUNA STUDE PUBLIC COLLECTIONS Hawaii State
BRUNA STUDE PUBLIC COLLECTIONS Hawaii State Foundation for Culture and the Arts, Honolulu, Hawai`i The Contemporary Museum, [Honolulu Museum Of Art] Honolulu, Hawai`i The Honolulu Academy of Arts, [Honolulu Museum Of Art] Honolulu, Hawai`i Bibliothèque Nationale de France, Paris, France SOLO EXHIBITIONS 2016 Honolulu Museum of Art, at FHC Honolulu, Hawai`i 2015 Shark Fin Soup, Alfstad& Contemporary, Sarasota, FL 2013 Maui Arts & Cultural Center (MACC), Maui, Hawai`i 2008 Kaua`i Museum, Lihue, Hawai`i 2007 TIMESPACE, Hanapepe, Kauai, Hawai`i 2006 Sulkin/Secant Gallery, Bergamot Station Art Center, Santa Monica, California SELECTED GROUP EXHIBITIONS 2015 Change & Continuity, Hawai`i State Art Museum, Honolulu, Hawai`i Oil + Water, galerie 103, Kaua`i, Hawai`i 2014 PRINT, PAPER + SANDBOX, galerie 103, Kaua`i, Hawaii 2013 Grand Prix De La Decouverte, Paris, France Uniques, Maui Arts & Cultural Center (MACC), Maui, Hawai`i 2012 Fish Out of Water, galerie 103, Kaua`i, Hawai`i Biennial of Hawai`i Artists X, Spalding House, Honolulu Museum of Art Hawai`i, Curator: Inger Tully, Honolulu, Hawai`i 2011 Artists of Hawai`i 2011, 59th Bienniall Juried Exhibition, The Honolulu Academy of Arts, Honolulu, Hawai`i 2010 Winter Kunstkammer - Part II, Walter Randel Gallery, New York, NY 2009 20 Going On 21: Honoring the Past, Celebrating the Present The Contemporary Museum, Honolulu, Hawai`i DREAMSCAPES, LOOK Gallery, Los Angeles, California Artists of Hawai`i 2009, 58th Biennial Juried Exhibition, The Honolulu Academy of Arts, Honolulu, Hawai`i The Art Studio -
Patssi Valdez Los Angeles, California B.F.A. Otis Art Institute, Los Angeles, CA Parsons School of Design, New York, NY
Patssi Valdez Los Angeles, California B.F.A. Otis Art Institute, Los Angeles, CA Parsons School of Design, New York, NY Museum Solo Exhibitions 1999 A Precarious Comfort, The Mexican Museum, San Francisco, CA; Laguna Art Museum, CA (Touring Exhibition) 1995 Patssi Valdez: A Room of One’s Own, San Jose Museum of Art, CA Museum Group Exhibitions 2018 Bridges in Time of Walls: Chicano/Mexican Art from Los Angeles to Mexico City. Pacific Standard Time: LA/LA. Traveling Exhibition through 2020. Museo de Arte Carrillo Gil, Mexico City, Mexico. La Gran Galeria, Centro Cultural de Acapulco, Acapulco, Mexico; Museo de los Pintores, Oaxaca de Juarez, Mexico; Museo de las Artes de la Universidad de Guadalajara, Guadalajara, Mexico; Centro Cultural Tijuana, Tijuana, Mexico 2017 Axis Mundo: Queer Networks in Chicano L.A. Pacific Standard Time: LA/LA. Traveling Exhibition through 2020. MOCA Pacific Design Center, West Hollywood, CA. The Hunter College Art Galleries New York, NY; The Gund Gallery at Kenyon College, Gambier, OH; Lawndale Art Center, Houston, TX; Vicki Myhren Gallery, Denver, CO; Williams College of Museum of Art, Williamstown, MA; Marjorie Barrick Museum of Art, Las Vegas, NV 2017 Judithe Hernández and Patssi Valdez: One Path Two Journeys. Pacific Standard Time: LA/LA, Millard Sheets Art Center, Pomona, CA. 2017 Radical Women: Latin American Art, 1960-1985. Pacific Standard Time: LA/LA, Pomona, CA. Hammer Museum, Los Angeles, CA. Brooklyn Museum, Brooklyn, NY. 2015 Take 10: The Past Decade of Collecting by Cheech Marin, Mesa Contemporary -
Master Inventory of Millard Sheets Studio and Home Savings Art and Architecture-Published Version August 2018.Xlsx
Master Inventory of Millard Sheets Studio and Home Savings Art and Architecture-Published Version August 2018.xlsx Branch Name Owner Date Acquired Art Construction Branch (if different before Date Last Stained Fabric Painted Archival Firm Address City State or Opened Date Location Closed Number than city) Home Status Seen Mosaic? Glass? Sculpture? work? Furnishings? mural? No Art? Subject(s) Worked On By Records Copyright 2018 by Adam Arenson - please use to support documentation and preservation efforts, crediting the source. South Pasadena Junior High frescoes - School 1500 Fair Oaks Avenue South Pasadena CA 1929 1929 destroyed by 1935 Y California Millard Sheets (Unknown Name) beach club Long Beach CA before 1932 1930 Millard Sheets, Phil Dike (date and Scripps College Art Building Claremont CA 1930 specifics before 1932, before 1932, likely destroyed before Sheets Robinson’s Company Los Angeles CA likely 1929-1932 1929-1932 1975 Y Y Fantasie Millard Sheets exhibit State Mutual Building and before 1932, before 1932, likely AAA- Loan Los Angeles CA likely 1929-1932 1929-1932 Y Millard Sheets Millard before 1932, before 1932, likely Sheets YMCA Pasadena CA likely 1929-1932 1929-1932 Y exhibit covered then Modern Bullock’s Men’s Store 640 S Hill St Los Angeles CA 1934 1934 uncovered in 1975; Y World Millard Sheets mural in Beverly Hills Hotel 9641 Sunset Blvd Beverly Hills CA 1935 main lobby: Millard Sheets (date and Beverly Hills Tennis Club 340 North Maple Drive Beverly Hills CA 1935 not there, if ever 2014 Y specifics Millard Sheets